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Lot 437

EMILE LOUIS PICAULT (1833-1915), A BRONZE FIGURE OF A MAN 'PAX ET LABOR'LATE 19TH CENTURYHolding a hammer, on a naturalistic base with cast signature 'E. Picault', the base with inset corners and titled 'PAX ET LABOR'73cm highCondition Report: Patina - variegated colour, some possible later patination/staining including to left shoulder area.Minor scuffing, scratches and wear overall consistent with age. Please refer to additional images for visual reference to images.  Condition Report Disclaimer

Lot 446

AFTER CORNEILLE VAN CLEVE (1646-1732), A BRONZE AND ORMOLU FIGURAL TABLE LAMPSECOND HALF 19TH CENTURY And a gilt metal mounted Verde Cipollino marble lamp baseThe figural lamp 46cm high excluding fittings, the other 46cm highCondition Report: Overall chips, knocks, scratches and abrasions commensurate with age and useAfter van Cleve lamp - some discolouration to gilt bronze; the patination variegated green; some scratches and small pitting to marble base; holes to baseCipollino urn lamp - Cone finial detached for electrical fitting; some filler repairs; some discolouration to gilt metal Condition Report Disclaimer

Lot 447

A FRENCH MAHOGANY AND ORMOLU MOUNTED GUERIDON TABLEBY HENRY DASSON, LATE 19TH CENTURYThe underside stamped 'HENRY DASSON 1889'78cm high, the top 32cm diameterHenry Dasson (1825-1896) was one of the most celebrated Parisian bronzier ébénistes. Business was located at 106, rue Vieille-du-Temple, Paris until 1894. His work is renowned for the fine quality of the metalwork; ormolu and gilding. Specialising in the reproduction of the period style of Louis XIV, XV and XVI furniture. Dasson often used to copy items whilst incorporating his own style in the designs. Successes at the Paris Expositions Universalles in 1878 onwards brought his work into demand on the Continent and in England where he established an elite clientele including the Royal Family.Condition Report: Marks, scratches and abrasions consistent with age and use.Some splits along the grain of the undersides of the tiers.Some discolouration to gilt bronze edging. Please refer to additional images for visual reference to conditionCondition Report Disclaimer

Lot 488

A PAIR OF BRONZE LIONS OF RECENT MANUFACTURE Both portrayed sejant each 125cm high, 146cm long, 65cm wide Condition Report: Modern and therefore showing little signs of wear through use. Both with some abrasions to noses. Typical casting flaws.Please see additional images Condition Report Disclaimer

Lot 500

A SET OF FOUR BRONZE 'VERSAILLES' VASESAFTER THE VERSAILLES DESIGN BY CLAUDE BALLIN, 20TH CENTURYEach approximately 92cms high, 71cms wide Claude Ballin (1615-1678), designed this vase in the Classical manner with bands of greek key, oak leaves and acorns and distinctive addorsed Janus head handles and boar masks. Between 1660-1680 vases to this design were cast in bronze for the terrace of Versailles. In the latter part of the 19th century their design was copied, with Napoleon III's permission, by the 4th Marquess of Hentford for his estate the Chateau de Bagatelle. Condition Report: Overall with some pitting and the casting with some slightly coarse finishing.Patination variously in black, verdigris and a pale colour.Some casting seams visible.Some small splits.One marked- 'LI' or '17'Please see the additional photographs for a visual reference of condition for these vases.Condition Report Disclaimer

Lot 54

AN ITALIAN WALNUT AND EBONISED 'MEDAL CABINET'LATE 17TH/EARLY 18TH CENTURY The drawers fronted by bronze medallions depicting Roman Emperors and Empresses58cm high, 105cm wide, 32cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Various old chips, splits and losses (see images). Later backboard. Two vacant holes to the top from where finials previously sat. One drawer seized closed. Side handles are old replacements, one is lacking its loop. The handles and escutcheons and cherub/scroll mounts to the drawers are old replacements. Lock plates appear original. One lock plate is lacking. No key present, all locks are open. Some evidence of old worm. Brass mount to the central door is a later addition. Some later tacks have been used to help secure the medals. There are some small old holes to the drawer fronts from where the medals were previously fixed in a slightly different position. The medals bear the expected knocks, rubbing and wear. One medal has small hole adjacent to the face. Vacant holes to the underside from where feet previously sat. Please refer to additional images for visual reference to condition.      Condition Report Disclaimer

Lot 59

A 'GRAND TOUR' BRONZE BRAZIER OF ATHENIENNE FORMCIRCA 1840-1860In The Manner Of Chiurazzi & Fils, Naplesapproximately 91cm high, top 43cm diameterCondition Report: some wear from handling, use and cleaning. Upper margin- top rim with some rubbing and one petal incomplete. Rubbing and surface wear to fawn/satyr stands. Mid-section stretcher with old reattachment repairs.Condition Report Disclaimer

Lot 75

λ ANGELA CONNER (BORN 1935), BRONZE FULL LENGTH PORTRAIT OF 'JAMES ABBOTT MCNEILL WHISTLER'CONTEMPORARYThe bronze figure standing, wearing a top hat, a cloak on his shoulder and a walking caneSigned and dated indistinctly '200'34cm high Provenance: The Private Collection of Sir David and Lady Scholey  Angela Conner, in her early life, was a sculpture assistant to Barbara Hepworth. After leaving Hepworth, Conner became known for large mobile sculptures as well as portrait work including commissions for Lucien Freud, H R H Prince of Wales and Elisabeth Frink. 

Lot 76

AFTER THE ANTIQUE, A BRONZE FIGURE OF MERCURY LATE 19TH/EARLY 20TH CENTURYThe figure with his foot on a rock, beside bulrushes, a caduceus on the naturalistic base, on a black slate plinth32cm highProvenance: The Private Collection of Sir David and Lady Scholey   Condition Report: The bronze has two pins that slot into the slate base, scratches to the base.  Two visible scratches to the right thigh and the lower drapery. Condition Report Disclaimer

Lot 77

ALFRED DRURY (1856-1944), A PAIR OF BRONZE FEMALE FIGURES OF DRAMA AND LITERATURECIRCA 1900-1908Modelled as opposing forms, one holding a mask emblematic of theatre and the dramatic arts, inscribed 'A Drury 08', with remnants of loan label to the City of Bradford Corporation Art Gallery, 25cm high, the other a book possibly emblematic of literature and a wreath, inscribed 'A Drury', both on green marble bases.24cm highProvenance: The Private Collection of Sir David and Lady Scholey (Edward) Alfred Briscoe Drury was part of the New Sculpture Movement opposing the prevailing 'frozen' neoclassical style of sculpture with naturalistic realism. Training at the Oxford School of Art and the National Art Training School (now the Royal Academy), Drury then learnt from the French Masters including Dalou in Paris before returning to England in 1885 when he first exhibited at the Royal Academy. Drury was commissioned to make numerous public works including the figure of Prince Albert above the Main Entrance of the Victoria and Albert Museum, circa 1909 and allegorical bronzes for Vauxhall Bridge, London in 1905. In 1901 Spielmann wrote in British Sculpture and the Sculptors of Today 'Drury is among the most personal of our sculptors, always in search of the graceful, the tender, the placid and the harmonious'. To date these figures would seem to be unrecorded in Drury's raisonné. Some of his work, such as a set of terracotta spandrels for a coachmaker in Hammersmith, have been lost or destroyed. It is possible that this pair, a common thematic approach in his work with opposing female figures emblematic of virtues or the arts, were for a commission now lost.Condition Report: Both with dark green patina but with some rubbing to extremities - hammer, robes, elbows etc.Some loss, perhaps indicative of slightly clumsy handling.Theatre with broken and repaired base and with later plaster around screwThe other with replaced nut.Condition Report Disclaimer

Lot 84

AFTER THE ANTIQUE, A BRONZE GROUP OF A SATYR WITH THE INFANT BACCHUS LATE 19TH/EARLY 20TH CENTURYThe figures holding vines and a cymbal beside a vine covered tree stump, a pan flute and cloak63cm high Provenance: The Private Collection of Sir David and Lady Scholey.    Condition Report: Overall the dark brown patination scratched and worn revealing Verdigris. Lacking the plinth. Lacking a cymbal to one hand. A screw hole to each corner of the rectangular base. Two notches cut to the front edge of the base.Condition Report Disclaimer

Lot 87

AFTER GIAMBOLOGNA, A BRONZE MODEL OF MERCURY19TH CENTURYModelled standing on a zephyr on a black and gilt column base, cast with symbols of Art and Literature in relief88cm high Provenance: The Private Collection of Sir David and Lady Scholey

Lot 2

A Lester Piggott commemorative bronze figure 'Champion Finish' by David Cornell, signed in the maquette. 20 cm high.

Lot 351

Contemporary School, a floor standing bronze, of a naked lady seated, with stress holes and fractures, rectangular plinth, 81cm high

Lot 364

A contemporary Chinese bronze coloured metal senser, gold coloured splashed circular base, cast ornate floral cover,9.5cm diameter.

Lot 48

A contemporary Chinese Archaic style bronze jar and cover, drop loop ring handles, 35.5cm high.

Lot 1028

A Pair of Chinese, Republic Period Cloisonne Vases. The Bronze Hu form vases decorated with foliage and butterflies, predominantly in shades of blue, with gilded rims, each standing 20cm tall, 11.5cm diameter

Lot 1029

A pair of Japanese patinated bronze inverted baluster vases, cast and chased relief with pairs of geese and carp fishes, 22cm high, one signed with five characters, Meiji period

Lot 1031

Chinese School (19th century), a gilt bronze, Boddhisatva, seated, holding a scroll, 16.5cm high, later mounted on a dark patinated bronze table lamp, as a lotus, 37.5cm high overall

Lot 1032

Chinese/Tibetan School, a bronze Tara, Manjushri, seated upon a lotus and holding sword, 33cm high

Lot 1071

A Chinese gilt-patinated bronze censer, naturalistically cast as a ripe peach, symbolic of longevity, the pierced cover with fruiting leafy foliage, branch handle, peach tri-form feet, 12cm high, c. 1900

Lot 1072

Siamese School, a bronze, of Thai Prince Pra Apai Manee, playing a zueng, 30cm high

Lot 1226

A Chinese bronze and cloisonne enamel baluster vase, in the Archaic taste, mounted as a table lamp, 39cm high, early 20th century

Lot 1269

A Neo-Classical bronze mounted breccia marble ovoid table lamp, the sides applied with foliate masks, incurved base, 39cm high, c.1900

Lot 1273

A pair of 19th century bronze adjustable candelabra, turned knop finials, urnular sconces, broad drip pans, spirally turned socles, downswept legs, lion paw feet, 40cm high

Lot 1274

A pair of 19th century French bronze five-light candelabra, globular socles cast with anthemions and applied with mask and loose-ring handles, turned rosso amtico marble bases, 54cm high, c.1875

Lot 1275

A pair of 19th century French champleve enamel, gilt bronze and onyx ovoid urns, the handles cast as winged femail terminal figures, the socles with palmettes and leafy scrolls, lion paw feet, 38.5cm high, c.1870

Lot 1276

A pair of 19th century gilt bronze mantel lustres, cast throughout with scrolling acanthus, detachable nozzles, incurved canted triform bases, 25.5cm high, c.1860

Lot 1278

A pair of 19th century Renaissance Revival gilt bronze inverted baluster ewers, each cast with scrolls and stiff leaves, scroll handles terminating in wyvern masks, circular bases, 24cm high, c.1860

Lot 1289

A pair of mid 19th century bronze and ormolu figural two light candleabra, the scantily clad cherubs stand holding flower head and foliage candlearms, green marble bases, black slate bases, 29.5cm high, c.1850

Lot 1312

A pair of 19th century Renaissance Revival brown patinated and cold painted bronze Cellini ewers, each cast with a bas relief with revelling putti, scroll handles crested by griffins, circular bases, shaped square pedestals, 54cm high, c.1880

Lot 1314

After Bernini, a substantial brown patinated bronze, David, he stands taking aim with his slingshot, 82cm high

Lot 1315

After the Baroque school (20th century), a brown patinated bronze fountain head, cast as scantily clad putti, 97cm high

Lot 1318

Ed Chope (American, 20th century), a floor standing verdigris and brown patinated bronze, Survival, signed in the maquette, artist's proof/75, marble base, 133cm high

Lot 1319

French Egyptian Revival School (19th century), a parcel-gilt dark patinated bronze, of a Pharaoh, verde antico marble base, 26.5cm high

Lot 1324

A sculptural 19th century Renaissance Revival dark patinated bronze inkwell, cast with Bacchic masks and bold bovine supports, the cover as a scantily clad infant aboard a goat, stepped circular rouge and black marble base, 19cm high, c.1860

Lot 1361

An Austrian cold painted bronze group, as a garden bird perched upon a blossoming branch, at the edge of a basket, 20.5cm wide, c.1900

Lot 1362

An Austrian cold painted Orientalist bronze, of an Arab, in the manner of Bergman, kneeling in prayer on an Islamic carpet, 15cm wide, early 20th century

Lot 1399

An unusually large Chinese bronze and rootwood opium pipe, the lotus bowl and long mouthpiece cast with temple lions and precious objects, 94cm long, 19th century

Lot 1401

French School (19th century), a bronze bust, of a young girl, turned base, 19cm high overall

Lot 1468

A Victorian design bronze and walnut four-division walking stick or umbrella stand, reeded column, rectangular lotus cast base, 90cm high, 45cm wide, 27cm deep

Lot 1724

Georges Gardet, after, a brown patinated bronze, foot soldier, signed in the maquette, 80cm high, the base 38cm x 29cm

Lot 1726

Isidore Jules Bonheur, after, brown patinated bronze, three race horse at a jump, 69cm long

Lot 1727

Japanese School (Taisho period), a brown patinated bronze, of a horse, signed, Genryusai Seiya workshop, 38cm long

Lot 1728

Modernist School (20th century), a brown patinated bronze, Exposed Form, traces of verdigris, rectangular specimen marble base, monogrammed DKB in the maquette, 25.5cm wide

Lot 1729

Modernist School (20th century), a verdigris patinated bronze, Anguish, the hunched figure sits precariously on a metamorphic rocky outcrop, foundry mark/signature in the maquette, 23.5cm high

Lot 1730

Sandra Koop (American, 20th century), a verdigris and brown patinated bronze, Victor, signed in the maquette, numbered 12/150, marble base, 94cm high

Lot 1767

After Alfred Louis Habert (French, 1824-1893), a brown patinated bronze, Terpsichore, the Muse of Dance and Chorus, seated in typical classical dress, crowned by a laureate garland, her emblematic lyre inscribed Habert, rectangular green marble base, 31cm high

Lot 467

A large Royal Worcester bronze model, by Bernard Winskill, Napoleon, on a rearing horse, 41cm high, certificate, limited edition 12/15

Lot 109

A Copy of a German Close Combat Clasp in Bronze, the reverse with wide horizontal flat pin, magnetic backing plate, with a maker's mark FFL in three circles and FEC. W.E. PEEKHAUS/ BERLIN for the designer; a German E-Boat War Badge, Second Type, the solid back marked FEC.W.E.PEEKHAUS BERLIN/AUSF.SCHWERIN BERLIN 68, with vertical needle shape pin, possibly a copy. (2)

Lot 160

A Nepalese Bronze Phurba (Ritual Dagger), with crescent shape blade, the haft and pommel cast as deities; also, a small African wood figure of a kneeling woman, a pair of North American Indian buckskin moccasins with straw-work decoration, a clay rasp in the form of a lizard, a quantity of Indonesian shell and boars tusk jewellery

Lot 202

A 19th Century Bronze Signal Cannon, the 45cm triple ringed barrel with swollen muzzle, cylindrical trunnions, rounded cascabel and globular knob with a vacant screw hole, mounted on a stepped oak carriage - af, overall length of barrel 53cm, length of barrel from muzzle to touch hole 42cm, diameter of bore 4cm, overall length 80cm, height 36cm,. Verdegris patina. Carriage is lacking three wheels and has some rot and loss.

Lot 6

A First World War Trio, comprising 1914-15 Star, British War Medal and Victory Medal, awarded to S4-109423 PTE.J.JACKSON. A.S.C., with a brass ON WAR SERVICE 1915 badge; a Queen Victoria Diamond Jubilee Medal 1897, bronze, in case of issue; also, two RAMC marcasite sweetheart brooches, two cap badges and a small quantity of coins.

Lot 7

A Collection of Forty Two Horticultural Medals, including four Sir Joseph Banks Royal Horticultural Society bronze examples dated 1884, 1885, 1903 and 1904, two cased, fifteen boxed white metal Affiliated Societies Medals to the National Chrysanthemum Society and four unboxed examples, two bronze Prize Medals to the Norfolk and Norwich Horticultural Society etc.

Lot 70

A Turkish Bronze Cannon Plate, of curved oval form, cast with a trophy of arms suspended from a Toughra and Crescent, the border pierced with mounting holes, 15cm by 11cm

Lot 78

A Chinese Western Zhou Style Bronze Helmet, with angular lug to the panelled crown, each ear flange with two plume holders, 31cm high. . Hole to skull, with further smaller holes to the back. There is a piece missing to the edge. With all over verdigris patina.

Lot 8

A Collection of Six 19th Century Horticultural Medals, comprising:- two bronze Royal Botanical Society of London 1839 medals after Wyon, one dated 1853, the other dated 1890 and set with a later suspender mount; a Royal Horticultural Society bronze medal after Wyon for the Royal Mint 1836; a Royal Horticultural Society large bronze medal, the obverse with two classical maidens adorning a statue with fruit, SOC. HORT. LOND. INST. 7 MART 1804, the reverse with a greenhouse below ALIENIS MENSIBUS AESTAS.; a silver coloured metal pendant medallion to the Waverley Pansy Society 1885; a silver coloured metal medal for the Royal Wordsley Root Show 1876 (6)

Lot 83

A German Third Reich Army Paratrooper's Badge, the eagle with traces of silvering, the reverse with gilt vertical round needle pin and C clasp, the back of the wreath later scratched II/1 8Kp E.M. (possibly a copy) . The surface of the diving eagle has worn to a bronze-coloured finish with faint traces of silver. The gilt surface of the wreath and Heer eagle is pitted and worn. The two bosses which secure the eagle to the wreath are rounded and have a verdigris finish, as does the barrel hinge of the clasp.

Lot 97

A German Third Reich Luftwaffe Bronze Class Bomber Clasp by Funke & Brüninghaus, in zinc alloy with a bronzed finish, the central panel with a magnetic bomb attached by a rivet, the reverse with magnetic horozontal sword shape pin and maker's moulded mark F & B.L.. Wear to the bronzed finish and some orange rust spotting to the bomb.

Lot 1

James Webb (British, 1825-1895)'Near Bala, North Wales' signed lower left 'James Webb /1877-78' also signed and inscribed with title to the reverse oil on canvas 75 x 121cmFootnote: Provenance: Christie's, London, 13th November 2003, lot 179, when acquired by the present ownerCONDITIONOil on canvas which has been lined. The canvas is in plane with good tension. The paint layer is in a good condition overall. There is a network of vertical cracks across the painting which are stable. There is a large scratch in the paint layer at the upper right corner. The varnish is even and semi-matte. The original gilding on the frame has been covered with bronze paint and some of the corner sections are loose.

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