Ca. 500-300 BC. A helmet comprising of hammered gilt bronze. The domed crown with front with medial ridge, with contoured double curve above the brow continuing as an occipital rib around the helmet, with pronounced arched brows and narrow flared neck guard. The crown domed with a mask-like front featuring eyes that have been carefully cut out. The round sections are each accentuated with a separately applied moulded bank. A tear-drop shaped nose guard is reaching down, moveable articulated crescentic cheeky guards with contoured edges are attached by hinges on the sides, rounded, and tapering towards the thin allowing binding. The Chalcidian-Type helmet started to replace the Corinthian-type helmet on the battlefield in the 5th century BC due to its restrictive attributes. The new versatile Chalcidian form of battle helmet enabled the owner to adapt on the battlefield. The Chalcidian helmet enabled greater sensory perception as the helmet was lighter and made in with senses in mind. By the time of the Peloponnesian War (434-402 BC) the Chalcidian helmet was the most widely distributed helmet in the Greek ranks. Good condition, heavily restored. Cf. The Walters Art Museum, Baltimore, accession number 54.2468. The British Museum, London, accession number: 1919, 1119.6. Bonhams, 7th October 2021, lot no 72. Literature: R. Hixenbaugh, Ancient Greek Helmets: A Complete Guide and Catalog, New York, 2019. Ohly, D., Die Agineten, Die Ostgiebelgruppe, Munich, 1976; Pflug, H., 'Chalkidische Helme' in Antike Helme, RGZM Monographien 14, Mainz, 1988, pp.137-150. With Restoration. Size: L:320mm / W:250mm ; 920gProvenance: Private UK collection; ex German art market pre-2015.
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Ca. 700-500 BC. A pair of cast bronze arrowheads, each with a lentoid-sectioned blade that has a raised midrib, a tang, and are sharpened to a point at the tip. The blade has a smooth surface that gives it a sleek, streamlined look, and the midrib adds further complexity to the design. The shape of the arrowheads is thought to have been designed to create an aerodynamic quality, allowing them to penetrate and stay in the target more easily.Size: L:45-50mm / W:15-20mm ; 20gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Cyprus, ca. 1st millennium BC. A magnificent cast bronze spearhead featuring an ovate blade, which is accentuated by a raised midrib that runs down its center, dividing the blade into two equal sections. The blade is also distinguished by gently curved shoulders, which lend it an aesthetically pleasing appearance and enhance its aerodynamic properties. The tang is turned outward and culminates in a small discoid pommel that serves to balance the weapon.Size: L:385mm / W:45mm ; 580gProvenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 200 BC - 300 AD. A bronze tubular finial with a ribbed collar, and a shaft widening at one end to form a schematic panther protome. The animal's head features incised mane and mouth as well ears protruding ears and almond-shaped eyes in relief.Size: L:70mm / W:40mm ; 68gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 800 BC. A bronze spectacle pendant featuring two coils of bronze rod connected by a suspension loop, creating a beautiful and intricate design. The pendant is believed to have been worn as a symbol of social status or as a decorative piece by both men and women. The name "spectacle pendant" is derived from the pendant's shape, which resembles a pair of eyeglasses. Size: L:75mm / W:120mm ; 115gProvenance: Private London collection; British art market 1990s.
Ca. 300-100 BC. A finger ring of bronze with a thin, ribbed hoop and applied bezel which is roughly round and flat. On it is an engraved animal with accentuated body standing on its long legs.Size: D: 17.75mm / US: 7 1/2 / UK: P; 2.67gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100-200 AD. A naturalistically modelled right hand with each finger clearly defined. The hand is held up in a gesture of reverence and devotion, with a slight curve in the index finger that is a signal of benediction. The hand is made of bronze and has a detail of a twisted band around its wrist, a unique feature that sets it apart from other Roman votive offerings. This exquisite piece possibly has been dedicated to the god Sabazios to receive his blessings and protection. Sabazios was a god worshiped by ancient Phrygians and Thracians, and later spread to the Greeks and the Romans. He was associated with the sky, fire, and vegetation, and was often depicted riding a horse or a chariot. He was considered to be a god of the air, and his cult was often practiced in rural areas.Size: L:225mm / W:120mm ; 1.34kgProvenance: Private London collection; British art market 1990s.
North Africa, Ca. 400-500 AD. A terracotta oil lamp of a round body with a spout on one end and a lug on the other. The body of the lamp is decorated with a recessed tondo in the center, and it features a palm tree, which is a symbol of victory, peace, and abundance in the Roman world. The palm is depicted with a slender trunk and a crown of fronds that spread out in all directions. The fronds are finely detailed and create a sense of movement and energy. The tree is surrounded by a raised border of relief decoration. The lug to the back of the lamp would have been used to hold the lamp while it was being used. The spout was used to pour oil into the lamp, while the two holes in the tondo would have allowed air to enter the lamp and help to regulate the flame. The lamp would have been filled with oil and then a wick made of linen or cotton would have been inserted into the spout. The wick would have been lit and the lamp would have provided light for the household. Oil lamps were an essential part of daily life in the Roman world. They were used for lighting homes, temples, and public spaces and were also used in funerary rituals. Oil lamps were typically made of clay, bronze, or glass and were fueled by olive oil.Size: L:130mm / W:80mm ; 125gProvenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 100-200 AD. Bronze brooch in the form of a fly or cicada, with broad, curving wings and stylised head. The catch plate and hinge are still present on the reverse. Zoomorphic brooches were common under the Roman Empire, and are typically associated with Gaul and Britain, where they may have been an important part of dress amongst military communities. For more information on these kind of brooches, see Neustupný, E. (1961). Czechoslovakia Before the Slavs. Thames and Hudson, 179.Size: L:61mm / W:24mm ; 14.3gProvenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1980s.
Ca. 100-300 AD. A bronze mirror with a discoid form, decoration with a dotted, linear pattern, with a flattened, rectangular-projecting handle featuring a rounded end. Mirrors such as these were important luxury items in the Roman world. These items were predominately owned by elite women who would have used them in order to aid or check the application of cosmetics. For a similar see G. Lloyd-Morgan, 'The antecedents and development of the Roman hand mirror', in H. M. Blake, T. W. Potter and D. B. Whitehouse (eds).Size: L:350mm / W:220mm ; 325gProvenance: Private UK collection; From an old Oxford collection formed in the 1990s.
Ca. 100BC - 200 AD. A nice collection of four bronze brooches/fittings featuring: 1. a round brooch with triskele motif. This brooch is round in shape and is decorated with a triad of spirals or triskeles, which were a common motif in Celtic art and were believed to represent the cycle of life. 2. a brooch round in shape and decorated with a rosette and a raised central knob. This brooch is believed to represent the sun or the cycle of life. 3. a trumpet brooch, which is a type of brooch typically used to fasten clothing. 4. a square-shaped fitting with an openwork cruciform motif. This type of fitting may have been used as a decorative element. All these pieces could be used both as decorative and functional items, such as clothing fasteners. To learn more about Celtic / Roman brooches see Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches. Oxbow Books, 2000.Size: L:25-50mm / W:30-50mm ; 55gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100-300 AD. A freestanding cast bronze figurine of an eagle with its wings folded, open attentive eyes and its head slightly tilted. Expertly cleaned and conserved with a smooth patina. An aquila (eagle) was a prominent symbol used in ancient Rome, especially as the standard of Roman legions. Size: L:50mm / W:25mm ; 35gProvenance: Private London collection; British art market 1990s.
Ca. 200 AD. A bronze phallic pendant featuring a central relief representation of male genitals, flanked by an erect phallus and a hand with a clenched fist in the manus fica gesture. The gesture involves balling the hand into a fist and placing the thumb between the index and middle fingers, a gesture that was believed to ward off evil and protect the wearer from harm. Phallic pendants were popular accessories in ancient Rome and were often worn as a talisman to promote fertility, virility, and good fortune. They were typically worn by men, but some women also wore phallic pendants to promote fertility or as a symbol of sexual liberation. The pendants were often made of bronze or other metals and featured intricate designs and engravings. For a similar example, see The Metropolitan Museum of Art, Accession Number: 60.117.7.Size: L:48.4mm / W:63.6mm ; 32gProvenance: Ex Morgan Collections 1990s.
Ca. 100-300 AD. A beautiful bronze bowl of a hemispherical body with a brilliant patina enhancing the entire surface. These bowls were often used to serve meals, but also to hold liquids like wine or oil, which were important not just for sustenance, but also for religious ceremonies.Size: L:50mm / W:150mm ; 125gProvenance: Private London collection; British art market 1990s.
Ca. 100-300 AD. A bronze disc brooch with an openwork monogram forming ROMA inscription. Catch-plate with a pin on the reverse. Brooches were an important element of the Roman dress, used to fasten clothing but they also served as dress accessories in their own right. Thousands of different types and subtypes of Roman brooches are attested, and they seem to have played an important role in Roman people's self-expression. For further information on Roman brooches, see Richard Hattatt. 2000. A Visual Catalogue of Richard Hattatt's Ancient Brooches. Oxbow Books.Size: L:30mm / W:30mm ; 10gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Roman, Ca. 1-200 AD . A bronze oil lamp with a globular body, projecting spout, a pair of lateral spurs with suspension lugs, and a small, pierced handle to the rear. The lamp sits on a low foot ring with concentric circles inside.Size: L:110mm / W:60mm ; 225gProvenance: Ex HV collection, acquired between 1974 and 2010.
Ca. 100-200 AD. A cast bronze phalera formed as a lion's mask. The animal's head with prominent brow and eyes, an open mouth, and a detailed mane framing the face. This was likely to have been worn on the breastplate of a soldier or formed part of a chariot fitting. Objects formed of bronze were ubiquitous in the Roman world, being used by the Roman military, for instance, for both practical and decorative purposes. The phalera is the sculptured disk (typically formed of bronze) on the breastplate, which was worn by Roman soldiers as a reward for outstanding service, or as a representation of military rank.Size: L:30mm / W:25mm ; 25gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100-300 AD. A bronze libation bowl of the hemispherical body with an attractive, lustrous patina across the vessel. Bowls of this kind were used for pouring libations to the gods and for drinking on more ordinary occasions.Size: L:50mm / W:185mm ; 300gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Ca. 100-300 AD. A cast bronze pendant in the shape of a male captive in a seated position, with bounded hands and legs, and his head bowed in a pose of submission. The figure is pierced vertically through his back, and horizontally through his stomach. These pendants were symbols of power and dominance and were used to show the wearer's control and their position and authority. This piece comes with a modern necklace cord. Cf. Bonhams, Antiquities, 1 May 2008, London, Lot 261.Size: L:30mm / W:45mm ; 50gProvenance: Private London collection; British art market 1990s.
Ca. 100-200 AD. An outstanding bronze pendant in the shape of a phallus, with stylised testicles and a suspension loop for hanging. The pendant is exquisitely crafted, made from bronze, and carefully hand-polished to a beautiful sheen. The phallic amulets were protective talismans that could ward off evil and were believed to bring good luck, health, and fertility. For a similar, see The Metropolitan Museum of Art, Accession Number: 60.117.2.Size: L:45mm / W:20mm ; 35gProvenance: Private London collection; British art market 1990s.
Ca. 1-100 AD. An iron shank key with a bronze handle in the form of the forepart of a reclining lion with outstretched forelegs. The iron shank was the functional part used to turn a lock, while the bronze handle served both as a decorative element and as a way to grip and turn the key. The handle of the key is fashioned in the shape of a forepart of a lion, which emerges from a square-section calyx. The lion is finely rendered with abundant and flowing mane, giving the impression of a powerful and regal animal. The face of the lion is also highly detailed, with fine facial features such as the eyes, snout, and mouth carefully crafted. The eyes are particularly noteworthy, with their deep-set sockets and sharp gaze conveying a sense of watchfulness and strength. Roman keys of this type were commonly used during the Roman Empire, and were often crafted with intricate decorative elements such as animal heads, human figures, or geometric patterns. These keys were status symbols, with the decorative elements serving as a way to display the wealth and taste of the key owner. For a similar key, but with a horse head, see Getty Villa, Object Number: 96.AC.197.Size: L:40mm / W:115mm ; 170gProvenance: From the private collection of Surrey gentleman, formerly acquired on the UK Art market.
Ca. 200-300 AD. A rare and beautiful bronze open-work plate brooch, also known as a "Wheel of Fortune" due to its unique wheel shape. The brooch is composed of a bronze wheel featuring radiating, pointed arms that intersect in the center of the wheel. In the center, the wheel is embossed with a detailed depiction of the Sun symbol, which can be seen in multiple cultures and religions as a representation of life and rebirth. Cf. Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000, p. 357, item 1626.Size: L:36.1mm / W:35.4mm ; 9.78gProvenance: Private London collection; British art market 1990s.
Ca. 100 AD. A bronze openwork brooch plaque featuring “war trumpet” terminals with a still-preserved catch plate on the reverse (the pin is missing). Brooches were an important element of Roman dress, used to fasten clothing but they also served as dress accessories in their own right. Thousands of different types and subtypes of Roman brooches are attested, and they seem to have played an important role in Roman people’s self-expression. Cf. Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000, p. 357, item 1621.Size: L:21.6mm / W:35.5mm ; 11.64gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100-300 AD. A collection of seven variously shaped fittings that feature studs on their back. These decorative pieces were primarily used as a form of jewelry and aesthetic adornment by wealthy individuals. They would be affixed to clothing and other apparel for a decorative and ornamental effect. Roman bronze fittings were highly varied, featuring intricate designs and shapes. From round discs to amulets, laurels, and figurines, these mounts had a variety of forms.Size: L:25-45mm / W:15-35mm ; 65gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100-200 AD. A beautiful bronze oil lamp featuring a round body with sunken discus, a wide filling hole, and two opposing broad nozzles with flared finials. On the flat surface of each nozzle, a nicely detailed swan head protrudes, which most likely served as suspension rings. To the sides lateral spurs. The lamp sits on a round, concave base with concentric circles. For a similar example, see The Getty Museum, Object Number: 81.AQ.67.Size: L:162mm / W:70mm ; 340gProvenance: Ex WB Collection (1895-1973), Rhineland. In Germany since before 1960.
Ca. 100-300 AD. A bronze brooch in a form of a swastika with four stylised horse head terminals, and a catch-plate on the reverse. The swastika was a symbol of lightning bolts in Roman art and is therefore associated with the thunder god, Jupiter. For a similar, see Almgren, O., Studien über nordeuropäische Fibelformen, Leipzig, 1923, pl. X, fig. 232.Size: L:32.4mm / W:42.2mm ; 11.4gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100-300 AD. An eye-catching bronze brooch shaped like a bird with an elongated body and sloped sides, decorated with a concentric circles design. It has two long, rectangular-shaped plaques, which serve as its legs. It also has fanning tail, a head with a beak, and large, attentive eyes. The overall design is a stunning combination of delicate curves and subtle details, which is an excellent reflection of the artistry of the remarkable craftsmanship of the Roman period. Cf. Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000, p. 361, item 1159.Size: L:23mm / W:36.8mm ; 6.93gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100 AD. A bronze openwork brooch composed of two trumpets that have been conjoined in a swirl design. The brooch was probably used as a decorative item or to signify social or military rank. These types of brooches were first seen during the Iron Age in what is now the British Isles. By the 1st century AD, these types of bronzes were popular throughout much of the Celtic world. Cf. Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000, p. 357, item 1621.Size: L:41.5mm / W:28.6mm ; 9.84gProvenance: Private London collection; British art market 1990s.
Ca. 200-500 AD. A bronze finger ring with its hoop gradually expanding to form a bezel. The ring is decorated with a lituus, an ancient Roman curved staff with a spiral end that was used by augurs to interpret the will of the gods.Size: D: 17.35mm / US: 7 / UK: O; 7.71gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100 AD. A bronze openwork brooch plate featuring three war trumpet terminals with incised decoration. Brooches were typically made of iron or bronze and featured elaborate designs. They were often used to fasten cloaks and tunics, but could also be used to hold other items. The most popular designs were geometric, featuring circles, triangles, and other shapes. For more information on Roman brooches, see Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000.Size: L:29mm / W:38.3mm ; 12.14gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100-300 AD. A bronze spoon featuring a wide and shallow bowl with a round-section handle, which is both elegant and functional. The spoon's bowl is ideal for scooping up sauces, broths, and other liquids. It is also perfectly balanced, allowing for easy handling and serving. Bronze spoons such as this one were commonly used in ancient Rome for dining and serving food. They were considered luxury items, reserved for the wealthy and elite members of Roman society. Roman dining was a social affair, and the use of fine tableware, such as bronze spoons, was an important part of the dining experience. These spoons were often used to serve exotic and expensive foods.Size: L:190mm / W:45mm ; 35gProvenance: Private London collection; British art market 1990s.
Ca. 100-300 AD. A bronze brooch in the shape of a four-armed swastika, with the arms pointing in the four cardinal directions. The swastika is an ancient symbol of faith, luck, and good fortune that has been used across many cultures and societies, including the Ancient Greeks, Romans, Celts, and Germanic tribes. The symbol has been found in many archaeological artifacts and artwork. For a comparable brooch, see Richard Hattatt, A Visual Catalogue of Richard Hattatt's Ancient Brooches, Oxbow Books, 2000, p. 357, item 1145.Size: L:24.4mm / W:25.1mm ; 8.66gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 50-100 AD. A cast bronze ladle known as a simpulum with a round, deep bowl and a long flat-section handle that curves downward and ends in the shape of a head of a bird. The simpulum was used to prepare and serve drinks, especially during ceremonial libations.Size: L:230mm / W:67mm ; 135gProvenance: Private London collection; British art market 1990s.
Ca. 100-300 AD. A well-crafted bronze brooch in the shape of a swastika, with its four arms of equal length and in perfect symmetry and terminals that feature stylized horse heads sculpted with great delicacy and finesse. The horse heads are facing outward, with the eyes wide open in a state of alertness. The manes of the horses are raised in a complex pattern, adding a layer of intricacy to the design of the brooch. On the junction, the swastika is filled with a concentric circle, creating a beautiful and eye-catching contrast. For a similar, see Almgren, O., Studien über nordeuropäische Fibelformen, Leipzig, 1923, pl. X, fig. 232.Size: L:36mm / W:32.1mm ; 11.76gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze finger ring featuring a broad, circular hoop with vertically incised shoulders, and a circular bezel with stylised thunderbolts. Thunderbolts were a common motif in the Roman world and were believed to be symbols of power and divine will.Size: D: 16.92mm / US: 6 1/2 / UK: N; 5.93gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 1-100 AD. A bronze Nubian head featuring a slender and elongated face with a high forehead, a broad nose, and full lips. The captivating eyes are the centerpiece of the sculpture, framed by pronounced eyebrows that curve upwards towards the temple. The cheeks are chiseled, with well-defined jawlines that lend an air of nobility and strength.Size: L:25.5mm / W:19.7mm ; 16.8gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze ring with a round hoop and flattened, circular bezel bearing an incised eagle motif. An aquila (eagle) was a prominent symbol used in ancient Rome, especially as the standard of a Roman legion. A legionary known as an aquilifer, or eagle-bearer, carried this standard. Each legion carried one eagle. This ring likely belonged to either a legionary officer or standard-bearer. For more information on Roman rings, see Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991.Size: D: 15.40mm / US: 4 5/8 / UK: J; 4.08gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze finger ring composed of a broad, circular hoop with reinforced shoulders, and is topped by a circular bezel holding an etched design of stylised thunderbolts. The ring is an excellent example of Roman craftsmanship and would make an exceptional addition to any collection of ancient jewelry.Size: D: 17.97mm / US: 7 3/4 / UK: P 1/2; 10.54gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze ring with a round hoop, supporting an almond-shaped bezel decorated with a set of seven irregularly placed 'ring and a dot' patterns, probably associated with the cult of the sun. Sun worship was an integral part of the beliefs of the ancient Romans. They believed that the sun was the source of all life and light, and its power was a symbol of the empire's power.Size: D: 16.71mm / US: 6 1/4 / UK: M 1/2; 5.81gProvenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 200-500 AD. A bronze finger ring featuring a flat-section hoop with an applied large, almond-shaped bezel with serrated edges, lending a more angular aesthetic to the overall design. The bezel is further embellished with a stylized eight-pointed star motif. This motif is delicately detailed, adding a hint of elegant opulence to the ring.Size: D: 17.93mm / US: 7 3/4 / UK: P; 7.39gProvenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
Ca. 200-500 AD. A finger ring made of bronze, with a round hoop, supporting a large bezel with scalloped edges and decorated with a set of 10 'ring and a dot' patterns. These symbols were used to represent the sun's power and energy, as well as to symbolize the eternity of its existence. These patterns could be found on jewelry, clothing, and even coins, making them pervasive throughout Roman society.Size: D: 17.13mm / US: 6 3/4 / UK: N 1/2; 3.7gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze finger ring composed of a broad, hoop with incised shoulders and a flat bezel. This bezel is adorned with a curvilinear decoration probably representing a lituus, a curved staff that was used by the Romans to signify their magistrates. The lituus is an ancient symbol associated with the augurs of Roman religion. It was used to cast lots and interpret the will of the gods. It was held in the right hand of the augur, and the curved shape of the tool was used to mark out the sky for divination. In the later Roman period, the lituus was also used as a symbol of authority, worn by magistrates and upper-echelon members of Roman society.Size: D: 18.35mm / US: 8 1/4 / UK: Q 1/2; 10.24gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze ring with a plain, round hoop slightly expanding to support a large, circular bezel with intricately drilled pattern, probably representing the Sun. In ancient Rome, one of the most prominent sun cults was the cult of Sol Invictus, a sun god whose name translates to "invinicible sun". This cult had a great following amongst the Roman elite and its practices included worshiping the sun, burning incense and sacrificing various animals to the sun god.Size: D: 17.75mm / US: 7 1/2 / UK: P; 9.65gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A nice one-piece bronze finger ring with its broad hoop is composed of a single, solid piece of bronze, and its shoulders are decorated with a striking incised design. The flat bezel is encircled by an exquisite abstract linear pattern that gives the ring an added layer of grandeur. Size: D: 19.31mm / US: 9 3/8 / UK: S 1/2; 6.8gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze ring with a circular loop with ribbed decoration on the shoulders, and a slightly raised, oval-shaped bezel bearing incised spiral pattern. This item probably served as a signet ring used to seal letters or other documents and may have belonged to a Roman merchant.Size: D: 19.10mm / US: 9 1/8 / UK: S; 9.72gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze finger ring comprising a circular hoop with incised decoration on the shoulder and a flat, oval-shaped bezel which features an incised pair of stylised snake motifs. Snakes were believed to possess healing powers in the ancient world, which may help to explain this choice of decoration. For more information on Roman rings, see Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991.Size: D: 19.84mm / US: 10 / UK: T 1/2; 8.75gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze finger ring of a circular, flat-section hoop expanding to a raised, oval-shaped bezel engraved with a curvilinear decoration. Further incised decoration covers the shoulders of the ring. Size: D: 18.35mm / US: 8 1/4 / UK: Q 1/2; 14.78gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A heavy bronze ring with a round band, a round bezel with incised curvilinear decoration probably representing a lituus, a Roman cult instrument. The shoulders are incised with horizontal lines. This simple yet elegant ring probably belonged to a Roman auger since the lituus was also the symbol of the office of augur and marked these individuals out as belonging to the priestly group.Size: D: 19.51mm / US: 9 5/8 / UK: T; 6.93gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze finger ring with a circular band, that gently flares to form a large bezel decorated with an inscribed stylised sun pattern with radiating rays. This motif is delicately detailed, adding a hint of elegant opulence to the ring.Size: D: 16.92mm / US: 6 1/2 / UK: N; 7.78gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A bronze finger ring with a circular loop, and a slightly raised round bezel bearing an incised decoration comprising a sun motif comprised of two concentric circles facing 22 radiating lines. The sun stands for Sol Invictus (Latin for: "Unconquered Sun"), a major divinity in Late Roman Religion. Sol Invictus was a patron of soldiers and became part of the official state religion in AD 274 under Emperor Aurelian. The cult continued into the 5th century as St Augustine felt it necessary to preach against Sol to his Christian congregation. The connection between Sol and soldiers means that this item may well have belonged to a Roman legionary, who wore it in hope of protection during military campaigns.Size: D: 18.80mm / US: 8 7/8 / UK: R 1/2; 5.36gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A nice, one-piece bronze finger ring comprised of a single piece of bronze, which gives it impressive durability. The abstract etchings adorning the bezel add a unique and eye-catching flair to the whole piece. The bezel also has a low profile and is connected to the band with a single line that binds the two pieces together.Size: D: 18.61mm / US: 8 5/8 / UK: R; 11.55gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 400-500 AD. A one-piece bronze finger ring featuring a flat-section hoop, beautifully decorated with a double band of incised geometric designs. At the rear, a stylised cross is etched into the metal, providing a nice contrast of intricate detail. The flat oval-shaped bezel is encircled by a chevron wreath, with abstract linear etchings delicately applied to its surface. The combination of the two different designs creates a beautiful and eye-catching piece of jewellery.Size: D: 19.10mm / US: 9 1/8 / UK: S; 8.7gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 200-500 AD. A fine bronze ring with a round hoop and an oval-shaped bezel adorned with a curvilinear, abstract pattern. This one-piece bronze finger ring is an exquisite work of art that gives a glimpse into the beauty of ancient Roman jewelry.Size: D: 19.10mm / US: 9 1/8 / UK: S; 11.78gProvenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 500 AD. A bronze cruciform brooch with a carinated bow, rectangular head-plate, and frontal knob. Decorated with incised patterns. These brooches were produced in a variety of shapes and sizes, and were typically used to secure clothing and other textiles, such as cloaks or veils. Cf. R. Hattatt, A Visual Catalogue of Ancient Brooches, Oxbow Books, 2000, fig. 231, p. 372.Size: L:115.7mm / W:29.7mm ; 52.2gProvenance: Private UK collection; From an old London collection formed in the 1990s.
LOET VANDERVEEN (DUTCH, 1921-2015) - BULL Patinated bronze Signed and numbered 12/750 to underside 50cm long, 23cm high Condition: Condition Report Some wear to the patination throughout This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
REN ZHE (CHINESE, B.1983) - WARRIOR ON REARING HORSE Patinated and polished bronze Signed, dated '2006' and numbered '5/8' to base 99 x 83 x 85cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
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