12th-8th century BC. A high tin content bronze jeweller's anvil comprising a rectangular body, 41mm in height, 40mm in width and 25mm in thickness; the top edge of the anvil is bevelled, with a longitudinal ridge in the centre and with two working faces sloping downwards; when viewed from the side, the body of the anvil is pentagonal in shape; there is a sub rectangular projection extending from the base of the body for sinking into a wooden block approximately 51mm long and 9mm thick; this projection is sub-ovoid in cross section and tapers both in width and in thickness towards the tip with projecting side flanges to provide a key, also tapered. Similar to another anvil, also found in Essex, recorded with the Portable Antiquities Scheme with reference number ESS-3965F0. 353 grams, 92.93mm (3 5/8"). Found whilst searching with a metal detector near Shalford, Essex, on 13 September 2020, and recorded with the Portable Antiquities Scheme under report number [TBC]. Gold working in the Bronze Age British Isles produced ornaments and other items between circa 2500 and 800 BC. In this period, communities in Britain first learned how to work metal, leading to the widespread creation of gold, copper and bronze items; gold artefacts were especially prestigious items used to show the high status of those individuals who wore, or were buried with them. Very fine condition. An excessively rare, museum-quality example.
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12th century AD. A large cylindrical cast bronze mortar with everted rim and collar at foot; pierced and convex base; the body decorated with two rows of floriated Kufic calligraphy; sticker reading '700' on inner face. 5.7 kg, 19.5cm (7 3/4"). From the private collection of a London gentleman; acquired on the London art market; previously in the private collection of the late Oliver Hoare (1945-2018); Oliver Reginald Hoare, Princess Diana's art dealer, described as arguably the most influential dealer in the Islamic art world. Fair condition.
Saite Period, 664-525 BC. A bronze lioness-headed figure of Wadjet seated on a square-section throne, wearing tripartite wig surmounted by Atef crown consisting of ostrich feathers, horned sun disk and fronted by rearing uraeus; her clenched hands resting on the knees with ankle-length kilt, feet on a square footrest, throne with lateral panels of low-relief scale pattern with incised hieroglyphs representing the Union of the Two Lands; mounted on a custom-made wooden stand. Cf. similar figure in the British Museum (accession number 1992,1110.1) with less elaborate headdress than here. 2 kg total, 33cm including stand (13"). Ex V.G.F. collection, Shelby Township, Michigan; acquired from Royal-Athena Galleries, New York, USA, in 1986; previously with Christie's, London, 13 July 1983, lot 468; formerly in a European private collection, prior to 1983; on loan to Ohio State University, Picker Art Gallery, Colgate University, and Fitchbury Art Museum, between 1986-2015; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10119-167436. Wadjet 'the green one' was known to the Greeks as 'Uto'. She was originally the tutelary goddess of the city of Dep which eventually became part of the conurbation called Per-Wadjet (House of Wadjet"). Wadjet was considered the matron and protector of Lower Egypt, and later the joint protector and patron of all Egypt. Very fine condition. [A video of this lot is available to view on Timeline Auctions website.]
2nd-3rd century AD. A bronze discoid pendant with ribbed tubular suspension loop and openwork design comprising an eagle standing, head left, wings spread, a military standard comprising a tier of three discs to the left, feathers, talons and ground-line given in detail. 6.74 grams, 33mm (1 1/4"). From a private Buckinghamshire, UK, collection; acquired in the 1990s. Fine condition.
1st century AD. A bronze merchant's stamp with rectangular face bearing engraved inscription in two lines: 'T.FVRI / CELSI.'; integral loop on the reverse with oval face engraved with an anchor. Similar specimen in Metropolitan Museum, accession number 30.11.2. 63.7 grams, 54mm (2"). From a private German collection, pre 2000. This stamp was presumably a property of a rich landlord and likely served as the official seal of his household used to mark provisions. Fine condition.
2nd century BC. A marble statue head of a nymph, nereid or goddess (Aura), the head is slightly turned towards the right and is supported by a robust neck; the facial features are delicate with dignified expression; the cheeks broad and solid, jaw and chin appear quite square but are softened by the presence of depressions around the mouth, heavy eyelids enclose narrow, elongated eyes; the curly hair combed backwards to a small bun, a laurel wreath resting on the curls; mounted on a custom-made stand. See Scrinari, V.S.M., Sculture Romane di Aquileia, Roma,1972; similar portraits can be found in Aquileia (Scrinari, 1972, cat. 135, p.48); Charbonneaux J., Martin R., Villard F., Hellenistic Art, 330-50 BC, London, 1973; Petrakos, B., National Museum, sculpture-bronze-vases, Athens, 1991; La Rocca, E., Parisi Presicce C., Lo Monaco A., I giorni di Roma l’eta’ della conquista, Milano, 2010; some similarities with the head of Muse from the Temple of Apollo Sosianus, Rome (La Rocca, Parisi Presicce, Lo Monaco, 2010, cat.I.21"). 7.3 kg, 31.5cm including stand (12 1/2"). Previously in the private collection of Leon Rodriguez-Ely (1924-1973), Marseille, France; acquired in the 1950's; imported with French cultural passport number 163436; accompanied by a copy of Art Loss Register certificate number S00146517 and by an archaeological report by Dr. Raffaele D'Amato; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10122-167567. The beautiful portrait represents an idealised type, executed with great refinement on smooth and compact flat surfaces contrasting with strongly coloured and chiaroscuro elements. Style and taste are typical of Alexandrian Hellenism; the piece could be an export brought into the Roman world, at the time of the conquest of the Mediterranean. The reference to the Alexandrian types helps to identify the represented subject as probably a muse or nereid, if not the Goddess Aura. Fine condition.
9th-12th century AD. A bronze tongue-shaped mount formed as a stylised standing human figure wearing a conical helmet; face with annulet eyes, long nose and thin mouth, arms held across torso; a triangular void suggests the legs and feet. 8.2 grams, 43mm (1 3/4"). From the family collection of a UK gentleman, by descent in the early 1970s; previously acquired before 1960. [No Reserve] Fine condition.
10th-12th century AD. A gilt-bronze earring or pendant with hinged hoop, D-shaped body with champ-levé enamelled ornament, a standing bird to one face and a floral motif to the other. 10.6 grams, 34mm (1 1/4"). From the family collection of a UK gentleman, by descent in the early 1970s; previously acquired before 1960. [No Reserve] Fine condition, usage wear.
6th-2nd century BC. A bronze mount of a profile beast, possibly a Cambodian tapir(?) with arched back and short, bent legs, long muzzle, ridge of bristles to the back; mounted on a custom-made stand. 74 grams total, 76mm (3"). Acquired from F.E. Nejad, Zurich, Switzerland, 6th November 1988. Fine condition.
31st-30th century BC. A bronze cylinder seal, drilled vertically for suspension; accompanied by a museum-quality impression and an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'The design consists of a frieze of four walking horned animals, one squeezed in a space hardly sufficient for it. There is a big cross above the back of one of these animals. This comes from Syria and dates to c. 3000 BC. It is in extremely good condition for ancient bronze.' 32.7 grams, 23mm (1"). The Signo collection, the property of a West London businessman, formed in the late 1980s-early 1990s; item number R-128; academically researched and catalogued by the late Professor Lambert in the early 1990s; accompanied by an original typed and signed scholarly note by Professor Wilfrid George Lambert. Fine condition.
Early 17th century AD. A gilt-bronze Corpus Christi figure in classic pose with arms extended; the head held erect with hair falling to the shoulders, short facial hair, left hand clenched and right hand with forefingers extended in the 'pax' gesture, draped loincloth with elaborate knotted closure at the hip; Spanish workmanship in southern Italy; mounted on a custom-made stand. 3.2 kg total, 68.5cm including stand (27"). Property of a European gentleman living in London; from his grandfather's collection by descent in 1989; formerly in the family collection since at least the 1970s; accompanied by an expertise by Franchi Paolo. [No Reserve] Fine condition.
2nd-1st millennium BC. A bronze figure of a standing male goat with substantial curving horns, detailing to ears, eyes, mouth and mane; a narrow tube arising from the animal's back with flat rim; hollow body; integral rectangular base; possibly a kohl pot or sceptre stand. 186 grams, 85mm (3 1/2"). From an important London W1, gallery; previously acquired 1980s. Fine condition.
A William & Mary oyster veneered, fruitwood, walnut and marquetry lace boxThe top profusely inlaid with floral and foliate marquetry including an oval central panel inlaid with a finch, the hinged top enclosing a velvet lined interior on later cast gilt bronze lion paw feet, 54cm wide x 44cm deep x 16cm high, (21in wide x 17in deep x 6in high)For further information on this lot please visit Bonhams.com
After Guillaume Coustou I (French, 1677-1746), A pair of French late 19th century patinated bronze Marley horsesEach rearing horse being restrained by a male figure, on a naturalistic bases and mounted on Siena marble and bronze plinths, 18.5cm wide x 10.5cm deep x 26cm high, (7in wide x 4in deep x 10in high) (2)For further information on this lot please visit Bonhams.com
A French 19th century gilt, patinated bronze and marble figural mantle clockLemerle-Charpentier, ParisSurmounted by a bronze figure of cupid seated on a fluted column mounted with the clock face flanked by gilt bronze cast acanthus leaves, the movement stamped 'LEMERLE CHARPENTIER FANT DE BRONZES 362 PARIS',For further information on this lot please visit Bonhams.com
A French late 19th century gilt and patinated bronze figural four branch candelabraWith three foliate scrolled candle arms enclosing a central candle sconce supported by a satyr on a fluted circular marble plinth, 21cm wide x 22cm deep x 51cm high, (8in wide x 8 1/2in deep x 20in high)For further information on this lot please visit Bonhams.com
A French 19th century patinated and gilt bronze clock garnitureAll on marble bases, the clock with a four inch enamel dial surmounted by a figure of cupid together with a pair of twin branch candelabra, the movement stamped 2009, the clock: 17cm wide, 12.5cm deep, 36.5cm high (6 1/2in wide, 4 1/2in deep, 14in high) the candelabra: 29cm high, (3)For further information on this lot please visit Bonhams.com
A pair of 19th century red lacquered and gilt bronze mounted twin handled vases, adapted to electricityThe handles issuing from grotesque masks on circular fluted plinths, 17cm wide x 14cm deep x 44cm high, (6 1/2in wide x 5 1/2in deep x 17in high) (2)For further information on this lot please visit Bonhams.com
A pair of late 19th century patinated bronze four branch candelabra, later adapted for electricityWith white shades and scrolled candle arms on a slight flared support and lion paw feet, mounted on a black slate shaped plinth, 37cm wide x 36cm deep x 107cm high, (14 1/2in wide x 14in deep x 42in high) (2)For further information on this lot please visit Bonhams.com
A pair of Napoleon III gilt and patinated bronze five branch candelabra, later adapted for electricityWith black tole shades, later surmounted with a cast dancing Classical figure above the five candle arms issuing from a colza style light on a cast flared support on lion mask and paw feet, 23cm wide x 23cm deep x 103cm high, (9in wide x 9in deep x 40 1/2in high)For further information on this lot please visit Bonhams.com
A pair of Empire gilt bronze six-light candelabraThe five candle arms with cast leaf and berry sconces supported by Classical male terms on circular plinths cast with Classical female masks, 32cm wide x 32cm deep x 51cm high, (12 1/2in wide x 12 1/2in deep x 20in high) (2)For further information on this lot please visit Bonhams.com
Benito Viliano Tarabella (Italian, 1937-2003)Bronze headSigned Tarabella E/A and foundry mark Fonderia Tesconi, Pietrasant, Lucca,30cm x 37cm x 47cmThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A large Khorasan bronze lampstand Persia, 12th/ 13th Centurywith cylindrical body on three feet surmounted by circular tray, engraved and decorated in openwork with foliate decoration and psuedo-inscriptions, engraved inscription in thuluth to body 68.7 cm. highFootnotes:The inscription appears to read: 'al-barakah li-sahibihi' which translates to 'Blessing to its owner'.This lot is subject to the following lot symbols: RR This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
A pair of South West German 18th century kingwood, rosewood, parquetry and marquetry commodesCirca 1765 -1770The serpentine tops inlaid with a geometric cube design above two drawers with cast laurel wreath handles, stamped EM to the reserve, the front and sides inlaid with floral filled baskets on carbriole legs and front gilt bronze cloven hoof sabots, 107cm wide x 60cm deep x 82cm high, (42in wide x 23 1/2in deep x 32in high) (2)Footnotes:Provenance: Bought from Ulf D. Härtl, Bamburg, Bavaria, Germany in 1997.Literature: Kreisel/Himmelheber, afb 723, pp. 232-342, with 'gutachtung' by Uwe Dobler, 1995This lot is subject to the following lot symbols: TP YTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
After Antoine-Louis Barye (French, 1796-1875)Elephant du SenegalBronze, signed 'BARYE' and stamped Barbedienne and bearing gilt initials FB, mounted on a later green varigated marble plinth base, 23cm wide, 10.5cm deep, 17cm high (9in wide, 4in deep, 6 1/2in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
After Pierre-Jules Mene (FRENCH, 1810-1879)L'Accolade (Tachiani and Nedjébé, chevaux arabes)Bronze, signed to the naturalistic base, raised on a moulded edge base, 54cm wide, 20cm deep, 35cm high (21in wide, 7.5in deep, 13.5in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
After Guillaume Coustou I (French, 1677-1746),A large pair of French late 19th century patinated bronze Marley HorsesSigned to the base, 50cm wide, 25cm deep, 60cm high (19.5in wide, 9.5in deep, 23.5in high) (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
After Antoine-Louis Barye (French, 1796-1875)Elephant du SenegalBronze, stamped Barbedienne, on a later grey marble plinth, 37cm wide, 15cm deep, 26cm high (14.5in wide, 5.5in deep, 10in high) Footnotes:The current lot is of an unusually large size known only to be cast by Barbedienne.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A French late 19th century gilt bronze gueridonIn the Louis VI style Made by Henry DassonThe circular green marble top above a moulded foliate edge and panelled frieze with floral and musical trophies, raised on alternating terms of Hercules and Classical Maidens tapering to spirally fluted sabots united by interlacing pierced stretchers, signed and dated Henry Dasson 1879, 81cm wide x 81cm deep x 75cm high, (31.5in wide x 31.5in deep x 29.5in high)Footnotes:Henry Dasson (1825-1896) was one of the most celebrated Parisian bronzier ébénistes. Business was located at 106, rue Vieille-du-Temple, Paris until 1894. His work is renowned for the fine quality of the metalwork; ormolu and gilding. Specialising in the reproduction of the period styles of Louis XIV, XV and XVI furniture, Dasson often used to copy items whilst incorporating his own style in the designs. Successes at the Paris Expositions Universalles in 1878 onwards brought his work into demand on the Continent and in England where he established an elite clientele including the royal family.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A French late 19th century mahogany, marquetry and gilt bronze mounted occasional tableOf circular form, the pierced gallery and inlaid top above a single frieze drawer, with heavy foliate mounts, on cabriole legs, 36cm wide x 36cm deep x 77cm high, (14in wide x 14in deep x 30in high)This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A Louis XVI style mahogany and gilt bronze mounted side tableAfter a model by Jean-Henri RiesenerThe rectangular top with three quarter pierced gallery and single frieze drawer, on tapered and turned legs united by a galleried under tier, on turned feet, 59cm wide x 43cm deep x 77cm high, (23in wide x 16 1/2in deep x 30in high)Footnotes:The original table by Jean-Henri Riesener, now in the Louvre, Paris was made specifically for the queen's closet at Versailles.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A North European gilt bronze mounted and marquetry commodeLate 19th centuryOf bombe form, with serpentine marble top, above two long drawers inlaid with a geometric pattern and a portrait roundel, raised on cabriole legs, mounts later, 136cm wide x 56cm deep x 92cm high, (53.5in wide x 22in deep x 36in high)This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Antoine Bofill (Spanish, 1875-circa 1925)Retour au FoyerBronze, depicting a farmer and cow, signed to the naturalistic base, 35cm wide, 13cm deep, 33cm high (13.5in wide, 5in deep, 12.5in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Paul Edouard Delabrierre (French, 1829-1912)Chiens braque et Epagneul sur FaisanBronze, depicting a Shorthaired Pointer and Spaniel on Pheasant, signed to base, 45cm wide, 17cm deep, 28cm high (17.5in wide, 6.5in deep, 11in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A pair of French 19th century bronze and ormolu figures of puttiEmblematic of Music and Arts, seated on Siena marble plinth bases, 12cm wide, 12cm deep, 30cm high (4.5in wide, 4.5in deep, 11.5in high) (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
After Clodion, Claude Michel (1738-1814) A pair of French 19th century patinated bronze figures emblematic of the harvestModelled as two putti with a sickle and wheatsheaf, on giallo antico plinth bases, 7cm wide, 7cm deep, 22cm high (2.5in wide, 2.5in deep, 8.5in high) (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A late 19th century gilt and patinated bronze and metal urnDecorated with a band of putti and twin Pan handles, on a tapered base and plinth foot, 50cm wide, 33cm deep, 37cm high (19.5in wide, 12.5in deep, 14.5in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Ferdinand Liebermann (German, 1843-1941)A bronze of a Greek maiden feeding a pheasant whilst reclining on a couchSigned to base, raised on a marble plinth, 32cm wide, 13cm deep, 24cm high (12.5in wide, 5in deep, 9in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
After AUGUSTE MOREAU (FRENCH, 1826-1897)A patinated bronze figure group of two puttiOn a naturalistic base, raised on a black marble plinth, 22cm wide, 22cm deep, 51cm high (8.5in wide, 8.5in deep, 20in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
After the AntiqueA bronze figure group of two Classical maidens winding yarn, reclining on a sofa, on a marble plinth base, 35cm wide, 16.5cm deep, 23.5cm high (13.5in wide, 6in deep, 9in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A French early 20th century parquetry and gilt bronze inlaid side cabinetThe marble top above two tambour doors, on cabriole legs, converted to a television cabinet, 120cm wide x 64cm deep x 112cm high, (47in wide x 25in deep x 44in high)This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A French 19th century gilt bronze and marble mantel clockBriscard, ParisWith Roman chapter ring, the case surmounted by doves and flanked by military and musical trophies, 21cm wide, 10cm deep, 30cm high (8in wide, 3.5in deep, 11.5in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A pair of 19th century gilt bronze chenetsEach with urn finials united by a band of flowers, together with a set of three fireside tools, Chenets 30cm x 10cm x 30cm (5)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
PROG/CLASSIC ROCK - LPs. Superb quality collection of 9 x choice LPs. Titles are Atomic Rooster - Made In England (original UK copy housed with green denim cover - please note G record with a number of surface marks and some light scratches/no insert/Ex condition denim with only light wear), Genesis (x3) - Nursery Cryme (pink scroll original CAS 1052 - solid VG record some light surface marks/Ex clean original textured gatefold sleeve), The Lamb Lies Down On Broadway (CGS 101 - VG+/VG) and Live (CLASS 1 - VG+/VG), Queen - A Day At The Races (EMTC 104 - Ex/VG) and Sheer Heart Attack (EMC 3061 4U/4U - VG+ copy w/inner), Uriah Heep - Return To Fantasy (Bronze ILPS 9335 - VG copy) and Camel - Music Inspired By The Snow Goose (SKL-R 5207 - Ex/VG w/insert) and Mirage (SML 1107 - VG+/Ex w/insert).
PROG/CLASSIC ROCK - LPs. Classic titles with these 14 x LPs. Artists/titles are Pink Floyd (x4) - DSOTM (UK Quadraphonic pressing, Q4SHVL 804 - Ex a couple of light surface scuffs/with Quadraphonic inner, no other inserts/VG some creases with shelfwear), Relics (SRS 5071), Animals (EU pressing, C064-98434), The Wall (US pressing, PC2 36183, with printed inners), Uriah Heep - Demons And Wizards (Bronze ILPS 9193), The Magician's Birthday (ILPS 9213) and Look At Yourself ('mirror' sleeve damaged), Family - Anyway (original PVC outer sleeve), Curved Air - Air Conditioning (WXS 3012, green Warner labels), Queen - A Kind Of Magic (EU 3509), A Day At The Races, The Game and A Night At The Opera and Greenslade - Bedside Manners Are Extra. Condition is generally VG to Ex+.
PROG/ ROCK/ BLUES ROCK - LP & 12" COLLECTION. A lovely selection of around 34 LPs & 12" singles by Uriah Heep, Gary Moore & Meatloaf. Uriah Heep titles include ...Very 'Eavy ... Very 'Umble (ILPS 9142, UK '71 on Bronze, Ex/ Ex), Look At Yourself (x2 - ILPS 9169), The Best Of..., The Magician's Birthday (BRNA 213, VG+/ VG+), High And Mighty (2 copies). Gary Moore titles include Back On The Streets (MCL 1622), Dirty Fingers (JET LP241), Wild Frontier, Corridors Of Power, After the War (x3), We Want Moore, Victims Of The Future (x2), Empty Rooms, The Loner, Still Got The Blues. Meatloaf titles include Read 'Em And Weep, Blind Before I Stop, Self-Titled, Hits Out Of Hell, Live, Bad Attitude, Bat Out Of Hell (x3). Condition is generally VG to Ex+.
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350105 item(s)/page