PAIR OF REGENCY BRONZE AND ORMOLU CANDLESTICK LAMPS EARLY 19TH CENTURY in the form of fluted columns surmounted with urns, raised on a socle base with circular foot, the ormolu with acanthus leaf, scroll and foliate designs, the cream pinch pleated shades(39.5cm high to the bulb fitting, 12.5cm diameter)
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SIR JOSEPH EDGAR BOEHM R.A. (AUSTRIAN 1834-1890) BRONZE BUST OF QUEEN VICTORIA modelled facing dexter, raised on a round socle foot impressed with VICTORIA R, the reverse inscribed J.E.BOEHM(20cm high)Footnote: Provenance: Gifted by Queen Victoria to Dr. Alexander Profeit, Factor at Balmoral Castle 1875-1896 Thence by family descent
VICTORIAN GILT BRONZE MOUNTED WALNUT, AMBOYNA, AND MAHOGANY CREDENZA LATE 19TH CENTURY the raised centre section with a pierced gallery rail, above a cupboard door centred by a Sèvres style porcelain plaque and foliate line inlay, opening to shelved interior; flanked by mirrored open quarter round shelves, on a shaped plinth base, with gilt bronze mounts throughout(137cm wide, 109cm high, 41cm deep)
TWO SHELL-CARVED CAMEOS 18TH CENTURY the oval panels depicting Europa and the Bull and Harmonia and the Serpent, in gilt bronze frames; together with a CARVED SHELL CAMEO, in a later gilt mount, fitted as a brooch, depicting putti with fruit,(cameos 8cm wide excluding the frame, brooch 3.5cm wide)
LOUIS XV STYLE KINGWOOD, AMBOYNA, AND MAHOGANY BUREAU PLAT, IN THE MANNER OF CHARLES CRESSENT LATE the brass banded top with a tooled and gilt brown leather insert, above a shaped frieze with three short frieze drawers with dummy drawers opposing, raised on squared cabriole legs, with gilt bronze mounts throughout(170cm wide, 76cm high, 86cm deep)
PAIR OF FRENCH GILT AND PATINATED BRONZE CANDELABRA 19TH CENTURY each with a central candle sconce with an eagle finial insert and three further candle sconces, above tapered reeded columns with chain draped elephant masks and lily cast bases on tripod lion paw supports and plinths(48.5cm high)
PAIR OF FRENCH COBALT GLAZED PORCELAIN AND GILT BRONZE MOUNTED LAMPS 19TH CENTURY of baluster form, applied with twin swan neck handles and foliate swags, raised on an acanthus moulded base and square section foot, fitted for electricty, with cream waisted rectangular shades(53cm high to top of bulb fitting)
PIERRE LENORDEZ (FRENCH 1815-1892) GLADIATEUR bronze, medium brown patina, modelled standing four square on a naturalistic ground, inscribed "Gladiateur né en 1862. Par Monarque et Miss Gladiator. Gagnant en 1864 du Clearwell à Newmarket, en 1865 des 2000 guinées du Derby d'Epsom, du Grand Prix de Paris. Appartenant à M. le comte de Lagrange. Entrainé par M. Thom. Jennings. Monté par H. Grimshaw", signed to base(32cm high, 42cm wide)
South African Interest: Christine M Stockdale (1881-1933) Zulu Warrior An early 20th century patinated bronze figure of a standing warrior with shield and assegai, mounted on a green marble square moulded base, signed, 40cm high. Christine M Stockdale (1881-1933) Born in South Africa, Stockdale worked in both London and South Africa and was amongst the relatively small group of women working as sculptors in the Edwardian period particularly in South Africa. Her recorded dates are often confused with those of an aunt of the same name, who pre-deceased her by a year. William Kineton Parkes singled Stockdale out as one of the noteworthy sculptors in London who specialised in animal stone carving. Born in South Africa to an English father, she was the niece of the Sister Henrietta Stockdale (1847-1911), the British nursing pioneer and Anglican religious sister, an important and celebrated figure in the foundation of South African healthcare. Christine returned to England and studied in Birmingham although returned to South Africa during World War I where she worked for various patrons including the Friesland Breeders Association, working on two of their trophies depicting cattle. She returned to London establishing a studio in Hammersmith after the war and she travelled internationally. In London Stockdale sought primarily animal commissions relying on London Zoo for sketching the more exotic animals she had access to in South Africa. Although little is known of her later career, it seems that she was dogged by fragile health and died in Salisbury in 1933.
10 pre 1953 Australian Corps etc cap badges: Artillery (oxidised and brass), oxidised GRVI Engineers, Medical Corps, Veterinary Corps, and ASC; bronze Staff Corps, copper Instructional Corps, brass Signals, and gilt Catering Corps; also 6 pairs of collar badges: oxidised Artillery (2 pairs by Stokes), Medical, and ASC, brass Signals, and bronze General Service; and 5 other items. GC (27) £50-60
35 South African cap badges, mostly modern, a few earlier, including Natal Field Artillery bronze slouch hat badge, pre 1953 SA Artillery (officer’s bronze and WWII thin die struck copper), and Ryl Natal Carabiniers, also Orange Free State Artillery, Prince Albert’s Own Cape Field Artillery, Zimbabwe Artillery, etc, many with bolt and nut or pin and clasp fittings; also 3 pairs of collar badges. GC, mounted on a card. (41) £100-150
16 Cavalry collar badges: small Vic Bays, KC bronze Bays, brass 5th DG, Royal Dragoons (officers silver and gilt, worn, and OR’s), 11th Hussars, 12th Lancers, 15th Hussars (small pair of officer’s gilt, single OR’s), brass 17th Lancers, 13/18th Hussars (officer’s gilt KC and QEII, and 2 others), and 14/20th Hussars (worn officer’s gilt); 7 other collars, including 19th and 23rd London, and ERII City of Glasgow Artillery; and 15 Corps collar badges, including WWI Tank Corps, Vic RAMC, pre 1918 Army Vet Corps, bronze Recce Corps, etc. Average GC £40-60
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