(See below for english version)„Untitled (Key to the Second House)“. 2003Bronzeschlüssel mit Metallschlüsselring und bedrucktem Plastikanhänger. Schlüssel: 6,8 × 2,5 cm ( 2 ⅝ × 1 in.). Auf beiliegendem Zertifikat signiert.Eines von 100 nummerierten Exemplaren. München/New York, Edition Schellmann. Hergestellt anlässlich der 50. Biennale in Venedig, 2003. [3159]Zustandsbericht: Ex. 45/100. In gutem Zustand. Der Plastikanhänger schwach fingerfleckig. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.„Untitled (Key to the Second House)“. 2003Bronze key with metal keyring and printed plastic tag. Key: 6,8 × 2,5 cm ( 2 ⅝ × 1 in.). Signed on the accompanying certificate.One of 100 numbered copies. Munich/New York, Edition Schellmann. Produced for the 50th Biennial in Venice, 2003. [3159]Condition report: No. 45/100. In good condition. The plastic tag has faint finger stains. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
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(See below for english version)Bär mit seinem Fuß spielend. Bronze mit dunkelbrauner Patina. 14,5 × 14,2 × 10 cm ( 5 ¾ × 5 ⅝ × 3 ⅞ in.). Auf der Unterseite signiert: W. ZÜGEL.[3297]Zustandsbericht: In gutem Zustand. Keine Fehlstellen oder Substanzverluste. Stellenweise schwach berieben. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Bear Playing with his Foot. Bronze with dark brown patina. 14,5 × 14,2 × 10 cm ( 5 ¾ × 5 ⅝ × 3 ⅞ in.). Signed on the underside: W. ZÜGEL.[3297]Condition report: In good condition. No losses or defects. Faint scuff marks in places. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
* ANGUS MCEWAN RWS RGI RSW, WATER WHEEL oil on board, signed and dated 9/1991 92cm x 62cm Mounted, framed and under glass. Note: Angus McEwan was born in 1963 in Dundee, Scotland. Angus studied at the Duncan of Jordanstone College Art in Dundee, graduating in Fine Art and a Post Graduate Diploma in the same discipline. Angus was elected to the Royal Scottish Society of Painters in Watercolours (1995) and in 2012 the Royal Watercolour Society. In 2005 he was recognized as an Associate of the International Guild of Realism USA. He is also an associate member of the AWS and NWS in the USA. Angus has been Finalist three times of the ''International Artist Magazine'' and won first place in the John Blockley Prize in the RI open exhibition. Angus has also won second prize in the Sunday Times Watercolour Competition (2007) in London and the International Prize ''Marche d'Acqua'' Fabriano, Italy in 2012. In 2013 Angus won Bronze Award, at the Shenzhen International Watercolour Biennial, in China. He was recently awarded the May Marshall Brown award at the Royal Scottish Society of Painters in Watercolours (RSW), Edinburgh, 2015 and was elected RGI in May 2016. Many galleries display McEwan's works, including Ok Harris Gallery in New York and Quanhua Gallery, Shanghai. Recently highlighted in Shenzhen Biennale and the Qingdao Hall of Watercolor. He has exhibited in Fabriano, Italy in the ''Marche d'Acqua'' International Award, as special guest and Vicenza, Italy, where he had a solo show in the ''Artbox''. McEwan was one of the 23 finalists in Narbonne, France at the Concours Mondial de l'Aquarelle 2014 1st World Watercolour Competition. Angus also exhibited at the World Watermedia Exposition, Thailand and Myro Gallery, Greece. He also participated in the Second International Watercolour Exhibit in Thessaloniki, Greece. In the UK McEwan exhibits with Thompson's Gallery (London) and The Open Eye Gallery (Edinburgh). Notable collectors include: Dundee Art Galleries and Museums; The Qatar Royal Family; the Royal Scottish Academy Collection; Ernst & Young, Glasgow; Scottish Enterprise; Scottish Equitable; Historic Scotland; Perth Royal Infirmary.
11938 Triumph Tiger 100, 500 cc. (see text). Registration number EYV 687. Frame number TH 6362. Engine number 40 T100 29620.Although Edward Turner’s Triumph Speed Twin caused a sensation when it appeared at the 1937 Motorcycle Show, few of its admirers can have guessed how influential the design would prove to be. True, there had been vertical twins before; indeed, Turner’s predecessor at Meriden - Val Page - had designed one a few years previously, but Triumph’s newcomer established a formula that would be adopted by all of Britain’s major motorcycle manufacturers in the succeeding decade. And whereas previous vertical twins had suffered from excess bulk, Turner’s was lighter and narrower across the crankcase than the contemporary single-cylinder Tiger 90, whose cycle parts it shared, and from certain angles looked just like a twin-port single. This was just what the conservatively minded motorcycling public wanted and the Speed Twin proved an enormous success for Triumph, lifting the company out of the economic doldrums and setting it on the road to future prosperity. Performance proved exemplary for a road-going 500, around 85mph being attainable by the Speed Twin while the Tiger 100 sports version was even faster.Technical changes over the Speed Twin included forged alloy pistons, a very early use of the technology. The cylinders were forged in a single casting and held in place by eight studs, instead of the Speed Twin’s six. The Tiger 100 featured a single Amal carburetor, possible thanks to the 360-degree firing interval of the two cylinders. Finished in silver and costing £5 more, new features included a larger fuel tank and detachable silencers, the result being a machine that could touch 100mph in road trim and exceed it with the silencer end-caps removed.In March 1939, Triumph came up with an unorthodox launch of the new Tiger 100. Using a Tiger 100 and a Speed Twin straight from dealers showrooms, endurance was tested with a run of over 1,800 miles from John o'Groats to Land's End in Cornwall then to the Brooklands circuit for six hours of continuous high-speed laps, where riders Ivan Wicksteed and David Whitworth averaged 78.5 miles per hour with a final lap of 88.5 miles per hour, winning Triumph the Maudes Trophy. The Tiger 100's sporting pretensions were later further proven through Freddie Clarke's 1939 lap record at Brooklands of 118.02 miles per hour on a bored-out 503 cc Tiger 100.When production resumed in 1946, the T100 reappeared with telescopic forks in place of the original girders, and separate dynamo and magneto instead of the pre-war version's magdyno.EYV was acquired by our vendor in the late 1970's, the frame is a 1938 Speed Twin and he painstakingly built a 1940 Tiger 100 with the correct engine as noted above. He had it registered in 1983 with DVLA.He went to great detail, the mixture levers have Amal stamped on them, the tool box has a piano hinge, all nuts and bolts are period correct and only found on pre war machines. He fitted a five speed gearbox but the original four speed is included with the sale. Also of note is that the engine has a bronze head fitted.Over the years the machine has only received regular maintenance and has now covered some 82,000. In 2005, with a friend on a 1940 Speed Twin, over a period of a week, he completed the same run as the Maudes Trophy of 1938, ending up at Brooklands.Now at the ripe age of 91 he has decided to part with the bike, he last rode it in 2019 and when the cataloguer attended he kicked it over on the third attempt, impressive!Sold with the R.F.60 V5, V5C, many tax dics, MOT's, original manuals, photocopied articles, Spicers are honoured to have been asked to find the Tiger 100 a new home after 50 years of ownership.
A group of three ethnographic items, comprising a Benin style small bronze sculpture, possibly African, modelled as a one armed warrior riding a caparisoned horse, 12cm high, an African bronze ceremonial pipe, in the form of a head with swirled pattern headdress, removable stem, 31cm, and an African wooden carved sculpture, possibly Yoruba, modelled as two figures sitting opposite both holding onto a central pot, 7.5cm high. (3)
A Chinese bronze lantern, early to mid 20th century, of ovoid bodied form with pagoda style roof, the body cast with four pierced panels of flowers and leaves, hinged door to one side, the roof with six fish to its edge, each supporting a bell, a/f one missing, the finial with an exhaust hole and hinged hanging bracket, 32 by 43cm high.
A group of South East Asian collectables, comprising a Chinese soapstone carving of a fisherman, 18cm, a twisted wire and coloured stone ornament in the form of a tree, 15cm, a painted wood and fabric model of a Japanese lady in traditional dress, 16.5cm, a cast brass / bronze figure of an elephant, 10cm, a snuff bottle, with carved and stained bone sides and metal casing set with cabochons, 10.5cm, a carved stone Persian style panel, 14 by 11cm, three small framed bookplates, each titled 'Vanitas, Veritas', each 10 by 12cm, and two modern resin panels, cast from wooden carvings of face masks, with hanging hooks, each 6.5 by 6.5cm. (11)
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