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Lot 158
Dc Comics - Marvel - Image - North Star - Approximately 160 x mostly bronze and modern age comics and magazines including The Amazing Spider-Man # 130 , Silver Streak, Double Dragon, The Champions, The Mighty Thor, Alpha Flight and more. Also includes three Iron Maiden tour programmes. The books appear mostly in Good condition. (This does not constitute a guarantee)
Lot 159
DC Comics - Marvel - Innovation - Acclaim Comics - A collection of approximately 280 x mostly bronze and modern age comics including The Futurians, Warlocks, Sentinels Of Justice, Judge Dredd, Magnus Robot Fighter and more. Also includes a 1976 football programme. They appear mostly in Good condition. (This does not constitute a guarantee)
Lot 160
Marvel Comics - Dark Horse - Educomics - Topps - DC Comics - A collection of approximately 200 x mostly bronze and modern age comics including Fantastic Four, Gen Of Hiroshima, Spider-Man 2099, The West Coast Avengers, Spider-Man And Doctor Doom, Black Panther and more. They appear mostly in Good condition. (This does not constitute a guarantee)
Lot 173
Marvel Comics - DC Comics - Image - Valiant - 92 x bronze and modern age comics including Tarzan volume 1 # 1, Man From Atlantis volume 1 # 1, Fantastic Four volume 1 # 293 and more, also includes a limited edition Tellos # 1 alternative cover. They all appear in Good overall condition. (This does not constitute a guarantee)
Lot 2193
A collection of approx. 85 British Cap badges plus some collar dogs to include: RE inc Officers Bronze, Pioneer Corps, RLC, REME post 47 x 2, War Ecomony ASC, RASC, Royal Signals, RAMC, APC, Army Physical Training Corps, Military Police, Military Foot Police, ROAC, WW2 REME, Army Education Corps, RAEC, Pay Corps, Highland Light Infantry, Royal Warwickshire Regt, Worcestershire Regt, Lancs Hussars, RAVC, Life Guards, Royal Horse Guards, Scottish Regts, Border Regt, Liverpool Regt, Liverpool Scottish, Rifle Brigade, KRRC, etc.
Lot 2196
A collection of approx. 80 British cap badges to include: Northants Regt, West Yorks, Argyll & Sutherland Highlanders, Rifle Brigade, 22 Cheshire Regt, Cameronians, Isle of Wight Regt x 2, East Lancs, 3rd Vol Bn Hampshires, Hampshire Regt, RMP, 5th Lancers, Duke of Connaught's Own, IX-XII Lancers, XXIV Lancers, XXI Lancers Officers Bronze, Carabiners, XXI Lancers, Welsh Guards x 2, Grenadier Guards, Scots Guards, Middlesex Regt, Lancs Fusiliers, Royal Hampshires, XXIV Lancers enamelled, Queens Own Hussars, Lanarkshire Yeomanry, Notts & Derbys, Robin Hoods, RAC, Second Life Guards, 8th Gurkhas, 6th Gurkha Rifles, Duke of Cornwall's Light Infantry, KSLI, Royal Observer Corps, QC Parachute Regt, etc. Plus RE Sweetheart lapel badge and WW1 Army Pay Corps Shoulder title.
Lot 2197
A collection of over 70 British collar dogs including Officers bronze, some matched pairs to include: Pair bronze RAC, pair 9th Light Horse, Pair bronze London Scottish, pair SWB, pair Kings Crown Parachute Regt, pair bronze Royal Dragoons, pair Lothian & Berwick Imperial Yeomanry, pair bronze KOSB, pair bronze RASC, 7th Hussars, Welsh Regt, East Lancs, North Staffs, Worcestershire Regt, London Rifle Brigade, Bronze ATS, Bronze RAOC, Bronze AEC, Bronze Recce Corps, Bronze Somerset Light Infantry, Bronze Scottish Rifles, Gloucesters, RA, Coldstream Guards, ACC, Pair Norfolks, York & Lancs, Queens, Dragoon Guards, North Staffs, Queens Own Yorks Yeomanry, Borders, Middlesex, Welch Regt, Duke of Wellington's, East Surrey Regt, Ox & Bucks, Army Cyclists Coprs, Manchesters, Royal Scots, HLI, etc. Plus 17/21st NCO's arm badge, WO rank badge, 5th Dragoon Guards NCO's badge, WW1 Ypres sweetheart badge
Lot 2224
WW2 Imperial Japanese Army Officers Kyu Gunto Sword with single edged fullered blade 605mm in length. Tang is signed to both sides. Two holes to tang. Wire bound shark skin grip. Bronze decorative mounts. Company grade Officers knot. Scabbard has active service leather cover in place. Plus a green cotton cover. New to the market, war souvenir of a British Serviceman.
Lot 2026
WW2 British Officers Group to Lt. Col Charles Frederick Seston MBE, RIASC (formerly Sherwood Foresters) comprising of: Burma Star complete with ribbon and engraved to reverse: Framed Citation for the MBE awarded for gallant and distinguished service in Burma dated Jan 1946: Award case and papers for MBE (no medal): Miniature medals MBE, 1939-45 Star, Burma Star, Pacific Star, War Medal: Pair of ID discs: Pair of RIASC Officers Bronze cap badges: RIASC officers collar dog: Sherwood Foresters Officers collar dog: Pair of Sherwood Foresters lapel badges: XIV Army enamel lapel badge in 9ct Gold a/f: Box only for Long Service and Good Conduction medal: Colourised photo of him in uniform with rank of Lt. Col RIASC: Large Wooden cigarette case with carved RIASC Badge to lid.
Lot 2036
British Medal Ribbons. Original, new old stock ribbons. A large quantity of ribbons all original no modern reproductions. Ribbons date from pre WW1 through WW2 and up to the 1990's. Some of the WW2 ribbons on reels are dated 1945. Also some foreign ribbons such as Russian St Anne, French Croix de Guerre, US Bronze Star. Plus a tin full of ribbon emblems, MiD Oakleaves, Rosesettes etc.
Lot 2052
WW2 Third Reich Awards and insignia collection to include: Ehrenkreuz der Deutsche Mutter Dritte Stufe - Mother's Cross 3rd Class (Bronze), no ribbon: Medaille zum Ehrenzeichen für Deutsche Volkspflege - Medal to the German Social Welfare Decoration, no ribbon: Eagle and Swastika Lapel badge, maker marked RZM M1/13: NSDAP Cap cockade, unmarked. (4)
Lot 2053
Reproduction Third Reich badges to include: Nurnberg Partei Tag 1929 Non portable table medal, marked "F Hoffstatter, Bonn, 800": Bronze Anti Partizan badge, no makers mark: Bronze Balloon Observers badge marked "Godet u Sohn, Berlin": Pilots Badge marked "GWL": Observers badge marked "A". (5)
Lot 2074
Japanese Wakizashi Sword with single edged blade 267mm in length. Good clear hamon line present. Plain oval bronze Tsuba with blackened finish. Black cloth binding over a faux white fishskin grip. Menuki present to both sides. Overall length 420mm. Complete with black leather covered wooden scabbard.
Lot 2129
Imperial German Bronze Medallion featuring Kaiser Wilhelm II and the Empress. Struck to commemorate a visit to the City of London by the German Emperor William II and Empress Augusta Victoria, July 10, 1891. Heavy bronze medallion 80mm in diameter, 8mm thick and weight 330 grams. Maker marked "Elkington & Co, London."
Lot 462
A GROUP OF 20TH CENTURY CERAMIC, METAL AND RESIN ORIENTAL AND MIDDLE EASTERN FIGURES, VASE AND OTHER DECORATIVE ITEMS, including a bronze buddha, height 14cm, nine ceramic figures of men in a variety of poses, a metal vase, resin buddha, etc, (17) (Condition report: the figure of the scholar wearing white robes has a missing hand, the sage in the mustard robe is missing a fingertip, the majority of other pieces appear to be in good condition)
Lot 548
A BOXED LIMITED EDITION BRONZE OF A MOTHER AND CHILD, titled 'A Thousand Emotions' by Wu Ching Ju for UNICEF, numbered 55/999, release date 28/10/2006, with certificate of authenticity, figures recline on a separate glass base, dimensions including base: length 44cm x width 20cm x height 20.5cm (Condition report: bronze appears in good condition, a couple of tiny fleabites to glass base, box is worn) (1)
Lot 127
Buddha debout sur un haut tertre octogonal étagé serti de frises dentelées surmonté d'un e base lotiforme oblongue en Abaya Mudra vêtu de la robe monastique Uttarasanga richement brodé lui couvrant l'épaule gauche, et coiffé de la protubérance crânienne Ushnisha surmontée d’un haut rasmi flammé Bronze laqué et doré Thaïlande Royaume de Ratanakosin Fin 18ème début 19ème siècle 80cm
Lot 328
Biedermeier Portaluhr im Wiener Stil, eckiger Mahagoni-furnierter Korpus mit Schinkelgiebel, seitliche Vollsäulen aus Alabaster, vergoldete Bronze-Kapitelle/Sockel, rundes Zifferblatt mit weiß emailliertem Zahlenring, arabische Indices, Stahlzeiger, Schlüsselaufzug, Schlagwerk auf Glocke, auf dem Blatt bezeichnet ¨W.H. Bremer, Pinneberg¨, getriebenes Messing-Pendel mit Maskaronenkopf, parkettiertes, bogenförmiges Portal, H ca. 50cm, leichte Furnierschäden, Alabastersäulen mit Bruch-/Klebestelle, Uhr läuft, Funktion jedoch ungeprüft und ohne Gewähr
Lot 742
ARTIST: Ron Stewart (Arizona, born 1941)NAME: Time of Caution (titled on verso)MEDIUM: oil on boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 8 x 10 inches / 20 x 25 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftNAME VARIANTS: Ron StuartSKU#: 119968US Shipping $42 + insurance.BIOGRAPHY:Ron Stewart is a painter and sculptor of western, historical, wildlife, and animal subjects. He was born in Brooklyn, NY in 1941.In the over-crowded field of contemporary western artists, Ron Stewart's professional achievements have made his work familiar to a wide range of discriminating collectors. Ron is among those who is tied hard and fast to the quality of painting and the historical fidelity of the Old West Masters.The refined artistic abilities, in watercolor, oil, and bronze, are truly distinguished, but Ron brings more to his work than just the technical competence of a western illustrator.The Ron Stewart hallmark is the representation of the mood and the atmosphere appropriate to whatever he approaches. His paintings breathe life into the dusty pages of western history, be it the bawl of longhorn cattle, the war whoop of the red men, or the mountain man in his wilderness solitude.Ron has received awards multiple times at the competitive Death Valley Invitational, the George Phippen Memorial, and Best of Show, and Best Watercolor at the Pikes Peak National Invitational Show, and he also received numerous awards at the Western Artist of America, including three gold medals in Watercolor, two Silver medals in Watercolor, and one Silver medal in Oil, and one Silver medal in Bronze.His life was chronicled in Artists of the Rockies and the Golden West in winter of 1979, Ron and his wife Sharon have resided in Arizona for the last 45 years.Stewart has exhibited throughout the West in juried and group shows, collecting a variety of top awards for his works, including numerous gold and silver medals in oil, watercolor, bronze and drawing. International collections include locations in England, France, Germany, Italy, Denmark, Spain, the Philippines, and Japan.
Lot 743
ARTIST: Ron Stewart (Arizona, born 1941)NAME: Winter Chill (titled on verso)MEDIUM: oil on boardCONDITION: Very good. No visible inpaint under UV light.SIGHT SIZE: 8 x 10 inches / 20 x 25 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftNAME VARIANTS: Ron StuartSKU#: 119969US Shipping $42 + insurance.BIOGRAPHY:Ron Stewart is a painter and sculptor of western, historical, wildlife, and animal subjects. He was born in Brooklyn, NY in 1941.In the over-crowded field of contemporary western artists, Ron Stewart's professional achievements have made his work familiar to a wide range of discriminating collectors. Ron is among those who is tied hard and fast to the quality of painting and the historical fidelity of the Old West Masters.The refined artistic abilities, in watercolor, oil, and bronze, are truly distinguished, but Ron brings more to his work than just the technical competence of a western illustrator.The Ron Stewart hallmark is the representation of the mood and the atmosphere appropriate to whatever he approaches. His paintings breathe life into the dusty pages of western history, be it the bawl of longhorn cattle, the war whoop of the red men, or the mountain man in his wilderness solitude.Ron has received awards multiple times at the competitive Death Valley Invitational, the George Phippen Memorial, and Best of Show, and Best Watercolor at the Pikes Peak National Invitational Show, and he also received numerous awards at the Western Artist of America, including three gold medals in Watercolor, two Silver medals in Watercolor, and one Silver medal in Oil, and one Silver medal in Bronze.His life was chronicled in Artists of the Rockies and the Golden West in winter of 1979, Ron and his wife Sharon have resided in Arizona for the last 45 years.Stewart has exhibited throughout the West in juried and group shows, collecting a variety of top awards for his works, including numerous gold and silver medals in oil, watercolor, bronze and drawing. International collections include locations in England, France, Germany, Italy, Denmark, Spain, the Philippines, and Japan.
Lot 191
ARTIST: Theophile Emmanuel Duverger (France, 1821 - 1886)NAME: Classroom AnticsMEDIUM: oil on boardCONDITION: Very good. Minor stable craquelure. No visible inpaint under UV light.SIGHT SIZE: 14 x 10 1/2 inches / 35 x 27 cmFRAME SIZE: 24 x 20 inches / 60 x 50 cmSIGNATURE: lower leftPROVENANCE: Auctioneer James D Julia, Date 2017-02-09, Lot 1248CATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120893US Shipping $60 + insurance.BIOGRAPHY:Sympathetic genre scenes, especially those including children, proliferated during the mid-nineteenth century in France, often finding their inspiration in 17th-century Dutch paintings. Artists combined the experience of the Realist painters and their depiction of scenes from everyday life - without the occasional grittiness of their depictions - with the increasing interest in children to generate a series of charming images evoking the pleasant simplicity of rustic life. Theophile-Emmanuel Duverger, like Benjamin Eugene Fichel, contributed to this genre tradition, creating sentimental and nostalgic images that continue to retain their appeal for today's audience.Theophile-Emmanuel Duverger was born in Bordeaux, France, on September 17, 1821. Duverger was an exceptional character since he was an autodidact, skipping the formal training taken by many of his contemporary artists who also found success at the Parisian Salon. Instead, Duverger relied on his artistic inclinations based on his experience with nature, especially during his time at Ecouen, as well as his understanding of other painters whose works he may have seen while visiting museums. This type of personal training had its benefits since one could follow whatever path they desired instead of being brought into the occasionally tumultuous world of the Parisian ateliers, where rivalries often ran rampant and occasionally polarized the art community.While Bordeaux did have its own art scene, Duverger relocated to the art colony of Ecouen, started by Pierre Edouard Frere, in the Seine-et-Oise region near Paris, where Duverger eventually found success at the Salon and later commissions. The Ecouen colony boasted many other artists, including Auguste-Frederic-Albert Schenk, Jules-Jacques Veryrasset, Emile Lambinet, Emile-Louis Vernier, and Andre-Henri Dargelas, among several others. Duverger was Dargelas' father-in-law, and their work shows many similar tendencies. Duverger may have been inspired by Frere's compositions which also focused on depicting the home, family, and especially children. Ecouen, just eight miles outside of Paris, was the perfect location for artists to retreat from the bustling city and maintain close ties with the Salon.Duverger began exhibiting at the Salon at a critical time - 1846, even before the Salon was held in the Louvre and just two years before the 1848 Revolution, when Parisians took to the streets in revolt against the corrupt government of the July Monarchy. Duverger's images were far removed from the grim reality of the social and political scene in Paris at this time and instead focused on the cheerful nature of family life in rural France. But this imagery evolved only over time, and in his early years, he began his public showings with portraiture. His debut painting at the Salon of 1846 was Portrait of Mademoiselle Z...D....After the 1848 Revolution, France ushered in the Second Republic and later the Second Empire. Duverger's charming and unchallenging imagery found a ripe audience during this period of the Second Empire in Paris. A Time when an increasing middle class began to seek out artists and imagery that had removed itself from the heavily academic interests of many of the other Salon artists still practicing historical or mythological painting. It was not until the early 1850s that Duverger moved away from exhibiting portraiture at the Salon to paintings that were more representative of the style now commonly associated with him. In 1861, fifteen years after first exhibiting at the Salon, Duverger earned his first award; a third-class medal for his numerous showings, including La Gamelle du Grand Papa (The Mess Tin of Grandfather), Attente (The Wait), Echard (The Splinter), La Convalescence, (The Convalescence), Les Dames de Charite (Women of Charity). In 1863 he received an honorable mention, and in 1865 he received a second medal for Le Paralytique (The Paralytic) and Le Laboureur et Ses Enfants (The Worker and His Children). The Salon critic, Louis Auvray, was taken with the latter painting and wrote in his Salon review, Exposition des Beaux-Arts: Salon de 1865, that:The painting of the worker and his children, by Mr. Duverger, is a composition that touches you profoundly. The worker, feeling that life is leaving him, brings together his children around his bed, and, holding out his hand to his oldest son, begs him to return to his duty. The child, with his head down, overwhelmed by the reproach, struggles internally against his negative bents, which he tries to dominate to promise a return to the better. But his wife, who is breast-feeding her last child, appears to doubt that there will be any change possible to her husband's bad behavior.Duverger also submitted his work to the 1889 Exposition Universelle in Paris, where he received a bronze medal. In 1893 his painting L'Intemperance (Intemperance) was shown at the 1893 Columbian Exposition in Chicago. Duverger continued submitting his work to the Salon until 1898. Towards the end of his career, he, like many other artists, began exhibiting drawings and paintings, but for his last work, Duverger exhibited the painting Allant aux Champs (Going to the Fields). He died on August 25, 1898.Duverger showed a range of capabilities in his choice of imagery, ranging from the most well-known cheerful scenes of domestic life, but also knew how to speak to a more aristocratic audience with works that concentrated on the luxury of idleness and the splendor of interior settings. Examples of his work can now be found in the Musee des Beaux Arts, Bordeaux; Le Musee Artistique et Archeologique, La Roche-sur-Yon, and the London Guildhall Art Gallery.
Lot 211
ARTIST: Auguste Jules Marie Leroux (France, 1871 - 1954)NAME: Flamenco Dancer at MirrorMEDIUM: oil on boardCONDITION: Few small paint losses. Few very small scattered inpaintings/touch ups.SIGHT SIZE: 9 1/2 x 7 1/2 inches / 25 x 20 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120072US Shipping $42 + insurance.BIOGRAPHY:Jules Marie Auguste Leroux was a French painter and illustrator. His younger brother Georges Paul Leroux (1877-1957) was also a brilliant artist who won the Prix de Rome in painting in 1906 and was a member of the Academie des Beaux-arts.Jules Marie Auguste Leroux was born in the 3rd arrondissement of Paris on 14 April 1871, during the Commune.As a young man he entered the Ecole nationale superieure des arts decoratifs where he studied drawing of nudes from models and after academics. He was forced work on fashion drawings and illustrations for children.In 1892 he was then admitted to the Ecole nationale superieure des Beaux-Arts on the Rue Bonaparte, where he studied in the studio of Leon Bonnat (1833-1922).He won many successes including the 3rd drawing Medal in January 1892, the 2nd Medal in July and the 2nd Medal in November of that year. He did his military service with the 46th Infantry at Fontainebleau.Back in Paris in September 1893, he won the prize for figure drawing in November 1893 and the prize for torso in March 1894. He remained with the school until he was aged 23.He won the first Grand Prix de Rome in June 1894 with "Judith presenting the Head of Holofernes to the people of Bethulia", painting preserved at the National School of Fine Arts of Paris.He left for Italy for three years of study at the Villa Medici in Rome from 1895-1898, accompanied by the painter Adolphe Dechenaud and musician Henri Rabaud.At the villa, he met the musician Henri Busser, with whom he befriended and whose portrait he painted.He exhibited at the Salon of French artists from the beginning of the year 1898. He earned a bronze medal at the Universal Exhibition in Paris in 1900.Auguste Leroux was a Professor at the Ecole nationale superieure des Beaux-Arts in Paris for 30 years, a jury member of the committee of French Artists Society in 1904, an art teacher at the Academy de la Grande Chaumiere, and was made a knight of the Legion of Honor.Auguste Leroux was a great success as an illustrator of works by authors such as Giacomo Casanova, Joris-Karl Huysmans, Honore de Balzac, Gustave Flaubert, Stendhal and Anatole France. These editions are highly prized by bibliophiles.He died in Paris on 26 March 1954.
Lot 347
Artur Volkmann 1851 Leipzig - 1941 Geislingen an der Steige Silen, auf Esel reitend. 1899. Bronze, teilweise schwarzbraun und auf der Plinthe rötlich patiniert. Auf der Plinthe signiert und datiert 'A. Volkmann, Rom / April 1899'. Gesamt: 68,5 x 57 x 27,5 cm (26,9 x 22,4 x 10,8 in). Auf rotem Marmorsockel. PROVENIENZ: Privatsammlung Bayern. LITERATUR: Anette Niethammer, Wie auf den Tag das Abendsonnenlicht: Hans von Marées' Meisterschüler Artur Volkmann (1851-1941), Nordhausen 2006, S. 363-366, S. 486-487, Nr. 136 (m. Abb.). Die Figur des Silen entstammt der griechischen Mythologie. Als Lehrer von Dionysos oder dessen Begleiter bei seinen rauschhaften Umzügen ist er ein Wesen der Natur, der Triebe und des Instinkts. In der Kunst etabliert sich seit der Wiederentdeckung der Mythologie in der frühen Neuzeit das Motiv des trunkenen Silenen, oftmals dargestellt mit den Mänaden im Tross des Bacchus auf einem Esel reitend. Gerade am Ende des 19. Jahrhunderts werden die Typen der Mythologie in ihrer allgemeinen Aussage wiederentdeckt, allen voran durch Friedrich Nietzsche mit dem philosophischen Begriffspaar des Apollinisch-Dionysischen, der Veranlagung des Menschen zwischen Ratio und Rausch. Der Silen fügt den ansonsten von einem schönlinigen, idealen Klassizismus geprägten Plastiken Volkmanns eine weitere Dimension hinzu, die seine künstlerische Arbeit in engem Austausch mit den Diskursen seiner Zeit zeigen. Artur Volkmann studiert ab 1873 Bildhauerei in Dresden und Berlin. Ab 1876 ermöglicht ihm ein zweijähriges Stipendium einen Aufenthalt in Rom, wo er für die anschließenden Jahrzehnte seine Wahlheimat findet. Dort macht er die Bekanntschaft mit dem Maler Hans von Marées, der ihn künstlerisch wesentlich beeinflusst. Lediglich aus finanziellen Gründen kehrt Volkmann immer wieder für einige Zeit nach Deutschland zurück, um sich neue Aufträge zu sichern. In Zwiesprache mit der Antike, ihrer „edlen Einfalt und stillen Größe“ entstehen Bildwerke und Plastiken antiker Figuren wie Bacchus, Psyche, Aphrodite, die sich einem neuen Klassizismus in der Vereinfachung der Form und Betonung der Linie verschreiben, aber dennoch eine gewisse Natürlichkeit ohne Idealisierung auszudrücken versuchen. 1911 siedelt Volkmann, inzwischen zum Professor berufen, nach Frankfurt am Main über, wo er ein Atelier am Städelschen Institut innehat. Er gehört zu dem Kreis der Künstler, die sich im ausgehenden 19. Jahrhundert weiterhin dem Erbe der griechisch-römischen Antike verpflichtet fühlen. [KT] Aufrufzeit: 11.06.2022 - ca. 16.02 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONArtur Volkmann 1851 Leipzig - 1941 Geislingen an der Steige Silen, auf Esel reitend. 1899. Bronze, partly with black-brown patina and with reddish patina on the plinth. Signed and dated 'A. Volkmann, Rom / April 1899' on the plinth. Total dimensions: 68.5 x 57 x 27.5 cm (26.9 x 22.4 x 10.8 in). On red marble base. PROVENANCE: Private collection Bavaria. LITERATURE: Anette Niethammer, Wie auf den Tag das Abendsonnenlicht: Hans von Marées' Meisterschüler Artur Volkmann (1851-1941), Nordhausen 2006, pp. 363-366, pp. 486-487, no. 136 and no. 137 (with illu., presumably different copy). Called up: June 11, 2022 - ca. 16.02 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Lot 94
LOUIS VUITTON VINTAGE Beauty Case, ca. 80er Jahre. Monogram Canvas, Kanten mit Leder und Logomuster. Hardware in Bronzefarben. Innenleben unterteilt in zwei Fächer mit fünf Lederlaschen. Ein herausnehmbares Etui mit Spiegel. Plakette mit Seriennummer nicht mehr vorhanden, sonst altersbedingter, sehr guter Erhalt. Adressanhänger anbei. 35x21x26cm.| LOUIS VUITTON VINTAGE Beauty Case, circa 80s. Monogram canvas, edges with leather and logo pattern. Hardware in bronze color. Interior divided into two compartments with five leather tabs. One removable case with mirror. Plaque with serial number no longer present, otherwise age-toned, very good condition. Address tag attached. 35x21x26cm.
Lot 183
Richard ORLINSKI (Né en 1966)MAN N°1Sculpture en bronze à patine doré, signée et numérotée à 8 exemplaires sur un cartelHauteur : 100 cmUn certificat d’authenticité sera remis à l’acquéreur.La série Men de Richard Orlinski se compose de six hommes en pied, six œuvres résolument contemporaines. En sculptant le vide et le plein, de façon spécifique à chaque silhouette, l’artiste a créé six personnalités, différentes et complémentaires.Richard Orlinski sculpte Man N°1 comme une icône hyperréaliste. Une version pop art de l’homme du XXIème siècle, standardisé dans les codes vestimentaires du streetwear. Mais au-delà de l’uniforme urbain, le sculpteur insuffle de la singularité à ce corps et ce visage. Il leur apporte de la beauté, de la vie et de la sensualité. Jambes écartées, mains dans les poches, le regard rivé vers l’avenir, Man N°1 semble prêt à relever le défi du monde futur.
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