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Lot 3008
KONVOLUT KLEINER ANTIQUITÄTEN Konvolut bestehend aus einer Drachenfigur aus Bronze, L: 16 cm. Einer Amorfigur aus Bronze, L: 19 cm. Einer knienden Priesterfigur aus feuervergoldeter Bronze, L: 14 cm. Einer kleinen Onyxschale in Form eines kleinen Tempels, H: 18 cm. Normale Alters-und Gebrauchsspuren.| CONVOLUTE OF SMALL ANTIQUESMixed lot consisting of a bronze dragon figure, l: 16 cm. A figure of a cupid in bronze, l: 19 cm. A kneeling priest figure of fire-gilt bronze, l: 14 cm. A small onyx bowl in the shape of a small temple, h: 18 cm. Normal signs of age and use.
Lot 1185
Cachepot aus Bronze. JAPAN, Meiji-Periode (1868-1912), schauseitig in leicht erhöhtem Relief die Darstellung eines Kriegers zwischen Bäumen. Auf der Rückseite teils plastisch ausgearbeiteter Dekor eines Raubvogels der zwei kleinere Vögel jagd. Innen am Boden in feinem Relief befindet sich die Darstellung von Kranichen und einer Schildkröte zwischen - die verschiedene Jahreszeiten symbolisierenden - Bäumen. D: 38 cm, H: 33 cm. Unterseitig in der Mitte ist eine Münze aufgebracht. Altersspuren und Gebrauchsschäden, wie z.B. mehrere kleine Löcher in der Wandung und eine 4,5 cm lange Fehlstelle zwischen Boden und Wandung. | Bronze cachepot. JAPAN, Meiji period (1868-1912), on the front side in slightly raised relief the depiction of a warrior between trees. On the back partly sculpted decoration of a bird of prey chasing two smaller birds. Inside on the bottom in fine relief is the depiction of cranes and a turtle between - symbolizing the different seasons - trees. D: 38 cm, H: 33 cm. A coin is applied to the underside in the center. Signs of age and use damage, such as several small holes and a 4.5 cm long missing part.
Lot 845
FRÉMIET, EMMANUEL (1824-1910), "Sitzender Windhund", Bronze, dunkel patiniert, vollplastische Figur eines sitzenden, Großen Englischen Windhundes - der an einem Baumstumpf angebunden auf jemanden wartet - auf ovaler Plinthe, auf der Plinthe vorne bezeichnet 'E. FRÉMIET' über einer rechteckigen Steinplinthe, H: 16,5 cm (19 cm mit Steinplinthe).| FRÉMIET, EMMANUEL (1824-1910), "Sitting Greyhound", Bronze, dark patina, fully sculpted figure of a sitting, Large English Greyhound - tied to a tree stump waiting for someone - on an oval plinth, inscribed on the plinth front 'E. FRÉMIET' above a rectangular stone plinth, h: 16,5 cm (19 cm with stone plinth).
Lot 1186
Bodenvase aus Bronze. JAPAN, Meiji-Periode (1868-1912), balusterförmig mit auskragender Mündung. Verziert ist die Vase neben archaischen Ornamenten auch mit einem plastisch aufgelegten Drachen, der sich um den Vasenhals windet. Um den unteren Vasenkörper reihen sich ebenfalls teils platisch ausgearbeitet fliegende Kraniche unter eingravierten Wolken. Den runden Vasenfuß schmücken im Relief ausgearbeitete Schildkröten zwischen eingravierten Wellen, H: 60 cm. Alterspatina und Gebrauchsspuren, besch.| Bronze floor vase. JAPAN, Meiji period (1868-1912), baluster-shaped. The vase is decorated with archaic ornaments and also with a plastically applied dragon, which winds around the neck of the vase. The lower body of the vase is also decorated with partly plastically applied flying cranes under engraved clouds. The round base of the vase is decorated with turtles in relief between engraved waves, h: 60 cm. Age patina and traces of use, dam.
Lot 831
JUGENDSTIL wohl WIENER BRONZE kleine Aktfigur als Petschaft, 1. H. 20. Jh. auf quadratischer Plinthe kniender Akt einer jungen Frau mit hochgestecktem Haar, bodenseitiges Monogramm "AD"?, wohl als Siegel gedacht, H 6 cm, Altersspuren.| ART NOUVEAU prob. VIENNA BRONZE small nude as a signe, 1st half of the 20th century, a young woman kneeling on a square plinth with her hair pinned up, monogram "AD"? on the bottom, probably intended as a seal, H 6 cm, signs of age.
Lot 046441
Wilhelm Riedisser, 1870 wohl Gebrazhofen - 1913 München, ab 1889 Studium an der Kgl. Kunstakademie München, Reisestipendium u. folgende Aufenthalte in Italien, Umkreis der späten Deutsch-Römer um von Marees u. von Hildebrand, schuf Skulpturen mit ernsthaft -zeitloser Bildsprache angelehnt an die klassische Antike, neusachliche Tendenz, hier:sitzender Männerakt, Verzicht auf störendes Beiwerk u. Überschneidungen, Bronze patiniert,auf der Plinthe monogrammiert, Marmorsockel, Alterssp., H. 17 cmWilhelm Riedisser, 1870 probably Gebrazhofen -1913 Munich, from 1889 studies at the Royal Munich Art Academy, travel grant and subsequent stays in Italy, circle of the late German-Romans around von Marees and von Hildebrand, created sculptures with serious, timeless imagery based on classical antiquity,new objective tendency, here: seated male nude, renouncing disturbing accessories and overlaps, patinated bronze, monogrammed on theplinth, marble base, age, H. 17 cm
Lot 046442
Wilhelm Riedisser, 1870 wohl Gebrazhofen - 1913 München, ab 1889 Studium an der Kgl. Kunstakademie München, Reisestipendium u. folgende Aufenthalte in Italien, schuf Skulpturen mit ernsthaft-zeitloser Bildspracheangelehnt an die klassische Antike, neusachliche Tendenz, hier: hockender Jünglingmit krausem Haar, Verzicht auf störendes Beiwerk u. überflüssige Gestik, Bronze goldfarben patiniert, auf der Plinthe monogrammiert, Gießerstempel H.Noack Berlin, auf Marmorsockel, Alterssp., H. 18 cmWilhelm Riedisser, 1870 probably Gebrazhofen -1913 Munich, from 1889 studies at the Royal Munich Art Academy, travel grant and subsequent stays in Italy, created sculptures with serious, timeless imagery based on classical antiquity, new objective tendency, here: squatting youth with frizzy hair, renunciation of annoying accessories and superfluous gestures, bronze with a gold- colored patina, on the Monogrammed plinth, foundry mark H.Noack Berlin, on marble base, age mark, H. 18 cm
Lot 046444
Albrecht Kneer, geb. 1923 Heidenheim, Diskobolus/Diskuswerfer, Bronzeskulptur, auf Holzsockel, H. ca. 21/29 cm, am Boden mit Etikett Kneer CollectionAlbrecht Kneer, born 1923 Heidenheim, discobolus/discus thrower, bronze sculpture, on a wooden base, height approx. 21/29 cm, with the Kneer Collection label on the bottom
Lot 046445
Young Joo Kim, Künstler des 20.Jh., Bronzeskulptur, Wasserträgerin, am Fuß signiert, Ed. 56/499, auf Granitsockel, Kneer Collection H. ca. 34 cmYoung Joo Kim, Artist of the XXth c., Bronze sculpture, water bearer, signed on the base, Ed. 56/499, on a granite base, Kneer Collection H. approx. 34 cm
Lot 046446
Wilhelm Riedisser, 1870 wohl Gebrazhofen - 1913 München, ab 1889 Studium an der Kgl. Kunstakademie München, Reisestipendium u. folgende Aufenthalte in Italien, Umkreis der späten deutsch-Römer um von Marees u. von Hildebrand, schuf Skulpturen mit ernsthaft -zeitloser Bildsprache angelehnt an die klassische Antike, neusachliche Tendenz, hier:schreitender Männerakt, Pax-Motivik, Verzicht auf störendes Beiwerk u. übertriebene Gestik, Bronze patiniert, auf der Plinthe monogrammiert, Gießerstempel H.Noack Berlin, Alterssp., H. 30 cmWilhelm Riedisser, 1870 probably Gebrazhofen -1913 Munich, from 1889 studies at the Royal Munich Art Academy, travel grant and subsequent stays in Italy, circle of the late German-Romans around von Marees and von Hildebrand, created sculptures with a serious,timeless imagery based on classical antiquity,new objective tendency, here: striding male nude, pax motifs, No annoying accessories and exaggerated gestures, patinated bronze, monogrammed on the plinth, foundry mark H.Noack Berlin, age, H. 30 cm
Lot 046457
Joachim Dunkel, 1925 Berlin-2002, Studium in Berlin, mehrfacher Stipendiat, u.a. Villa Massimo, mehrfach geehrt, u.a. Georg Kolbe Preis 1958, hier: Stier, Bronzeskulptur, monogrammiert, ca. 26x37x10cm, Frühwerk, UnikatJoachim Dunkel, 1925 Berlin-2002, studies in Berlin, multiple scholarship holder, among others Villa Massimo, honored several times, including Georg Kolbe Prize 1958, here: bull, bronze sculpture, monogrammed, approx. 26x37x10cm, early work, unique
Lot 046470
Winfried Tränkner, geb. 1957 Dettigen/Teck, zwei Schachspieler auf einer Bank sitzend, Bronze patiniert, dat. Jan. 81 , Gießerstempel Karl Caspar Remchingen, ca. 18 x 24 x 17.5 cmWinfried Tränkner, born 1957 Dettigen / Teck, two chess players sitting on a bench, patinated bronze, dated Jan. 81?, Foundry markKarl Caspar Remchingen, approx. 18 x 24 x 17.5cm
Lot 046471
Barbara Rumpf,geb. 1960 in Neustadt/Wstr., Bronzeskulptur, 'Baumvogelfrau', am Boden monogrammiert, ca. 21 x 16 cm, direkt vom Künstler erworbenBarbara Rumpf, b. 1960 in Neustadt / Wstr., Bronze sculpture, # 'Baumvogelfrau #', monogrammed on the bottom, approx. 21 x 16 cm,acquired directly from the artist
Lot 046475
Leo Lionni, 1910-1999, Tavola Bassa, Bronzeskulptur, stilisierte Darstellung von Baumstämmen und Wurzeln, signiert, H. ca. 31 bzw. 64cm, L. ca. 102cm, B. ca. 58cmLeo Lionni, 1910-1999, Tavola Bassa, bronze sculpture, stylized representation of tree trunks and roots, signed, H. approx. 31 or 64cm, L. approx. 102cm, W. approx. 58cm
Lot 361
OGAWA HARITSU (RITSUO): A SUPERB LACQUER TONKOTSU WITH SHELLFISHAttributed to Ogawa Haritsu (1663-1747), sealed Kan 観Japan, 18th century, Edo period (1615-1868)Of rounded rectangular form and oval section, the reddish dark-brown lacquer ground with kinpun and mura-nashiji, masterfully lacquered and inlaid in gold and colored takamaki-e to depict various shellfish and algae. The cover opens to reveal a removable container. The base with an inlaid green pottery square reserve with the seal KAN. HEIGHT 7.6 cmCondition: Excellent condition with minor wear.Provenance: Formerly the property of the Strong Museum, accession no. 75.53 28, donated by Margaret Woodbury Strong (1897-1969), a prolific collector and founder and namesake of the museum. The Strong National Museum of Play (known as just The Strong Museum or simply the Strong) in Rochester, New York is the only collections-based museum devoted solely to the study of play.Ogawa Haritsu (formerly often referred to outside Japan by his alternative name of Ritsuo) was among the first Japanese lacquer artists to establish an independent reputation outside of the hereditary craft dynasties of Kyoto, Edo, and Kanazawa. Following an early career as a haiku poet, he is thought to have first turned his attention to lacquer design in middle age and soon attracted a wide following thanks to his novel choice of subject matter and pioneering and imaginative use of unusual materials; at some point after 1710 he was hired by Tsugaru Nobuhisa (1669-1747), lord of a domain in northern Japan, for whom he worked until 1731.In lacquer, he introduced a vocabulary of new materials not usually associated with lacquer artists such as glazed ceramic pieces, mother-of-pearl, and lead. Haritsu also mastered the technique of making lacquer surfaces appear to resemble other materials such as bronze, tile, ink sticks, and pottery, a style of decoration which became known as Haritsu saiku.Auction comparison: Compare with an lacquer and pottery-inlaid inro depicting shells and signed Ritsuo and sealed Kan, sold at Bonhams, Fine Japanese Works of Art, 13 September 2011, New York, lot 2079 (sold for 4,000 USD). Compare also with a related lacquered wood and pottery-inlaid tonkotsu, described as “After Ogawa Haritsu” and dated to the 18th century, at Bonhams, The Edward Wrangham Collection of Japanese Art Part II, 10 May 2011, London, lot 187 (sold for 3,600 GBP).
Lot 3071
A large, mixed lot of Bronze Age Marvel comics, within a range of mid 1970's to mid 1980's, featuring (but not limited to); a broken run of 'The Mighty World of Marvel - Starring the Incredible Hulk' (June 1974 - Jan 1977) - issues, nos. 90, 100-24, 126-217, 219-223. As well as a number of issues of; 'The Spider-Woman', 'Cloak and Dagger', 'The Vision and The Scarlet Witch', and 'The Mighty Thor'. Condition Report:The collective condition of the lot is commensurate to their age and collector�s reading - moderate spine role, foxing, and discolouration with some staining and initiating. Collectively, this lot could be considered to have a grade of �Very good -� to �Very Good�.
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