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A pair of 19th century bronze hooped door handles, the back plates cast with a Green King mask, the handles with mermaids and a cherub mask, a bronzed bonbon dish raised on three sphinxes and animal leg supports united by a trefoil base, height 18cm, damage, together with a bronze stand etc.
Collection of silver and bronze sporting medals: to incl 1907 Federation of London Working Boys Club silver boxing medal awarded to I Milner plus 2x French bronze athletic medals one stamped with makers details Emile Monier and the other embossed FGSPF (France Gymnastics and Sports Federation) c/w similar sports scene by Monier. (3)
1924 East Midland Centre Auto Cycle Union bronze medal-the obverse is finely embossed with a period motorcycle scene and on the reverse engraved "Clipstone Speed Trials 1924 – R Cudlip - 3 1/2 Scott-70.3 MPH" plus a Doncaster Motor Cycle and Light Car Club 1925 bronze medal and on the reverse engraved "Petrol St Leger 1925, Class 7A, R.S. Cudlip - 3rd" (2)
A Second World War German group of three awarded to Fritz von Willert to include Iron Cross Second Class with ribbon; War Merit Cross 2nd Class in bronze with Swords and Infantry Assault Badge with maker`s mark GWL on verso. The Vendor`s Aunt; Teddy Lange was a Luftwaffe P.O.W. who settled in England after the War and married a member of the Cheshire Regiment. This item originates from Lange`s brother who served in the German Army.
A Continental patinated bronze model of a horse, late 19th century, portrayed looking back to dexter, on a naturalistically cast base with foliage and rockwork, 21.5cm high, 22.5cm long; on an associated Louis Philippe bronze mounted marmo Siena base, circa 1830, with foliate cast band to front and sides, on four bracket feet, 8.5cm high, 28cm wide, 12.5cm deep
A French patinated bronze and Boullework mounted equestrian group, late 19th century, probably portraying King Henri IV, bearded and with laurel wreath to his hair, wearing ceremonial armour, the horse with head slightly to dexter, his left foreleg and right hind leg raised, the ebonised wood rectangular plinth with incised and cut brass foliate inlay on a faux tortoiseshell ground, 43.5cm high, 28cm long, (lacking elements). This model is very similar to the equestrian monument to Henri IV erected on the Pont Neuf in Paris in 1618. The original was commissioned from Giambologna by Marie de Medici but was destroyed in 1792 during the Revolution. A new one was cast in 1818 from a mould made using a surviving cast of the original. The example in this lot differs from that on the Pont Neuf in various ways, but mainly in the arrangement of the king`s arms and the detailing in his armour. The pose of the horse is almost identical
A pair of Continental gilt bronze and cut glass mounted sweetmeat dishes or centrepieces, circa 1870, each star and hobnail cut dish held aloft and on the back of three tritons, their scaly tails curled behind them, on circular marmo nero Belgio bases, 13.5cm high, 13cm diameter, (one base restored); and an electroplated metal entree dish and cover, early 20th century
A rare Dutch East India Company bronze howitzer, circa 1725, the cylindrical two stage barrel with flat cascabel and broad first reinforce cast with lifting loop and large diameter trunnions, the astragal moulded muzzle with 10 inch bore, 90cm long, maximum diameter 48cm. Provenance: The property of a private collector. Recovered from the wreck of an early 19th century Dutch East Indiaman off the west coast of Africa which was lost on a return trip from Batavia with a cargo including redundant cannon for smelting. Purchased directly from the salvers in 1980. The current lot is a rare model which can be described as being halfway between a mortar and a standard cannon. The short barrel allows relatively large projectiles to be fired (at the expense of accuracy and range) whilst retaining a degree of portability and maneuverability in the field. Projectiles could either be solid, hollow (explosive) or grapeshot making this a useful weapon perhaps well suited to amphibious campaigns.
A Dutch East India Company bronze mortar cannon, 18th century, the domed cascabel cast with trunnions, the breech with scallop shell vent guard and struck JANVER.. at the first reinforce, the large-bore bell-shaped barrel with lifting loop at the second reinforce and astragal moulded muzzle revealing 15 inch bore, 90cm long, maximum diameter 53cm. Provenance: The property of a private collector. Recovered from the wreck of an early 19th century Dutch East Indiaman off the west coast of Africa which was lost on a return trip from Batavia with a cargo including redundant cannon for smelting. Purchased directly from the salvers circa 1980. Mortar cannon were designed to lob hollow explosive-filled projectiles over obstacles such as the wall of a fortress. The maritime application mortar cannon was first capitalised by the French in the late 17th century who developed `bomb vessels` so that mortars can be fired from an offshore location. The earliest bomb vessels were usually adapted from other small craft suitably strengthened and often with the foremast removed to make room for the mortar to be placed amidships. During the 18th century the British developed a specific vessel for this role the `bomb ketch`. Such vessels were almost exclusively used to attack land based targets often deployed to disable enemy coastal forts or to assist in amphibious operations. Offshore mortars were employed to bomb the city during the battle of Copenhagen in 1801, with the bomb vessels placed the seaward side of the attacking British fleet. Maritime mortars tended to be designed with slightly longer barrels than their land-base counterparts mainly in an attempt to improve accuracy but also to reduce the chance of setting fire to the bomb vessel by containing the spread of the blast from the muzzle. The current lot is similar to the French 1732 pattern mortar and was probably primarily designed to be used on land.
An Indonesian bronze `Lantaka` swivel cannon, 19th century, the two stage barrel with cylindrical grip to the moulded cascabel and vent at the first rienforce, the second reinforce cast with trunnions and fitted with a yoke-shaped pivot, the flared muzzle revealing 1 inch bore, 91cm long. Provenance: The property of a private collector.
An Indonesian bronze `Lantaka` swivel cannon, 19th century, the two stage barrel with cylindrical grip to the moulded cascabel and vent at the first rienforce, the first stage of faceted profile and with patterned cast triangular decoration issuing from the rienforcement bands, the second reinforce cast with trunnions and fitted with a yoke-shaped pivot as well as dolphin form lifting loops, the flared muzzle revealing 1 inch bore, 91cm long. Provenance: The property of a private collector.
An Egyptian bronze miniature hollow sarcophagus, Late Period, circa 664-525 B.C., with an entwined snake in relief on top, 8.7cm long, set on a modern base with an inscribed copper plate on one side reading: `Asp Casket (with coiled Asp) B.C. 1600. Excavated at Thebes, Lord Amherst Collection`; an Egyptian bronze figure of a mongoose with tail outstretched, incised details in imitation of the fur, 3cm high, 4cm long, set on a marble base, and a bronze figure of a quadruped with ears set back against the head, details of the fur incised, set on a mottled domed base, ink inscribed `51293`, 4cm high
A Continental faux tortoiseshell and gilt bronze mounted casket, late 19th century, of rectangular section, the hinged cover with foliate cast swing handle, the ogee moulded sides running to corner mounts cast with maidens masks amongst foliage, on bracket feet, the interior with fabric lining, 15cm high, 23.5cm wide, 17cm deep
A pair of gilt metal, patinated bronze and marble mounted twin light candelabra in the 18th century chinoiserie taste, late 19th century, each with foliate cast sockets with faceted glass pendants hung beneath, on scrolling foliate and wrythen arms issuing from a stem held aloft by a seated Chinaman, the cylindrical Scottish pink granite plinths with gilt metal platform tops and beaded collars, above square white marble bases, 35cm high, 28cm wide
A pair of Continental patinated bronze, gilt metal and marble mounted table lamps modelled as sphinxes, mid 19th century and later adapted, each with socket and foliate cast drip pan on the head of a winged sphinx, seated on its haunches, on rectangular white marble bases, 24.5cm high excluding shades, (sockets later associated)
A French marble and patinated bronze figural mantel clock, mid 19th century, the eight-day bell striking movement with circular white enamel Roman numeral dial in a Belge noir marble waisted fluted plinth form case with veined green marble mouldings and surmount of a Classical female seated on a cornucopia cast from a model signed V. Erard and dated 1855, 41cm high
A French belge noir marble and bronze figural mantel clock garniture, late 19th century, the eight-day bell striking movement with visible Brocot escapement to the two-piece white enamel Roman numeral dial, set into a plinth form case with part fluted malachite inset sections flanking dial and on paw cast feet, the top now applied with a patinated bronze group of seated Classical female tending two children cast from a model signed O.Semaire, 55cm high overall; with a pair of matching side pieces, each formed as a tazza on conforming waisted part fluted malachite panel inset plinth base with paw feet, each 26cm high
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350105 item(s)/page