A Regency rosewood, inlaid and chevron banded casket, the bronze handle as clasped hands, the lid with internal mirror, on cast paw feet, width 22cm.Provenance:Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.
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After Rousseau, a bronze group of three cherubs, early 20th century, emblematic of art, music and science, on a marble socle, height 41cm.Provenance:Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.Condition report: There are some small 1cm long chips to the marble base, which can only be seen if one is intently looking. To the rear of the statue, there is some slight discolouration to the gilt, located on the plinth. The bronze is black in colour.
A French bronze and ormolu candlestick, late 19th century, modelled as a winged griffin, on a stepped rectangular base, height 28cm.Provenance:Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.Condition report: The candlestick is leans slightly back but this is witnin the manufacture. The sconce is slightly bent. The griffin's tail is loose and moves easily. The gilt on the bronze is scratched and tarnished in all areas. The base collar is loose and needs attaching. Chips to all the marble corners and edges on the base.
A pair of bronze cricketing bookends by Elaine JamesCondition report: Good condition, wear commensurate with age and use. Dimensions for the bowler are 25 x 23.5 x 10.5cm, for the wicket keeper the dimensions are 18 x 23.5 x 10.5cm. Unfortunately we have been unable to find any information about the artist.
A late 19th century French slate mantel clock stamped S. Marti Medialle de Bronze. 44.5 x 36 x 18.5cm dial diameter 5 inchesCondition report: Crack to the side of the left winding port. Slate with multiple chips, especially to the extremities and corners. Missing pendulum and winder. Untested, in need of a full service and some restoration.
Jennine Parker (British Contemporary), Moonlight, limited edition bronze sculpture, impressed initials, numbered AP 13/20, approximately 50cm high including plinth base; accompanied by the original box and certificate of authenticityCondition report: Markings and minor scratchings to outer surface throughout. Markings and staining to the black base, some can be removed with cleaning. Structurally strong
Jennine Parker (British 1972-), Elevation, a limited edition bronze sculpture of a dancer, impressed signature, numbered 57/195, approximately 48cm high including base; accompanied by original dust bag and certificate of authenticityCondition report: Scratching and marking to exterior throughout. Marks and damage to the base, especially at the join - please see images. Small marks to the bronze rings and paint splatters.
Mêne (Paul Jules, 1810-1879). A bronze sculpture modelled as a recumbent goat, the oval base signed, 12cm long, together with an 18th century ormolu wall plaque modelled as a classical female standing by a peacock, some damage, 17cm high, a Chinese bronze candlestick modelled as a dog of fo, 12cm long and other itemsQty: (5)
Regency Clock. A Regency period bronze and ormolu mantel clock by Baetens, 23 Gerrard Street, Soho, London, the fine bronze case with white circular enamel dial with black roman numerals, gilt metal hands and winding hole, adorned with a figure of a philosopher/explorer in 17th century dress, his hand resting on the clock whilst holding a scroll/map, the integral rectangular base applied with ormolu cherub mask flanked by swags on ball feet, with pendulum and associated key, 22cm high x 19cm wide Qty: (1)Footnote: Baeten's & Co-produced clocks at 23 Gerrard Street, Soho, London from about 1814, the factory specialised in manufacturing clocks in bronze and ormolu which was unusual for the time as many clock manufacturers had to outsource firms to make the cases.
Shipwreck Coins. Spain, 8 Reals recovered from the Rill Cove Wreck which sank in 1618, presented with a certificate of origin provided by W.H. Lane & Son, Penzance, together with another coin from the wreck of the Hollandia, which is similarly presented Qty: (2)Footnote: The Rill Cove Wreck was a 16th-century Spanish cargo ship that sank off the coast of Rill Cove, Penzance, Cornwall. The remains were first discovered in 1969. Over 300 coins were recovered from the wreck mostly from the reign of Philip II or Philip III. The identity of the ship has never been identified.The Dutch East India Company ship the Hollandia was wrecked on Annet, off the Isles of Scilly on 13 July 1743, with the loss of 276 crew. The ship was discovered in 1971 and a large collection of coins were recovered plus bronze cannons and mortars.In 1977, Penzance auctioneers W.H. Lane & Son auctioned these two coins in their "Treasure of Four Centuries" sale.
Chinese Cloisonne. A 19th-century Chinese cloisonne enamel box and cover, of circular form, decorated with floral scrolls on a light blue ground, the centre of the cover with a Chinese symbol, the interior of the bowl with blue enamel and similarly enamelled on the base, minor damage to the interior of cover and rim misshapen, 7cm high x 12cm diameter, together with a 19th century Chinese bronze and enamel censer, with two loop handles, foliate decoration on a light blue ground raised on three supports, damaged, 9cm high x 12.5cm diameterQty: (2)
Chinese Dagger. A Chinese bronze dagger from the Henan probably Mid to Late Second B.C., cast bronze with 33cm tapered blade and integral handle with two rings and flat circular pommel, verdigris throughout and signs of age and use, overall length 41.5cm long, presented in a modern Chinese box Qty: (1)Footnote: Provenance: Private collection, Kent.
EUGENE MARIOTON (FRENCH, 1857-1933): 'Devoir Civique' a bronze figure of a swordsmith standing holding his left arm aloft, his other hand holding a scabbard, the base inscribed 'Copyright 1904 by Lapointe', 40.5cm high Condition Report : fantastic colour and patination. looks to be missing sword handle from scabbard. With some interesting provenance Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
TWO BENIN BRONZE CASKETS the hinged covers with zoomorphic knops, 15cm and 13cm, together with a domed casket with twin hasps to front and hinged carrying handle Condition Report : wear and tear, but no real damage Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A BRONZE PESTLE AND MORTAR the mortar 11.5cm diameter, together with a ceramic mortar and pestle with beechwood handle 23cm diameter Condition Report : no major damage to either piece Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A BERGMANN BRONZE STYLE PAINTED METAL GROUP modelled as an Arabian gentleman seated leaning against a small tower, the lid opening to interior with glass liner, 16cm high Condition Report : postcode scratched to base. Hinge with soldered repair Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A BRONZE FIGURE OF BUDDHA MARAVIJAYA, LAOS, 16TH-17TH CENTURYSeated in maravijaya pose with elegantly contoured hands, his face with a serene expression and downcast eyes, all below arched brows connected by his nose-bridge, the face flanked by elongated earlobes, his hair tightly curled below a ketumala rising from his ushnisha.Provenance: From the collection of Godfried Wauters, who has been active in the Belgian trade for over 40 years. He has built a substantial art collection including Chinese and Buddhist sculptures, significantly expanding on the collection already built by his late father Gustaaf Wauters (1905-1992). Condition: Good condition with general wear, remnants of lacquer and gilt, minor losses, traces of use, some corrosion and other signs of age.Dimensions: Height 59 cm
A LARGE GILT-BRONZE FIGURE OF PADMASAMBHAVA, LATE QING TO REPUBLICTibet, ca. 1850-1950. Heavily cast, seated in dhyanasana atop a double lotus base with beaded upper edge, holding in his right hand a vajra and in his left a skullcup. He is wearing voluminous robes finely incised with cloud designs, the hems with foliate scroll and floral diaper, and richly adorned with jewelry, inlaid with coral and turquoises. The hair in fine strands falling elegantly over the shoulders, surmounted by a peaked Tantric cap with upturned sides topped with a feather and centered by a crescent moon surmounted by a sun.Provenance: UK trade.Condition: Overall in good condition commensurate with age. Few minor nicks, dents, losses, light scratches, and wear to gilt. Some casting irregularities, signs of corrosion, dark spots, remnants of old varnish and pigment, some inlays are lost while others might be later replacements, the trident (which was attached using the tang below his proper left shoulder) is lost. The base retains its original sealplate and, considering the heavy weight of the statue, it can be assumed that the contents of the statue are still present.Weight: 4,944 gDimensions: Height 33.8 cmHis expressive face is marked by remarkably intense eyes, furrowed brows, a fine mustache, and full lips, flanked by long pendulous earlobes. The base sealed and incised with a double vajra.Padmasambhava (literally 'lotus-born' in Sanskrit), also known as Guru Rinpoche among Tibetans, is believed to be one of the principal masters to bring Buddhism to Tibet and to teach the tantras in the 8th century. He is depicted in numerous forms with different names representing outer, inner and secret aspects of his spiritual being, with the change of names following the chronology of his life story. In the 5th century BC, Buddha Shakyamuni arrived as the founder of Buddhism. His teachings were subsumed by the Sutrayana and the Tantryana. In the 8th century, Padmasambhava personified the guru principle, the ritualistic path of Buddhism and the heart of Vajrayana Buddhism. They are exemplified in its flourishing after it was introduced into Tibet and the Himalayas between the 7th and 11th centuries. Because of Padmasambhava's teachings and contribution, he is known as the 'Second Buddha'.Literature comparison: Compare a closely related gilt bronze figure of Padmasambhava, dated to the 17th century, in the collection of the Museum Rietberg in Zurich, inventory number BA 120. Compare a related gilt bronze figure of Padmasambhava, dated 16th-17th century, in the collection of the British Museum, museum number 1992,1214.49.Auction result comparison: Compare a related gilt bronze figure of Padmasambhava, 25.5 cm high, dated 16th-17th century, at Christie's Paris in Art d'Asie on 8 June 2010, lot 355, sold for EUR 46,600. Compare a related gilt bronze figure of Padmasambhava, 26 cm high, dated circa 15th century, at Bonhams London in Fine Chinese Art on 12 November 2015, lot 74, sold for GBP 50,000. 清末至民初大型銅鎏金蓮花生像西藏，約1850-1950年。蓮花生大士結禪定座坐於雙層蓮座上，右手執金剛杵，左手執頭骨杯。他身著交領式僧衣，層層套迭，衣紋自然流暢，繁複華美，帽簷以日月為中心，耳環上鑲嵌綠松石。來源：英國古玩市場。品相：總體狀況良好，與年齡相稱。少量輕微的劃痕、凹痕、缺損和鎏金磨損。一些鑄件不規則，有腐蝕跡象、黑點、舊清漆和顏料的殘留物，一些鑲嵌物丟失，一些可能是後來更換的，三叉戟（左肩下方的柄腳連接）丟失了。底座保留了原來的封印板。考慮到雕像的重量，雕像內部的內容可能仍然存在。重量：4,944 克尺寸：高 33.8 厘米拍賣結果比較：比較一件銅鎏金蓮花生大士像，高25.5釐米，為十六至十七世紀，見巴黎佳士得Art d'Asie 2010年6月8日 lot 355, 售價EUR 46,600。比較一件相似的銅鎏金蓮花生大士像，高26釐米，約十五世紀，見倫敦邦翰思Fine Chinese Art 2015年11月12日 lot 74, 售價GBP 50,000。
A BRONZE FIGURE OF GANESHA, 17TH-18TH CENTURYSouth India. Standing in tribhanga on a waisted lotus base over a stepped plinth with incised lotus petals, holding the axe, noose, broken tusk, and ladu in his hands, a naga tied around his rotund belly, richly adorned with beaded jewelry, the elaborate headdress surmounted by a jewel.Provenance: From a private collection in southern Germany, mostly assembled between the 1960s and 1980s.Condition: Very good condition with minor old wear and casting flaws, minuscule nicks, light scratches. The shirashchakra to the back of the head is lost. Fine, naturally grown, warm and smooth patina with areas of malachite and cuprite encrustation particularly to the interior. Weight: 3,715 gDimensions: Height 32 cmAuction result comparison: Compare a closely related bronze figure of Ganesha, 43.8 cm high, dated to the 17th century, at Christie's New York in Living With Art on 27 July 2016, lot 284, sold for USD 13,750.
AN ORDOS 'WOLF HEAD' BRONZE PLAQUE, WARRING STATES PERIODChina, Inner Mongolia, 5th-3rd century BC. Finely cast as a wolf's head, with pierced eyes and ears, the reverse set with a loop for attachment. Provenance: Grays Antique Center, London, 1999. Dr. Koos de Jong, acquired from the above (invoice not available). Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in "Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond". Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch.Condition: Good, original condition, remarkable considering its age. With some wear, minuscule nicks, and scratches. Minor encrustations to the reverse.Weight: 3.6 g Dimensions: Height 2.7 cmLiterature comparison: For a related plaque, see E.C. Bunker, Ancient Bronzes of the Eastern Eurasian Steppes from the Arthur M. Sackler Collections, New York 1997, p. 247, no. 205. 戰國鄂爾多斯狼頭銅件中國，内蒙古，公元前五至三世紀。鑄造成狼頭狀，眼睛和耳朵為圈狀，背後有一個環。 來源：倫敦Grays Antique Center藝廊，1999年。Dr. Koos de Jong收藏，2004年購於紐約亞洲藝術博覽會（發票已遺失）。Drs. de Jong是一位荷蘭藝術史學家，幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。品相：良好的原始狀態。有一些磨損、微小的劃痕，背面有輕微的結殼。 重量: 3.6 克 尺寸：高 2.7 厘米
A BRONZE FIGURE OF BUDDHA SHAKYAMUNI, LAN NA KINGDOMNorthern Thailand, 17th century. Seated in virasana atop a tiered and open worked lotus throne with the right hand lowered in bhumisparsa mudra and the left held in dhyana mudra above his lap, his robe draped over the left shoulder, the face with heavy-lidded eyes and full lips, flanked by long pendulous earlobes, the hair arranged in tight curls surmounted by a domed ushnisha. Provenance: From the collection of Godfried Wauters, acquired in the Parisian trade. Godfried Wauters has been active in the Belgian trade for over 40 years. He has built a substantial art collection including Chinese and Buddhist sculptures, significantly expanding on the collection already built by his late father Gustaaf Wauters (1905-1992).Condition: Good condition with old wear and casting flaws, ancient repairs, nicks, dents, scratches. Fine, naturally grown patina overall.Weight: 10.5 kg Dimensions: Height 46 cm
A BRONZE 'LUDUAN' DOOR KNOCKER, MING DYNASTYChina, 1368-1644. Boldly cast with a central luduan head with a fierce expression marked by large bulging eyes, a broad nose, bared teeth, and a single horn, framed by a full set of curly mane, the mouth suspending a movable ring handle, all on a foliate base with six lozenge-shaped apertures for securing to a door.Provenance: Estate of Dr. Otto Schwend, acquired between 1923 and 1925 in Dongguan, Guangdong Province, China and thence by descent in the same family. Dr. Otto Schwend (1892-1951), a German physician who lived in East Asia for fifteen years, first in Dongguan between 1923 and 1926, and subsequently in Bangkok, Thailand between 1926 and 1938. After serving as a military surgeon in World War I, he worked at a missionary hospital in Dongguan from 1923 and moved to Thailand three years later to open a private practice in Bangkok. As a successful doctor fluent in Chinese, he became an important figure in Bangkok, even treating members of the royal family. During his time in East Asia, Schwend built a substantial collection of Chinese and Thai art, which he brought back to Germany and has remained in the possession of his family for over 80 years. Condition: Very good condition with old wear, traces of use, minor casting irregularities, minuscule nicks and dents, and light scratches. Fine, naturally grown, matte patina with malachite green encrustation here and there.Weight: 3,061 gDimensions: Diameter 24.6 cmLuduan are mythical and auspicious creatures with strong lion bodies, a single horn and the paws of a bear. They are believed to have the ability to traverse vast distances and master all languages, as well as foretell the future, giving life to the good and killing evil. According to legend, they were originally known as 'jiaoduan', and their name changed to 'luduan' because the character for 'lu' matched their appearance better. Known as guardians of enlightened rulers, luduan were said to appear in areas where a wise and virtuous leader was present.Auction result comparison: Compare a related bronze door knocker, 44 cm high, dated circa 17th century, at Christie's Paris in Art d'Asie on 10 December 2020, lot 167, sold for EUR 27,500. 明代甪端銅輔首中國，1368-1644年。圓形片狀。主紋為甪端紋，甪端睜目蹙眉，如意形鼻子，獨角，口含銅環，面目兇惡猙獰，鬃毛飛揚。六邊菱形孔葉狀底座，用於固定到門上。來源：Dr. Otto Schwend收藏，1923 至1925年間購於中國廣東東莞，保存在同一家族至今。Dr. Otto Schwend (1892-1951) 是一位德國醫生，在東亞生活了 15 年。1923 年至 1926 年間，他先是在東莞，隨後 1926 年至 1938 年在泰國曼谷生活。在第一次世界大戰中擔任軍醫後，1923 年起他在東莞的一家教會醫院工作 。三年後移居泰國，在曼谷開設了一家私人診所。 作為一名能說一口流利中文的成功醫生，他成為曼谷的重要人物，甚至為皇室成員提供治療。在東亞期間，Schwend收藏了大量的中國和泰國藝術品，並將其帶回德國，並一直由他的家人收藏超過 80 年。 品相：狀況極好，磨損、使用痕跡、輕微的鑄造瑕疵、微小的刻痕和凹痕以及輕微的劃痕。 自然細膩的包漿，多處可見綠色結殼。 重量：3,061 克 尺寸：直徑 24.6 厘米 拍賣結果比較：比較一件相近的約十七世紀銅輔首，高44 厘米，見巴黎佳士得 Art d'Asie 2020年12月10日 lot 167, 售價EUR 27,500。
A RARE GILT-BRONZE CLOISONNE ENAMEL CUP, QING DYNASTYChina, 1760-1820. The deep rounded sides supported on a straight foot, flanked by two gilt-bronze chilong handles, the exterior finely decorated in bright enamels with lotus sprays against a wan design on a Jingtai-blue ground, the interior and foot with turquoise grounds. With a ruyi-head band below the rim and a scroll band to the foot.Provenance: UK trade, by repute from an old English private collection and previously acquired from Woolley & Wallis.Condition: Good condition with minor wear and manufacturing flaws, including expected pitting. Minor warpings, small dents, and minuscule losses.Weight: 98 g Dimensions: Height 4.9 cm, Diameter 8 cmAuction result comparison: Compare a related chilong-handled cloisonne cup, dated to the 18th century, at Sotheby's New York in Asian Art on 23 March 2019, lot 1592, sold for USD 8,750. 清代罕見鎏金銅銅胎掐絲琺琅螭龍耳杯 中國，1760-1820年。杯金屬胎，敞口，深腹，斜直壁，矮圈足，鎏金螭龍耳。外壁掐絲勾勒，深藍色琺瑯釉，飾如意雲頭紋一周。腹施淺藍色琺瑯釉為地，飾菊花紋，舒展自如。杯內壁藍色琺琅。圈足外藍色釉卷草紋，圈足內鎏金。來源：英國古玩市場，據説來自英國私人收藏，之前購於Wolley & Wallis 藝廊。 品相：狀況良好，有輕微磨損和製造瑕疵，包括預期的點蝕。 輕微翹曲、小凹痕和微小缺損。 重量：98克 尺寸：高4.9厘米，杯口直徑8厘米 拍賣結果比較：比較一件十八世紀螭龍耳銅胎掐絲琺琅杯，見紐約蘇富比Asian Art 2019年3月23日 lot 1592, 售價USD 8,750。
A GILT-BRONZE FIGURE OF A LADY, MING DYNASTYChina, 1368 to 1644. Cast in the form of a standing court lady, holding a gui tablet, wearing a long flowing robe neatly incised with floral decor along the hems, tied up by a sash with geometric designs. The face with a serene expression and full lips. The hair arranged in a high chignon behind the tiara.Provenance: From a private collection, Northern California, USA.Condition: Good condition, commensurate with age. Old wear and minor casting flaws. Minuscule nicks, losses, dents, light scratches, and wear to the gilt. The gui tablet may be a later addition. Remnants of ancient pigment.Weight: 350 gDimensions: Height 13.3 cmAuction result comparison: Compare a related gilt bronze figure of a lady, dated to Song to Ming dynasty, of slightly smaller size (12.8 cm) at Sotheby's Hong Kong in Later Chinese Bronzes from the Collection of Ullrich Hausmann on 7 October 2014, lot 3353, sold for HKD 43,750. 明代銅鎏金仕女立像中國，1368 至1644年。仕女立像，手持掛牌，身著飄逸長袍，衣擺上飾花卉紋，繫著幾何圖案的綬帶。 臉上表情平靜，嘴唇豐滿，頭髮成高髻。 來源：美國北加利福尼亞私人收藏。品相：狀況良好，與年齡相稱，磨損和輕微鑄造瑕疵，微小的刻痕、損失、凹痕、輕微劃痕和鎏金磨損。掛板可能是後來添加的。 古代顏料殘餘。 重量：350 克 尺寸：高13.3 厘米 拍賣結果比較: 比較一件相近的宋明時期銅鎏金仕女像，12.8厘米，見香港蘇富比Later Chinese Bronzes from the Collection of Ullrich Hausmann 2014年10月7日 lot 3353, 售價HKD 43,750。
A BRONZE FIGURE OF BUDDHA SHAKYAMUNI, 16TH-17TH CENTURYLaos. Seated in virasana atop a shaped tiered base with incised lotus petals, his right hand in bhumisparshamudra, the left resting on his lap, wearing samghati, his face with downcast expression, incised eyes, aquiline nose, smiling lips, elongated earlobes, curled hair dress and usnisha, the latter surmounted by a jewel.Provenance: French trade.Condition: Good condition, commensurate with age. Areas of minor heat damage. The jewel surmounting the ushnisha is a later replacement. Old lacquer coating and remnants of gilt. Minor wear and casting flaws, small dents, some losses, minuscule nicks, and light scratches. The base with a small old repair (ca. 6 x 6 cm), well-visible from the inside. The interior with malachite-green encrustation.Weight: 5,202 gDimensions: Height 41.5 cmAuction result comparison: Compare a closely related bronze of Buddha Shakyamuni, 34 cm high, dated to the late 16th century, at Christie's Amsterdam in Indian, Himalayan and Southeast Asian Art on 31 October 2000, lot 112, sold for NLG 19,893 (approx. EUR 9,027).
A NEPALESE BRONZE FIGURE OF AMITAYUS, MEDIEVAL PERIODC. 11th-14th century. Seated in dhyanasana atop a waisted double-lotus base with beaded upper edge, his hands holding the amrita vase, clad in a diaphanous sanghati with the folds gathered over the ankles and onto the base, adorned with beaded and floral jewelry and billowing scarves. The serene face with heavy-lidded eyes below gently arched brows centered by an urna, wearing a foliate tiara.Provenance: UK trade.Condition: Good condition, commensurate with age. Extensive wear, casting flaws, signs of weathering and erosion, dents, nicks, losses, scratches. The tiara is bent and the back of the head and chignon are lost. Fine, naturally grown patina with a good, unctuous feel overall. The base unsealed and fitted with a wood core some time ago.Weight: 403.2 gDimensions: Height 13 cmExpert's note: The current work displays strong characteristics of Nepalese ateliers, particularly the rich coppery tone of the bronze. Influences of Pala tradition from northeast India are also articulated, including the tubular limbs. The waisted lotus base, on the other hand, is reminiscent of the even earlier Swat Valley bronzes. The statue itself and the condition of the piece overall preclude any revival style, making a dating between the 11th and 14th centuries most likely.Auction result comparison: Compare a related bronze figure of Amitayus or Manjushri, 14 cm high, dated to the 11th century, at Christie's New York in Indian, Himalayan & Southeast Asian Works of Art on 20 March 2019, lot 623, sold for USD 25,000.中世紀尼泊爾無量壽佛銅像約十一至十四世紀。無量壽佛手持淨瓶平行曡放在雙膝上，結跏趺坐坐於雙層蓮座上，頭戴寶冠，髮髻高聳，項戴纓絡項鍊，裝飾華麗 。表情安詳，眼睛微垂，眉頭微彎，雙眉之間有白毫。 來源: 英國古玩市場。 品相: 狀況良好，與年齡相稱，有大面積磨損、鑄造瑕疵、風化、侵蝕跡象、凹痕、刻痕、缺損和劃痕。頭飾彎曲，後腦勺和髮髻丟失。自然包漿，整體感覺細膩。底座曾被開封並安裝了木芯。 重量: 403.2 克 尺寸: 高13 厘米拍賣結果比較: 比較一件相近的十一世紀阿彌陀佛或文殊菩薩銅像，高14 厘米，見紐約佳士得Indian, Himalayan & Southeast Asian Works of Art 2019年3月20日 lot 623, 售價USD 25,000。
A MASSIVE SILVER-INLAID BRONZE CENSER, SHISOU MARKChina, 17th-18th century. The heavily cast bombe body supported on a spreading foot and rising to a slightly everted rim, the shoulder set with two loop handles, the exterior finely inlaid in silver wire with sinuously coiled dragons dividing capitals in the form of lotus flowers reminiscent of the Old Summer Palace (yuanmingyuan). The base with a silver-inlaid two-character Shisou mark.Provenance: The Mee-Din and Robert W. Moore Collection. Robert W. Moore is a famed California collector of Chinese and Korean art, whose passion began in the 1950s when he served in the US Army and was stationed in Korea. After his return to the United States, he began collecting Korean and later also Chinese works of art, and over the following decades became a very knowledgeable, discerning, and influential collector.Condition: Very good condition with only minor wear and casting irregularities, minuscule nicks, light scratches, the interior with extensive traces of use. Magnificent, natural patina overall.Weight: 2,903 g Dimensions: Width 26.7 cm (across handles)Little is known about the historic figure Shisou. The earliest reference in the Zhongguo meishujia renming cidian ('Dictionary of Chinese Artists') comes from the Luochuang xiaodu and is presumably from the same source as published in Zhongguo yishujia zhenglue ('Brief Introduction of Chinese Artists). Shisou is listed there only as a late Ming dynasty monk without any further biographical information. A number of vessels and sculptures from the seventeenth to the nineteenth century bear his name, sometimes in combination with a hall name, Jinyu tang ('Hall of Prosperity').Auction result comparison: Compare a related silver-inlaid bronze censer, 11.5 cm high, also with a Shisou mark, at Christie's Hong Kong in The Pavilion Sale on 6 October 2015, lot 171, sold for HKD 62,500. Compare a related silver-inlaid bronze censer, 7.6 cm across, also with a Shisou mark, at Christie's Hong Kong in Chinese Art on 12 April 2018, lot 36, sold for HKD 62,500. 石叟款錯銀銅爐中國，十七至十八世紀。造型莊重典雅，厚口平直微敞，垂腹豐腴，兩側置圓耳，耳環上端有一角上翹，圈足。爐身錯銀以卷葉蓮紋的形式描繪了蜿蜒盤繞的龍紋。底座上可見錯銀"石叟"款。 來源: Mee-Din 與Robert W. Moore 中國漆器收藏。Robert W. Moore是加州著名的中國和韓國藝術收藏家，他的收藏熱情始於 1950 年代。當時他在美國軍隊服役並駐紮在韓國。回到美國後，他開始收藏韓國和中國的藝術品，尤其是漆器，在之後幾十年裡，他成為了一位知識淵博、眼光敏銳、影響深遠的收藏家。 品相: 狀況極好，輕微磨損和鑄造瑕疵，微小的刻痕和輕微的劃痕，內部有大量使用痕跡。整體包漿自然。 重量: 2,903 克 尺寸: 寬26.7 厘米 (兩耳之間) 拍賣結果比較: 比較一件相近的石叟款錯銀銅爐，高11.5 厘米，見香港佳士得The Pavilion Sale 2015年10月6日 lot 171, 售價HKD 62,500；另一件相近的石叟款錯銀銅爐，兩耳之間7.6 厘米，見香港佳士得Chinese Art 2018年4月12日 lot 36, 售價HKD 62,500。
A LARGE BRONZE STATUE OF BUDDHA SHAKYAMUNI, 16TH-17TH CENTURYThailand, Ayutthaya. Seated in sattvasana with his right hand in bhumisparshamudra, the left hand resting on his lap holding a small container, wearing a samghati and uttarasangha, his face with a serene expression and downcast eyes, all below gently arched eyebrows connected by his nose-bridge, the face flanked by elongated earlobes and gilt- and black-lacquered curled hair.Provenance: From a German private collection, acquired around 1990 in Thailand. Condition: Fine condition with old wear, minor losses, some due to erosion with associated old fills. Small nicks and dents, shallow surface scratches, casting irregularities, remnants of lacquer and gilt, and a fine naturally grown patina overall. Overall commensurate with age and as expected from an authentic bronze of this size and age. Dimensions: Height 69 cmAuction result comparison: Compare a related bronze statue of Buddha Shakyamuni, also 16th-17th century, Ayutthaya, 88 cm height, at Christie's Paris in Art d'Asie on 12 June 2012, sold for EUR 46,600.
A FIGURAL BRONZE SCROLL WEIGHT, MING DYNASTYChina, 16th - 17th century. Cast in the form of a smiling boy dressed in loose robe and trousers, the head shaved except for a single double topknot, seated with his right arm resting on a goose.Provenance: Old Austrian private collection. By repute acquired from Galerie Asboth, Vienna, Austria, ca. 1985-1995.Condition: Good condition with minor nicks, dents, minuscule losses, a fine natural patina, extensive old wear mostly to the base, commensurate with age.Weight: 176.9 g Dimensions: Length 7 cmAuction result comparison: Compare a closely related bronze at Sotheby's New York on 21 March 2015, lot 775, sold for USD 3,000.明代人物銅鎮紙中國， 十六至十七世紀。一個微笑的男孩，著寬鬆的長袍和褲子，頭上扎單髻。右臂抱著一隻鵝。 來源：奧地利私人老收藏，據説購於奧地利Asboth藝廊，約在1985-1995年之間。 品相：狀況良好，有輕微的劃痕、凹痕、微小的缺損，良好的天然包漿，主要在底部的磨損，與年齡相稱。 重量: 176.9 克 尺寸：長 7 厘米 拍賣結果比較：比較一件相似的銅鎮紙見紐約蘇富比2015年3月 21日 lot 775, 售價USD 3,000。
A 'MAKARA' BRONZE CENSER, QING DYNASTYChina, 1644-1912. The compressed globular body rising from a short spreading foot to an everted rim, the shoulder set with a pair of makara head handles. The base cast with an apocryphal six-character mark da Ming Xuande nianzhi within a recessed rectangle.Provenance: UK trade.Condition: Very good condition with minor wear and casting flaws, small dents, few minuscule nicks, light scratches, the interior with extensive traces of use.Weight: 418.4 gDimensions: Width 13 cm (across handles)Auction result comparison: Compare a near-identical makara-handled censer, 18.5 cm wide, dated to the 19th century, also with a Xuande mark, at Sotheby's London in Asian Art on 17 May 2019, lot 349, sold for GBP 4,000. Compare a related bronze censer with similar elephant handles, 11.7 cm wide, dated 17th-18th century, at Sotheby's London in Important Chinese Art on 6 November 2019, lot 288, sold for GBP 10,250. 清代摩迦儸耳銅爐中國，1644-1912年。摩迦儸耳簋式爐，唇口外撇，短束頸，鼓腹下垂，高圈足。頸、腹兩側塑摩迦儸首耳，立體感強，猙獰威武。高額大鼻，毛髮細密盤曲。圈足内"大明宣德年製"。 來源：英國古玩市場。 品相：狀況極好，有輕微磨損和鑄造瑕疵、小凹痕、輕微刻痕與劃痕，內部有大量使用痕跡。重量：418.4 克 尺寸：寬13 厘米 (兩耳之間) 拍賣結果比較：比較一件幾乎一模一樣的十九世紀宣德款摩迦儸耳銅爐，寬18.5 厘米 ，見倫敦蘇富比Asian Art 2019年5月17 日 lot 349, 售價GBP 4,000；比較一件相近的十七至十八世紀象耳銅爐，寬 11.7 厘米，見倫敦蘇富比 Important Chinese Art 2019年11月6日 lot 288, 售價GBP 10,250。
A GILT BRONZE FIGURE OF AMITAYUS, 14TH CENTURYTibet. Seated in dhyanasana on a high double-lotus base, with hands folded in dhyanamudra, wearing a shawl and dhoti, the loose folds falling over his crossed legs in undulous folds. With a billowing celestial scarf around his shoulders and arms, richly adorned with elaborate inlaid jewelry, the face with a benevolent expression and surmounted by an elaborate diadem in front of a high chignon.Provenance: London private collection. Sotheby's London, Important Chinese Art, 9 November 2016, lot 279, bought-in at an estimate of GBP 6,000-8,000. Hungarian private collection, acquired from the above.Condition: Good condition with old wear and casting irregularities, extensive wear to gilt, some losses to inlays, few minuscule nicks and light scratches, small dents, the base unsealed, the interior with areas of malachite-green patina. Overall exactly as expected and fully commensurate with age.Weight: 177.7 gDimensions: Height 9.7 cmLiterature comparison: The robust physiognomy and broad lotus leaves are characteristic of 14th-century Tibetan sculpture produced by expert Newari casters. This bronze compares favorably to a closely related though slightly larger example published in von Schroeder, Indo-Tibetan Bronzes, Hong Kong, 1981, page 364, no. 98B.Auction result comparison: Compare a closely related but larger (15.5 cm high) Tibetan gilt copper alloy figure of Amitayus, also dated to the 14th century, at Bonhams New York in Indian, Himalayan & Southeast Asian Art on 19 March 2019, lot 902, sold for USD 12,075. 十四世紀銅鎏金無量壽佛坐蓮像西藏。無量壽佛結跏趺坐坐於雙層蓮座上，手結禪定印平行曡放在雙膝上，頭戴寳冠，身披長袍，散散地垂在他交叉的腿上。肩上和手臂上挂著一條飄帶，上面裝飾著精美的珠寶。無量壽佛臉上表情慈祥，髮髻高聳，頭戴寳冠。 來源：倫敦私人收藏。倫敦蘇富比 Important Chinese Art 2016年11月9日 lot 279, 估價 GBP 6,000-8,000. 匈牙利私人收藏，購於上述收藏。 品相：品相良好，舊磨損和鑄造不規則，鎏金磨損嚴重，遺失一些鑲嵌物，有些微小的刻痕和划痕，小凹痕，底座未密封，內部有孔雀石色包漿。 總體上與其年齡相符。 重量：177.7 克 尺寸：高9.7 厘米 文獻比較：造像健壯的躰貌和寬闊的蓮葉是十四世紀西藏造像的特徵，由原住民内瓦爾人製作。 這個青銅器與另一個稍大的造像相比毫不遜色，見Schroeder, Indo-Tibetan Bronzes, Hong Kong, 1981, page 364, no. 98B. 拍賣結果比較：一件相似但稍大 (高15.5 厘米) 的西藏銅鎏金無量壽佛造像，同樣為十四世紀，于紐約邦翰思 Indian, Himalayan & Southeast Asian Art 2019年3月19日 lot 902, 售價USD 12,075。
A COPPER ALLOY FIGURE OF VISHNU, PALA PERIODNortheastern India, 10th-11th century. Standing in samabhanga on a circular lotus base over a waisted plinth, his secondary hands holding the chakra and conch, clad in a close-fitting dhoti. The hair arranged in a tall chignon and backed by a shirashchakra.Provenance: Collection L. Solomon. An important French private collection, acquired from the above.Condition: Good condition, commensurate with age. Extensive wear due to constant handling of the piece over many centuries. Casting flaws. Few small losses, minuscule nicks, and minor dents.Weight: 115.6 gDimensions: Height 11.3 cmAuction result comparison: Compare a related Chola bronze figure of a seated Vishnu, dated 10th-11th century, with wear similar to the present lot, of only slightly larger size (14.5 cm high), at Christie's New York, in Indian and Southeast Asian Art on 20 September 2006, lot 68, sold for USD 5,760. Compare a related Pala period copper alloy figure of Vishnu, dated 11th century, at Bonhams New York, 19 March 2018, lot 3073, sold for USD 16,250.
A SILVER-INLAID BRONZE 'PHOENIX' BELT HOOK, ATTRIBUTED TO SHISOU, LATE MING DYNASTYChina, 17th century. Finely cast with a phoenix head terminal and inlaid in silver with ruyi, taotie, and other archaistic designs within shaped and dotted borders, the button to the underside with wire-inlaid scroll.Provenance: From the private collection of a former French colonel based in China before World War II.Condition: Very good condition with minor wear and casting flaws, minuscule nicks, small dents.Weight: 63.0 gDimensions: Length 10.8 cmLittle is known about the historical figure Shisou. The earliest reference in the Zhongguo meishujia renming cidian ('Dictionary of Chinese Artists') comes from the Luochuang xiaodu and is presumably from the same source as published in Zhongguo yishujia zhenglue ('Brief Introduction of Chinese Artists'). Shisou is listed there only as a late Ming dynasty monk without any further biographical information. A number of vessels and sculptures from the seventeenth to the nineteenth century bear his name, sometimes in combination with a hall name, Jinyu tang ('Hall of Prosperity'). Although the present piece is unsigned, the high quality of the casting and fine silver inlays make an attribution to Shisou or a related workshop seem reasonable.石叟風格明末銅錯銀鳳凰紋帶鈎中國，十七世紀。鳳頭帶鈎，錯銀如意、饕餮等仿古紋飾，鈕扣下方有嵌線捲軸。扣鈕上錯銀卷紋。 來源：二戰前駐華法國前上校的私人收藏。 品相：狀況極好，有輕微磨損和鑄造瑕疵，微小的刻痕和小凹痕。 重量：63.0 克 尺寸：長10.8 厘米
A GARLIC HEAD BRONZE BOTTLE VASE, HAN DYNASTYChina, 202 BC to 220 AD. The finely cast vessel of compressed globular form with a long slender neck set with a single raised band, widening to a lobed garlic head mouth. The exterior overall with a fine ancient patina of azurite, malachite, and cuprite. Provenance: Belgian trade. Condition: Good condition, commensurate with age, and as expected with extensive wear, encrustation, soiling, dents, dings, cracks, losses, and a minuscule pierced hole.Weight: 1906 g Dimensions: Height 38 cmAuction result comparison: Compare a closely related garlic head bronze vase, also dated to the Han dynasty, at Bonhams San Francisco in Asian Decorative Arts on 9 October 2013, lot 3183, sold for USD 9,375. Compare also a closely related garlic head bronze vase, dated to the Han dynasty, at Bonhams San Francisco in Fine Chinese Works of Art on 16 December 2014, lot 8016, sold for USD 5,625. 漢代青銅蒜頭瓶中國， 公元前202 年至公元220 年。直頸圓腹，圈足，瓶口成蒜頭瓣狀，頸部一道凸紋。通體藍綠色鏽斑，包漿色澤豐富。來源：比利時古玩市場。 品相：狀況良好，與年齡相稱，如預期的那樣，有大量磨損、結殼、污漬、凹痕、裂縫、缺損和微小的穿孔。 重量：1906 克 尺寸：高38 厘米 拍賣結果比較：比較一件十分相近的漢代青銅蒜頭瓶，見舊金山邦翰思 Asian Decorative Arts 2013年10月9日 lot 3183, 售價USD 9,375 ；另一件相近的漢代青銅蒜頭瓶，見舊金山邦翰思 Fine Chinese Works of Art 2014年12月16日 lot 8016, 售價USD 5,620。
A KHMER BRONZE FOOTED BOWL AND COVER, ANGKOR PERIODCambodia, 12th-13th century. The bowl supported on a stepped spreading foot and surmounted by a domed cover with an elegant bud finial. The foot, bowl, and cover are all decorated with diapered and raised circumferential bands.Provenance: From the collection of a late diplomat, acquired in the 1960s, thence by descent.Condition: Excellent condition, commensurate with age. Extensive wear, minor losses, small tears, minor dents, minuscule nicks, light scratches. Fine, naturally grown patina with extensive malachite and cuprite encrustation, the interior of the cover with azurite encrustation as well.Weight: 1,442 gDimensions: Height 21 cm (the bowl and cover), Diameter 20.5 cm (the cover)
A RARE BRONZE FISH AND MYTHICAL BEAST, DONG SON CULTUREVietnam, 500 BC - 300 AD. The fish with mouth agape and large bulging eyes, the tail fin with characteristic spiral decoration, a small lizard-like beast clambering on its back with similar decoration, five bells hanging from the fish's belly.Provenance: An important Italian private collection.Condition: Some repair and touchups as generally expected from ancient Dong Son excavations. Losses, fissures, erosion, and corrosion. Minor casting flaws. Overall, still good condition, especially for such a rare piece. Fine malachite-green patina with brown encrustations overall.Weight: 481.5 gDimensions: Length 17 cmDong Son (named for Dong Son, a village in Thanh Hoa, Vietnam) was a Bronze Age culture in ancient Vietnam centered at the Red River Valley of northern Vietnam from 1000 BC until the first century AD. Vietnamese historians attribute it to the states of Văn Lang and Âu Lạc. Its influence spread to other parts of Southeast Asia, including Maritime Southeast Asia, throughout the first millennium BC. The culture long remained a mystery to western archaeologists, and it was known only through its bronze objects, many of which were taken from burial sites. Dong Son bronze objects were exhibited in Europe for a century before their original location was even determined, and several theories and speculations over the dating methodologies of the culture continue to this day.Auction result comparison: Compare a group of four related Dong Son buffalo bells at Christie's London in Peter Petrou: Tales of the Unexpected on 30 January 2019, lot 149, sold for GBP 5,250, and a group of six Dong Son bell necklaces in the same auction, lot 150, sold for GBP 5,625. Compare another figural bronze from the Dong Son culture, sold in these rooms in Fine Chinese Art, Buddhism & Hinduism on 16 October 2021, lot 579, sold for EUR 15,168.
A GILT BRONZE FIGURE OF GREEN TARA, 15TH-16TH CENTURYTibet. Seated in lalitasana on a sealed double-lotus base with the pendent foot resting on a smaller lotus, the right hand extended in varadamudra and the left held in vitarkamudra. The base plate incised with a vishvavajra.Provenance: Old Swiss private collection, purchased in Nepal, October 1968. Collector's inventory label '8119' to base. Ancient inscription '39' neatly incised in Tibetan to backside of base.Condition: Very good condition with significant old wear, some casting flaws, few small nicks, occasional light scratches, some minor losses, some inlays missing. Fine natural patina overall.Weight: 500.3 gDimensions: Height 12.2 cmThe face with a serene expression surmounted by a foliate tiara, the hair arranged in a tall chignon. Clad in a knee-length dhoti and richly adorned in floral and beaded jewelry, inlaid with glass paste and semiprecious stones.Auction result comparison: Compare a closely related Tibetan gilt bronze figure of Green Tara, also dated to the 15th-16th century, at Christie's New York in Sacred and Imperial: The James and Marilynn Alsdorf Collection Part II on 24 September 2020, lot 947, sold for USD 18,750. 十五至十六世紀銅鎏金綠度母坐蓮像 西藏。綠度母結游戲姿坐於雙層蓮台上，右足踩在一株伸出的小蓮蓬上。右手結與愿印，左手安慰印。底座封板上刻著金剛杵。 來源：瑞士私人老收藏，1968年10月購於尼泊爾。底座上有藏家收藏編號 '8119' 。底座背面刻有藏文"39"字樣。品相：品相極好，有明顯的舊磨損，一些鑄造缺陷，很少的小刻痕，局部有輕微的划痕，一些輕微的缺損，一些鑲嵌寶石缺失。整體精美的天然包漿。 重量：500.3 克 尺寸：高12.2 厘米 拍賣結果比較：一件相近的西藏銅鎏金綠度母像，十五至十六世紀，見紐約佳士得Sacred and Imperial: The James and Marilynn Alsdorf Collection Part II 2020年9月24日，售價USD 18,750。
A HEAVY BRONZE 'LION' WEIGHT, MING DYNASTYChina, 16th to 17th century. Massively cast in the form of a recumbent beast with legs tucked neatly under its robust body which is decorated with swirling scrolls, its backbone and ribs well defined, the mane neatly incised. Provenance: Galerie Zacke, Vienna, 1988. An old Austrian private collection, acquired from the above.Published: Galerie Zacke, Feines altes Kunsthandwerk aus China und Japan, October 1988, p. 22-23, no. 43.Condition: Good condition with minor nicks, dents, a fine natural patina, extensive old wear mostly to base, commensurate with age. The backside with an old fill.Weight: 341.5 gDimensions: Length 6 cmAuction result comparison: Compare a related bronze lion-form paperweight, dated to the 17th century, at Sotheby's Hong Kong on 27 May 2014, lot 688, bought-in at an estimate of HKD 80,000-120,000. 明代銅獅鎮紙中國， 十六至十七世紀。瑞獸俯臥，頭似乎搭在一個球上，身體矯健，脊椎和肋骨輪廓分明，鬃毛整齊地，張牙咧嘴，異常可愛。來源：奧地利維也納Zacke藝廊，1988年。奧地利老收藏購於上述收藏。 出版：Zacke藝廊圖錄, Feines altes Kunsthandwerk aus China und Japan,1988年10月, 第22至23頁, 編號43。 品相：狀況良好，有輕微的劃痕、凹痕、良好的天然包漿，底座上有大量的磨損，與年齡相稱。 背面有舊時填充物。 重量: 341.5 克 尺寸：長 6 厘米 拍賣結果比較：比較一件相近的銅獅鎮紙，十七世紀，見香港蘇富比2014年5月27日 lot 688, 估價HKD 80,000-120,000。
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