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An Elizabeth II 2018 Alderney "70th Birthday of HRH Prince of Wales" £5 commemorative three coin collection, copper plated in silver or 24ct. gold, in capsules, Jubilee mint case with COA, together with An Elizabeth II 2016 Gibraltar "Her Majesty Queen Elizabeth II 90th Birthday" ten crown commemorative coin, silver plated bronze, diameter 88.7mm, 400g, in perspex case block and fitted box, An Elizabeth II 2012 Cook Islands "Diamond Jubilee" five dollars commemorative coin, Westminster, copper plated in 24ct. gold, in capsule and box with COA, an Elizabeth II 2002 Falkland Islands "Golden Jubilee" 10 pounds commemorative coin, Westminster, in capsule and box (capsule a/f), an Elizabeth II 2000-2003 Guernsey "A Century of The Monarch" four commemorative five pounds coin set, Westminster, silver plated, in capsules and box, and an Elizabeth II 2016 Jersey "Her Majesty The Queen 90th Birthday" five pounds commemorative coin, nickel-brass with silver ink, in capsule and box with COA. (11 coins)
Buddha aus Bronze. THAILAND, 1880-1900. Stehende Darstellung, die rechte Hand ist im Abhaya Mudra auf Brusthöhe erhoben und nach vorne hin geöffnet, sie symbolisiert Ermutigung und Furchtlosigkeit. Wie eine schützende Hand segnet Buddha durch diese Geste den Empfänger. Bronze mit Resten einer Vergoldung, auf hohem rechteckigem Holzpodest. Alters- und Gebrauchsspuren besch., besonders an der linken Hand.| Bronze Buddha. THAILAND, 1880-1900. Standing figure, the right hand is raised in the Abhaya Mudra at chest level and open to the front, symbolizing encouragement and fearlessness. Like a protective hand, Buddha blesses the recipient through this gesture. Bronze with remains of gilding, on high rectangular wooden base. Signs of age and use dam. especially on the left hand.
NEUNDORF Tierfigur "Panther", 20. Jh. Weißporzellan, schreitender Panther auf rechteckigem Sockel, us. gemarkt mit der Adlermarke der Manufaktur "Neundorf", L 36 cm. Nachbildung der Bronzefigur von Antoine-Louis Barye "Panther", die sich im Louvre befindet.| NEUNDORF animal figure "Panther", 20th century, white porcelain, striding panther on a rectangular base, bottom marked with the eagle mark of the "Neundorf" manufactory, L 36 cm. Replica of the bronze figure of Antoine-Louis Barye "Panther" located in the Louvre.
BOLOGNA, Giovanni da NACH (1529-1608), 'Sieg der Tugend über das Laster', Bronze, braun patiniert, vollplastische Darstellung von Mann und Frau im Kampf, mit Plinthe aus einem Guss, auf Steinsockel montiert, HxB: gesamt ca. 33x15 cm. Alters- und Beriebspuren.| BOLOGNA, Giovanni da AFTER (1529-1608), 'Victory of virtue over vice', bronze, brown patina, three-dimensional depiction of a man and woman fighting, with a plinth made of one piece, mounted on a stone base, hxw: total approx. 33x15 cm. Signs of age and rubbing.
RODIN, Auguste NACH (1840-1917), 'Die Badende', Bronze, im Verfahren der verlorenen Form gegossen, braun patiniert, im Guss signiert, HxB: ca. 45x19 cm. Alters- und Beriebsspuren.| RODIN, Auguste NACH (1840-1917), 'The bather', bronze, cast using the lost mold method, brown patina, signed in the cast, HxW: approx. 45x19 cm. Signs of age and rubbing.
RODIN, Auguste NACH (1840-1917), 'Schlangenfrau', Bronze, im Verfahren der verlorenen Form gegossen, braun patiniert, im Guss signiert, HxB: ca. 38x13 cm. Alters- und Beriebsspuren.| RODIN, Auguste NACH (1840-1917), 'Snake woman', bronze, cast using the lost mold method, brown patina, signed in the cast, HxW: approx. 38x13 cm. Signs of age and rubbing.
PESCHKE, CHRISTIAN (1946-2017), 'Handstand', Bronze, im Wachsausschmlezverfahren gegossen, gold patiniert und poliert, aus einem Kreis herausgearbeiteter weiblicher Körper im einarmigen Handstand, rechtes Bein im Guss nummeriert 23/99 und signiert, auf Steinsockel montiert, HxB: gesamt ca. 23x15 cm. Alters- und Beriebspuren.| PESCHKE, CHRISTIAN (1946-2017), 'handstand', bronze, cast using the lost-wax process, gold patinated and polished, female body in a one-armed handstand worked out of a circle , right leg numbered 23/99 and signed in the cast, mounted on a stone base, hxw: total approx. 23x15 cm. Signs of age and rubbing.
CHIPARUS, Demétre NACH (1886-1947), 'Art Déco Tänzerin', Masse in Bronzeart, auf gestuftem Sockel, Museumsreplika, HxB: gesamt ca. 49x27 cm. Altersspuren.| CHIPARUS, Demétre NACH (1886-1947), 'Art Deco dancer', mass in bronze type, on a stepped base, museum replica, hxw: total approx. 49x27 cm. Signs of age
SEIFERT, VICTOR HEINRICH (1870-1953), "Trinkende", Bronze, poliert und part. brüniert, vollplastischer weiblicher Akt mit Trinkschale, auf runder Plinthe stehend, auf der Plinthe im Guss signiert 'Prof. V. Seifert', auf schwarzem, marmorisiertem Steinsockel montiert, HxBxT: Figur ca. 36,5x10,5x15 cm, gesamt ca. 46x10,5x15,5 cm. Altersspuren, Patina leicht fleckig, Riss an ihrem rechten Armansatz. | SEIFERT, VICTOR HEINRICH (1870-1953), "Drinking", bronze, polished and part. browned, fully plastic female nude with drinking bowl, standing on a round plinth, signed in the cast 'Prof. V. Seifert', mounted on a black, marbleized stone base, HxWxD: figure approx. 36.5x10.5x15 cm, total approx. 46x10.5x15.5 cm. Signs of age, slightly stained patina, crack at the base of her right arm.
GIAMBOLOGNA, NACH (G.: um 1529-1608), "Merkur", Bronze, dunkel patiniert, vollplastische Kopie der Merkursäule, auf runder Plinthe, auf rundem Steinsockel montiert, H: Figur ca. 24,5 cm, gesamt 32,5 cm. Altersspuren. Unterseitig Etikett mit Bezeichnung und Verweis auf die Merkursäule auf der Alten Kanzlei in Stuttgart. | GIAMBOLOGNA, AFTER (G.: around 1529-1608), "Mercury", bronze, dark patina, fully plastic copy of the Mercury column, on a round plinth, mounted on a round stone base, H: figure approx. 24.5 cm, total 32.5 cm. Signs of age. Label on the underside with the name and reference to the Mercury Column on the Old Chancellery in Stuttgart.
Universal Genève. Chronographe bracelet en acier mouvement mécaniqueUniversal Genève. A stainless steel manual wind chronographModel: CompaxDate: Circa 1940Movement: Jewelled Cal.281 manual wind Dial: Light bronze, black numeral Arabic hour markers, black outer 1/5th second divisions, black outer tachymetre scale, subsidiary dials at 3, 6 and 9 for seconds, 30 minute and 12 hour recording, blued steel pointed baton handsCase: Polished tonneau form, snap on back, crown flanked by twin pushers, No.680511Strap/Bracelet: Brown leatherBuckle/Clasp: Steel buckleSigned: Case, dial & movementSize: 30mmFor further information on this lot please visit Bonhams.com
A collection of silver and white metal jewellery including oval blue stone pendant, a gem set pendant, a hammered finished silver pendant, a silver floral panelled bracelet, nugget style silver line bracelet, a silver bangle with five various ball shaped beads, a filigree turquoise set brooch, two silver chain bracelets, an enamelled blue triple panelled pendant on trace link chain, a silver, gold and bronze finished drop pendant, a pair of white metal earrings, Scottie Dog silver brooch etc (a lot)
A pair of David Andersen Norwegian sterling silver enamelled circular dishes, one with gold pattern interior, the other with bronzed finish interior, paper label verso, complete with original presentation box, one with enamelled spoon (h: 2cm x 6cm) and a David Andersen sterling silver gilt jam spoon with blue guilloche enamelled, shows signs of use to bowl, (L: 13cm) and a similar matching spoon with bronze finish, guilloche enamelled feathering to handle, (L: 12cm) shows signs of use and damage to enamelling, two white metal 830 standard and 835 standard pastry fork and butter fork and a Continental silver mother of pearl mounted jam spoon, (a lot)
Circa 1998 Herve Leger Red 'Bandage' Dress with stylised v-neckline, long sleeves, panelled details to the bust, waist and skirt (size US small), the designer was known as 'Herve the Curve' for the Bandage Collection, these dresses are versatile and flattering and they were widely copied on the high street.Azzedine Alaia Sleeveless Bronze Dress, jersey style with short round collar, press stud fastening to the bodice, flared asymetric 'mesh' style skirt with under skirt, the "King of Cling" was a favourite designer with Grace Jones. (2)The Private Collection of Janet Menzies, Journalist'I began in journalism in the 1980s, the start of an economic boom reflected in an explosion of designer fashion and a new importance of “style”. I edited my own weekly fashion and style page (Update) on the Daily Mail in the mid ’80s and then moved on to be launch features editor for Hello! Magazine, which we never thought would be a hit …! I have attached a photo of me interviewing the late Baron Hubert de Givenchy for Hello! at the Ritz, Paris. I then went to the Daily Express and edited the women’s department, which included Jackie Modlinger’s fashion team. Most of the items here date from that period and shortly afterwards when I was a freelance.It was a tremendously glamorous time, we never stopped working and partying. Today I write books and articles about the countryside and spend most of my days in muddy wellies. I don’t think the shires are quite ready for an Isabell Kristensen black lace and crystal cocktail frock, so with great nostalgia I am saying goodbye to some of my pieces.'Azzedine Alaia dress - some stitched repairs to the skirt in a couple of places, couple of thread pulls/tiny holes, 28" bust, unlabelled.Both UK size 8

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389650 item(s)/page