Elamite, Ca. 2nd millennium BC. A finely crafted bronze beaker boasting an exquisite concave body with an everted, flat rim. Its striking decoration is comprised of a register featuring stylised, horned animals walking along the baseline. These creatures are distinguished by their slender bodies, long legs, detailed hooves, and heads with large eyes and pronounced snouts. Their most notable features, however, are the impressive pairs of horns that crown their heads, lending them a regal and formidable appearance. The register is bordered by intricate upper and lower bands of interlocking patterns, which add depth and complexity to the piece. In terms of its function, this beaker likely served as a vessel for drinking or pouring liquids and would have been a luxurious and highly prized possession. It's intricate design and expert craftsmanship suggests that it may have also held symbolic significance, perhaps serving as a status symbol or a representation of religious or cultural values. Size: L:220mm / W:150mm ; 660g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
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Gandhara style (200 - 400 AD) but possibly later.A bronze Buddha, masterfully depicted in a seated position known as dhyanasana, which signifies a meditative posture. This serene figure is gracefully positioned on a double lotus base, symbolizing purity and spiritual enlightenment. The Buddha's visage emanates tranquility, with slightly downcast silver inlaid eyes that exude a sense of inner introspection. The facial features are meticulously sculpted, showcasing a pronounced nose, delicately carved lips, and thin, gracefully arched eyebrows. Elongated earlobes gracefully flank the head, symbolizing the Buddha's renunciation of worldly attachments. The head is adorned with tightly-coiled curls, forming an intricate coiffure that symbolizes wisdom and enlightenment. The Buddha's hands are positioned in the bhumisparsha mudra, a gesture commonly known as the "earth-touching" mudra. This symbolic gesture represents the moment when the Buddha called upon the earth as a witness to his enlightenment, thereby overcoming the obstacles presented by the forces of ignorance. Clad in a flowing robe, the Buddha's attire cascades elegantly down his form, with finely incised folds that add depth and texture to the sculpture. Size: L:200mm / W:130mm ; 1.47kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in France; previously in 1970s European collection.
Western Asiatic/Aegan, ca. 1200-700 BC.A cast bronze spearhead featuring a triangular-shaped blade with a pronounced midrib that runs down the center, lending both strength and rigidity to the weapon. The blade tapers to a sharp point, designed to penetrate armor and flesh with equal ease. The pronounced shaft provides a sturdy grip, while the long tapering tang allows for secure insertion onto a wooden pole, creating a formidable weapon that was instrumental in Bronze Age warfare. In the Bronze Age, the spear was the most common and effective weapon, used for hunting, fishing, and warfare. These small spears were utilitarian tools, invaluable in a wide range of everyday tasks, from hunting to defending one's community. Size: L:140mm / W:18mm ; 30g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 100-300 AD.A bronze figurine of a bull, standing proudly atop an integral base. This majestic sculpture depicts the bull in a commanding pose, with its muscular body standing firmly on all four legs. The bull's head is slightly raised, with its eyes gazing forward, and it is adorned with a pronounced dewlap that adds to its sense of regal presence. The head of the bull is crowned with curved horns, further emphasizing its strength and power. In the Roman world, bulls held significant symbolic importance, representing a range of meanings that resonated deeply with Roman society. As creatures associated with agricultural fertility and abundance, bulls were often linked to the agricultural deities and fertility rites in the Roman pantheon. Additionally, the bull was a symbol of strength, virility, and courage, and it frequently appeared in Roman military imagery, signifying the Roman military's formidable power and conquests. Size: L:40mm / W:32mm ; 51.68g Provenance: Private London collection, pre-2000s.
Ca. 100-300 AD.A bronze stag figurine. This captivating sculpture depicts the creature standing on all fours, capturing the vitality and grace of the stag in its lifelike pose. The body of the figurine is pierced transversely, suggesting the possibility of suspension, which may have allowed it to be displayed or worn as a personal adornment. The distinguishing feature of this bronze stag is its long, elegant neck, culminating in a head adorned with majestic antlers. The snout of the stag figurine exhibits meticulous attention to detail, with recessed nostrils, an open mouth, and expressive eyes, imbuing the sculpture with a sense of life and energy. Stags held a prominent place in Roman culture, where they were often associated with various deities, particularly those linked to wilderness, fertility, and hunting. Their representation in art and mythology underscored their symbolic significance, representing attributes such as courage, vitality, and the cycle of life. Stag imagery frequently appeared in religious iconography, decorative arts, and even military insignia, showcasing the enduring appeal and cultural importance of this noble creature. Size: L:48mm / W:55mm ; 50g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 2nd millennium BC.A bronze axe head with a vertical round-section shaft and a curved blade. The exterior side of the shaft is adorned with intricate ribbing. Axes played a crucial role in the lives of the people of the Bronze Age, serving as a tool for agriculture, woodworking, and as a weapon in times of conflict. The curved blade with flaring ends was specifically designed for efficient chopping and cutting, demonstrating the ingenuity and practicality of the Bronze Age society. Size: L:75mm / W:110mm ; 300g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Ca. 800-500 BC.A bronze vessel takes the form of a hemispherical bowl, meticulously crafted with smooth walls both inside and out. The pronounced rim adds a distinctive feature to its design, contributing to its aesthetic appeal and functional usage. The generous amplitude of the bowl allows for ample storage, suggesting its purpose as a vessel for holding various substances or as a ceremonial container. Size: L:45mm / W:115mm ; 170g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 1100-1200 AD.A bronze oil lamp with its form both functional and aesthetically pleasing, featuring a flaring, concave foot that provides stability and balance to the overall composition. The round body of the lamp is adorned with a hinged lid with a bird finial. The rear handle of the lamp, with its perching bird, is an elegant touch that allows for easy transport of the lamp from one place to another. The arched spout with its ivy-leaf-shaped nozzle is yet another testament to the skill and craftsmanship of the maker, as it is both functional and visually pleasing. The lamp's design is a testament to the sophisticated and refined tastes of the Seljuk period. Oil lamps like this one were widely used for both practical and symbolic purposes. They were used to provide light in homes, mosques, and other public spaces, and were often adorned with intricate designs and calligraphy that reflected the religious and cultural values of the time. Cf. The Metropolitan Museum of Art, Accession Number: 53.204.2. Size: L:130mm / W:150mm ; 390g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Ca. 300 AD.A bronze ring featuring a round and broad hoop with a distinctive flattened knob at the back. The hoop of the ring is skillfully expanded to provide stability and comfort to the wearer while supporting the captivating bezel. The bezel of the ring is adorned with chiseled decorative elements consisting of meticulously executed vertical and diagonal lines. These fine lines create a visually engaging pattern that adds a sense of texture and intricacy to the overall design. Roman bronze rings were highly valued personal adornments, worn by individuals from various social strata. These rings served as symbols of status, wealth, and personal identity. They were often adorned with decorative motifs that held symbolic meanings, ranging from mythological figures to intricate patterns inspired by nature. Additionally, Roman rings were frequently used as seals, bearing engraved designs that functioned as signatures or marks of authentication. Size: L:8 1/2mm / W:Q 1/2mm ; 14.44g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 525-330 BC.A group of five bronze arrowheads, each showcases a remarkable level of craftsmanship and attention to detail. Both trilobate and bilobate arrowheads grace this collection, boasting elegantly rounded sockets that not only enhance their aesthetic appeal but also ensure secure attachment to their respective shafts. Equipped with blades that gracefully taper to culminate in razor-sharp points, these arrowheads exemplify the functional excellence and lethal precision characteristic of weaponry during the Bronze Age. Size: L:33-38mm / W:45212mm ; 20g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 525-330 BC.A remarkable assemblage of five bronze arrowheads showcases the diversity and ingenuity of projectile point designs during the Bronze Age era. This group consists of trilobate and bilobate arrowheads, each crafted from bronze, a highly prized material of the time. The bilobate arrowheads exhibit short tangs, allowing for secure attachment to arrow shafts, while the trilobate arrowheads feature a rounded socket, facilitating efficient mounting. The blades of all arrowheads gracefully taper to a sharp point, emphasizing their intended function as lethal weapons. Size: L:30-55mm / W:45219mm ; 30g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 1100-1200 AD.A bronze oil lamp resting on a tall splayed foot ensures both stability and visual appeal, while the hollow oil compartment takes on a graceful rounded shape, culminating in an ivy-leaf-shaped spout, a hallmark of the lamp's exquisite craftsmanship. Further enhancing its allure, the rear of the lamp features a loop handle, carefully shaped to offer a practical means of transportation. The handle and the hinged lid of the oil compartment are both decorated with lovely depiction of a bird. Bronze lamps of this nature held profound cultural significance within the Seljuk milieu. While fulfilling their primary function of illuminating spaces through the burning of oil, these lamps transcended their utilitarian purpose and assumed roles as objects of decoration and emblems of opulence and refinement. Adorning the abodes of the affluent, they became integral to ceremonial events and religious observances, symbolizing the wealth and sophistication of their owners. Cf. The Metropolitan Museum of Art, Accession Number: 53.204.2. Size: L:125mm / W:140mm ; 285g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spearhead boasting a captivating design, with a gracefully shaped blade. As the blade extends towards the lower section, it expands in width. The opposite end tapers to a finely pointed tip, optimized for piercing. Notably, both surfaces of the blade are adorned with a thick midrib, adding both structural strength and aesthetic appeal to the weapon. The tang of the spearhead, characterized by a rectangular-section shank, elegantly curves outward and culminates in a small circular pommel, providing a secure grip and a balanced weight distribution. Bronze spears played a significant role during the Bronze Age, revolutionizing warfare and hunting practices. Their introduction marked a remarkable technological advancement, as bronze offered superior strength, durability, and sharpness compared to earlier materials. These spears enabled ancient civilizations to enhance their offensive capabilities, providing them with versatile and effective weapon for combat and hunting purposes. Size: L:422mm / W:65mm ; 525g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
Ca.700-900 AD.A solid bronze torc with a rope-like twisted design to the body, and two looped terminals. Reference for Viking Jewellery: Cf. Arbman, H. Birka I: Die Gräber, Uppsala, 1940. Size: L:175mm / W:173mm ; 260g Provenance: Property of a London Gallery; formerly in a collection of Mr. W. Paddison, 1980s-2000s.
Ca. 1400 AD.Crafted from bronze, this fastener takes the form of a letter 'S' with each end terminating in a serpent head, complete with open mouths that convey a sense of animated motion. At the center of the fastener, there is a flattened rectangular panel embellished with parallel lines flanked by dotted decorations, adding a touch of intricate detail to the overall composition. Buckles were not merely utilitarian objects; they were fashion statements that adorned belts, straps, and other accessories. The craftsmanship invested in these buckles showcased the skill and expertise of medieval artisans, as they transformed practical objects into works of wearable art. Size: L:45mm / W:25mm ; 15g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 1100-1200 AD.A large ewer, crafted with remarkable skill and precision. Its cylindrical body is adorned with intricate ribbing, standing on a flared concave foot, adding a majestic aura to its presence. Rising from a flat shoulder is a tall neck, boasting a prominent spout. To the rear, an arched handle connects the neck to the body. The Islamic world was renowned for its mastery of metalwork, from bronze and brass to silver and gold. The art of the metalworker was highly valued, and their creations were coveted by rulers and elites alike. Islamic metalwork is distinguished by its intricate patterns, calligraphy, and symbolic motifs, which speak to the richness of Islamic culture and the artistry of its people. Cf. Georgian National Museum, S. Janashia Museum of Georgia (135). Size: L:360mm / W:180mm ; 1.37kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 300-400 AD.Crafted from bronze, this ring showcases a broad, round shape with a flat-sectioned hoop. The hoop elegantly expands to a flat bezel, which serves as a canvas for intricate engraved patterns. Roman bronze rings were highly valued and cherished personal adornments that held both aesthetic and symbolic significance. They were worn by individuals from various social strata as a means of self-expression, status display, and personal identification. The choice of bronze as the primary material for these rings was influenced by its durability, affordability, and malleability, allowing for intricate detailing and artistic expression. Size: L:7mm / W:N 1/2mm ; 6.31g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Middle Kingdom, Ca. 1985-1773 BC.A rare Epsilon type bronze axe blade comprising of an elongated crescentric form with three rivet holes. For a discussion of similar axe blades cf. W.C Hayes, The Scepter of Egypt, vol. 1, The Metropolitan Museum of Art, New York, 1953, pp. 282-293. For a comparison see Bonhams, lot 14, 15 April 2015. Item comes with a professional historical report from Ancient Report Specialists. Size: L:350mm / W:80mm ; 400g Provenance: Property of an European collector; formerly in a private German collection, formed in the 1980s.
Ca. 525-330 BC.A group of five exquisitely crafted bronze arrowheads. These arrowheads, fashioned from bronze, demonstrate the remarkable skill and artistry of the ancient craftsmen. Among the group, one arrowhead stands distinguished with its short tang, while the remaining four boast a rounded socket, showcasing variations in design and functionality. Each arrowhead features a gracefully tapered blade culminating in a keenly pointed tip, indicative of their purpose as formidable projectile weapons. Size: L:28-67mm / W:45214mm ; 30g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 1st - 2nd century AD.A bronze figure of the goddess Iphigenia in active pose with right hand raised to the brow and left hand supporting her weight, legs bent to the rear; the hair dressed in a chignon, torso bare and thighs draped with a folded loincloth; plain band to each upper arm; mounted on a custom-made stand. In Greek mythology, Iphigenia was a princess of Mycenae, daughter of King Agamemnon and Queen Clytemnestra. In the story of the Trojan war, Agamemnon offends the goddess Artemis and she prevents the Greek troops from reaching the siege of Troy until Agamemnon kills his daughter as a sacrifice. In some traditions Iphigenia dies at the port of Aulis, while in others Artemis delivers her. Size: L:145mm / W:100mm ; 1.01kg Provenance: Property of a central London gallery; previously purchased on the UK Art market; formerly property of a London gentleman; acquired from a Mayfair gallery; formerly with Boisgirard Antonini, Paris, sale 11, lot 57.
Ca. 800 AD.A bronze cross pendant embodies an intriguing array of features that reflect the distinctive artistic and symbolic sensibilities of its time. Characterized by a symmetrical form, each arm culminates in a rounded finial, contributing to the overall visual harmony and balance of the piece. Positioned at the top is a suspension loop, enabling the pendant to be worn. The upper face of the cross pendant bears an intriguing decoration of five concentric circles, evoking the symbolism associated with the five wounds of Christ. This symbolic representation holds profound theological significance within the Christian tradition. The five wounds are believed to mirror the injuries inflicted upon Jesus during his crucifixion, namely the piercing of his hands, feet, and side. By incorporating these five concentric circles resembling the wounds of Christ, the pendant serves as a powerful reminder of the redemptive sacrifice and suffering of Jesus. It evokes contemplation and fosters a deep connection with the central tenets of the Christian faith, encompassing themes of sacrifice, and redemption.Size: L:34.4mm / W:29.3mm ; 4.49g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 100-300 AD. An outstanding pair of bronze and iron fittings, each one comprising a spiral fluted column with an iron rod projecting from the Ionic-variant capital that is surmounted by a bust of Bacchus wearing a goat pelt with a hoof falling over his shoulder. Aside from this, his chest is revealed with delineated nipples. Bacchus' handsome face is crowned by a centrally-parted coiffure adorned by a wreath of ivy leaves and berries and pulled back into a low chignon with wavy locks cascading over his shoulders. Both of these matching busts sit upon rectangular plinths with hatched borders and a looped handle joining the plinths to the upper end of the bust's verso, just beneath the nape of the neck. Father Liber (Liber Pater) or Bacchus was the god the Romans identified with Dionysus, the Greek god of wine and fertility. He has come to be associated particularly with drunkenness and lascivious behavior. Thus, even today people speak of having “bacchic rites,” referring back to ecstatic and frenzied Dionysian or bacchic festivals such as those that take place in Euripides' play the Bacchae. Item comes with a professional historical report from Ancient Report Specialists. Size: L:375mm / W:300mm ; 2.7kg Provenance: Ex. Christies New York, December 5th. 2012, Sale 2605, Lot. 75.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spearhead with a distinctive leaf-shaped blade, tapering elegantly towards a finely honed point. It boasts a conspicuous midrib that runs the entire length of the blade, imparting structural strength and aesthetic appeal. Interestingly, this midrib seamlessly extends beyond the blade, forming the shaft with a tang, which facilitates secure attachment to a pole or other means of hafting. Size: L:135mm / W:25mm ; 25g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 2nd or 3rd century AD.A bronze zoomorphic figurine or terminal depicts a free-standing, four-legged animal, seemingly resembling a feline, characterized by its graceful, slender legs, alert posture, and prominently raised head. The figurine's eyes are recessed, while its tail is elegantly curled, adding a touch of dynamism to the overall composition. The most intriguing feature of this piece is its long, round-section staff protruding from the animal's back, adorned with polyhedral bulges in the lower and upper portions, culminating in a captivating zoomorphic head with a wide-open mouth. Its elaborate design and refined execution suggest that this piece may have held ceremonial or symbolic value, perhaps being utilized in religious rituals, prestigious ceremonies, or other commemorative occasions. The Parthians, renowned for their military prowess and strategic expertise, were an ancient civilization that thrived from the 3rd century BC to the 3rd century AD. They forged a formidable empire, known as the Parthian Empire, which stood as a formidable rival to the Roman Republic and later the Roman Empire. The Parthians were skilled metalworkers and artisans, and their artistry in bronze casting and other crafts left an indelible mark on the cultural heritage of the ancient world. Size: L:146mm / W:22mm ; 55g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 1100-1400 AD.A detailed bronze cross pendant of a Latin cross design, with flared, engraved arms and a central Maltese cross. The Maltese cross is a symbol of eight points, each representing one of the eight Beatitudes of Jesus Christ: faith, hope, charity, fortitude, justice, prudence, temperance, and wisdom. Size: L:45.1mm / W:29.5mm ; 7.38g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 500-300 BC. An impressive bronze helmet featuring a domed crown with a prominent front medial ridge. The helmet's design includes a contoured double curve above the brow, seamlessly transitioning into an occipital rib encircling the helmet, adding both structural integrity and aesthetic appeal. Notably, the helmet showcases pronounced arched brows, lending a distinct character to its appearance, while a narrow flared neck guard enhances its protective capabilities. The domed crown boasts a striking mask-like front, meticulously crafted to include carefully cut-out eyes, evoking a sense of intrigue. Adding to its functionality, a tear-drop shaped nose guard extends downwards, providing additional facial protection. The presence of articulated crescentic cheek guards, attached by hinges, adds flexibility and adaptability to the helmet, accommodating the wearer's movements. These cheek guards feature contoured edges, seamlessly integrating with the overall design, and tapering towards the thin allowing for secure binding. Cf. The Walters Art Museum, Baltimore, accession number 54.2468. The British Museum, London, accession number: 1919, 1119.6. Bonhams, 7th October 2021, lot no 72. Literature: R. Hixenbaugh, Ancient Greek Helmets: A Complete Guide and Catalog, New York, 2019. Ohly, D., Die Agineten, Die Ostgiebelgruppe, Munich, 1976; Pflug, H., 'Chalkidische Helme' in Antike Helme, RGZM Monographien 14, Mainz, 1988, pp.137-150. Size: L:350mm / W:290mm ; 1.17kg Provenance: Property of Central London gallery; formerly in a collection of a European gentleman, previously F. Breydel collection, Belgium, 1970s.
Western Asiatic/Aegan, ca. 1200-700 BC.Fashioned from bronze, this sword features an elongated blade gracefully tapering to a sharp point. A wide, central ridge enhances both its structural integrity and aesthetic appeal. The blade seamlessly merges with the hilt through an overlay casting technique, showcasing their technical prowess. Notably, the sword boasts an intriguing eared pommel, characterized by its distinctive crescent shape, which serves to balance the weapon and counteract the weight of the blade. This design element significantly enhances the sword's maneuverability and control, affording the wielder the ability to execute swift and precise movements in the heat of combat. In the societies of Bronze Age Western Asia, bronze weapons held immense significance, reshaping the realms of warfare, hunting, and cultural customs. The adoption of bronze as the primary material for weaponry signified a monumental technological leap, endowing these arms with unparalleled strength, durability, and cutting capabilities compared to their predecessors crafted from stone or copper. Size: L:510mm / W:43mm ; 555g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
Ca. 800-900 AD.A bronze flask exhibiting an apple-shaped body that gracefully rests on a tall, slightly flaring foot. The flask's neck leads to a tubular mouth adorned with a decorative horizontal register of protruding knobs, which adds to its aesthetic appeal. The flat shoulder is nicely ornamented with a circumferential register of Kufic script. In the Islamic world, bronze flasks like this one were highly prized for their functional and decorative qualities. These vessels were used to store and transport liquids, such as water, wine, or perfume. They were also commonly used as gifts, often presented to esteemed individuals as a sign of respect and honor. Size: L:145mm / W:70mm ; 225g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spearhead featuring a slender blade gently tapering to a sharp point, and is characterized by its prominent midrib and short tang. Bronze spearheads of this type were highly prized due to their superior strength and durability compared to other materials such as bone or stone. The use of bronze for weapons production was a hallmark of advanced civilizations, as it required significant knowledge and expertise in metallurgy. Size: L:420mm / W:43mm ; 315g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
Ca. 1st millennium BC.A bronze pendant with a portrayal of a standing female figure. This captivating pendant depicts the figure in a frontal pose, showcasing a belted gown adorned with a V-neck upper garment that emphasizes the elegance of the female form. The facial features of the figure are highly stylized, reflecting the artistic conventions of the Amlash culture and the reverence for feminine beauty. Notably, the figure's hair is artfully arranged in two large curls, adding a touch of sophistication and highlighting the attention to detail in its creation. The reverse side of the pendant is flat, featuring an attachment loop for suspension, while the rest of the surface remains unworked, underscoring the focus on the front-facing depiction of the female figure. For a similar, see Bonhams, London, 3rd April 2014, lot 97. Size: L:88mm / W:40mm ; 40g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market before 2000.
Ca. 7th-6th century AD.A triangular-shaped bronze fibula. Its round section shank provides structural integrity, while the arms, adorned with grooves and hatching, evoke a sense of aesthetic sophistication. Notably, the catch plate adorning this fibula takes the form of a human hand, nicely outlined to capture the delicacy and grace of each finger. Fibulas of this kind, served as ornamental fasteners for garments, symbolizing the fusion of practicality and artistic expression. For a similar, please see The Metropolitan Museum of Art, Accession Number: Accession Number: 69.24.12. Size: L:35mm / W:80mm ; 25g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spearhead, crafted with skill and purpose. Its triangular-shaped blade boasts a prominent midrib, providing additional strength and stability to the weapon. The pronounced shaft and long tapering tang are designed for easy attachment to a pole, transforming this spearhead into a deadly weapon. During the Bronze Age, spears were an indispensable tool for hunting and warfare. These small spears, like the one here, were utilized for close-range combat and could be thrown or thrust with precision. The design of the spearhead allowed for a swift and powerful strike, capable of piercing armor and delivering a fatal blow. Size: L:100mm / W:25mm ; 20g Provenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1990s.
Ca. 200-450 AD.A bronze bowl with smooth walls both inside and out. The flaring sides of the bowl gradually extend towards its opening, creating an aesthetically pleasing form that also enhances its functional capacity for storage. The bottom of the basin is skillfully engraved with an eight-pointed star motif, capturing attention and admiration. Bronze bowls like this one served a multifaceted purpose. They were utilized for a variety of domestic and ceremonial functions, ranging from everyday household activities to elaborate religious rituals. As vessels of practicality, these bowls were employed for storing and serving food, liquids, or other commodities. Their generous amplitude allowed for ample quantities to be accommodated, ensuring their utility in communal settings. Size: L:30mm / W:105mm ; 60g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 1100-1400 AD.Crafted from bronze, this ring features a round hoop that exhibits distinct protrusions at the shoulder and the back, contributing to its unique design. The large bezel, occupying a prominent position on the ring, showcases intricate engraved decorations. Bronze rings held great significance in the medieval Holy Lands as cherished personal adornments and symbols of identity. These rings were not only fashionable accessories but also conveyed messages of social status, religious affiliation, and personal taste. The use of bronze as the chosen material for these rings was a testament to its availability, malleability, and durability, ensuring the longevity of these treasured artifacts. Size: L:8mm / W:P 1/2mm ; 12.07g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Gandhara style (200 - 400 AD) but possibly later.A bronze figure depicts Akshobhya seated in a lotus pose upon a raised and intricately decorated throne, which is supported by two pairs of columns. Notably, from the base of the throne emerge two miniature worshippers, while another pair is positioned behind Akshobhya's back, underscoring the devotional context of the sculpture. Akshobhya, one of the five transcendent Buddhas in Mahayana Buddhism, is shown with bhumisparsha mudra, the gesture of touching the earth, represented by his right hand extending downward with the palm facing inward. Adorned in a voluminous robe with incised folds, Akshobhya's neck is adorned with a beaded necklace, and his ears are weighed down by heavy flower-shaped earrings. The artist has paid meticulous attention to detail, rendering the features of Akshobhya's head in a naturalistic manner, crowned with an elaborate headdress. Bronze figures of Akshobhya, similar to this one, held great significance within the religious and artistic traditions of the time. These sculptures served as objects of veneration and devotion, offering a visual representation of Akshobhya's enlightened qualities and providing a focal point for spiritual contemplation. The elaborate and refined craftsmanship displayed in these bronze figures aimed to inspire reverence and awe among worshippers, facilitating a connection between the material realm and the realm of the divine. Size: L:160mm / W:110mm ; 715g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in France; previously in 1970s European collection.
Ca. 600 AD.A gold finger ring having a tapered shank with a fine ringed border bezel set with a garnet cabochon. A nice and sturdy example suitable for wearing. The medieval empire of Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the aristocracy or in bronze for people further down the social ladder. This gorgeous piece may once have belonged to a Byzantine noblewoman or princess. Size: D: 17.32mm / US: 7 / UK: N 1/2; 4.62g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Ca. 618-907 AD or later.A bronze mirror with a circular form. At its center, a central pierced knob is framed by an eight-petaled rosette, each petal adorned with a raised dot that adds a touch of depth and texture to the design. The knob is encircled by a swirling dragon and phoenix, two of the most iconic and beloved symbols in Chinese mythology. The dragon, with its long, slender body in a curved motion, is depicted with a ferocious open mouth, fanned tail, and pointed claws, capturing the powerful and awe-inspiring essence of this legendary creature. The phoenix, with its sleek body and open wings, as if in flight, boasts a long and impressive tail adorned with detailed feathers, representing rebirth, renewal, and beauty. Chinese bronze mirrors have a rich and fascinating history, dating back thousands of years. They were crafted using a complex casting process, resulting in unique and intricate designs that often featured symbols and motifs with deep cultural and spiritual significance. Size: L:190mm / W:190mm ; 800g Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.
Ca. 618-907 AD or later.A bronze mirror with a circular body adorned with two fish that seem to be swimming gracefully in a pond around a central pierced knob. The fish are crafted in exquisite relief, with intricately detailed bodies and long, elegant tails that exude a sense of fluidity and movement. A decorative register runs around the edge of the mirror, adding to its overall beauty and charm. Fish have long been a common motif in Chinese art, symbolizing abundance, prosperity, and good fortune. The presence of two fish swimming in a pond on this mirror might suggest the idea of harmony and balance. In Chinese culture, fish are also believed to represent longevity and endurance, as they are able to swim upstream against the current. In ancient Chinese culture, mirrors held great significance. It could have served as a reflection of one's beauty or as a tool for divination, allowing the user to peer into the future or communicate with the spirit world. Size: L:175mm / W:175mm ; 710g Provenance: East Anglian private collection; formerly acquired in the early 1990s in Hong Kong.
Ca. 100-200 AD.A bronze mount fashioned in the striking shape of a lion's head with an expressive visage, characterized by large, captivating eyes that lend the animal a sense of vitality and power. The pronounced snout of the lion, threaded with a ring, adds both aesthetic appeal and potential practical functionality to the piece. The lion's head is framed by an abundant mane, meticulously crafted to exude a sense of regal splendour, while the hollow underside of the mount suggests that it was intended for attachment to a larger object or structure. Lions held profound significance in Roman culture and society. As symbols of strength, courage, and majesty, they were often associated with the power and authority of the Roman Empire. Lions were frequently depicted in various forms of art and architecture, serving as emblems of military might and imperial grandeur. In Roman mythology, lions were also linked to deities and heroes, such as Hercules, further emphasizing their divine associations. Size: L:33mm / W:30mm ; 31.58g Provenance: Private London collection, pre-2000s.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spearhead with a distinct triangular-shaped blade, skillfully narrowing towards a piercingly acute point. Its prominent midrib spans the entire length of the blade, not only ensuring structural integrity but also seamlessly extending to form both the sturdy shaft and a tang for secure attachment to a pole or similar implement. Cf. Muscarella, O. W. (1988). Bronze and Iron: Ancient Near Eastern Artifacts in the Metropolitan Museum of Art. Metropolitan Museum of Art, New York, p.291. Size: L:105mm / W:25mm ; 20g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 1100-1400 AD.Crafted from bronze, this ring features a round shape with a flat-sectioned hoop that expands gracefully to a roundish bezel. The bezel is adorned with serrated accents on the top and bottom, adding a touch of intricacy to its design. Bronze rings in the medieval Holy Lands encompassed a wide range of designs, reflecting the various influences and artistic styles prevalent in the region. These rings were cherished not only for their aesthetic appeal but also for the stories they conveyed. They were exchanged as meaningful gifts and worn as talismans, carrying with them the hopes, beliefs, and aspirations of their owners. Size: L:7 1/2mm / W:O 1/2mm ; 10.41g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 300-200 BC.A bronze figurine of Herakles, depicted in a commanding standing pose. The statue features a subtle sway to his right, with his right leg slightly bent, and his right hand raised. His left hand is outstretched with a piece of lion skin draped over it. This representation of the mythical hero is both powerful and graceful, conveying a sense of strength and poise. The figurine features a nude representation of the hero, with a muscular body that is masterfully rendered with intricate details. The chiseled contours of his physique, including his well-defined muscles and sinews, are executed with remarkable skill and precision, conveying a sense of physical prowess and athletic grace. The facial features of the statue are equally impressive, with a well-proportioned and expressive face, and nicely arranged hair. The depiction of Herakles in this figurine exemplifies the importance of the hero in Etruscan mythology and his continued relevance in the ancient world. For a similar, please see The Metropolitan Museum of Art, Accession Number: 96.9.430. This item comes mounted on a custom-made stand Size: L:105mm / W:75mm ; 200g Provenance: Private London collection, B.A.; formerly in pre-2000 European collection.
Near East, Ca. 1st millennium BC.Crafted from bronze, this cylindrical object bears a series of intricate decorative registers, meticulously carved into its surface. These registers serve as the medium through which impressions are made, allowing the seal to leave an indelible mark upon clay or other soft materials. The elongated twisted handle of the seal, extending from its cylindrical body, provides a convenient grip for its wielder. At the pinnacle of the handle, a suspension hole is present, allowing the seal to be suspended or attached to a cord or other means of carrying. Bronze cylinder seals, such as this one, held significant importance in the ancient world, serving as tools for personal identification, authentication of documents, and the establishment of authority. Their intricate designs, often depicting scenes of mythological, religious, or administrative nature, were impressed onto clay tablets, papyrus, or other media, sealing them and ensuring their integrity. This item comes with a modern necklace cord. Size: L:56mm / W:20mm ; 79.12g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Ca. 1100-1400 AD.Constructed from bronze, this ring features a round hoop, which gradually widens to a prominent bezel. The bezel, with its generous size, provides ample space for intricate engraved decorations consisting of geometric motifs. Bronze rings held significant cultural and symbolic importance in the medieval Holy Lands. They were not only fashionable accessories but also served as potent symbols of personal identity, social status, and religious affiliation. The use of bronze as the primary material for these rings was driven by its availability, workability, and durability, making it an ideal choice for crafting intricate and enduring designs. Size: L:6mm / W:L 1/2mm ; 8.1g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze spearhead with a triangular-shaped blade is accentuated by a prominent midrib, adding both beauty and strength to the design. The rib extends downwards to a pronounced shaft, leading to a long tapering tang for easy attachment to a pole. During the Bronze Age, weaponry was an essential part of life, used not only for defense but also for hunting and other utilitarian purposes. The spear was one of the most commonly used weapons, and its design evolved over time to become more effective and deadly. The spearhead's sharp, pointed tip was ideal for piercing armor or delivering a fatal blow to an opponent. The pronounced shaft and tapering tang allowed for quick and easy attachment to a pole, making the spear a versatile weapon that could be used in both open and closed spaces. Cf. Muscarella, O. W. (1988). Bronze and Iron: Ancient Near Eastern Artifacts in the Metropolitan Museum of Art. Metropolitan Museum of Art, New York, p.290. Size: L:150mm / W:25mm ; 20g Provenance: Private UK collection; From an old London collection formed in the 1990s.
Ca. 1500-1000 BC.A bronze axe head with a vertical round-section shaft and a curved blade with flaring ends. The shaft is adorned with horizontal raised bands. As essential tools for agriculture, construction, and warfare, bronze axes revolutionized productivity and resource utilization, leading to the development of complex societies. Moreover, the symbolic value of bronze axes as prestigious status symbols further contributed to social stratification and the consolidation of power among ruling elites. Size: L:75mm / W:120mm ; 345g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Western Asiatic/Aegan, ca. 1200-700 BC.A bronze dagger with its beautifully-shaped blade tapering to a sharp point and a short hilt masterfully crafted with a flared pommel. A crescent-shaped guard encloses the upper part of the blade. Bronze weaponry in the Bronze Age of Western Asia was a crucial element of warfare and social status. The mastery of bronze casting and the use of weapons in warfare and hunting was significant factor in the rise and fall of many empires during this period. The Western Asiatic region was renowned for its impressive bronze weapons, which were frequently adorned with intricate designs and motifs, as is exemplified by this magnificent dagger. For a similar, please see The Metropolitan Museum of Art, Accession Number: 61.261.5. Size: L:350mm / W:50mm ; 315g Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Ca. 100-300 AD.A bronze key, exemplifying remarkable craftsmanship and functional design, offers a glimpse into the material culture and practical aspects of the ancient Roman world. This key showcases a circular suspension hoop, serving as a point of attachment for the key, while a rectangular-shaped shank extends from it, culminating in a distinct L-shaped bit. The bit of the key is carefully fashioned, featuring meticulously delineated teeth that facilitated the unlocking of doors or containers. Keys held significant importance in the Roman world, representing not only access and security but also authority and ownership. They were vital tools for safeguarding valuables, controlling entry to private spaces, and regulating access to public buildings. The design of Roman keys often varied, adapting to different locks and purposes. This item comes with a modern necklace cord. Size: L:55mm / W:28mm ; 42.95g Provenance: Private London collection; formerly acquired in the US in the 1990s.
A rare 1851 Great Exhibition bronze ‘Prize’ medal, 77mm, designed by William Wyon (obverse) and Leonard C. Wyon (reverse), the obverse with a double portrait bust of Victorian and Albert and dated MDCCCLI (1851), the reverse with Britannia crowns and raises a kneeling figure of Industry, the side inscribed “Prize Medal of the Exhibition, Bagnell & Jesson Class I”, 275g
A ruby and diamond cluster ring, 9 carat gold setting, ring size N, with three oval rubies set between eight seed diamonds; also a platinum solitaire ring, with brilliant cut CZ stone, marked PT950, ring size L; and a 9 carat gold three stone ring, CZ, ring size L; also a small group of commemorative coins, including a bronze token for Lindisfarne Abbey (gross weight of rings 8.5g) (a lot).
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