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Lot 626

An Austrian cold painted bronze dead game wall plaque, modelled with three birds, including a mallard duck, with a scroll and pierced border, stamped '2238', late 19th / early 20th century, 46 x 33.2cm.

Lot 410

Two 19th century French bronze Grand Tour busts of classical ladies by Barbedienne, stamped 'F. BARBEDIENNE FONDEUR' and 'F. BARBEDIENNE & CIE', each mounted on a peachy coloured marble plinth, 20.2cm high (max). (2)

Lot 406

A 19th century Italian bronze Grand Tour ewer, the handle formed as a hippocampus, with a trident tail and a male mask terminal, 23.9cm high, together with a bronze plate, with a pierced stiff leaf border. (2)

Lot 445

Leo Laporte-Blairsy (French 1865-1923). A bronze figure of a lady in 18th century style dress, holding a bouquet of flowers behind her back, signed and with 'F. Goldscheider' foundry marks and numbered '3-1573-s', 53cm high.

Lot 457

‡Jean-Rene Debarre (French 1907-1968). An Art Deco bronze group of a young satyr riding a wild boar, signed 'JEAN DEBARRE', inscribed 'Susses Frs Edes Paris', 'cire perdure' and with two Susses Freres pastilles, 32cm high, 39.4cm wide. Provenance: The Collection of Sir Jeremy Lever.

Lot 427

A late 19th century French bronze and black marble Grand Tour inkstand, with Bacchus pouring wine, above Apollo masks and flanked by a pair of hinged lidded inkwells decorated with lions and with ceramic liners, on paw feet, 18.5cm high, 41cm wide.

Lot 463

‡A pair of Art Deco patinated bronze owl andirons attributed to Edgar Brandt (French 1880-1960), each in the form of a horned owl perching on a pair of entwined snakes, on an inverted breakfront plinth, (struts lacking), 52.5cm high, 35.7cm wide. (2) Provenance: The Collection of Sir Jeremy Lever. For similar examples see: Sotheby's, New York, 6th December 1996, lot 304. A single, signed, unmounted version of this andiron sold at Sotheby's, Monte Carlo, 11th March 1984, lot 343. A similar pair sold at Neal Auction Company, New Orleans, 21st April 2012, lot 545.

Lot 459

‡Demetre H. Chiparus (Romanian 1888-1950). An Art Deco gilt and silvered bronze of three young girls, one with her doll, sat on an onyx wall, signed 'D. H. Chiparus', 23.7cm high, 22cm wide. Provenance: The Collection of Sir Jeremy Lever.

Lot 458

Emmanuel Hannaux (French 1855-1934). An Art Deco cold painted bronze of a naked maiden, holding aloft a dragon helmet, standing on a wavy mound, with a dragon wrapped around her legs, stamped 'EL2', the stepped marble plinth signed 'Hannaux', 39cm high. Provenance: The Collection of Sir Jeremy Lever. See Bryan Catley, Art Deco and other Figures, p.177.

Lot 446

Johan Peter Molin (Swedish 1814-1873). A biscuit porcelain group of the 'Knife wrestlers' or 'Baltesspannarna' by Gustafsberg of Stockholm, depicting two athletic men wrestling, each holding a dagger, the naturalistic base impressed with 'I P MOLIN STOCKHOLM 17/3/1864', mounted on a classical plinth base, decorated with serpents and panels of classical figures, with impressed marks 'GUSTAFSBERG with an anchor', 80.2cm high (overall), 43.4cm wide, 23.7cm deep. Provenance:The Collection of Sir Jeremy Lever. See the Lady Lever Art Gallery, Port Sunlight, Liverpool for another version of this work. See Sotheby's, Amsterdam, A distinguished private collection from Corsica, 29th September 2008, lot 156 for a similar example. The Knife Wrestlers was first exhibited in Paris in 1859. During the 19th century there was a revival in interest in Norse mythology and this sculpture represents a form of combat described in the Nordic tales. A bronze of this group can be found in the centre of Gothenburg.

Lot 460

Bruno Zach (Ukraine 1891-1945). A large Art Deco bronze figural lamp, modelled with a standing nude female, the base signed 'B. Zach', mounted with a brass Corinthian capital column fitted with three lights, on a veined black marble plinth, c.1925, the bronze: 80.5cm high, overall: 137.2cm high. Provenance: The Collection of Sir Jeremy Lever.

Lot 444

Emil Namur (Belgian 1852-1905). A bronze bust of a young girl, wearing a hat, signed 'Em. Namur' and inscribed 'Ece des Bronzes Bruxelles Cire Perdur', on a socle base, 52cm high.

Lot 452

‡Pierre Le Faguays (French 1892-1962). An Art Deco bronze figure 'Olympian', with an athletic young man standing on a rocky plinth holding a victor's laurel wreath aloft, signed 'P LE Faguays' and applied with a metal plaque inscribed 'EXPOSITION PHILATELIQUE NATIONALE GRENOBLE 1934', 108cm high. Provenance: The Collection of Sir Jeremy Lever. By repute this bronze featured in the feature film '39 Steps' by Alfred Hitchcock and belonged to a man in Elstree.

Lot 413

After Michelangelo Buonarroti (Italian 1475-1564). A pair of French bronze and parcel gilt Grand Tour models of Day and Night, from the tomb of Giuliano di Lorenzo de' Medici in the Sagrestia Nuova by Barbedienne, each signed 'F. BARBEDIENNE FONDEUR' and with 'A. COLLAS' pastille, 20.7cm high, 40.8cm long. (2) Provenance: The Collection of Sir Jeremy Lever.

Lot 423

An early 19th century French classical gilt and patinated bronze Grand Tour inkstand, of sarcophagus form, the lid modelled with a kneeling Cupid and with four quill holders, the body decorated with Venus being drawn by two dolphins in a shell, accompanied by a triton, the interior with two porcelain inkwells (one broken), a sander and a lift-out tray, 15cm high, 12.5cm wide. Provenance: The Collection of Sir Jeremy Lever.

Lot 16

A Japanese silver inlaid dark patinated bronze model, of a butterfly, 12.5cm wide, Meiji period

Lot 21

Tribal Art - a Benin bronze sculpture, cast as the head of tribeswoman, wearing neck rings, 31.5cm high

Lot 34

A 19th century gilt bronze oval portrait plaque, of a bearded elder, bust length, oval, 13cm x 10cm, fruitwood frame

Lot 9

A Continental agate, parcel gilt and dark patinated bronze miniature table, figural support, circular base, 9cm high (a marriage of several old pieces)

Lot 221

A Renaissance Revival dark patinated bronze inkwell, cast with three equine monopodia, the cover crested by a putto and dolphin, 19cm high

Lot 10

Grand Tour School, after the Antique, a verdigris patinated bronze, Discobolus, oval base, 13cm high

Lot 119

A 19th century bronze mounted drinking horn stand, the cattle horn vessel resting within a ring supported by a wyvern and crested by a putto, rectangular belge noir base, 30cm high

Lot 17

Continental School, a verdigris patinated bronze, of a monkey, 12.5cm high

Lot 222

Chinese School, a dark patinated bronze, Buddha, seated in a lotus, 13cm high; another, Indian, gilt bronze, of a three-faced deity, 11cm high (2)

Lot 121

A 19th century dark patinated bronze and marble library fancy, cast as an eagle with wings displayed supporting a sphere, Belge noir plinth, 40cm high

Lot 13

Grand Tour School, after the Antique, a dark patinated bronze, The Herculaneum Runner, rectangular base, 11.5cm high

Lot 8

After Guillaume Coustou the Elder (French 1677-1746). Marly horse and attendant, patinated bronze, 30cm long.

Lot 433

A 19th century bronze figure of Urania, the muse of astronomy, she sits holding a globe in her left hand, 18.3cm high. Provenance: The Collection of Sir Jeremy Lever.

Lot 461

Marcel-Andre Bouraine (French 1886-1948). A French Art Deco bronze model of Penthesilia Queen of the Amazons, lying firing her bow, signed 'Bouraine' and 'Susses Fre Edts Paris', 'cire perdure' with the Susse Freres foundry pastille, 29cm high, 45.2cm wide. Provenance: The Collection of Sir Jeremy Lever. See Bryan Catley, Art Deco and other Figures, p.49.

Lot 24

An 18th century bronze mortar by the Beadmore Foundry, the everted rim above a guilloche band of flowerheads, 16.5cm high. Provenance: The Collection of Christopher Jenkins. See Michael Finlay, English Decorated Bronze Mortars, pp.85-86, pl.154 for a similar example.

Lot 428

After Provin Serres (French b.1840). A French bronze group of Jupiter and the eagle, the god clutching a thunderbolt and riding an eagle on billowing clouds, signed 'Serres scpt', 49.3cm high. Provenance: The Collection of Sir Jeremy Lever. Provin Serres was a pupil of the sculptor Mathurin Moreau.

Lot 541

A pair of gilt bronze Rococo style wall brackets, each with a breakfront top above a leaf edge and a pierced scroll support, late 19th / early 20th century, 20cm high, 21cm wide, 11.6cm deep. (2) Provenance: The Collection of Sir Jeremy Lever.

Lot 292

A Louis Philippe mahogany bateau style sofa, with gilt bronze mounts of laurel leaves, palmettes and with a wreath centred with a male mask, upholstered with grey watered silk with a bolster cushion and a drop-end, 90.7cm high, 147cm wide, 67.5cm deep.

Lot 491

λ A Regency kingwood and rosewood side cabinet, applied with gilt bronze beading and mounts, with a verde antico marble top, above a pair of crossbanded cedar lined drawers inlaid with stylised Greek key and arrow stringing, with anthemion escutcheons and mounts, above a pair of mirrored doors enclosing two adjustable shelves and on ring turned mushroom feet, 109cm high, 109.5cm wide, 31.9cm deep.

Lot 407

After the antique. A late 19th century bronze Grand Tour figure of the Borghese Gladiator, standing on an ebonised wooden plinth, 28.8cm high. Although known as the Borghese Gladiator the original marble is in fact based on a fighting warrior and it dates from 100BC. Since its discovery in the early 17th century at Antium, the Borghese Gladiator has been praised as an aesthetic male nude in motion.

Lot 383

A 19th century Italian Florentine ebony and ebonised pietra dura cabinet in Baroque style, inset overall with various marble and hard stone panels, including: lapis lazuli, breche d'alep, Spanish brocatalle, red serpentine, Siena, vert maurin, onyx, alabasters, the swan neck pedimented top surmounted by a bronze bust of Cosimo de Medici, above architectural mouldings, with a recessed arch flanked by urn finials, above five drawers, with gilt bronze Moor's head handles, flanked by four alabastro fiorito Corinthian columns, the sides with cupboard doors above a single deep drawer with a faux front, the inside with a typed paper label inscribed 'Bought from Mr Cleverly, Swindon, about 1926.', the base with a frieze drawer above a panelled cupboard door, 275.5cm high, 99.5cm wide, 52cm deep.

Lot 414

After Michelangelo Buonarroti (Italian 1475-1564). A 19th century Italian bronze Grand Tour figure of Lorenzo de' Medici, Duke of Urbino, on an ebonised wooden plinth, 41.5cm high.

Lot 573

λ After Benedetto Pistrucci (Italian 1783-1855). A Victorian electrotype rondel with a bronze finish of the obverse side of the Waterloo medal, relief decorated, depicting the four rulers of the nations triumphant at the battle of Waterloo, with an outer band with a mythological allegory evoking peace, 13cm diameter, mounted in a rosewood frame, together with a bronze medallion depicting a relief bust of a lady, inscribed 'ELEONORA.MED.FRAN.I.M D ETR.FILIA.MANT.DVX', 8.7cm diameter. (2)

Lot 224

A Victorian patinated bronze doorstop, depicting a winged cherub holding a grapevine, with scrolling leaves and a weighted base, 49.1cm high.

Lot 326

A 19th century Russian bronze model of a sleeping putto, resting on a draped cross with a grapevine, mounted on a rocky malachite base, 18cm wide.

Lot 375

A pair of Empire style gilt and patinated bronze wall lights, each decorated with the head of a blackamoor, with an engine turned ring and twin lights, 13.7cm high, 23cm wide. (2)

Lot 453

Charles Octave Levy (French 1820-1899). A large bronze figure of a miner, standing bare chested on a naturalistic base holding his pickaxe and with a lamp, inscribed 'Mineur par Levy Salon des Beaux Arts', signed 'CH LEVY' and with a pastille inscribed 'BRONZE GARANTI AU TITRE L.V. DEPOSEE', numbered '7109', 101.4cm high. Provenance: The Collection of Sir Jeremy Lever.

Lot 258

An Empire ormolu mantel clock by Le Roy of Paris, the twin train eight day brass drum cased movement with an outside countwheel striking on a bell, with silk suspension, the circular annular enamel dial set within a chariot wheel with the movement visible through the spokes, with Roman numerals and signed 'LEROY PALAIS ROYAL No.114 A PARIS', the classical case depicting Minerva standing holding her shield, riding the lion chariot Diomedes, the plinth base applied with wreaths, the corners modelled as fasces with halberd finials and with a central scene of classical figures in a landscape setting, 45.5cm high, 49.2cm wide. Provenance: Purchased at a Christie's House sale. The Collection of Sir Jeremy Lever. Basile Charles Le Roy (1765-1839) founded The Maison de Le Roy in 1785 at Palais Royal in La Galerie de Pierre, Paris and was well known for producing fine quality clocks to the aristocracy and wealthy elite. He was the Master Clockmaker to Napoleon and worked for the King of Westphalia, Princess Pauline and the Duc de Bourbon. See Elke Niehuser, French Bronze Clocks, p.69.

Lot 450

Paul Moreau-Vauthier (French 1871-1936). A French bronze 'The Champion', a standing figure of a sportsman, with his arms folded in a victory pose, the rocky base strewn with his sporting accoutrements, signed 'P. Moreau Vauthier', 37.4cm high. Provenance: The Collection of Sir Jeremy Lever.

Lot 443

Henri Michel Antoine Chapu (French 1833-1891). A bronze figure of Joan of Arc cast by Barbedienne, kneeling on a naturalistic base, signed 'h. Chapu', and inscribed 'F.BARBEDIENNE. FONDEUR. PARIS', 45.6cm high, with a later black marble base.

Lot 408

A late 19th century French classical bronze Grand Tour tazza by Barbedienne, with leaf and scroll handles, the centre with a relief portrait bust of Venus, the base stamped 'F. BARBEDIENNE & CIE' and with a printed paper trade label 'F. BARBEDIENNE, 30, Bt Poissonniere BRONZE D'ART', 13cm high, 26cm wide.

Lot 415

After Andrea del Verrocchio (Italian 1435-1488). A 19th century bronze Grand Tour equestrian group of Bartolomeo Colleoni, 35.7cm high, 35.5cm wide.

Lot 20

Three 18th century bronze and bell metal skillets by Warner, the handles cast 'WARNER 5P', 'WARNER 1P' and '2WARNER', 46cm long (max). (3)

Lot 225

A Victorian patinated bronze wheatsheaf doorstop, with an open handle, on a reeded leaf decorated stem and a weighted base, 41.2cm high.

Lot 397

After the antique. A late 19th century French bronze Grand Tour figure of the Wounded Amazon by Barbedienne, signed 'F. BARBEDIENNE. FONDEUR.' and with an 'A. COLLAS' pastille, stamped '35' to the underside, on a green marble plinth base, 42cm high.

Lot 328

A 19th century Russian gilt bronze model of a bear cub, 7cm long, later mounted on a Perspex base.

Lot 432

A mid-19th century bronze figure of a boy, blowing his hunting horn and with a deer draped over his right shoulder, on a naturalistic base, 39.3cm high.

Lot 416

After Guillaume Dupre (French 1570s-1643). A bronze Grand Tour equestrian group of Henri IV on horseback, on a plinth base, 26.3cm high. The original bronze can be found at the Pont Neuf, Paris.

Lot 274

A matched pair of gilt and patinated bronze dog candlesticks, each modelled with a performing poodle, supporting a palmette decorated nozzle, early 19th century and later, 15.7cm high (max). (2)

Lot 455

Anton Nelson (Belgian 1880-1910). An Art Nouveau patinated and painted bronze figure of Flora, standing holding flowers in both hands, on a circular onyx base, signed 'NELSON', 25.2cm high. Provenance: The Collection of Sir Jeremy Lever.

Lot 421

After Giambologna (Flemish 1529-1608). A 19th century bronze figure of Mercury, holding a caduceus, with a dark verdigris patination, 92.7cm high. Provenance: The Collection of Sir Jeremy Lever.

Lot 405

After the antique. A mid-19th century French bronze Grand Tour bust of Ariadne, stamped 'G S' for Georges Emile Henri Servant (French 1828-1890), on a turned socle and a bronze and rosso antico marble column, 48.9cm high. Provenance: The Collection of Sir Jeremy Lever.

Lot 464

‡Andre Vincent Becqurel (French 1893-1981). An Art Deco bronze model of a seagull in flight, the wave base signed 'BECQUEREL' and numbered '16', on a black marble plinth, 62.6cm high, 48.5cm wide. Provenance: The Collection of Sir Jeremy Lever.

Lot 327

Chinese Bronze - Warrior Holding Cauldron (a.f.) This figure has the cauldron element broken off and resoldered

Lot 40

Patinated bronze buddhistic altar stand, the buddha flanked by four bodhisattvas, 22cm high approx. Together with a loaded patinated bronze study of the seated buddha on a three tiered lotus stand (probably of Thai origin), 26cm high approx. (2)(B.P. 24% incl. VAT)

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