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Roman Bronze Figurine of Priapus. A small figurine of Priapus, the Roman God of fertility and protector of livestock, fruit plants, gardens and male genitalia. The figurine depicts Priapus with an erect phallus and would possibly have been attached to a vessel. Three rivet holes, one at the head and two at the arms. 2nd-3rd Century AD, 50mm x 16mm, 22.2g.
Roman & Saxon Bronze Brooch Group (4). A group of four ancient brooches including:A rosette type brooch, early 1st century AD, Hattatt 1471; la Tene III type brooch, c. 50BC-50AD, Hattatt 735; Lozenge-shaped plate brooch, 2nd century AD, Hattatt 1001; Anglo-Saxon small long brooch, 6th century AD, cf. Hattatt 675. Largest 64mm (4).
Fifteen Roman bronze coins to include: Magnentius centenionalis FELICITAS REIPVBLICAE, Trier, Commodus sestertius, Elagabalus fourree denarius, Constantine I BEATA TRANQVILITAS AE3, Constantine II BEATA TRANQVILITAS AE3, Postumus antoninianus FIDES MILITVM, Constantine I follis (3), Tetricus imitation, Constans AE4 (2). (15)
Roman Key Handle & Bird Figure, 1st-3rd Century AD. A Roman bronze socketed key handle with an openwork foliate design surmounted by a knop. Very similar to an example illustarated in N. Mills 'Celtic and Roman artefact's' RB245a. 44mm x 22mm, 22.1g.Together with a Roman bronze figurine of a bird, possibly an Eagle, c. 1st - 4th century AD, 36mm x 17mm, 19.6g. together with an Anglo-Saxon & Viking Artefact Group.Anglo-Saxon bronze artefacts including: two wrist clasps c. 6th century AD; a disc brooch decorated with ring-and-dot motifs 5th - 6th century AD; a strap-end with zoomorphic animal head terminal, very fine, 8th - 9th century AD. Together with a lozenge-shaped Viking stirrup mount of Williams Class A, Type 12, 11th century AD. (5).Largest 40mm.
Bronze Age Scabbard Chape and Lead Model.A late bronze age bag-shaped scabbard chape associated with the 'carp's tongue complex' of South-East England, dating to the Ewart Park metalworking phase c. 1000 BC - 800 BC. 34mm x 27mm, 15.9g.Together with a contemporary lead model of a bag-shaped chape, probably used for the manufacture of a clay mould, or for testing a mould prior to casting bronze chapes. Lead models of Bronze age metalwork in Britain are rare, see PAS DENO-A24823 for an example of a palstave axe cast in lead.50mm x 49mm x 14mm, 164g. (2).
A bronze medal winning finely made scratch-built model of a 1: 8 Scale Prairie Schooner 1850-1870, beautifully made of wood and metal with exquisitely made tools and equipment needed for the journey, E, built and painted to an excellent standard This model built by Timothy Smith won a Bronze medal at the 1996 Model Engineer Exhibition (Certificate included)
A bronze medal winning finely scratch built model 1:4 Scale of Reg Harris's Raleigh Track Bicycle circa 1950s, constructed in wood and metal and built and painted to a fine standard and displayed in a wood and glass carry case with a handle, the model won the Bronze medal at the 1999 Model Engineer Exhibition, length 410mm, E, display case VG Built by Timothy Smith, Certificate and article from Model Engineer Magazine. Also with original diagrams for building and Reg Harris Autobiography
Dinky Toy Cabriolets, 194 Bentley S2 (2), first bronze, second grey, both spun hubs, 111 Triumph TR2, 102 MG Midget (2), both green body, cream interior and hubs, 106/140a Austin Atlantic (2), first light blue body, red interior, second pink body, beige interior, cream hubs, F-E, some minor retouches, 111 racing numbers removed, driver replaced with civilian driver (7) THIS LOT ATTRACTS IMPORT VAT ON THE HAMMER PRICE AT 20%
A Corgi Toys Gift Set 48 Car Transporter With 6 Cars, comprising 1148 Transporter, 252 Rover 2000, metallic plum, 251 Hillman Imp, metallic bronze, 249 Morris Mini Cooper Deluxe, 321 Autographed Monte Carlo Mini, RN2, 226 Morris Mini Minor, pale blue, 440 Ford Cortina Estate, in original window box with ten cones, G-E, box P
Antique Sevres Style Bronze Mounted, Cloisonné, Porcelain Mantel Clock. Decorated with gilt bronze foliage form mounted hardware with cloisonné columns and cloisonné accents, blue celeste style ground with gilt trim and portrait window of a young beauty. Inscribed on enamel dial with decorative hands. Key included, appears to be in working condition. Small nick to top on obverse side and small factory hairline to top, minor rubbing and gilt wear. Measures 12-1/2" H x 8" W x 5" Depth. Shipping $115.00 (estimate $450-$650)
Pair of Antique French Gilt Bronze and Enamel Hanging Frames. Decorated with garland motif and cobalt blue enamel trim, attached by chain mounted to enamel and gilt medallion, floral backing. Some wear to gilt otherwise good condition. Measures 6-1/2" H x 6-1/2" W. Shipping $32.00 (estimate $300-$400)
Circa 1916 Gilt Bronze Renaissance Revival style High Relief Box. Depicts fine framed courting scene relief to top and several windows accents to surface with high relief scrolled foliage and wreath motif. Signed "5 Febrero, 1906" on underside. Cream color lined interior, key included. Wear to patina. Measures 4" H x 6" W x 6" Depth. Shipping $52.00 (estimate $400-$600)
Mednat, French (20th century) Art Nouveau Gilt Bronze and Bisque Figural Lamp on Marble Base. Signed Mednat with "Fabrication française Made in France" foundry mark on obverse side. Some patina wear, needs to be rewired, missing shade, needs cleaning. Measures 24" H x 10-1/2" W. Shipping: Third party. (estimate $350-$550)
Antique Three (3) piece French ormolu bronze clock garniture set. Figural motif, hand painted dial. The clock flanked by 2 five light Candelabra. Unsigned. Old restoration to clock top, losses to second hand or in good condition. The gallery does not warranty the running condition of Clocks. Clock measures 17 inches tall, 8-1/2 inches width, 6 inches depth. The candelabra measures 19 inches tall. Shipping $235.00 (estimate $450-$650)
Early 20th Century Louis XV Style Parquetry Inlaid Marble Top Commode. Includes two drawers with bronze hardware, parquetry work to front and sides, standing serpentine form high tapering legs. Marble is not original to commode, wear to inlay, rubbing to wood. Measures 29-1/2 x 22-1/4 x 11-1/2" Depth (without marble), marble measures 1-1/4" H x 24-1/2" W x 13" Depth. Shipping: Third party. (estimate $250-$350)
19th Century French Louis XV Style Raingo Freres Paris Gilt Bronze and Marble Clock Garniture Set. Includes green marble case clock with gilt bronze pedestal top finial and matching 2-arm candelabras. Inscribed "Raingo Frères Paris” on enamel dial, Roman hour indices, outer minute ring with Arabic minutes. Key and pendulum included. Nicks and wear to corners of the marble, minor scuffs or rubbing, missing suspension spring assembly. Clock measures 16-3/4" H x 10" W x 6" Depth, candelabras measures 14" H x 10" W x 4" Depth. The gallery does not warranty the running condition of clocks. Shipping: Third party (estimate $450-$650)
Early 20th Century Louis XV Style Parquetry Inlaid and Bronze Mounted Bureau de Dame. Includes three drawers with leather top surrounded by gilt scroll motif and marble top framed by gilt bronze gallery, parquetry windows on front and obverse side, standing on serpentine form high tapering legs. Marked "Made in France" on underside. Rubbing to wood, some surface wear, some losses to inlay, one foot missing bronze covering. Measures 37-1/2" H x 30" W x 19" Depth. Shipping: Third party. (estimate $350-$550)
Late 19th/Early 20th Century Rococo Style Gilt Bronze and Crystal 6-Arm Chandelier. Decorated with branch form arms with various dangling crystals, beaded crystal affixed to frame, and acanthus leaves accents. Slight bending to arms, rubbing. Measures 30" H x 21" W. Shipping: Third party. (estimate $500-$700)
Pair of 19/20th Century French Empire style Bronze Mounted Mahogany and Upholstered Side Chairs. Unsigned. Surface Wear Consistent with Normal Use, a Couple of Loose Mounts Otherwise Good Condition. Measure 37-1/8 Inches Tall, 18-1/2 Inches Wide and 20 Inches Deep. Shipping: Third Party. (estimate $200-$300)
A PAIR OF FINE FRENCH BRONZE BUSTS OF ROUSSEAU AND VOLTAIRE ON MARBLE AND ORMOLU BASES, 18TH-19TH CENTURYeach shows a realistically modeled bust of the French philosophers with dark brown patina, supported by a cylindrical plinth in bleu turquin marble with gilded bronze mounts, approximate height with base: 33 cm (13 in.), each with an affixed collector's label reading Marquis Bellegarde / Privateigenthum PROVENANCECollection of the Marguis BellegardeChristie`s, New York, October 9, 2013, The Art of Collecting: Three Private Collections, Lot 678Private Collection (Acquired by the present owner at the above sale)
A TRAVEL TRIPTYCH OF MARY AS THE QUEEN OF HEAVEN IN A SILVER ?ASE SHAPED AS A CHURCH, MARKED TI, MOSCOW, AFTER 1908depicting Mary as the Queen of Heaven with Christ in the center, flanked by archangels Gabriel on the left and Michael on the right. The inside features floral cloisonne enamel and bronze motifs on the borders. The silver case marked TI in Cyrillic, Moscow town mark, 84 standard. Dimensions closed: 12.5 x 6.5 cm (4 15/16 x 2 9/16 in.); open: 12.5 x 11 cm (4 15/16 x 4 5/16 in.)
AFTER COUNT FEODOR TOLSTOI (RUSSIAN 1783-1873)A plaster plaque depicting the conquest of Paris in 1814 from the Russian war against Napoleon, 1833plaster20.2 cm x 20.2 cm (8 in. x 8 in.) a magnificently detailed plaster medallion of octagonal form, commemorating the victory of the Russian Army in the War of 1812. The base bears the Cyrillic inscription depicted and made by Count Fedor Tolstoj. 1833 Conquest of Paris 1814; With high releifs on a pale blue ground. These plaster plaques were taken from a large series of bronze medals commemorating the Russian war against Napoleon, on which Tolstoi worked from 1814-1836. While similar ones were re-issued on the centennial celebration of the war in 1912, the current lot is an original plaster from the period.
AIME-JULES DALOU (FRENCH 1838-1902)Boulonnaise portant son enfant, circa 1895bronze with medium brown patinaheight: 35 cm (13 3/4 in.)signed Dalou on base, with inscribed and stamped foundry marks Susse Fres Editeurs Paris on base LOT NOTESJules Dalou never shied away from showcasing his working class sympathies in his sculpture, even under the authoritarian rule of the Second Empire. Dalou excelled in his studies at the Ecole Nationale Superieure des Arts Decoratifs (then the Petite Ecole) and later at the Ecole des Beaux-Arts de Paris. Despite the undeniable talent shown by the young artist, who first exhibited at the Paris Salon in 1861, Dalou was never awarded the Prix de Rome due to his politics. Later, having been a prominent supporter of the Paris Commune, Dalou was forced to flee the country and spend eight years in exile in England. There he taught at various institutions, influenced the British post-classical school of sculpture, and created monuments for important patrons including Queen Victoria. Having received pardon in 1879, Dalou returned to France where he would go on to create some of his most spectacular and moving pieces, including this bronze from circa 1895. A terracotta version of this piece resides in the collection of the Petit Palais in Paris.
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