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Lot 199

A pair of modern bronze bookends in the form of a horse standing at a fence, together with a figure of a horse and rider going over a jump and a figure of saddles horse, all on black stone bases

Lot 221

A 20th century Art Deco style bronze of a seated lady with dog at her feet, on square base, 31cm tall

Lot 232

A modern bronze figure of a cock pheasant, on a circular black stone base, together with a figure of a duckling on a lily pad, and two other duckling figures

Lot 245

A large modern bronze figure of an otter standing upright, together with a figure of a bull dog on a black stone base, and a figure of a snail

Lot 247

A large modern bronze figure of a goose, together with a modern bronze figure of a duck, the goose measuring, 55cm high

Lot 248

A large modern bronze figure of a hare, sitting on its haunches, together with two other larger figures of hares and two leverets

Lot 250

A large modern bronze in the form of a doe deer and her fawn, on a black stone base, 40cm high

Lot 273

A pair of modern bronze pecking hens, 21.5cm high

Lot 274

A pair of modern bronze elephant bookends, on black stone bases, 21cm high

Lot 543

A pair of Japanese bronze figures of Cranes, 20th Century, each on naturalistically raised base each 65cm

Lot 463

A Chinese Warring States Period (475-221 BC) open patinated bronze dish with repeating geometric borders raised on a shallow foot, 18cm diameter with receipt December 99 for £900, Glade Antiques LAPADA members specialist in fine oriental ceramics, bronzes and jades

Lot 478

A large quantity of old English currency mainly bronze and brass from Victorian period and onward, (silver all post 1947)

Lot 480

A small collection of ancient civilisation bronze coinage

Lot 481

A travel case containing a selection of mainly English bronze and silver coinage (18th/19th & 20th Century)

Lot 530

A Chinese bronze and gilt bronze study of a standing sage holding a child upon a dragon, 37cm high

Lot 537

A cast bronze bust of a bearded gentleman upon a stepped circular plinth base, 24cm high

Lot 590

A novelty cast bronze spill vase in the form of an elderly gentleman carrying a basket, 18cm high

Lot 624

A collection of cast metal figures to include a whippet, a bronze bust of - Arkell bust and a standish in the form of a classical gentleman in a naturalistic setting (3)

Lot 1345

A miscellaneous collection including two large brass shell cases, stoneware merchants jars (Godsell & Sons, Stroud, Pickup & Co, Bristol), cast brass swinging door bell, bronze fire nozzle, Salter scale and further examples, excavated bottles, an antique sign, etc

Lot 237

A Chinese faux bronze tripod censer, bearing a Qianlong seal mark, diameter 12.5cm

Lot 313

A rare and large Chinese archaic bronze ritual drinking vessel, Hu, Warring States period 5th-3rd century B.C., carved in relief with three registers of ancestral figure scenes of sacrifice, worship and hunting, taotie mask ring handles, brown patina with areas of malachite and cuprite encrustation, approx. 50cm high, repairsLiterature:see Jessica Rawson, Chinese Bronzes: Art and Ritual, British Museum Press, 1987, Fig. 28e with an illustration of a smaller bronze Hu vessel in the Palace Museum Beijing decorated with similar figure scenes.A bronze fanghu (square wine vessel) decorated in the same style but with an inlay technique around the decoration is in the Rietberg Museum, accession no. RCH9A and is illustrated in the Museum Rietberg Zurich Museum Guide, Zurich, 2000, p. 75, fig. 59.A fanghu of this type and style with pictorial decoration in flat relief restricted to three horizontal registers, now without any of the background inlay material remaining, in the National Palace Museum, is illustrated in Catalogue of the Special Exhibition of Shang and Chou Dynasty Bronze Wine Vessels, National Palace Museum, Taipei, 1989, p. 217, plate 77. A third, smaller fanghu decorated in the same technique with silhouetted figures and animals in flat relief shown in various hunting scenes, also now lacking the inlay material which filled the background, in the Freer Gallery of Art, is illustrated by Lawton in Chinese Art of the Warring States Period, Change and Continuity 480-222 B.C., Washington D.C., 1982, p. 33, no. 5The decoration is similar to scenes carved on to later Eastern Han dynasty stone tomb reliefs such as The Wu Family Ancestral Shrine found on the north of Wuzhai Mountain in Zhifang Township, Jiaxiang County of Shandong Province, China.Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 314

A Chinese archaic bronze tripod water basin, Pan, Warring States period, 4th/2nd century B.C., the interior with copper inlaid roundel, on zoomorphic cabriole feet, lug handles, grey-brown patina extensively covered with malachite encrustation, the interior roundel decoration with cuprite deposits, 15cm high, 39cm diameter, holes beneath rimProvenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 315

A Chinese archaic bronze ritual wine vessel and cover, You, early Western Zhou dynasty, 11th-10th century B.C., cast in relief with bands of phoenixes, bovine masks and leiwen, the swing handle with prominent tapir-head terminals, three character pictographic 'elephant' clan mark to underside of cover and interior of vessel, grey and dark brown patina with some areas of verdigris, 22cm high, repairsLiterature: This vessel is similar in form to the Zhao you, attributed to the reign of King Zhao (circa 977/975-957 BC), in the Shanghai Museum, Shanghai, illustrated in Shanghai Bowuguan cang qingtongqi [Ancient bronzes in the Shanghai Museum], Shanghai, 1964, pl. 38.For similar ritual vessels sold at auction see Sotheby's, New York, Important Chinese Art, 13 May 2015, Lot 101, the 'Zuo Ce Huan You' at Sotheby's, New York, 'Magnificent Ritual Bronzes', 17 September 2013, Lot 8 and Christie's, New York, Fine Chinese Ceramics and Works of Art, 21 - 22 March 2013, Lot 1129.Provenance: the estate of the late Jean-Claude Jean-Claude (1926-2016).Jean-Claude Lepileur was a man of great learning. Born in Lisieux in France, he became a buyer and seller of antiques and formed a partnership with Mrs Senta Christian in a joint antiques venture, travelling to and from England from their early base in Deauville in Normandy. Mr Lepileur was a self-taught historian, chemist and restorer, with a particular love of all things Asian, especially pieces of art from China. And more specifically ancient Chinese bronze artefacts, which he collected avidly all his life.Mr Lepileur and Mrs Christian moved their business to Finchley in London in the 1950s and they continued to operate as a partnership until 1996, when Mrs Christian passed away. Jean-Claude had a very discerning eye for art and at one point even managed to identify two original Rembrandt sketches for sale on a stall on Portobello Market and was able to purchase them for a few pounds. They were later fully authenticated by the Victoria and Albert Museum. Mr Lepileur was also a frequent visitor to the British Museum in those days as he was always keen to compare his latest Chinese bronze acquisitions with those in the collection of the museum. During his life he amassed a collection of some eighty bronzes and a number of ceramics, pictures and scrolls. He also collected over 60 reference books, many of them very detailed, which he used to assist him with his research. Mr Lepileur was still buying and selling up until his death in December last year, aged 90. The collection is presented complete, with no omissions and is a great tribute to his skill in identifying, researching and collecting some wonderful pieces of Chinese art.

Lot 316

A Chinese bronze fang ding censer, Qing dynasty, with moulded girdle and a pair of high looped handles, on four curved stumped feet, cast four character mark to base, height 13.5cm width 12.5cm

Lot 318

A pair of Chinese bronze mythical beast scroll weights and a similar seal, 18th/19th century, 6.5cm and 3cm

Lot 320

A gilt Tibetan gilt bronze seated figure of Green Tara, 18th century, seated on a double lotus throne, height 21.5cmProvenance: The vendor inherited this bronze figure from their grandfather's estate in 1993 who is believed to have owned it for some decades previous to this date.

Lot 321

A Chinese bronze bottle vase, Song - Yuan dynasty, the petal rimmed trumpet shaped neck applied with a pair of zoomorphic handles and a band of leiwen and lappets, height 23cm, old repairs

Lot 322

A Chinese cloisonne enamel and gilt bronze mounted miniature vase, 18th century, decorated with four bats and two shou medallions amid scrolling clouds on a blue ground, lion mask ring handles, bearing an engraved Qianlong Nian Zhai mark to the base, height 8cm

Lot 326

A Chinese gilt bronze mounted saddle, the mounts cast and chased with dragons amid scrolling tendrils with iron mounted borders and woven textile seat and borders, total length 64cm

Lot 331

A Chinese or Japanese bronze vase, 18th/19th Century, of beaker form, applied with pair of handles modelled as the He He Erxian, 14.7cm

Lot 338

A late 19th century German bronze mystery timepiece, the female nude with raised arm, signed 'S.Schwatenberg' to base, the single train Junghans spring barrel movement housed in the carrying pendulum case with enamel Arabic dial, height 11.75in.

Lot 347

A mid 19th century French bronze mounted marble clock garniture, L.V.E. Robert, the breakfront 'D' end case with applied ormolu panels depicting the liberal arts, flanking the 4 inch Roman enamel dial, surmounted by a patinated bronze draped female figure, the garniture moulded as watercarriers over the drum bases cast with a procession of gods, the two train drum movement with rack strike on a bell, height 35.75in.

Lot 431

Attributed to Maison Jansen. A gilt and ebonised bronze coffee table, with inset glass top, W.2ft 11.5in. D.1ft 5.5in. H.1ft 5.5in.

Lot 60

A monumental bronze and phenolic sculpture; Leda and the Swan, by Gerry Downes This work is located in the grounds of a private house near Rochester Castle, viewing is by appointment, the purchaser is responsible for removal of the work from the property. H. 5m. W. 2.6m approx.

Lot 607

§ Frank Dobson (1888-1963)bronzeHead of a woman, Literature: Neville Jason and Lisa Thompson-Pharoah, 'The Sculpture of Frank Dobson' no.218.25in. 10in overall

Lot 61

A large bronze sculpture 'Icarus' designed by Donald Brooke who created it for Christopher House on London's South Bank. This work is located in the grounds of a private house near Rochester Castle, viewing is by appointment, the purchaser is responsible for removal of the work from the property H. 2.8m W.5m approx.

Lot 72

A late 19th century silvered bronze hexagonal hall lantern, cast and pierced with foliate motifs and tiger's masks, drop 2ft 6in. diameter 1ft 7in.

Lot 79

A pair of Regency bronze and red fluorospar / Blue John mounted candlesticks, on black slate plinths, 6.25in.

Lot 81

A 19th century bronze model of an elephant, on rouge marble plinth, length 4.75in. height 3.25in.

Lot 83

Marcel Courbier (1898-1976). A bronze figure group 'La Jeune Fille au Chevreau', modelled as kneeling feeding a lamb, raised on a Sienna marble base signed 'Courbier' and inscribed 'F.Barbedienne, fondeur, Paris', width 16in. height 11.5in.

Lot 86

An early 20th century French bronze figure of a dancing female nude, mounted on a veined marble base, unsigned, height 14.75in.

Lot 87

An early 20th century French gilt and patinated bronze desk thermometer,  modelled as a satyr headed term, fitted with a mercury thermometer on a Reumer and Centigrade scale, the base supporting a putto, height 8in.

Lot 88

Peter Tereszczuk (1875-1963). A bronze and ivory figure of Pierrot, modelled standing with hands in pockets, his face carved in ivory, the stepped base signed P.Tereszczuk' with 'T.U.' foundry mark, height 6.75in.

Lot 89

M. Fiot. A bronze model of a greyhound lying upon naturalistic base, signed, on black marble plinth, width 23.5in. height 10.5in.

Lot 90

A French Art Deco bronze model of a prowling panther, on hardwood plinth, width 27.5in.

Lot 92

Paul Silvestre (French 1884-1976). A pair of early 20th century patinated bronze bookends, Susse Freres, Paris, modelled respectively as a seated faun, the other pushing against the upright, length 8.25in.

Lot 93

Dimitri Chiparus (1886-1947). An early 20th century French ivory, patinated and cold painted bronze figure 'La Danseuse Ayouta', modelled in a dancing pose, the costume highlighted with gilt and polychrome jewelling, raised on the stepped white onyx base signed D. Chiparus, height 18.25in.

Lot 94

Maurice Guiraud-Rivière (1887-1947). A silvered bronze figure of a semi-clad woman, on an onyx polyhedral base, total height 8.5in.

Lot 95

Prosper Le Courtier (1855-1925) and Hippolyte Moreau (1832 - 1927). A late 19th century French bronze study, 'Piqueur au Relais' modelled as a hunter on foot with horn and two hounds, height 21in.

Lot 96

A pair of 19th century French bronze and ormolu three light candelabra, modelled as classical maidens inscribed with hieroglyphics holding scrolling branches, on green marble plinths, with ormolu bases upon ebonised wooden plinths, overall height 22in.

Lot 97

After Jean-Francois Theodore Gechter (1796-1844). A 19th century French animalier bronze model of a tethered horse, wearing tasselled blinkers and an elaborate yoke, on rouge marble plinth, height 16.5in. length 16.5in.

Lot 98

A pair of 19th century bronze groups of wrestling putti, on gadrooned ormolu socles, height 10.75in.

Lot 99

A 19th century French bronze group of a Bacchic putto and fawn, on black slate plinth, height 14.75in.

Lot 100

Paul Aichele (1859-1910). A bronze model of a maiden, standing upon a winged wheel and clouds, signed and dated '90, on marble socle, 11.25in.

Lot 101

Pierre Etienne Daniel Campagne (1851-1914). A bronze figure of Phryné Devant ses Juges, signed in the bronze with title plaque, 13.5in.

Lot 102

Pierre Lenordez (1814-1892). A bronze group of a mare and foal, signed in the bronze with inscribed integral plaque to the base, 17.5in. height 11in.

Lot 103

Emile Louis Picault (1833-1915). A late 19th century French bronze figure entitled "Pax et Labor", 18.5in.

Lot 104

A 19th century French bronze urn, with vineous handles and decorated with a band of putto, goats and grapes, on associated marble socle, height 17in.

Lot 105

§ Tom Merrifield (1933-). Two bronze busts of Rudolph Nureyev and Margot Fonteyn, initialled and numbered 4/95, height 6.25in and 5.5in.

Lot 106

Tom Merrifield (1933-). A bronze model of a nude crouched upon a rock, "Faune in Minature 1987" signed and numbered 17/150, height 6.5in. 

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