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A 1914-18 British War Medal and 1914-19 Victory Medal to `4338 Pte. J. Nixon. Manch. R.`, with the original ribbons, packets and box, a First World War period memorial plaque, detailed `John Nixon`, with the original card, packet and envelope of postage, addressed to `Mr Nixon, 51 Wellington Street, Moss Side, Manchester`, a Bedfordshire & Hertfordshire Regiment officer`s collar badge, mounted as a brooch, three copper-plate printing plates, an Edward VII Coronation 1902 bronze medallion, with the original case, a Tug of War bronze prize medallion, four commemorative crowns, comprising 1951, with the original box, 1953, 1977 and 1977, and a USA three coin specimen set, commemorating the Bi-centenary 1776-1976, cased.
A Chinese blue enamelled porcelain bowl, mark of Qianlong but probably late 19th Century, the circular ogee body exterior decorated with polychrome foliate roundels on a blue enamelled ground incised with foliate scrolls, pseudo seal mark of Qianlong in underglaze blue to base, diameter approx 18.5cm (hairline crack to rim), together with a blue and white prunus jar, a carved hardwood figure of Shao Lao, a Japanese lacquer box and a bronze incense burner and cover with lion finial (some faults).
A Chinese polished bronze incense burner and cover, mark of Xuande but probably late 19th Century, the cover pierced and cast with a dragon and scrolling vapours, the stout circular body cast with opposing phoenix and dragon, flanked by a pair of dragon handles, on tripod scroll legs, cast six character mark to base, height approx 29.5cm.
An impressive inlaid bronze vase and stand, early 20th Century, probably Chinese, the elongated body cast with three recessed panels, each containing a figure or figures from Chinese legend, framed by borders of flying bats and other auspicious symbols, the waisted neck inlaid with mythical figures between auspicious characters, the simulated wood stand decorated with foliated motifs, overall height approx 69.5cm.
A Chinese brown patinated bronze hexagonal three tier stacking incense burner and cover, 20th Century, the pierced cover decorated in relief with a maiden, the interiors fitted with a pierced grill and implements, on pierced bracket feet, cast four character seal marks to base, height approx 8cm.
A Chinese green patinated bronze brush washer and cover, 20th Century, of shallow cylindrical form, the cover cast with two birds and flowers, the interior with central boss beneath a detachable liner cast with a floral band surrounding a central aperture, two character signature to base, diameter approx 16cm.
Dame Barbara Hepworth, British 1903-1975- "Small Sun" (BH489); polished bronze, conceived in 1969 and cast in an edition of nine plus the artist`s proof, this example numbered 1/9 on the base, height 33cm including base. Provenance: Purchased directly from the artist in 1974 Literature: Alan Bowness, ed., The Complete Sculpture of Barbara Hepworth 1960-69, London, 1971, no. 489. Barbara Hepworth: Drawings from a Sculptor`s Landscape, London, 1966 Note: Barbara Hepworth used bronze in the last twenty years of her life, preferring to use stone in her previous works. She began to re-interpret forms in bronze that had originally been carved finding that the new material gave new aspects to certain themes. During The Second World War Hepworth was evacuated to St. Ives, Cornwall where she took up permanent residence in 1950 and purchased her Trewyn studio where she remained for the rest of her life. She was greatly influenced by the natural beauty and elements of the Cornish landscape and transposed this organic inspiration into her work. Hepworth stated that `A sculptor`s landscape is one of ever-changing space and light where forms reveal themselves in new aspects as the sun rises and sets, and the moon comes up. It is a primitive world; but a world of infinite subtle meaning.` In `Small Sun` the literal translation of the sun as subject matter is obvious again taking inspiration from the forms presented by nature. Also present is awareness from Hepworth of the natural effects of the elements of the sun, such as the ever changing appearance of the landscape as the sun rises and sets creating different shadows on the land; so this effect is translated into the sculpture as the bronze surface changes hues within differing lights and times of day. Juxtaposition is created between the curved nature of the bronze form and the tort tension provided by the crossing strings over the front of the sculpture. The contrast is further highlighted by the polished nature of the bronze and the natural appearance of the string adhering to the organic nature of material that was fundamentally important to Hepworth throughout her career.
A pair of bronze figures, early 19th century, modelled as a male and a female in 18th century dress, each approx 12cm high; also a bronze model of Cupid, early 19th century, possibly Italian, mounted on a yellow marble oval base; a naive bronze sculpture of a crouching naked woman, approx 8cm high and a Continental bronze pictorial panel, 19th century, depicting monks feeding birds, approx 20cm x 17cm. (5)
An 18th century, continental brass Alms dish. The central raised boss, with swirling petal decoration, surrounded by a band of script, with a further fleur de lys motif punched border to the edge, approx 43cm diam, also an early 19th century pewter dish, approx 38cm diam; also an 18th century, Dutch brass tobacco box, approx 15.5cm long, and a 19th century bronze pestle and mortar. (4)
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361340 item(s)/page