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Lot 1685

A Regency burr elm banded figured ash breakfast table, the circular snap top on canted triangular column and three gilt bronze paw feet, 120cm diameter x 73cm high. Illustrated

Lot 171

A pair of early 20th century gilt bronze seven branch chandeliers, 50cm wide x 30cm high.

Lot 2045

A Chinese bronze figure of a dignitary, Ming dynasty, seated in meditation with hands clasped, traces of gilding and red pigment, 34cm. high, later wood stand, (2). Illustrated

Lot 2132

A Japanese bronze vase, Meiji period, of lobed bulbous form, the underside cast with a dragon and ho-o bird around a two-character mark, 23cm. high.

Lot 2134

A group of Asian works of art, various dates, comprising; a Japanese bronze crab, 10cm. wide; a Japanese bronze tsuba pierced with leaves, 7.25cm. high; a spelter fish and rat dish, 27cm. length; a bronze face mask, 13cm. high; a Japanese ivory bat knop, 7cm. wide; also a group of eight wood stands, (13).

Lot 2135

A good and large bronze jardiniere, probably Chinese, late 19th century, deeply cast with six shaped panels enclosing birds between incised stiff leaf borders and key pattern rim, set with animal mask handles, signed, 45cm. high. Illustrated

Lot 2179

A Nepalese bronze mask of Bhairava, 19th century, the Hindu deity with flaming hair inset with orange `jewels', bulging eyes, bared teeth and with snakes as earrings, 33cm. high. Illustrated

Lot 60

A 20th century bronze figure of a woman reading a book on circular plinth base, 41cm high.

Lot 69

Ceramics, including; a pair of 20th century blue glass cornucopia vases with bronze hand terminals, Royal Stratford model of a pointer, faux fruit, Tiffany & Co glass paperweight formed as an apple and sundry, (qty).

Lot 694

A Fine and Rare Victorian parcel-gilt bronze four-glass quarter striking giant carriage clock Signed Alexander Guillaume, London, No. 861, probably McCabe workshops or associatesCirca 1855The case surmounted with a shaped handle above a bevelled glass panel, stepped pediment, above bevelled glass sides and glazed dial, with canted angles, mounted with cast foliage, on a stepped plinth cast with scrolls and foliage, bronze lift-out back with shuttered winding apertures, hand set and platform regulation, the arched gilt brass dial engraved all over with foliage, Roman numerals and inset seconds subsidiary at the XII, trefoil hour hand, inscribed in a reserve below the VI ALEXR GUILLAUME LONDON 861, the high-quality twin train chain fusée movement with maintaining power, high-grade platform lever escapement with cut bi-metallic compensated balance, exceptional vase-shaped pillars with finely-turned fins, quarter striking on two blued steel gongs; on a carved oak breakfront plinth The clock: 28cm highPROVENANCE:A Hampshire family, since the mid-19th centuryBy descentThe property of a gentlemanBy descent to the current vendorThis clock was no doubt commissioned by Louis-Alexander Guillaume, acting as agent for a retail client. He is known primarily as a watchmaker. A native of Neuchatel, Switzerland, he came to London in 1835 and is recorded at 24 Spencer Street, Northampton Square, Clerkenwell. He died on 10 January 1873, in his 60th year (see The Horological Journal, March 1873, p. 84). An identical clock, signed Klaftenberger, 157 Regent Street, London, also with quarter striking movement and high-grade platform lever escapement, was advertised in the Antiquarian Horological Journal, June 1983, p. 119. It is also illustrated in Derek Roberts, Carriage and Other Travelling Clocks, Atglen 1993, p. 345, fig. 23-26.The fashion for large bronze and gilt carriage clocks during the mid-19th century was satisfied by McCabe, Dent and latterly Frodsham. Their design, quality and execution were of the utmost quality and no doubt a status symbol for clientele. Comparison can be made to signed pieces by McCabe, such as No. 2833 (sold Christie's, London, 18 November 2010, lot 101), which has the distinctive shaped handle, albeit with fluting. The Guillaume clock, with its shallow arch for the dial, with the inset seconds at the XII, all within the most superbly engraved foliate design and flanked by the distictive canted angles, would support production from the same workshop. Another quarter striking clock by McCabe 2927 (sold Bonhams, London, 11 December 2013, lot 106) has a sumptous finely-chased gilt bronze case. The handle is of the same pattern, with the faceted centre part and twin double rings. The stepped moulding to the rectangular pediment, especially the overhang, is identical. McCabe's canted angles have a shaped 'claw' at the top, whilst the base is finished with a scrolled volute. The Guillaume clock includes the same canted angles, with the addition of a rosette and deeply-chased pendant flowers to each angle, all supported on a gilt bronze foliate-chased scrolling plinth. McCabe is not known to have diverged from his use of lever escapements for these 'travelling' clocks as chronometer escapements would be more susceptible to damage.The virtuosity of the engraving found on these giant carriage clocks, as well as clocks by Thomas Cole, are related and point to a vibrant school of talented engravers in London.

Lot 695

A Victorian gilt bronze giant striking carriage clockBy James McCabe, Royal Exchange, London, No. 2938, circa 1860The case, with four deeply bevelled glasses, surmounted by a shaped and reeded handle, above moulded pediment, the lift-out back door with shuttered dust covers, the 4 1/4in. rectangular silvered dial engraved all over with foliate scrolls, Roman numerals and minute markers, the centre with seconds subsidiary and signed below the VI in a shaped rectangle JAMES McCABE Royal Exchange LONDON 2938, the twin train chain fusée movement, five finely-turned baluster pillars, with push/repeat button, signed to the backplate and numbered, with large platform lever escapement, with twin-armed plain balance, fine wheel work and striking the hours on a coiled gong, with original numbered key24.5cm highPROVENANCE: With Derek Roberts, Tonbridge, 2005By descent to the vendorLITERATURE: This clock is illustrated in Derek Roberts, Carriage and other travelling Clocks, Atglen, 1993, p. 295, and will be sold together with a copy of the book, signed by the author.COMPARARTIVE LITERATURE: Richard Good, Victorian Clocks, London, 1996, p. 32 for details of McCabe No. 2916, invoiced 30th April 1857, and pages 24-25 for details of serial numbers and corresponding dates.Antiquarian Horological Journal, December 2000, p. 653, for the first of David Bell's two-part article on the McCabes, watch and clockmakers of Ulster.

Lot 719

A French ormolu and bronze four-glass mantel clockIn the Empire style, circa 1890Modelled with a standing figure to the side, the rectangular case with bevelled glass panels, white enamel chapter ring enclosing an engine-turned centre with blued steel moon hands, the twin train movement striking on a bell40cm high

Lot 111

A pair of Victorian Silver-Plated Candlesticks, by Elkington and Co., Mid-19th Century, each on tripod base with lion-paw feet, the fluted stem with foliage-cast socket 36cm high (2) The present candlesticks, like the pair of four-light candelabra, are inspired by ancient bronze lamp stands. See for example an Etruscan example in the collection of the British Museum (1849,0518.23)

Lot 1311

A bronze age terracotta mother and child figurine and a very early terracotta small bowl with raised decoration.

Lot 1314

A large Thai bronze Buddha, Lanna style, lost wax cast, 18th century or possibly earlier, 16" tall.

Lot 1316

A large torso fragment from a Thai bronze buddha, 18 3/4" with stand, 14 3/4" without.

Lot 1317

A Wilkinson sword, Fairbairn-Sykes British Commando fighting Knife and leather sheath, blackened throughout including to the knurled bronze grip, the blade etched with "The F-S Fighting Knife" and with the Wilkinson Sword Co. Ltd. London trademark. The extremely sharp double-edged blade with central ridge, 6 13/16" long (17.5 cms), 11 15/16" long overall (30.3 cms). The dark brown leather sheath having a blackened chape, the belt loop is as found but the elastic retaining strip is present.

Lot 1319

A fine old Japanese Tanto/short sword having a slightly curved double-edged blade with decorative silver habaki depicting clouds and waves in relief, the three-character signed tsuba depicting a Dog of Fo/Lion Dog having a gold highlighted bow collar, ribbons trailing from its mouth and a seashell, the tsuka/grip having a bronze pommel, ray/shark skin, the wrap holding two Menuki depicting dogs with gold-highlighted eyes. The brown finished scabbard having a braided cord with four tassels, two bronze Lion-dogs depicted in relief and a bronze strip depicting in relief a bird, a fence, foliage and mountains beyond a calm sea. The blade, 9 1/2" long (24.1 cms), length overall 14 3/16" (36 cms), 15 7/16" long overall (39.2 cms), weight 495 gms. approx.

Lot 1335

A well modelled Bronze sculpture depicting a boy seated on a stump attempting to remove a thorn from his left foot, apparently unsigned, complete with turned wood plinth, 4 1/4'' high, 6 7/8'' high including plinth

Lot 666

Laurence Broderick - A bronze study of an otter resting on a rock, marked LB, numbered 10/150, height 11cm.

Lot 670

Omerth - A 19th Century French bronze study of a fighting cockerel, signed, height 16cm.

Lot 681

A pair of late 19th Century Japanese Meji period inlaid bronze cylindrical vases of tapering form decorated with long tail cockerels perched on a flowering bough decorated with gold and silver, unsigned, height 18cm. (2)

Lot 722

A pair of late 19th to early 20th Century French bronze classical busts, each on an onyx base, one A/F. (2)

Lot 729

Michael Simpson - A contemporary bronze frog, stamped 'Frogman' with Certificate of Authenticity numbered 70 from an edition of 100, length 16cm.

Lot 740

Josef Lorenzl - The Pyjama Girl, an Art Deco bronze and ivory figure of a woman in leaning pose, circa 1930, with coloured bronze pyjama suit raised to an onyx plinth, height 23.5cm.

Lot 741

Bergman - An early 20th Century painted cold cast bronze lizard mounted on an onyx base, unmarked, width 27cm.

Lot 752

A late 19th to early 20th Century Chinese bronze jardiniere, embossed with dragons, lanterns and symbols, diameter 44cm.

Lot 768

AFTER FREDERIC REMINGTON - 'The Bronco Buster', a contemporary bronze cast, bears signature, on black marble base, whip is missing to rider's right hand, height 59cm.

Lot 785

Carl Payne (20th Century) - A bronze figure titled 'See no Evil', No 14/49 on stepped square plinth, height 68cm with certificate.

Lot 702

A bronze car mascot being a bust of Nefertiti.

Lot 703

A painted bronze car mascot of a dog.

Lot 1447

Two 19 century Napoleonic bronze plaques 14cm diameter, in later frames 33.5cm x 33.5cm

Lot 1500

Bronze & crystal 4 branch candelabrum 38cm high approx

Lot 1627

Vintage Chinese bronze bowl embossed decoration of animals and symbols, on three ball feet, (height 8cm, diameter 9.5cm approx).

Lot 147

Bouche-Evier (Sink stopper). 1964. Polished stainless steel. Cm 6,50 x 6,50. 10/100. Edition, signature and year engraved at the back. Publisher: International Collectors Society, New York. There were also one hundred in bronze and in sterling silver, respectively. Bibliography: Schwarz 608.

Lot 15

Hamlet's dilemma. 1985. Artist's book. Cm 30,00 x 55,00. Copy n.205 dedicated to Alberto Zacutti. Lot composed of: n.10 offset lithographs in colours after Henry Moore; printed tissue-guards over wood bevelled boards; rectangular bronze bas-relief 'Hamlet's Dilemma' mounted on upper side, a recasting of the 'Reclining Figure' portion of 'Relief: Three Quarters Mother and Child and Reclining Figure', 1977 (cf. A. Bowness, Henry Moore - Complete Sculpture, Volume 5, 1974-1980, 1983; listed and illustrated as catalogue raisonné no. 728). Total edition: 1200 copies numberd from 1 to 1200, 21 copies numbered from A to Z and 350 (for abroad) numbered in arabic numbers (probably far fewer were made). Delfino editor, Rome.

Lot 150

Untitled (Ragazza al sole). Bronze. Cm 64,00 x 46,00 x 11,00. 20's. Signature engraved lower right. Francesco Messina Foundation authenticity certificate on photo.

Lot 158

Abstract combine (orizontal oval, bars, propeller flames). 1983. . Cm 480,00 x 116,00 x 6,00. Acrylic on canvas, painted aluminum, silver-plated bronze and brass, nickel-plated brass. Provenance: Private collection, Milan; Private collection, Turin. Work registered in the Archive of the artist's works in the Abstract Combines section, 1983-1958, at n.387 (available online).

Lot 164

Untitled. Bronze. Cm 32,00 x 90,00.

Lot 359

AFTER SALVADOR DALI (Spanish 1904-1989), 'Persistence of Memory', patinated and coloured bronze on a rectangular marble base, a limited edition no. 38/350, with impressed and cast marks. With certificate of authenticity, the work dated from 1980. This work is part of the Dali sculpture collection presented by Inter Art Resources. Overall 42cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Good condition with no obvious damage.

Lot 361

NORMAN PIERCE FRBS, ARCA (British 1915-1995), head and shoulder bust of a young woman, patinated plaster on marble base. Mall Gallery label to the base. Overall 41cm high including plinth approx. Note: Norman Frederick Pierce born London 1915, died 1995. Member of the The Society of Portrait Sculptors and a winner of the Society silver medal. Studied Reading University Fine Art department with Alan Seaby, then at the Royal College of Art 1935-8 under Richard Garbe. Taught at Colchester School of Art and Winchester School of Art, then in adult education in Winchester where he lived. Fellow of the RBS and showed at the Royal Acadamy, in the Mall Galleries and at Paris Salon for Madam Tussauds and has notable works across the country and abroad including; bust of William Walker in Winchester Cathedral refectory and bronze statue of Sir Seretse Khama in Botswana. (B.P. 24% incl. VAT) CONDITION REPORT: In good original condition. A little grubby.

Lot 64

Victorian opaque glass lidded vase of egg shaped form enamelled and gilded with flowers and leaves, on a cast bronze and brass stepped pedestal base with three hairy lion paw feet H28cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

Lot 111

Bronze of a lizard on a leaf, indistinctly signed 22cm x 12cm Condition Report & Further Details In good condition. No sign of damage or repair. Click here for further images, condition, auction times & delivery costs

Lot 128

19th Century French bronze medallion 'Exposition Internationale D'Hygiene' , small vesta case in the form of a pig, fountain pens etc Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

Lot 1479

A bronze figure of a child, possibly emblematic of summer, on ebonized socle, total height 39.5cm.

Lot 1700

An antique bronze ewer, 6cm high, 

Lot 1539

A bronze sundial, with gnomon, 20cm wide.

Lot 1538

A pair of bronze flatback horses, one stamped 'Crowley & Co, Manchester', 16cm high, on wood stands. (2)

Lot 1448

Two patinated bronze lions, 23cm wide. 

Lot 1572

An Indian bronze and silvered lota vase, 19th century, relief decorated with panels of figures, 16cm high. 

Lot 1847

A 1970s Siebe Gorman divers knife, having ebonite handle and flat bronze sheath, 19cm blade with partially serrated edge.

Lot 1632

An Art Deco bronze and marble gull, indistinctly signed, 25cm wide. 

Lot 1562

A collection of blue glass; together with an elephant bronze howdah figure, 7.5cm high. 

Lot 1608

Two bronze cherub and crocodile figural candlesticks, 21.5cm high.

Lot 1621

A mixed group of metalware, to include a pair of bronze stag heads; and a small lantern.

Lot 1467

Alfred Grevin and Friedrich Beer, 'Ho! He', bronze with green patina, signed and inscribed, 51.5cm high. 

Lot 425

A Burmese cast bronze opium weight in the form of a mythological bird, height 4"

Lot 329

Paul Ponsard bronze statue of a Deco style lady, height 11"

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