Bronzenes Prunkbeil, skythisch, nördlicher Schwarzmeerraum, 6. – 5. Jhdt. v. Chr. Langschmales, leicht gebogenes Beil mit fast gerader Schneide. Die Breitseiten zum Schaft hin zweifach halbkreisförmig gerippt. Längliches Schaftloch. Der hintere Teil schließt mit dem stilisierten Kopf eines Raubvogels, wohl eines Adlers, eindrucksvoll ab. Exzellente Erhaltung des als Rangabzeichen bzw. Zepter dienenden Geräts. Hervorragende dunkelgrüne Patina. Länge 19,5 cm.Provenienz: Aus einer in Süddeutschland aufbewahrten Privatsammlung. Erworben in den 1970er bis 1980er Jahren im Kunsthandel und aus deutschen Privatsammlungen.Zustand: II -A luxury Scythian axe from the northern Black Sea region, 6th – 5th century B.C. Slightly curved bronze axe with almost straight cutting edge. The broad sides wavily ribbed towards the shaft hole. The rear shaft with the stylized head of an eagle. Excellent condition. Beautiful dark green patina. Lenght 19.5 cm.Provenance: From a private collection in southern Germany. Acquired on the art market and from German private collections in the 1970s and 1980s.Condition: II -
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Eindrucksvolle westgotische Gürtelschnalle, Bronze, 7. Jhdt. Hervorragend erhaltene bronzene Gürtelschnalle mit ungewöhnlicher Dekoration. Zentral das Haupt einer bedeutenden Person, beidseitig gerahmt von zwei Fabelwesen. Umlaufend ein florales Band. Rückseitig fünf Befestigungsösen. Intakt. Länge 12,5 cm. In Schaukasten (Maße 22 x 14 cm) montiert. Provenienz: Aus dem Nachlass eines südwestdeutschen Sammlers.Zustand: IIAn impressive Visigothic belt buckle, 7th century Excellently preserved bronze belt buckle with unusual decoration. Central the head of an important person, framed on both sides by two mythical creatures. A floral ribbon runs around it. Five fastening eyelets on the back. Intact. Length 12.5 cm. Mounted in a showcase (dimensions 22 x 14 cm). Provenance: From the estate of a collector in Southwest Germany.Condition: II
Vergoldetes Fabeltier einer Schiffsfahne, wikingisch, 10. Jhdt. Fabeltier mit s-förmig zurückgebogenem Schwanz und nach vorn gestrecktem Kopf. Auf dem Körper ornamentale Verzierung. Zwischen den Läufen noch Teile des oberen Rahmens der metallenen Fahne. Bronzevollguss mit Spuren flächiger Vergoldung. Länge 6,9 cm. Höhe 6,5 cm. Gewicht 201 g. Es handelt sich um ein außergewöhnlich seltenes Exemplar. Vollständig erhalten haben sich lediglich vier große Wikinger-Schiffsfahnen (in Schweden und Norwegen). An deren Oberkante wurde das aus Metall gegossene Fabeltier aufgesetzt und wies, ähnlich den auf vielen Schiffen dieser Zeit angebrachten Drachenköpfen, nach vorne. Provenienz: Aus alter süddeutscher Sammlung.Zustand: II -A Viking ship's flag finial in the form of a gilded mythical creature ('The Great Beast'), 10th century Mythical creature with tail bent back in an s-shape and head stretched forward. Ornamental decoration on the body. Between the barrels still parts of the upper frame of the metal flag. Full bronze casting with traces of gilding. Length 6.9 cm. Height 6.5 cm. Weight 201 g. This is an exceptionally rare example. Only four large Viking ship flags (in Sweden and Norway) have survived in their entirety. The metal cast mythical creature was placed on the upper edge of the flag and pointed forward, similar to the dragon heads on many ships of this time.Provenance: From an old South German private collection.Condition: II -
Ausdrucksstarke figürliche Bronzeapplike, wolgabulgarisch, 10. - 12. Jhdt. Frontal dem Betrachter zugewandte hockende Figur mit gekreuzten Beinen. Mit seiner im Schoß platzierten Linken hält der Dargestellte ein großes Kreuz vor seiner Brust, in der Rechten eine Schlange. Möglicherweise handelt es sich um eine Figur aus der nordischen Mythenwelt. Intakt. Exzellente Patina. Länge 5,2 cm. Gewicht 7,2 g. Provenienz: Aus süddeutscher Sammlung.Zustand: IIA figural bronze appliqué, Volgabulgaric culture, 10th - 12th century A repoussé bronze appliqué depicting a perching figure facing the spectator, sitting cross-legged and holding a serpent in this right hand, the left hand resting in the lap grasping the shaft of a large cross. A band of beads to the throat, the head bald with braids(?) beneath the ears, trimmed beard. Intact. Beautiful patina. Length 5.2 cm. Weight 7.2 g. Cf. Sedov, B. B. Finno-Ugri i Balti v Epokhi Srednevekovija, Moscow, 1987, table XCVII (9) for similar figure, truncated. Provenance: From a South German private collection.Condition: II
Feuervergoldeter Schildbeschlag, deutsch, 10./11. Jhdt. Fein gearbeitete Auflage aus feuervergoldeter Bronze für einen eisernen Schildbuckel. 24 Spangen, davon acht verloren, um zentralen Buckel. An der Basis der Spangen gelochte Befestigungslaschen, seitlich aufgesetzte Zierknäufe. Auf dem Buckel zentrale Lochung, umlaufend sieben kleine Lochungen, davon eine mit erhaltener blütenförmiger Niete. Verbogen, unvollständig. Maße ca. 7,5 x 11 cm.Seltener Zierbeschlag eines ritterlichen Schildes aus der Zeit der Schlacht von Hastings.Zustand: III - IVA German gilded shield mount, 10th/11th century Finely worked overlay of fire-gilt bronze for a single shield boss. 24 clasps, eight of them lost, around the central boss. Perforated mounting lugs at the base of the clasps, decorative knobs on the sides. Central perforation on the boss, seven small perforations all around, one of which with a preserved flower-shaped rivet. Bent, incomplete. Measures approx. 7.5 x 11 cm.Rare decorative fitting of a knight's shield from the time of the Battle of Hastings.Condition: III - IV
Khasarischer Säbel, Schwarzmeerregion, 8. – 9. Jhdt. An der Spitze zweischneidige Klinge. Die Parierstange auf der einen Seite vergoldet, auf der anderen Seite mit Resten von Silberplattierung. Die Griffangel mit Resten der eisernen Nietstifte. Korrodiert. Gute Eisensubstanz. Länge 84 cm. Dazu eine Scheidenaufhängung aus Bronze und 14 goldplattierte Bronzescheiben eines Pferdegeschirrs mit Durchmessern von 5,2 cm bis 7 cm. Zwei Scheiben mit Fehlstellen, sonst intakt. Außergewöhnliches Ensemble.Provenienz: Süddeutsche Privatsammlung.Zustand: III +A Khasar sabre from the Black Sea area, 8th – 9th century Double-edged blade at the tip. The crossguard gilded on one side, on the other side remains of silver inlays. Corroded. Good iron substance. Length 84 cm. In addition, a bronze sheath suspension and 14 gold-plated bronze discs from a horse harness with diameters from 5.2 cm to 7 cm. Two discs with flaws, otherwise intact. Extraordinary ensemble.Provenance: Southern German private collection.Condition: III +
Faltbares Dreifußgestell mit großem Becken nach griechischem Vorbild, um 1800 Bronze. Zusammenklappbares Dreifuß-Gestell. Die Beine mit Tatzenfüßen und als Knospen gestalteten oberen Abschlüssen. Höhe 74 cm. Halbrundes Becken mit abgesetztem profilierten Rand mit ionischem Kymation. Durchmesser 40,5 cm. Schöne grüne Alterspatina. Dazu als Einsatz eine einfache Blechschüssel. Zustand: IIA folding bronze tripod stand with large bowl, circa 1800 Legs with paws and upper finishes designed as buds. Height 74 cm. Semi-circular basin with an offset profiled rim with ionic cymation. Diameter 40.5 cm. Beautiful green age patina. A simple tin bowl as an insert. Condition: II
Bronzebüste des Kaisers Lucius Verus Büste des Lucius Aurelius Verus (Kaiser 161 - 169 n. Chr.) nach römischem Vorbild. Schwarz patinierte Bronze auf rundem Messingsockel. Sehr dekorativ! Gesamthöhe 25 cm. Vgl. etwa das Portrait des Lucius Verus im Louvre (MR 550/Ma 1170). Vgl. K. de Kersauson, Catalogue des portraits romains, II, Paris 1996, Nr. 122, S. 272.Zustand: II +A bronze bust of emperor Lucius Verus Bust of Lucius Aurelius Verus (Emperor 161 - 169 A.D.) after a Roman model. Black patinated bronze on a round brass base. Very decorative! Total height 25 cm. Cf. for example the portrait of Lucius Verus in the Louvre (MR 550/Ma 1170).Cf. K. de Kersauson, Catalogue des portraits romains, II, Paris 1996, no. 122, p. 272. Condition: II +
Renaissance-Skulptur eines Satyrn, Italien, 17. Jhdt. Modell nach Severo da Ravenna. Vollplastisch ausgeführte Bronze, diese dunkel patiniert. Auf späterem Holzsockel die kniende Figur eines Silen, in seiner rechten Hand die Reste eines Weinkelches haltend. Die Skulptur ist eindeutig in triebhaftem Zustand dargestellt. Gesamthöhe 20 cm. Leichte Altersschäden. Die linke Hand bestoßen. Der Kelch nur fragmentarisch erhalten. Ein Horn fehlt. Derartige Satyrstatuetten waren als Schreibtischutensil gebräuchlich und gehörten im 16. und 17. Jhdt. zu den beliebtesten Ausstattungsstücken der Studierzimmer. Das von Severo da Ravenna um 1520 geschaffene Modell wurde daher in zahlreichen Repliken und Varianten wiederholt.Zustand: II - IIIAn Italian Renaissance sculpture of a satyr, 17th century Model after Severo da Ravenna. Fully plastic bronze, darkly patinated. On a later wooden base the kneeling figure of a silenos holding the remains of a wine goblet in his right hand. The sculpture is clearly shown in a libidinal state. Total height 20 cm. Slight damage due to age. The left hand bumped. The chalice only fragmentarily preserved. One horn is missing. Satyr statuettes of this kind were common as desk utensils and were among the most popular pieces of furniture in study rooms in the 16th and 17th century. The model created by Severo da Ravenna around 1520 was therefore repeated in numerous replicas and variations.Condition: II - III
Der Dornauszieher, Bronze, Grand-Tour-Objekt, spätes 18. Jhdt. Kleine Bronzestatuette nach dem Vorbild des antiken "Spinario". Das Motiv erfreut sich seit dem 17. Jhdt. großer Beliebtheit bei jungen Herren auf "Grand Tour". Italienische Arbeit des ausgehenden 18. Jhdts. in sehr guter Erhaltung und mit einer schönen, natürlichen grau-braunen Patina. Feine Bildhauerarbeit. Höhe 18 cm, Durchmesser der Plinthe 10 cm. Zustand: I - IIA Boy with Thorn, bronze, Grand-Tour object, late 18th century Kleine Bronzestatuette nach dem Vorbild des antiken "Spinario". Das Motiv erfreut sich seit dem 17. Jhdt. großer Beliebtheit bei jungen Herren auf "Grand Tour". Italienische Arbeit des ausgehenden 18. Jhdts. in sehr guter Erhaltung und mit einer schönen, natürlichen grau-braunen Patina. Feine Bildhauerarbeit. Höhe 18 cm, Durchmesser der Plinthe 10 cm. Condition: I - II
Bronzefigurengruppe, Russland, 19. Jhdt. Dunkel patinierte Bronze. Darstellung eines verliebten jungen Paares in volkstümlicher Tracht auf einem einspännigen, zweirädrigen Wagen. Auf langrechteckigem Sockel mit angeschrägten Ecken. Zügel beschädigt. Grundmaße 32 x 15,5 cm.Zustand: II -A Russian bronze figure group, 19th century Dunkel patinierte Bronze. Darstellung eines verliebten jungen Paares in volkstümlicher Tracht auf einem einspännigen, zweirädrigen Wagen. Auf langrechteckigem Sockel mit angeschrägten Ecken. Zügel beschädigt. Grundmaße 32 x 15,5 cm.Condition: II -
Ein paar jagdliche Bronzen, Johannes Heidepriem, um 1880 Bronze, patiniert. Detailliert gearbeitete Darstellungen von zwei Jägern, jeweils mit einem Jagdhund auf dem Boden kniend. Die Flinte eines Jägers an der Mündung beschädigt, ein Gewehrhahn fehlt. Die rechteckigen Plinthen seitlich signiert "H. Heidepriem fec.". Eine Plinthe mit Gießerstempel "Gladenbeck, Berlin". Auf Sockeln aus gemasertem roten Marmor. Höhe 22 und 24,5 cm.Johannes Heidepriem (1855 - 1922): Bildhauer in Berlin.Zustand: II +A pair of bronzes depicting hunters by H. Heidepriem, circa 1880 Bronze, patiniert. Detailliert gearbeitete Darstellungen von zwei Jägern, jeweils mit einem Jagdhund auf dem Boden kniend. Die Flinte eines Jägers an der Mündung beschädigt, ein Gewehrhahn fehlt. Die rechteckigen Plinthen seitlich signiert "H. Heidepriem fec.". Eine Plinthe mit Gießerstempel "Gladenbeck, Berlin". Auf Sockeln aus gemasertem roten Marmor. Höhe 22 und 24,5 cm.Johannes Heidepriem (1855 - 1922): Bildhauer in Berlin.Condition: II +
A Woods Ltd cast bronze port hole, the rim stamped with makers name, the hinge stamped with 118, and A ‘crows foot’ B, 46cm round (excluding fittings), 5cm deep; together with the outer casting stamped 11375, 55cm diameter, inside rim 2.5cm. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.
A pair of early 20th Century large and impressive gilt bronze ormolu pair of electric wall sconces in the manner of Adam having a floral medallion top with ribbon detailing, twin sconces adorned with blossoming flowers set to a reeded central column and further detailing. Measures approx; 86cm x 46cm.
A heavy antique Chinese Ming Dynasty Xuande Mark (1426-1435) bronze archaic achiciastic tripod censer prayer bowl ding of low compressed squat form. The vessel having twin looped handles open well and raised on three small feet. Four character cast Xuande mark in Zhuanshu seal script but likely 19th Century. Weighs 1.180kg Measures approx; 8cm x 15cm.
An antique 19th Century Chinese Tibetan Oriental bronze figurine of Buddha of good quality having a beaded headdress, detailed robe and elongated earlobes. The robe decorated with scrollwork and medallions. Modelled with legs crossed, one hand resting on knee and over empty with open palm over crossed legs. Raised on a well detailed pedestal base. Measures approx; 21.5cm. Weighs 1.767kg Provenance; By repute purchased from the Lady Smythe estate of Ashton Court by the vendor's Grandfather in the 1950's.
After Francisque Joseph Duret (1804-1865) - The Neapolitan Dancer - A 19th Century French antique patinated bronze figurine of a male dancer. Beautifully modelled with detailed features, locks of hair, barefoot in shorts dancing with tambourine raised on circular plinth base. Measures: 44cm tall.
A GOLD BRACELET, BY GERMANO ALFONSI, CIRCA 1960Composed of five panels, each cast in high relief depicting the legend of Achilles, with T-bar and loop clasp, in 18K gold, each panel signed, length 19cmA similar bracelet sold at Sotheby's on March 2019, lot 83, for 11,250 EurosNino D'Antonio Germano was born to the Alfonsi family of jewellers in Rome in 1926. He was predominantly a sculptor, working in bronze through the use of the lost wax process. He carried this technique over to his jewellery making, bringing a sculptural element to his work. As the lost wax method causes the mould to degrade, Germano's designs could only be a carried out a finite number of times, making each piece one of a very limited edition. He worked in 18k gold and would sign his work 'Germano'.Germano's main inspiration was drawn from classical art and many of his pieces carry mythological themes. Furthermore, the gold is acid washed to create a soft hue, delicately mimicking the jewellery found on archaeological sites. A perfect example of this is the current lot which artfully depicts the tale of Achilles. Set against a plain background, the figures bear a striking resemblance to those found on Greek and Roman friezes, the muscular forms paying tribute to the perfection of the human physique and the immortal lineage of Achilles. Achilles' victories are juxtaposed with his demise, the two end plaques depicting Paris with his bow and a defeated Achilles with an arrow in his heel.Condition Report: Normal signs of wear, overall in good conditionSignatures located on each panel at the frontTotal gross weight approx. 71.13g
Mark Brazier-Jones'Angel' chair, designed 1997, produced 2005Patinated bronze, fabric. 84 x 43 x 54 cm Number 14 from the edition of 50. One leg incised 14 / 50 Mark Brazier-Jones 2005, impressed with copyright mark and Mark Brazier-Jones.Footnotes:LiteratureCharlotte and Peter Fiell, Mark Brazier-Jones, London, 2012, pp. 103, 166Nick Wright, Cut and Shut: The History of Creative Salvage, London, 2012, p. 101Bonhams wishes to thank Mark Brazier-Jones for his kind assistance with cataloguing the present lot.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Mark Brazier-JonesUnique and monumental 'Starfish' chandelier, designed for the White Elephant Restaurant, Athens, 1997Patinated and gilded bronze, copper and oxidized iron, iridescent glass cabochons.69 cm drop, 253 cm diameter Footnotes:ProvenanceWhite Elephant Restaurant, Athens, 1997Acquired from the abovePrivate collection, GreeceBonhams, New Bond Street, London, 'Important Design', 25 October 2017, lot 90Acquired from the above by the present ownerBonhams wishes to thank Mark Brazier-Jones for his kind assistance with cataloguing the present lot.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Studio JobPrototype 'Detour' chair, from the 'Detour' series, 2014Bollingen sandstone, bronze, beech. 122 x 38.5 x 38.5 cmProduced by Mitterrand + Cramer, and Stonetouch, Geneva, Switzerland, for Studio Job, Amsterdam, the Netherlands.Footnotes:Exhibition'Design Days', Anciens ateliers industriels Mayer & Soutter, Switzerland, 29 September-2 October 2016 LiteratureJob Smeets, Studio Job: Monkey Business, exh. cat., Museum of Arts and Design, New York, 2016, p. 187The present lot was part of the 'Studio Job Suite' a self-described 'crash pad for maximalists' which was located in an apartment within an early 20th Century townhouse in Oud Zuid, Amsterdam.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Studio JobTwo prototype 'Spectacle' wall lights, designed 2014, produced 2015Polished and patinated bronze, hand-blown glass, aluminium.Each: 21 x 19.5 x 21 cm Produced by Studio Job, the Netherlands. Prototypes from the edition of 25 and 5 artist's proofs. Base of each fixture impressed JOB 15 SJS. Footnotes:LiteratureJob Smeets, Studio Job: Monkey Business, exh. cat., Museum of Arts and Design, New York, 2016, pp. 203, 232This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Studio JobProtoype 'Mauriziø' toilet roll holder, 2017Polished bronze. 20 x 15 x 27 cmProduced by Studio Job, the Netherlands. Prototype from the edition of 6, plus 2 artist's proofs. Impressed JOB 17 JP. Together with wooden box impressed Job and copy of the certificate signed by the artists. Footnotes:ProvenanceGifted by the artist to the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Ferdinand Parpan'Taureau', designed 1950, posthumously cast 2016Patinated bronze. 19 cm highCast by Deroyaume Fondeur, Villers-sur-Port, France. Number 2 from the edition of 4. Underside stamped with foundry mark DEROYAUME/fondeur/GD, artist's mark and impressed 2016 II / IV F. PARPAN. Together with a certificate of authenticity from the Atelier d'Art Ferdinand Parpan.Footnotes:LiteratureJean-Charles Hachet, Ferdinand Parpan L'intuition des Formes, Paris, 2001, p. 100This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Ferdinand Parpan'Têtes de chevaux', designed 1968, later cast 1994Patinated bronze. 31 cm highCast by Landowski Fondeur, France. Number 1 from the edition of 8. Base stamped with foundry mark CIRE – PERDUE – LANDOWSKI – FONDEUR –, artist's mark and impressed 1968 1 / 8 F. PARPAN 1994. Together with a certificate of authenticity from the Atelier d'Art Ferdinand Parpan.Footnotes:LiteratureJean-Charles Hachet, Ferdinand Parpan L'intuition des Formes, Paris, 2001, pp. 49, 55, 124This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Ferdinand Parpan'Merle', designed 1942-1945, posthumously cast 2015Patinated bronze.57.5 cm highCast by Plaine foundry, Saint-Denis, France. Number 1 from the edition of 8. Stamped with foundry mark fondeur, artist's mark and impressed F. PARPAN 1 / 8. Together with a certificate of authenticity from the Atelier d'Art Ferdinand Parpan.Footnotes:LiteratureJean-Charles Hachet, Ferdinand Parpan L'intuition des Formes, Paris, 2001, p. 133This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
FERDINAND PARPAN'Matelot accordéonniste', designed 1950, posthumously cast 2014Patinated bronze. 155 cm highCast by Deroyaume Fondeur, Villers-sur-Port, France. Number 8 from the edition of 8. Base stamped with foundry mark DEROYAUME fondeur, artist's mark and impressed 2014 F. PARPAN 8 / 8. Together with a certificate of authenticity from the Atelier d'Art Ferdinand Parpan.Footnotes:LiteratureJean-Charles Hachet, Ferdinand Parpan L'intuition des Formes, Paris, 2001, p. 235This lot is subject to the following lot symbols: * AR TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Ferdinand Parpan'Couple amoureux face à face debout', designed 1936-1939, posthumously cast 2013Patinated bronze. 150 cm highCast by Deroyaume Fondeur, Villers-sur-Port, France. Number 6 from the edition of 8. Base stamped with foundry mark DEROYAUME/fondeur/GD, artist's mark and impressed DEROYAUME fdr 2013 6 / 8 F. PARPAN. Together with a certificate of authenticity from the Atelier d'Art Ferdinand Parpan.Footnotes:LiteratureJean-Charles Hachet, Ferdinand Parpan L'intuition des Formes, Paris, 2001, p. 165This lot is subject to the following lot symbols: * AR TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Ferdinand Parpan'Pierrot cubiste', 1939Patinated bronze. 35 cm highNumber 1 from the edition of 8. Base impressed F Parpan 1 / 8. Together with a certificate of authenticity from the Atelier d'Art Ferdinand Parpan.Footnotes:LiteratureJean-Charles Hachet, Ferdinand Parpan L'intuition des Formes, Paris, 2001, p. 222This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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