▲ Alexandra Beale (ARR applies)An impressive bronze fountain figure of Ondine in a tiered zinc pool surround designed by R.K. Alliston, removed from the Royal Automobile Club, Pall Mall, London 270cm high overall, 190cm square baseThis fountain was commissioned and installed in 2008. Sculptor Alexandra Beale’s work ranges from full size statuary and garden water features to portrait heads and composition pieces for interiors.She has exhibited widely in London and the South of England including many of the National Garden events as well as many of the country’s prestigious garden shows including Chelsea, Hampton Court, Stansted, West Dean, Parham and The Old Town Hall Chelsea. Ondine (also known as “Undine”), a mythological figure of European tradition, was a water nymph or sprite who could become human only when she fell in love with a mortal man. However, if the mortal was unfaithful to her, he was destined to forfeit his life. The Royal Automobile Club on London's historic Pall Mall was desinged and built by the fashionable architects Charles Mewes and Arthur Davis. They had already been lauded for the recently constructed Ritz hotels in Paris and London, and the interiors of some of the great ocean-going liners of the day. Opened in 1911 at the huge cost of £330,000, it has remained an iconic institution ever since. This fountain was removed in recently prior to remodelling of the courtyard gardens and represents a unique opportunity to acquire a stunning artwork from one of London’s best loved clubs.See video of working fountain by clicking here.
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Eneri Prosperi: An Henri studio life bronze of children standing on a tree trunk1970sstamped Bronze Elite by Henri weathered green patination230cm highEneri Prosperi was born in Bagni di Lucca in tuscany in 1910 and later emigrated to America, where he founded the Henri Studio in Chicago. Specialising in both composition stone and bronze, they produced a range of garden sculpture. He died in 1990.SculptureStatue
Zoologica Specifica - - Josef Franz Pallenberg. (1882 Köln - 1946 Düsseldorf). Orang Utan. Frühes 20. Jh. Bronze mit rötlich-brauner Patina auf Holzsockel. Halbplastik mit rückseitiger Holzvertäfelung. H 38 cm (ohne Sockel). Auf dem Sockel signiert mit Jos Pallenberg. Pallenberg studierte Bildhauerei bei Karl Janssen in der Kunstakademie Düsseldorf. Sein Gesamtwerk umfasst eine beeindruckende Zahl an Tierplastiken. Seine naturnahen Arbeiten wurden besonders von Zoologen sehr geschätzt. - Schöner Zustand. Zoology - Orang Utan. Early 20th century. Bronze with reddish-brown patina on wooden base. Half sculpture with wooden paneling on the back. Signed on the base with Jos Pallenberg. - Pallenberg studied sculpture in the class of Karl Janssen at the Düsseldorf Art Academy. His oeuvre includes an impressive number of animal sculptures. His naturalistic works were especially appreciated by zoologists. - Fine condition.
Zoologica Specifica - - Josef Franz Pallenberg. (1882 Köln - 1946 Düsseldorf). Breitmaulnashorn mit Jungtier, stehend. Frühes 20. Jh. Bronze mit rötlich brauner Patina auf Holzsockel. H 31 cm. Auf der Plinthe signiert mit Jos Pallenberg, mit Gießereistempel (Schmäke), nummeriert (2/6). M. Bartelmus und S. Schweizer, Der Tierbilderhauer Josef Pallenberg (1882-1946), Berlin, Deutscher Kunstverlag, 2020, Nr. 109, S. 175. - Josef Pallenberg war ein deutscher Tierbildhauer und Tierverhaltensforscher. Er wurde in Köln geboren und stammte aus einer Künstlerfamilie, die mit dem preußischen Königshof verbunden war. Seine formale Ausbildung erhielt er an der Kunstakademie Düsseldorf, wo er Zeichnung und Bildhauerei studierte. Pallenberg schuf Tierbronzen für den Zoologischen Garten Berlin - den ältesten noch erhaltenen Zoo Deutschlands. Bronze with reddish brown patina on wooden base. Signed on the plinth with Jos Pallenberg, with stamp (Schmäke), numbered (2/6). - Josef Pallenberg was a German animalier sculptor and animal behaviorist. He was born in Cologne and hailed a family of artists with ties to the royal Prussian court. He trained formally at the Kunstakademie Düsseldorf where he studied drawing and sculpture.
Nationalsozialismus - - Metallspende des Deutschen Volkes zum Geburtstag des Führers im Kriegsjahr 1940. Mit 48 gesteckten Original-Photographien. 1940. 4°. OHLdr. mit golgepr. DTitel. (Rücken etw. verfärbt, 1 Rand etw. gebräunt, kleine Läsur auf dem VDeckel). Dokumentations-Album, beginnend mit Görings Aufruf zur Metallspende. Die 48 Fotos zeigen versch. Spender und Ihre Gaben (der Führer gibt alle Bronzegegenstände aus der Neuen und Alten Reichskanzlei, aus seiner Münch. Wohnung und dem Berghof), Kronen u. Wandleuchter aus der Reichskanzlei, Spende des Norddt. Lloyds, Opferbereites Schlangestehen, Opfer der Sportvereine, Bilder der Sammelstellen, Bearbeitung der Spenden, Ausstellung besonders schöner Opfergaben, der Schmelzofen wird beschickt, bis zur Übergabe der Urkunde der Metallspende an den Führer durch Göring. Die Photos meist mit Beschreibungen. - Insgesamt wohlerhalten. National Socialism - Metal donation of the German people for the birthday of the Führer in the war year 1940. With 48 pasted original photographs. 1940. Orig. half calf (spine somewhat discolored, 1 edge somewhat browned, small defect on the front cover). - Documentation album, starting with Göring's call for metal donations. The 48 photos show various donors and their gifts (the Führer gives all bronze objects from the New and Old Reich Chancellery, from his Munich apartment and the Berghof), crowns and sconces from the Reich Chancellery, donations from the North German Lloyd, sacrificial queuing, donations from the sports clubs, pictures of the collection points, processing of the donations, exhibition of particularly beautiful offerings, the smelting furnace being charged, up to the presentation of the certificate of metal donation to the Führer by Göring. The photos mostly with descriptions. - Well preserved.
Zoologica Specifica - - Hans Joachim Ihle. (1919 Berlin - 1997 Burgdorf). Nashorn. Bronze mit Patina auf Holzsockel. 20. Jh. Ca. 45 x 98 cm (ohne Sockel). Auf der Unterseite signiert mit Ihle. Dargestellt ist ein Nashorn in reduzierten Formen. Durch die schöne strukturierte Oberfläche in Verbindung mit der leichten Korrosion gelingt dennoch eine naturnahe Darstellung. - Schöner Zustand. Zoology - Rhinoceros. Bronze with patina on wooden base. About 45 x 98 cm (without base). Signed on the bottom with Ihle. - Depicted is a rhinoceros in reduced forms. The finely crafted textured surface in combination with the light corrosion still creates a naturalistic representation. - Fine condition.
Zoologica Specifica - - Georg Roch u. a.. Sammlung von 6 Plastiken und Reliefs mit Tierdarstellungen. 20 Jh. Bronze. Meist signiert u. mit Gusstempel, teils auf Marmorsockel montiert. Enthält: Löwenrelief nach einer Zeichn. von Wilhelm Kuhnert. Signiert mit Georg Roch, bezeichnet und datiert auf 1927, seitlich mit Giess.-Stempel (Strehle). Wasserbüffel. Monogr. H. Sp. (Heinz Spilker), mit Giess.-Stempel (Flierl). - Reh. in der Plinthe sign. mit A. Kranz, mit Giess.-Stempel (Kraas), montiert auf einem Marmorsockel - Fischotter. In der Plinthe sign. u. dat. Mit Preisplakette. - Relief Wisent. Signiert (Carl Wagner), mit Giess.-Stempel (Werner Braun). Dabei: Gipsabguss des Wisent Reliefs, koloriert. Zoology - Collection of 6 sculptures and reliefs depicting animals. 20th c. Bronze. Mostly signed and with cast stamps, partly mounted on marble base. Contains: as listed above.
Brokatpapier - - Johann Wilhelm Meyer. Sammlung von 6 Augsbuger Buntpapieren. Um 1755. Je gaufrierter Bronzefirnisdruck auf Büttenpapier, je 3 Bll. ockerfarbenes u. 3 Bll. vertikal orangefarben gestrichenes Bütten. Blattmaße je ca. 36 x 45 cm. Im umgebenen Rahmen je bezeichnet mit IN AVGSP BEI IOHAN WILHEL MEYER NO 1 bzw. AUGSPURG BEY IOHANN WILHELM MAYR NO 9. Unter Passepartout u. Glas gerahmt. Vgl. Haemmerle 156 u. 162. Die Sammlung enthält je 3 Bll. des ersten und des neunten Blattes der Serie des wichtigen, in Augsburg tätigen Papiermachers und Brokatpapierverlegers Johann Wilhelm Meyer. Blatt Nr. 1 zeigt ein sehr feines vegetabiles Rankenwerk mit Blüten und Früchten, wohingegen das 9. Blatt der Serie mit einem einfachen Schachbrettmuster bedruckt ist, welches abwechselnd mit einem Blütenmotiv und Quincunx-Punkten ein stimmungsvolles Gesamtbild ergibt. Die starke Gaufrierung verso lässt vermuten, dass es sich jeweils um frühe Drucke der Auflage handelt. - Je mit einer sehr schwachen vertikalen Mittelfalz, in den Rändern tls. etw. fleckig bzw. oxidiert, die Blattränder mit kleineren Defekten, insgesamt wohlerhalten. Collection of 6 Augsburg brocade papers. Around 1755, each printed in gilt bronze varnish on handmade paper, of which 3 sheets are orange, vertically coated handmade paper. - The collection contains 3 sheets each of the first and the second sheet of the series of the Augsburg paper maker and brocade paper publisher Johann Wilhelm Meyer. Leaf No. 1 shows a very fine vegetal tendril work with flowers and fruits, whereas the 9th leaf of the series is printed with a simple checkerboard pattern, which alternates with a floral motif and quincunx dots to create an atmospheric overall impression. The strong gaufrification on the verso suggests that each is an early print of the edition. - Each with a very weak vertical centerfold, in the margins partly somewhat stained and oxidized, the leaf margins with minor defects, overall in good condition.
Zoologica Specifica - - Josef Franz Pallenberg. (1882 Köln - 1946 Düsseldorf). Rhinozeros schreitend. Frühes 20. Jh. Bronze mit rötlich-brauner Patina. 12 x 24 x 7.5 cm. Auf der Plinthe signiert mit Jos Pallenberg. M. Bartelmus und S. Schweizer 2020. - Gießereistempel auf der Plinthe (Schmäke). - Wohl späterer Nachguss.
Zoologica Specifica - - Sammlung von 39 Plastiken mit Tierdarstellungen. 20 Jh. Verschiedene Techniken, darunter Bronze, Gips, Holz, Keramik, Messing u. Leder. Maße von 2 x 2,5 cm bis 20 x 32 cm. Teilweise signiert u. mit Gießereistempel, teils auf Marmor bzw. Holzsockel montiert. Enthält eine Vielzahl an Darstellungen von Nashörnern, desweiteren Elefanten, Hirsche, Eulen u.a. - Zu den signierten o. gestempelten Plastiken zählen Werke von J. R. Korn, W. Füssel, M. H. Fritz. - Einige wenige mit etw. Grünspan, insgesamt sehr gut erhalten. Zoology - Collection of 38 sculptures portraying animals. Various techniques, including bronze, plaster, wood, ceramic, brass & leather. Measures from 2 x 2.5 cm to. Partly signed a. with casting stamp, partly mounted on marble or wooden base. - Contains a variety of depictions of rhinos, furthermore elephants, deer, owls, etc. - Among the signed or stamped sculptures include works by J. R. Korn, W. Füssel, M. H. Fritz. - A few with some verdigris, overall very well preserved.
Zoologica Specifica - - Fritz Behn. Rapp-Antilope. 20. Jahrhundert. Bronze mit rötlich-brauner Patina. H ca. 34 cm. Auf der Plinthe monogrammiert FB in Ligatur, mit Gießereistempel "Werner Braun, Oberschleissheim". Vgl. Hugo Schmidt, Fritz Behn als Tierplastiker, S. 31. - Das umfangreiche Oeuvre des Bildhauers umfasst eine Vielzahl von Groß- und Kleinskulpturen. Er stellte Löwen, Leoparden, Antilopen, Büffel, Nashörner und auch Elefanten dar. - Schöner Zustand. Monogrammed "FB" in ligature, with foundry stamp "Werner Braun, Oberschleissheim". - The extensive oeuvre of the sculptor includes a variety of large and small sculptures. He depicted, among others, lions, leopards, antelopes, buffaloes, rhinos and also elephants. - Fine condition
Zoologica Specifica - - Anny Beck. Zwei Bronzeplastiken der Künstlerin nach Affen des Berliner Zoos. Enthält: Orang Utan "Adam". Bronze mit rötlich-brauner Patina auf Marmorsockel. 1936. H 28. Signiert mit Anny Beck, auf dem Sockel bezeichnet, lokalisiert "Zoologischer Garten Berlin" und datiert. - "Bobby". Gorilla Fuß nat. Größe. Bronze mit rötlich-brauner Patina. 1935. H 7 cm; B 29 cm. Signiert mit Anny Beck, im Boden bezeichnet, lokalisiert und datiert (Zoo Berlin 1. Aug 1935). - punktuell mit leichtem Abrieb. - "Bobby" zog am 30. März 1928 im Alter von etwa zwei Jahren als erster Gorilla in den Zoologischen Garten Berlin ein. Noch heute ziert er das Logo des Zoos. Beigabe: Totenmaske des Gorillas Bobby als Bronzeguss, H ca. 48 cm. Two bronze sculptures of the artist after monkeys of the Berlin Zoo. - Includes: as listed above.
Zoologica Specifica - - Fritz Behn. Kaffern-Büffel. 20. Jh. Bronze mit braun-schwarzer Patina. H ca. 24 cm. Auf der Plinthe monogrammiert mit F.B. und Gießereistempel "Werner Braun, Oberschleissheim". Vgl. Hugo Schmidt, Fritz Behn als Tierplastiker, S. 29. - Fritz Behn studierte an der Kunstakademie München und war dort Schüler von Wilhelm von Rühmann. Geprägt von seinen mehrmonatigen Afrika Reisen beschäftigte er sich insbesondere mit der Abbildung von Tieren, welche ihm auch internationale Anerkennung brachten. Monogrammed with F.B., foundry stamp "Werner Braun, Oberschleissheim". - Fritz Behn studied at the Munich Art Academy, where he was a student of Wilhelm von Rühmann. Influenced by his several months of travels in Africa, he was particularly concerned with the depiction of animals, which also brought him international recognition.
Co. Waterford - 19th Century Agricultural Medals, etc, Good collection of 12 silver and bronze agricultural Medals for Waterford Farming Society, Iverk Show, Royal Dublin Society, c. 1850-1877, mostly awarded to the Jones family, Mullinabro House, Co. Waterford, some are cased. As a coll., w.a.f. (12) N.B. This description should read: 11 medals not 12.
John Edward Jones, R.H.A. (1806 - 1862) Archibald Montgomerie, 13th Earl of Eglinton, and His wife Theresa Newcomen, Countess of Eglinton A pair of busts, one signed and dated 1854, marble, approx. 76cms high & 71cms high (30" & 28"). (2) A staunch Tory politician, in the 1850’s Archibald Montgomerie served two terms as Lord Lieutenant of Ireland. Born in Palermo in 1812, his chief interests, after Conservative politics, were tournaments and horse racing; in 1849 his horse The Flying Dutchman won the Derby and St. Leger Stakes. In 1841, Montgomerie married Theresa, widow of Captain Richard Howe Cockerell. The illegitimate daughter of Thomas Gleadowe-Newcomen and Harriet Holland, Theresa was born in Calcutta in 1809. She had four children with Montgomerie, and died in 1859. A statue of Lord Eglinton, sculpted by Patrick MacDowell and erected in Stephens Green, Dublin in 1866, was destroyed by the IRA in 1958. The sculptor of these two busts was, by all accounts, a genial and sociable artist. Born in Dublin in 1806, the son of a portrait painter, John Edward Jones went on to become a distinguished civil engineer and sculptor. From an address in Amiens Street he exhibited watercolours at the RHA, including, in 1828, a design for a chain bridge at Youghal in Co. Cork. After training with the engineer Alexander Nimmo, Jones worked with him on projects throughout Ireland, including building the bridge at Waterford. In 1840 he ceased working as an engineer to become a full time sculptor, living at Fitzroy Square in London and exhibiting regularly at the Royal Academy. Among his portraits are busts of Daniel O’Connell, Michael Balfe, William Anketell, George Petrie, Sir William Betham, the Earls of St. Germains, Carlisle, Clanricarde and Clarendon, and surgeons Rynd and Cusack. He often sculpted husband and wife matching portraits, including the McNeills, Dargans and Cogans, and in this case, the Earl and Countess of Eglinton. His 1854 bust of Queen Victoria was paired with a similar one of Prince Albert, sculpted by Emil Wolff. Jones’s bust of William Dargan was translated into ceramic parian ware by W. H. Kerr & Co. in 1853 (NMI). His full-length portrait of the parliamentarian Sir Robert Alexander Ferguson, cast in bronze in 1862, is in Brooke Park in Derry.
A fine pair of 19th Century gilt bronze - three branch - four light Candelabra, probably Italian after a design by Giovanni Battista Piranesi (1720 - 1778), each stem cast with scrolling foliage and with herons and rams masks on the anthemion and scroll cast tripartite plinth on three winged griffin legs, 59cms (23"). (2) Provenance: Kilkenny Castle Dispersal Sale 1935, by descent to the present vendor.
A fine 19th Century French Ladies Boudoir Clock, in white marble with gilt bronze mounts, the urn finial with two rams masks and a centre flame finial, the painted enamel dial with Arabic numerals and floral swags, crested with a leaf swag tied with a ribbon bow and a beach collar below on a square base with four gilt bronze legs, 24cms (9 1/2"). (1)
A collection of early metalwork comprising five bronze mortars and two brass candlesticks16th /17th century and laterComprising a small English mortar of flared form on circular foot, the foot cast with two coats of arms for Charles I;a small mortar of flared form with ring handle, cast with vertical spiral strut with cross tops and oak leaf spay inscribed small o above P, then GIVA(combined VA)PE, then CO;a small mortar with moulded flared top with animal head handles, the cast with twin helmeted warrior and scrolling motif;a small mortar of bellied form with three angular struts, and flared rim, with O and VA;a larger mortar with ribbed flared rim, the body cast with scrolling m pierced by a staff on the left interspaced by scrolling arrow head dividers;the brass candlesticks comprising a capstan example with hexagonal pierced nozzle, perhaps Spanish;and an octagonal base brass candlestick with turned stem and cylindrical pierced nozzle, the largest: 12.5cm (4 1/2in) high, 15cm (5 1/2in) diameter (7)Footnotes:Provenance: Property from the Mark and Peter Dineley Collections.For further information on this lot please visit Bonhams.com
A collection of metalware including a Flemish bronze jugPossibly 16th century Together with a 19th century goffering iron with original heater; a 19th century gilt decorated glass tumbler; two measures; a jug; and a footed bowl with turned handles, all 18th and 19th century, 14cm wide, 12cm deep, 14cm high (5 1/2in wide, 4 1/2in deep, 5 1/2in high) (7)Footnotes:Provenance: The bronze jug was purchased from A&E Foster Antique Treen and Works of Art.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A George III leaded bronze 7lb wool weightCirca 1760 - 1820Cast with Royal Arms between Royal Supporters and beneath the initials GIIIR, the margin struck 'A' twice, with the dagger mark for London crowned 'G' device, and twice with a ewer, with slot for hanging and with graduated circular concave back, 11cm wide, 2.2cm deep, 17cm high (4in wide, 0 1/2in deep, 6 1/2in high) For further information on this lot please visit Bonhams.com
A rare George I leaded bronze 14lb wool weightCirca 1714-1727Cast with the Royal Arms, between Royal Supporters and beneath the initials GR, the margin struck 'A' twice, with the dagger mark for London, a crowned 'G' device, and twice with a ewer, with slot for hanging and with circular concave back, 11cm wide, 4.2cm deep, 17cm high (4in wide, 1 1/2in deep, 6 1/2in high) Footnotes:Literature: See Herbert C. Dent, Old English Bronze Wool-Weights (1927), p. 16, where it is noted that '14lb. wool-weights are exceedingly scarce as compared with the 7lbs., and were probably reserved for use in the big wool centres'.For further information on this lot please visit Bonhams.com
A bronze quart measureOf slightly flared cylindrical form, with banded rim and foot, marked with a crowned CR device and a further mark, possibly of a Lombardic 'H', perhaps for Henry? 14.5cm high, 11cm diameter (5 1/2in high, 4in diameter)For further information on this lot please visit Bonhams.com
An Austrian cold painted bronze model of a little owlEarly 20th century, attributed to BergmannThe body naturalistically modelled, stamped to the underside, together with an Austrian cold painted bronze model of a chick, holding a four leaf clover in its beak, stamped to the underside, the owl: 7.5cm wide, 8cm deep, 14.5cm high (2 1/2in wide, 3in deep, 5 1/2in high) (2)For further information on this lot please visit Bonhams.com
19th century bronze and niello work cane handle, knop form with foliate and geometric bands, 4cm diameter. Provenance: By descent from Douglas Shepherd (1922-1989), a designer and architect working on public houses for the brewery firm Ind Coope. He was heavily influenced by and was a serious collector of Arts and Crafts and Art Nouveau, including leading designers and artists such as Charles Ashlee and Jessie M King. He assembled a large collection from the 1950s to 1970s. His book collection was subsequently sold through Sotherby’s and in 2013 his magnificent silver collection by Archibald Knox and others was sold through these rooms.Good original condition
Early 20th century Rowland Ward bronze lion paw cast, signed to underside ROWLAND WARD, LONDON, 17cm wide. Provenance: By descent from Douglas Shepherd (1922-1989), a designer and architect working on public houses for the brewery firm Ind Coope. He was heavily influenced by and was a serious collector of Arts and Crafts and Art Nouveau, including leading designers and artists such as Charles Ashlee and Jessie M King. He assembled a large collection from the 1950s to 1970s. His book collection was subsequently sold through Sotherby’s and in 2013 his magnificent silver collection by Archibald Knox and others was sold through these rooms.
Naum Lvovic Aronson (1872-1943) relief bronze plaque of Tolstoy, the wooden mount signed and with dedication from the artist dated 'Paris 19/8 '06', the plaque 8 x 6cm. Provenance: By descent from Douglas Shepherd (1922-1989), a designer and architect working on public houses for the brewery firm Ind Coope. He was heavily influenced by and was a serious collector of Arts and Crafts and Art Nouveau, including leading designers and artists such as Charles Ashlee and Jessie M King. He assembled a large collection from the 1950s to 1970s. His book collection was subsequently sold through Sotherby’s and in 2013 his magnificent silver collection by Archibald Knox and others was sold through these rooms.
Mediaeval revival gilt bronze figure of a mythical beast, 20cm long. Provenance: By descent from Douglas Shepherd (1922-1989), a designer and architect working on public houses for the brewery firm Ind Coope. He was heavily influenced by and was a serious collector of Arts and Crafts and Art Nouveau, including leading designers and artists such as Charles Ashlee and Jessie M King. He assembled a large collection from the 1950s to 1970s. His book collection was subsequently sold through Sotherby’s and in 2013 his magnificent silver collection by Archibald Knox and others was sold through these rooms.

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