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*Alfred Hofmann (Austrian, 1879-1958)Bellowing stagbronze on marble base, signed with initials on the back of the base25.5cm wide49cm deep50cm high including baseAlfred Hofmann sculpted in many media including marble and wood, and was a gem cutter and medallist, also creating cameos. He was a member of the Viennese Secession and the Vienna Künstlerhaus, also the Deutscher Künstlerbund. His works are in the Museum of Military History, Vienna, the Künsthistorisches Museum, the Österreichische Galerie Belvedere and the Wroclaw City Museum.*Artist's Resale Right may apply to this lot.
Sir Alfred Gilbert MVO RA (1854-1934) Charity patinated bronze on ebonised wood base unsigned 35cm. high (bronze), 47.5cm. high (total height) Provenance Charles & Lavinia Handley-Read, thence by descent. Literature Victorian and Edwardian Decorative Art The Handley-Read Collection Royal Academy of Arts, 1972 page 109 catalogue number F.29 for another, slightly taller version listed. Richard Dorment Alfred Gilbert Yale, page 27 figure 9 for the plaster version (Tate Gallery). Alfred Gilbert Royal Academy of Arts, 1986, catalogue number 91 for a comparable example illustrated and also catalogue number 90 for an example cast by Alessandro Parlanti in August 1899 with experimental two colour patination technique.
A modern Lalique clear and frosted glass model of a seated panda, in original presentation box, a modern Lalique clear and frosted glass seated cat, a modern Lalique glass mouse, a Halcyon Days Studies of a Cat ceramic candleholder after a design by John Ward, and a small bronze mouse by AB, etched Lalique France, applied label, 6.5cm. high (panda), (5)
Frances Madge Kitchener (1889-1974) Francis Derwent Wood patinated bronze medallion, framed paper label to reverse 11.5cm. diam. (medallion), 27.5cm. square seven bronze plaques of French national dress, comprising Alsace, Normandie, Alsacienne, Poitevine, Angevine, Auvergnate and Boulonnaise, a bronze plaque of Franz Schubert by F Stiasny, a large oval bronze plaque of two courting birds, a large bronze inkwell inscribed Leeds Civic Hall1933, a pewter panel mounted on a wooden box and four bronze plaques (16) Provenance Armstrong-Davis Gallery, Arundel
Sidney Nicholson Boyes (born 1878) St George and the Dragon - Dieu et mon Droit 1914-1918, dated 1920 bronze medallion, mounted in Portland stone mount signed S Boyes 1920 152cm diam (plaque), 315 x 165cm and two other medallions mounted in a common Portland stone mount Peace 1919 by F M Taubman and Pax, 1918 by Phoebe Stabler (2) Provenance Armstrong-Davis Gallery, Arundel
James Butler MBE RA, (born 1931) The Burton Cooper, 1977 patinated bronze, a pair of patinated snail bookends, cast from a model by Suzanne Bizzard and a small patinated bronze model of woman signed Butler 77 and titled The Burton Cooper in the bronze 23cm. high, (4) Provenance Armstrong-Davis Gallery, Arundel
‡ William McMillan RA (1887-1977) Resting Infantryman, patinated bronze on shallow marble base indistinct signature in cast 25cm. high Provenance Armstrong-Davis Gallery, Arundel Catalogue notes This depiction of a resting, fatigued World War I soldier and also the standing version shows the influence of Charles Sargeant Jagger's figures for the base of the Royal Artillery war memorial, 1921-25 and his depictions in bronze of infantry men The Sentry and Wipers.
‡ Richard Cowdy (born 1937) Hercules the Bear, 1983 patinated bronze, on Portland stone base signed in the bronze and Cowdy Foundry seal, 36.5cm. high Provenance Armstrong-Davis Gallery, Arundel Catalogue notes The bronze is a portrait from life of a large Grizzly named Hercules - who had gone missing for two months and nearly starved to death. He had previously found notoriety in a toilet paper advert and gained the nickname 'The Big Softy'.
‡ Richard Cowdy (born 1937) Radiaux the Limousin Bull, 1983 patinated bronze on Portland stone plinth signed, numbered 10/11 and foundry Cowdy Foundry mark, 39cm. high Provenance Armstrong-Davis Gallery, Arundel Catalogue Notes Originally conceived for exhibition at the Royal Academy Exhibition this and its partner Bust of a Bear were commissioned as life-sized sculptures at the London stock exchange where they oversee the markets and symbolise the prevailing bullish or bearish mood of the stockbrokers.
‡ Geoffrey Dashwood (born 1947) Green Woodpecker, 1990 patinated bronze, signed and numbered 8/12 17cm. high, 22.5cm. wide Literature Geoffrey Dashwood Sculptor, Sladmore Gallery Editions, page 63 for a comparable example illustrated. Provenance The Sladmore Gallery, 1991 Private collection.
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350105 item(s)/page