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A set of four Japanese cloisonne dishes Meiji period Of plain circular form, each decorated with a different view of birds in flowering branches against a blue ground within stylised foliate borders, 30cm dia., together with a further similar dish mounted in a bronze twin-handled gallery rim, 43cm across handles. (5)
After the antique. A 19th century Italian bronze Grand Tour model of a Satyr herm, playing the plagiaulos or flute, 98.7cm high. Provenance: The Collection of Sir Jeremy Lever. This bronze is based on a 1st century Roman marble that was discovered in Lazio and was subsequently acquired by Charles Townley and sold by his cousin Peregrine to the British Museum where it currently resides.
A Victorian slate sundial by Richard Melvin, with bronze gnomon (two missing), the central dial with a compass and Roman numerals, signed 'R. MELVIN Fecit LONDON Latitude 51° and 50° North' with further faint inscriptions to North and South, with subsidiary dials to the corners for morning, afternoon, evening and night, c.1850, 35.5 x 36cm.
Hermann Haase-Ilsenberg (German 1862-1934). An Art Deco bronze group of Europa and the bull, depicting a nude female astride the beast holding its reins, signed 'H. Haase', inscribed 'Aktien Gesellschaft Gladenbeck, Berlin-Friedrichschagen', 43cm high, 46.5cm long. Provenance: The Collection of Sir Jeremy Lever.
A pair of late 19th century French bronze table lamps, each with a globe shade above a body cast with a procession of classical figures, each standing on a pedestal base, on tripod lion's monopodia supports, the undersides stamped in various places 'AD', originally oil lamps now converted to electricity, 83.5cm high. (2) Provenance: The Collection of Sir Jeremy Lever.
A French cast iron and gilt and patinated bronze console table in Empire style, the associated white marble top above a pierced Gothic frieze and flanked by a pair of Moor caryatids, each with a gilt Egyptian style headdress and sandals, with applied stars, 19th century, possibly originally a fireplace, 87.7cm high, 128,4cm wide, 45cm deep.
After E. W. Wyon (1811-1855). A 19th century bronze bust of George Parker Bidder, wearing a toga, titled 'BIDDER', signed 'E.W. WYON. F. 1855', on an associated scagliola socle, 48.1cm high (overall). George Parker Bidder (1806-1878) was an engineer and calculating prodigy. The original marble bust can be found in the National Portrait Gallery.
After the antique. A 19th century bronze Grand Tour model of the Farnese Hercules, the base inscribed 'Farnese', 71.5cm high. Provenance: The Collection of Sir Jeremy Lever. The Farnese Hercules is a massive Roman marble statue after a Greek bronze original. It was originally made for the Baths of Caracalla and was rediscovered in 1546. It made its way into the collection of the Cardinal Alessandro Farnese and stood for generations in its own room in the Palazzo Farnese, Rome. It now resides in the Museo Archeologico Nazionale, Naples. It depicts the weary, muscular, mythic hero leaning on his club after completing one of the last of his twelve labours. He holds the apples of Hesperides behind his back.
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