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Lot 10
FOUR CHINESE GLASS SNUFF BOTTLES. To include three aventurine glass bottles, with gold / bronze coloured flecks in dark brown glass, two with jade stoppers. Together with one flattened ovoid black glass bottle. 5.5-6.5cm tall. (3)Provenance: Property of a Gentleman.This lot is offered without reserve.Good general condition with signs of use and wear. No major loss, damage or repair.
Lot 143
THREE CHINESE / JAPANESE BRONZE VASES, 19/20TH CENTURY. To include a slender twin handled vase with makers mark to base; a bottle vase with carved dragon and cloud decoration; together with a square form 'bagua' Cong vase with cranes in relief, with mark to base. 20.5cm - 30.5cm tall. (3)All in good general condition with no major damage or repair. Expected surface wear with age.
Lot 204
AN EAST ASIAN CAMPHOR WOOD CHEST, 19/20TH CENTURY. Probably Japanese, large bronze handles with copper and brass inserts of figures of Buddha and flowering trees. To the corners Fortune and Good luck 'Fu' characters. Four removable legs and tray to the interior. 121cm x 50cm x 40cm Overall good condition with expected surface wear. Interior in good condition. No major damage or signs of repair.Provenance: From a local estate. Property of Navy Commander Henry W. Jennings R.N. This lot was acquired while stationed in Sasebo Japan between 1946-48. Jennings retired in the 1960s and thence by descent. The lots acquired by Jennings in 1946-48 are lots 204, 240, 241, 245-254 and 256.
Lot 24
A CHINESE TURQUOISE INLAID AND LACQUER SNUFF BOTTLE, QING DYNASTY. Flattened globular body and cover inlaid with turquoise shards, with carved cinnabar lacquer panels in relief depicting butterflies and flower blossoms and bronze borders. Two-character mark to base. 7cm tall.Provenance: Property of a Gentleman.This lot is offered without reserve.Good general condition with signs of use and wear. No major loss, damage or repair.
Lot 330
GROUP OF SEVEN BRONZE, BRASS AND GILT METAL ITEMS to include: bronze letter-opener of claw holding feather, signed J.Moigniez; two horses, one on stand; Indian brass powder flask; berry and leaf form paper tidy; a bronze cutter on tray and other items. Powder flask 18.5cm length. (7)General wear and patina expected with age. Deterioration to flask with areas of repair.
Lot 59
A CHINESE BRONZE BAJIXIANG CENSER AND COVER. Of drum shape with raised rope twist handles on four legs decorated to the body with raised eight Buddhist emblems, with raised nine-character mark to base. On a fitted wooden stand with pierced wooden cover showing ruyi heads and a carved jade insert. 14cm x 14cmOverall good condition without signs of damage or repair.
Lot 65
A CHINESE CLOISONNE ENAMEL AND GILT BRONZE VASE, QING DYNASTY. Decorated with 'Sanyang Jingtai' three rams, peach and pomegranate trees below a band of ruyi heads. Further decorated to neck with Shou characters and chrysanthemum scrolls. 29cm tall.General surface wear with no major damages or signs of repair.
Lot 67
A CHINESE BRONZE TRIPOD INCENSE BURNER, 19TH CENTURY OR EARLIER. The censer on three animal form feet with raised handles and pierced cover surmounted by lion dog. 12.5cm tall.Provenance: Purchased from Great Western Antique Centre Bath 15th Nov. 1991. With copy of original purchase receipt. Described in receipt as 16-17th century.Overall good condition with no major damages or repairs.
Lot 76
A GROUP OF CHINESE AND JAPANESE MIXED METAL ITEMS. Comprising two bronze seals; a bronze dog fitting; three bronze figures of women and child; two cloisonne enamel pots; together with a filigree and red lacquer insert bracelet, stamped CHINA. Tall seal 9.5cm tall. (9)All items in good general condition with no major damages to note.
Lot 78
SIX CHINESE / JAPANESE CLOISONNE ENAMEL ITEMS. To include a blue ground globular jar and cover; two black ground vases with floral decoration; together; a small blue ground pot with bronze foot and rim; a large vase together with a smaller dragon spill vase. 6.5cm - 31cm tall. (6)Largest vase with one knock to shoulder, the others in good general condition without major damage and no signs of repair. General surface wear only.
Lot 322
ALBERT TOFT (1862-1949) 'Joie de Vivre' a nude female standing atop a ball on a bronze plinth, above a marble base, signed and dated 1927 to the reverse of the ball, bronze, 28cm high overallA member of the British New Sculpture movement, Toft is well known for his public commissions of Royal and notable subjects and for his First World War memorials. Less familiar is his small scale work, in bronze and other materials, of which this is a good example, blending as it does romance, realism and Art Deco.
Lot 325
*JOHN SKELTON (1923-1999) Male torso signed and dated 1992 to the reverse of the rectangular plinth, 1/10, bronze, with Burleighfield Foundry mark, 21cm high overallSkelton, a letter cutter and sculptor who worked in many materials, was a nephew of Eric Gill and worked in Gill’s studio. His larger scale commissions include work in St Paul’s cathedral, and in other cathedrals including Winchester, Salisbury and Norwich. His style blends the figurative with a degree of abstraction, and the influence of Eric Gill is often apparent. This torso is typical of his small scale work, in bronze, wood and other materials.
Lot 150
*JACOB EPSTEIN (1880-1959) Second Portrait of Kathleen conceived in 1922, signed 'Epstein' (on the reverse), bronze with a green patina, 39cm high, raised on a polished slate base with applied plaque, 51cm high overallProvenance: The Collection of Bournemouth & Poole College.Epstein completed seven portraits of Kathleen in total, this being the second and completed six months after the first. The artist met Kathleen Garman in August 1921 and made her his second wife some thirty years later. As Richard Buckle has commented on the likeness "although modelled in the Winter - in January 1922 - it has a sultry summer afternoon quality very different from the radiant visionary first portrait. Lips parted, eyes half closed, Kathleen basks sensuously, full of honey" (Richard Buckle, Jacob Epstein: Sculptor, Faber and Faber, London, 1963, p.113) The Bournemouth & Poole Collection was started in 1953 by the College's first Principal, Arthur Andrews (1906-1966). His vision was to provide access for young people to outstanding work by living artists in an educational setting.
Lot 211
Antique bronze sundial finely engraved with calendar, dates, etc. Approx. 18cm in diameter. Inscribed with the names "Caleb Dickenson" and "ROBERT SPURELL FECIT". Dated as 1716 (and possibly 1845?). Possibly related to the famous Dr. Caleb Dickenson of Jamaica, and Robert Spurell may have had a connection to the London firm of James Shears and Sons
Lot 516
A BRONZE FIGURE OF MANJUSHRI ON A LION, WENSHU, MING DYNASTYChina, 1368-1644. Heavily cast seated in lalitasana upon a recumbent lion above a lotus base, dressed in fine robes with ornate hems, adorned in beaded jewelry, the face with a serene expression, flanked by two elongated earlobes, the hair tied in a high chignon, surmounted by a tiara. The lion with a wrathful expression, open mouth revealing sharp fangs, bulging eyes below bushy eyebrows, and a curly mane.Provenance: From an old Austrian private collection. Condition: Commensurate with age, casting flaws, minor losses, few nicks and dents, remnants of gilt and pigments, corrosion. Fine naturally grown patina.Weight: 2,116 g Dimensions: Height 23.8 cmManjushri (Chinese: Wenshu), the Bodhisattva of Wisdom, often shown seated on a lion holding a ruyi scepter or a sword. According to legend, he resides on the mountain Wu Tai Shan in China and was a disciple of the historical Buddha Shakyamuni. Auction result comparison:Type: RelatedAuction: Christie's Hong Kong, 11 October 2017, lot 384Price: HKD 37,500 or approx. EUR 4,800 converted and adjusted for inflation at the time of writingDescription: A Bronze Figure of Manjusri Seated on a Lion, Ming Dynasty (1368-1644) Expert remark: Compare the related pose, cast, period and size (26 cm)明代騎獅文殊菩薩銅像中國，1368-1644年。此尊文殊菩薩像游戲姿坐於雄獅之上，面容安詳，頭戴寶冠，佛袍寬大飄逸。坐騎雄獅昂頭望主，似有所盼。蓮花重瓣底座。 來源：奧地利私人舊藏。 品相：鑄造缺陷、輕微損失、少量刻痕和凹痕、鎏金和顏料殘留、侵蝕。細膩包漿。 重量：2,116 克 尺寸：高23.8 厘米 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2017年10月11日，lot 384 價格：HKD 37,500（相當於今日EUR 4,800） 描述：明代銅騎獅文殊菩薩像 專家評論：比較相近的姿勢、鑄造、年代和尺寸(26 厘米)。
Lot 489
A MASSIVE SILVER-INLAID BRONZE CENSER, SHISOU MARKChina, 17th-18th century. The heavily cast bombe body supported on a spreading foot and rising to a slightly everted rim, the shoulder set with two loop handles, the exterior finely inlaid in silver wire with sinuously coiled dragons dividing capitals in the form of lotus flowers reminiscent of the Old Summer Palace (yuanmingyuan). The base with a silver-inlaid two-character Shisou mark.Provenance: The Mee-Din and Robert W. Moore Collection. Robert W. Moore is a famed California collector of Chinese and Korean art, whose passion began in the 1950s when he served in the US Army and was stationed in Korea. After his return to the United States, he began collecting Korean and later also Chinese works of art, and over the following decades became a very knowledgeable, discerning, and influential collector.Condition: Very good condition with only minor wear and casting irregularities, minuscule nicks, light scratches, the interior with extensive traces of use. Magnificent, natural patina overall.Weight: 2,903 g Dimensions: Width 26.7 cm (across handles)Little is known about the historic figure Shisou. The earliest reference in the Zhongguo meishujia renming cidian ('Dictionary of Chinese Artists') comes from the Luochuang xiaodu and is presumably from the same source as published in Zhongguo yishujia zhenglue ('Brief Introduction of Chinese Artists). Shisou is listed there only as a late Ming dynasty monk without any further biographical information. A number of vessels and sculptures from the seventeenth to the nineteenth century bear his name, sometimes in combination with a hall name, Jinyu tang ('Hall of Prosperity').Auction result comparison:Type: RelatedAuction: Christie's Hong Kong, 6 October 2015, lot 171Price: HKD 62,500 or approx. EUR 9,200 converted and adjusted for inflation at the time of writingDescription: A silver-inlaid bronze tripod censer, late Ming-early QingExpert remark: Compare the closely related silver inlays. Note the form and size (11.5 cm)Auction result comparison:Type: RelatedAuction: Christie's Hong Kong, 12 April 2018, lot 36Price: HKD 62,500 or approx. EUR 8,500 converted and adjusted for inflation at the time of writingDescription: A small silver-inlaid bronze tripod censer, Qing dynasty, 18th-19th centuryExpert remark: Compare the closely related silver inlays. Note the form and size (7.6 cm)石叟款錯銀銅爐中國，十七至十八世紀。造型莊重典雅，厚口平直微敞，垂腹豐腴，兩側置圓耳，耳環上端有一角上翹，圈足。爐身錯銀以卷葉蓮紋的形式描繪了蜿蜒盤繞的龍紋。底座上可見錯銀“石叟“款。 來源: Mee-Din 與Robert W. Moore 中國漆器收藏。Robert W. Moore是加州著名的中國和韓國藝術收藏家，他的收藏熱情始於 1950 年代。當時他在美國軍隊服役並駐紮在韓國。回到美國後，他開始收藏韓國和中國的藝術品，尤其是漆器，在之後幾十年裡，他成為了一位知識淵博、眼光敏銳、影響深遠的收藏家。 品相: 狀況極好，輕微磨損和鑄造瑕疵，微小的刻痕和輕微的劃痕，內部有大量使用痕跡。整體包漿自然。 重量: 2,903 克 尺寸: 寬26.7 厘米 (兩耳之間) 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2015年10月6日，lot 171 價格：HKD 62,500（相當於今日EUR 9,200） 描述：A silver-inlaid bronze tripod censer，late Ming-early Qing 專家評論：比較非常相近的銀鑲嵌。請注意外型和尺寸(11.5厘米)。 拍賣結果比較： 形制：相近拍賣：香港佳士得，2018年4月12日，lot 36 價格：HKD 62,500（相當於今日EUR 8,500） 描述：A small silver-inlaid bronze tripod censer，Qing dynasty，18th-19th century 專家評論：比較非常相近的銀鑲嵌。請注意外型和尺寸(7.6厘米)。
Lot 664
A COPPER ALLOY 'TWIN FISH' BASIN, DONG SON CULTUREVietnam, circa 1st-2nd century AD. The deep sides rising to a broad everted rim, decorated with three ribs and two crown-shaped motifs to the sides and twin fishes to the interior. Two small loops for attachment at the foot, the base with a star shaped design within a circle. Provenance: From an old European collection. Condition: Some repair and touchups as generally expected from ancient Dong Son excavations. Losses, fissures, erosion, corrosion, and encrustations. Minor casting flaws. Overall, still very good condition, especially for such a large piece. Fine, naturally grown patina with malachite-green encrustations.Weight: 3,078 g Dimensions: Diameter 39 cm Dong Son (named for Dong Son, a village in Thanh Hoa, Vietnam) was a Bronze Age culture in ancient Vietnam centered in the Red River Valley of northern Vietnam from 1000 BC until the first century AD. Vietnamese historians attribute it to the states of Van Lang and Au Lac. Its influence spread to other parts of Southeast Asia throughout the first millennium BC. The culture long remained a mystery to western archaeologists, and it was known only through its bronze objects, many of which were taken from burial sites. Dong Son objects were exhibited in Europe for a century before their original location was even determined, and several theories and speculations over the dating methodologies of the culture continue to this day.Expert's note: The star design to the center of the base appears to be a pet motif of the Dong Son culture, commonly appearing on the famous bronze drums of this culture, including the one in this sale, no. 266.Literature comparison:Compare a related copper alloy basin, dated circa 1st-2nd century AD, in the collection of the Los Angeles County Museum of Art, accession number M.2003.226.4.東山文化雙魚銅盆越南，約一至二世紀。折沿，外壁中央有三道弦紋，平底三小足。外壁有兩個冠形圖案，盆内有雙魚紋，底足有雙圈内八角星紋。 來源：歐洲私人舊藏。 品相：有修復痕跡，與東山文化考古挖掘的預期一致。缺損、裂縫、侵蝕、腐蝕和結殼，輕微的鑄造缺陷。狀態基本良好，包漿細膩，有綠色皮殼。 重量：3,078 克 尺寸：直徑 39 厘米 東山文化是位於越南北部紅河河谷的一個鐵器時代史前文化。它約繁盛於公元前1000年到公元一世紀，它影響的區域包括東南亞其他地區乃至以及印度-馬來亞群島。對於西方考古學家來說，這個文化長期以來一直是個謎，只有通過青銅器才知道它，其中許多青銅器是從墓地挖掘出來的。東山物品在其原始位置確定之前在歐洲展出了一個世紀，關於該文化的年代測定方法的一些理論和推測一直持續到今天。東山文化最突出的文化遺產是東山銅鼓等青銅器製品，它們在東南亞和今中國南部的廣大地區都有發現。專家注釋：底座中央的星形圖案似乎是東山文化的特有的圖案，通常出現在該文化的青銅鼓上，包括本次拍賣的A MASSIVE BRONZE RAIN DRUM, DONG SON CULTURE，拍品編號266。 文獻比較： 比較一件相近的公元一至二世紀銅合金盆，收藏於洛杉磯藝術博物館，編號M.2003.226.4。
Lot 483
A RARE 'PHOENIX' BRONZE MIRROR, SONG DYNASTYChina, 960-1279. Of circular form, the central knob (or tang) surrounded by a petal shaped border with low bosses, encircled by a pair of phoenixes neatly cast in thread relief below the outer rim.Provenance: Collection of Dr. Walter Rieder (1890-1986), thence by descent. Old inventory labels to the mirror and box. A copy of an old handwritten note from Dr. Walter Rieder, dating the piece to the Song dynasty and describing the birds as two phoenixes, accompanies this lot. Dr. Walter Rieder served in the Swiss East Asia Mission (SOAM) in Qingdao, Shandong Province, between October 1930 and December 1951. The mission specialized in educational, literary, and philanthropic work and Dr. Rieder was in fact, not a theologian or missionary, but a teacher of mathematics, physics, and science to high school students attached to the SOAM. His guiding principles were 'Creating understanding between different cultures' and 'Building bridges between East and West'. While in Qingdao, Dr. Rieder collected a wide variety of Chinese art. The objects in the collection thus offer a unique window into the type of antiques that were on the market in Qingdao in the second quarter of the 20th century. As well as demonstrating his passion for Chinese art, his collection also reveals the personal friendships Dr. Rieder forged with local artists, some of whom he knew from his teaching activities. Dr. Rieder had a scholarly approach to studying his collection. Alongside many of his objects, meticulous notes can sometimes be found detailing his art historical commentaries. The collection was hence Dr. Rieder's gateway to the history and culture of China. Objects from the collection were exhibited at the Kunsthaus in Interlaken, Switzerland in 2006 and 2018. Condition: Good condition, commensurate with age, presenting exceptionally well. Few nicks, minor losses, light surface scratches. Fine, naturally grown patina with malachite encrustation.Weight: 212.5 g Dimensions: Diameter 14.7 cmWith an old silk storage box. (2)Literature comparison:Compare a closely related bronze mirror with a phoenix motif in Chinese Bronze Mirrors, A Study Based on the Todd Collection of 1,000 Bronze Mirrors Found in the Five Northern Provinces, Milan Rupert and O. J. Todd, Peiping, San Yu Press, China 1935, nr. 305. Compare another related bronze mirror with a phoenix motif, dated to the Song dynasty, in the collection of the British Museum, museum number 1994,0129.8.宋代罕見鳳凰紋銅鏡中國，960-1279年。圓鏡，中央團花座鈕，浮雕一對鳳凰紋。 來源：Dr. Walter Rieder (1890-1986)舊藏，在同一家族保存至今。鏡盒與鏡子上有舊標籤。隨附一份Dr. Walter Rieder 手寫的關於年代和描述的文件副本。Dr. Walter Rieder 1930 年 10 月至 1951 年 12 月間在山東青島的瑞士東亞傳道部 (SOAM) 任職。該傳道部專門從事教育、文學和慈善工作，而Rieder博士實際上不是神學家或傳教士，而是一位SOAM 附屬高中的數學、物理和科學教師。他的教育原則是“在不同文化之間建立理解”和“在東西方之間架起橋樑”。在青島期間，Rieder博士收藏了種類繁多的中國藝術品。收藏中的物品為了解二十世紀下半葉青島的古玩類型提供了一個獨特的窗口。他的收藏除了展現他對中國藝術的熱情外，還可從中看出Rieder博士與當地藝術家建立的個人友誼，其中一些藝術家是他從教學活動中認識的。 Rieder 博士採用學術方法研究他的收藏。除了他的許多藏品外，有時還可以找到細緻的筆記，詳細介紹其藝術發展史。因此，其收藏成為 Rieder 博士了解中國歷史和文化的窗口。他的收藏曾於 2006 年和 2018年 年在瑞士因特拉肯美術館館展出。品相：品相良好，與年代相符。少量刻痕，輕微磨損和表面劃痕。天然細膩的包漿，綠色銅鏽。 重量：212.5 克 尺寸：直徑14.7 厘米 絹面盒子。 文獻比較： 比較一件非常相近的鳳凰紋銅鏡，見Milan Rupert，O. J. Todd，《Chinese Bronze Mirrors，A Study Based on the Todd Collection of 1,000 Bronze Mirrors Found in the Five Northern Provinces》，北平，San Yu Press，1935年，編號305。比較一件相近宋代銅鏡，收藏於大英博物館，編號1994,0129.8
Lot 500
A HEAVY PARCEL-GILT BRONZE 'SHOULAO AND DEER' WEIGHT, 17TH-18TH CENTURYChina, late Ming to early Qing dynasty. Depicting the God of Longevity sitting on the back of a recumbent deer, while holding a scroll in his right hand, dressed in fine robes, the pleats falling elegantly on the ground, his face with a joyful expression, the mouth agape, framed by a long beard, the downcast eyes below gently arched eyebrows, his hair tied to the back. The deer raising his head with its mouth open, with one leg lifted. The back with a heart-shaped recess, the interior filled with lead.Provenance: From a German private collection. Condition: Good condition with extensive wear to gilt, minor casting irregularities, losses to deer antlers, minor nicks and dents, few light surface scratches.Weight: 1,652 g Dimensions: Height 9.2 cmThe theme of longevity is clearly evident in the present lot. Shoulao is one of the three star gods of Daoism and represents longevity. The deer (lu) is both a homophone for riches or official emolument and a symbol of longevity and wealth.Auction result comparison:Type: RelatedAuction: Christie's London, 8 November 2013, lot 1431Price: GBP 13,750 or approx. EUR 20,000 converted and adjusted for inflation at the time of writingDescription: A large parcel-gilt bronze figure of Shoulao, 17th centuryExpert remark: Note the size (29 cm)Auction result comparison:Type: RelatedAuction: Christie's New York, 22 March 2007, lot 219 Price: USD 24,000 or approx. EUR 33,500 converted and adjusted for inflation at the time of writingDescription: A rare parcel-gilt bronze figure of Shoulao, 17th centuryExpert remark: Note the size (22.2 cm)十七至十八世紀局部鎏金壽老銅鎮中國，明末清初。壽老坐在臥鹿背上，右手執捲軸，高額，面帶笑顔，長眉長鬚，雙眼微閉。鹿擡頭張嘴。背面有一個凹槽，內部填滿鉛。 來源：德國私人收藏。 品相：品相良好，鎏金大量磨損，輕微鑄造不規則，鹿角缺損，輕微劃痕和凹痕。 重量：1,652 克 尺寸：高9.2 厘米 拍賣結果比較： 形制：相近 拍賣：倫敦佳士得，2013年11月8日，lot 1431 價格：GBP 13,750（相當於今日EUR 20,000） 描述：十七世紀局部鎏金壽老銅像 專家評論：請注意尺寸(29 厘米) 。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2007年3月22日，lot 219 價格：USD 24,000（相當於今日EUR 33,500） 描述：十七世紀局部鎏金壽老銅像 專家評論：請注意尺寸(22.2 厘米)。
Lot 671
A PAIR OF BRONZE FRAGMENTARY HANDS OF BUDDHA, AYUTTHAYA KINGDOMThailand, 16th-17th century. The two fragments of a large Buddha statue are elaborately cast with thin and elongated fingers held in abhaya mudra. The bronze shows a fine, naturally grown patina. Provenance: From the collection of Nils Nessim, and thence by descent to the last owner. Nils Nessim (1916-1974), was a Swedish businessman and rug dealer, the son of leading rug specialist Jean Benjoam Nessim (1887-1946). Nils was taught by his father from an early age on and traveled the world to build an impressive collection of antique rugs and Asian works of art. Condition: Very good condition with minor wear and casting flaws as well as minuscule nicks and light surface scratches.Each hand is mounted to a customized wood base, for the pair to serve as bookends. (2)Weight: 351.9 g and 326.1 g (incl. base) Dimensions: Height 10.5 and 11.5 cm (excl. base) and 13 cm and 14 cm (incl. base)Auction result comparison: Type: RelatedAuction: Sotheby's Paris, 9 November 2021, lot 13Price: EUR 2,016 or approx. EUR 2,200 adjusted for inflation at the time of writingDescription: A gilt-bronze fragmentary hand of a Buddha, Thailand, Ayutthaya period, 16th-17th centuryExpert remark: Compare with a single hand of larger size (25 cm), showing a similar pose.
Lot 682
A BRONZE FIGURE OF BUDDHA SHAKYAMUNI, CHIEN SENG STYLELaos, 15th century. Seated in virasana on a base, his right hand in bhumisparshamudra, the left resting on his lap, wearing a samghati, his face with a meditative expression marked by heavy-lidded downcast eyes below arched eyebrows, full lips forming a gentle smile, flanked by elongated earlobes, the hair arranged in tight spikes surmounted by an ushnisha.Provenance: French trade. Condition: Good condition, commensurate with age. Extensive wear, signs of heat damage with associated old repairs and traces of soldering, some weathering, encrustations, the flame on the ushnisha lost, remnants of gilt and red lacquer. Fine, naturally grown patina.Weight: 4,152 g Dimensions: Height 32.3 cmAuction result comparison:Type: Closely relatedAuction: Christie's Amsterdam, 31 October 2000, lot 112Price: NLG 19,893 or approx. EUR 14,000 converted and adjusted for inflation at the time of writingDescription: A laos, chien seng style, bronze figure of buddha Shakyamuni, late 16th centuryExpert remark: Compare the closely related pose and face. Note the related size (34 cm high).
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