There are 350105 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Bronze Figure of Krishna Venugopala, Orissa, Eastern India, circa 17th century, the youthful deity standing on a circular base with ankles crossed, wearing sandals, playing the flute (now missing), wearing large necklace, tiara and disc earrings 12cm; 4 3/4in high Condition: Slightly worn, flute missing
Bronze medallions; George V 1911 Coronation, approx 50mm, in a F.Phillips of Aldershot case; Victoria 1887 City of Worcester Jubilee coronation in original case; Edward VII 'City and Guilds Institute' technological examination; Edwin Cooper watch and clock, 2nd prize, in a John Pinches case (3)
Collection of 6 Wolverhampton medals; Bronze, approx 42mm, 'Inauguration of the late Prince Consort's statue by Her Majesty the Queen', November 30th 1866, by John Pinches; Bronze medal, approx 45mm, Edward VII Coronation 1902 x 2; Bronze medal, approx 52mm, 'South Staffordshire Industrial and Fine Arts exhibition', 1869; White metal, approx 39mm, General Hospital 1923; White metal. approx 42mm, 'H.M.G Majesty Queen Victoria to inaugurate the statue of the late Prince Consort', all in original boxes (6)
White metal Edward VII Coronation medal 1902, approx. 45mm, in a red card box; Bronze medal, approx. 38mm, Wolverhampton, Charles T Mander - Mayor, to commemorate the marriage of T.R.H Duke of York and Princess May, July 6th 1893, in original card box; Bronze medal, approx. 55mm, National medal for success in art, awarded by the Science and Art department, 'Guy Pearson Stage 12A 1891' (3)
An Art Union of London 1860 bronze medal, Andover Grammar School cased medal, British and World coinage, three one pound notes, J.B.Page, uncirculated, various German banknotes, George IV silver threepence 1822, later mounted as a stick pin, also Art Deco enamelled dress studs and a folding corkscrew (qty).
A pair of Chinese bronze censers and covers, 20th Century, the covers surmounted by a lion dog, the censers modelled with dragons, two handles and on a tripod base, 24cm high including covers, together with a brass gong in the form of a bell, decorated with a dragon, with a carved hardwood stand modelled with two figures, 45cm high overall (4).
Harold Hope Read, two self portraits - one head and shoulders and the other of the artist at his easel, pencil on paper, signed and dated, the larger 25 x 18 cm, and assorted items related to Read's brother, Walter Read, including a copy of the Freedom of the City of London, documents, a bronze paperweight and other items (box)
A late 19th century gilt bronze and 'Sevres' style porcelain vaseWith scrolling twin handles and foliate cast edge, the Pompadour pink body with central polychrome fruit and floral reserve on a white ground with gilt border, the other side decorated with a portrait of Madame de Pompadour, on a turned socle and square fluted base, the porcelain probably 18th century and converted from tea pot and mounted during the 19th century, 18cm wide, 27cm high.
A fine George III carved mahogany centre table in the manner of Thomas ChippendaleThe rectangular tilt top with canted angles and a later pierced gilt bronze gallery on a tapered ring turned and wrythen baluster column and a quadripartite base with moulded downswept legs terminating in scroll feet and castors, 64cm wide, 58.5cm deep, 74cm high.The above lot with the unusual quadripartite base relates to a group of of tripod tables linked to Chippendale on the basis of the three tables supplied to the lodging rooms at Harewood House and illustrated in C.Gilbert, The Life and Works of Thomas Chippendale, Leeds, 1978, p.256, pl.469. These tables share the same leg profile and scroll foot which can further be seen on a table of 'guadalupe wood' made for No.19 Arlington Street in 1764, now at Aske Hall and illustrated in C.Gilbert, ibid., p.257. pl.470. This pattern of leg with the wrythen turned baluster is seen on a table in satinwood from the collection of N.M.L Watson, Esq. and later sold at Christie's London,21 November 1985, lot 52. This was clearly a popular form of table and other tripods attributed to Thomas Chippendale and with this distinctive legs pattern include examples sold Christie's London, 27th November 2003, lot 15, 7th July 1994, lot 68, 27 November 2003, lot 65 and Sotheby's London, 18 November 1994, lot 107.
A pair of late 19th century French brêche violette marble and gilt bronze mounted lamp basesin the Louis XVI styleEach with ovoid bodies and scrolling leaf double twin-handles, with applied with laurel wreaths, on turned socles and gilt cast leaf mouldings on square moulded bases with re-entrant corners, together with modern cream shades, 58cm high (including fittings), 23cm wide. (2)
A pair of late 19th century French gilt bronze classical urns and covers of puttiThe lids with a seated putti on twisted drapes, the bodies with Bacchanalian dancing putti and satyrs on leaf cast stems and circular bases, with octagonal plinths and verde antico square plinth bases, one stamped 'AD' to the interior, 12cm diameter, 44cm high. (2)
Emmanuel Fremiet (1824-1910):- a 19th century French military equestrian bronze of a mounted trooper of the Chasseurs à Cheval of the Napoleon III eraReining in his mount, armed with sabre and carbine, his horse accoutred at either side with bags of forage, a bugle horn device on the back corners of his saddle cloth, signed on base 'E. FREMIET', 35cm high, 28cm wide.Fremiet was the leading animalier sculptor of his day and exhibited in the Paris Salon from the early 1840's. Between 1855/59 he made a series of military subjects for Napoleon III, none of which are said to have survived. He became a member of the Academies des Beaux Arts in 1892.
Loading...
