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Lot 223
THREE MARVEL ROBOCOP COMICS FROM 1990 - BRONZE AGE, SIX 1980'S AND 1990'S COMICS TO INCLUDE FIVE MARVEL AND VARIOUS TITLES, NINE MARVEL DEADPOOL COMICS VOLUME 1 FROM 1999-2000, TWELVE MODERN AGE WONDERWOMAN COMICS - TWO VARIANT COVERS AND TWELVE MODERN AGE THE FLASH DC COMICS - TWO VARIANT COVERS
Lot 3134
Rus-wikingischer Vierplatten-Nasalhelm, Osteuropa, 10./11. Jhdt. Hohe, spitz zulaufende Kalotte aus vier vertikal vernieteten Segmenten. Zwischen den geschweiften Plattenrändern unterlegte Zierelemente aus dünnem Bronzeblech. Frontal aufgenietete, kreuzförmige Verstärkung mit kräftigem Nasal. Aufgesetzte, vernietete, konische Federbuschtülle. Am unteren Rand umlaufend Reste von feinen Ringösen zur Befestigung der Helmbrünne. Oberflächen narbig, kleine Durchrostung auf der rechten Seite der Kalotte. Im Inneren anhaftende Reste von Flusssand, alte Sammlungsnummer in weißer Farbe. Höhe 35 cm, Gewicht 2.006 g.Provenienz: Aus alter Wiener Privatsammlung, in den 80er/90er Jahren erworben. An East-European Rus-Viking nasal helmet, 10th/11th century Tall, pointed skull composed of four segments secured by vertically arranged rivets. The curved edges backed by an ornamental trim of thin sheet bronze. Riveted to the obverse a cruciform reinforcement with sturdy nasal bar. Applied, riveted, conical plume socket. Surrounding the lower edge traces of fine eyelets for the aventail. Pitted surfaces, small rust hole on the right side of the skull. Attached to the inside remains of river sand, old collection number written in white. Height 35 cm, weight 2,006 g.Provenance: From an old Viennese private collection, acquired in the 1980s/90s.
Lot 3016
Steigbügel, osmanisch, um 1780 Typisch geformter Steigbügel aus Bronze mit glatter Trittfläche, die Seiten ganzflächig mit feinem floralen, in Resten vergoldeten Dekor. Länge 23 cm. An Ottoman stirrup, circa 1780 Typisch geformter Steigbügel aus Bronze mit glatter Trittfläche, die Seiten ganzflächig mit feinem floralen, in Resten vergoldeten Dekor. Länge 23 cm.
Lot 3106
Spätgotischer ritterlicher Radsporn mit Resten von Vergoldung, deutsch, um 1500 In Resten vergoldete Bronze mit grüner Patina. V-förmig gewinkelte Bügel, anhängend komplett erhaltene Riemenschnalle und Schließen. Großes, gut erhaltenes Rad. Länge 17,5 cm. A German late Gothic chivalric wheel spur with traces of gilding, circa 1500 In Resten vergoldete Bronze mit grüner Patina. V-förmig gewinkelte Bügel, anhängend komplett erhaltene Riemenschnalle und Schließen. Großes, gut erhaltenes Rad. Länge 17,5 cm.
Lot 3244
Bedeutendes fränkisches Schwert mit Inschrift, deutsch, um 900 Kräftige zweischneidige Klinge mit beidseitiger flacher, bis kurz vor die Spitze reichender Kehlung. Kern aus tordierten Damaststrängen mit seitlich angesetzten Schneiden. Kurze eiserne Parierstange mit längsovalem Profil. Mittig umlaufendes Schriftband aus Bronze, die gravierten Buchstaben mit Resten von Silbereinlagen. Die gefasten Kanten mit feinen Bandeinlagen aus Bronze. Kräftige, leicht konische Angel. Zweiteilig gearbeiteter Knauf, der untere Teil mit weiterem bronzenen Schriftband. Der Rest der Oberfläche mit feinen Fadeneinlagen in Bronze bedeckt. Länge 98 cm.Die in Capitalis Rustica ausgeführte Inschrift ist wohl in stark abgekürztem Mittelalterlatein ausgeführt und daher nur schwer lesbar. Auf der Parierstange ist das Wort "BENEDICT" erkennbar. Zwischen den Buchstaben befinden sich zudem teils Balkenkreuze und andere ungedeutete Symbole. Die Inschrift weist aber sicher darauf hin, dass das Schwert einst einer hochstehenden Persönlichkeit gehört haben muss.Provenienz: In den 60er Jahren bei Baggerarbeiten in einer privaten Kiesgrube nahe dem Rhein gefunden, seitdem im Besitz der Familie des Finders. Genauer Fundort bekannt. A significant Franconian sword with inscription, circa 900 A.D. The sturdy, double-edged blade with shallow fullers on both sides reaching almost to the point. Core forged of twisted Damascus strands, the lateral cutting edges attached separately. Short iron quillons with an elongated oval profile. A continuous bronze banner with inscription down the middle, the engraved letters bearing remnants of silver inlays. The chamfered edges with fine bronze band inlays. Sturdy, slightly tapered tang. The pommel forged in two pieces, the lower section with another bronze inscription band. The rest of the surface covered with fine thread inlays in bronze. Length 98 cm.The capitalis rustica inscription is probably written in highly abbreviated medieval Latin and therefore difficult to make out. The word "BENEDICT" can be seen on the quillons. Moreover, there are straight-armed crosses and other unidentified symbols between some of the letters. However, the inscription is a clear indication that the sword must have once belonged to a person of high rank.Provenance: Discovered during excavation works in a private gravel pit near the Rhine in the 1960s, thereafter remaining in the estate of the finder's family. The exact location is known.
Lot 24
A Khorasan bronze incense burner in the form of a horse Persia, 11th/ 12th Centurystanding on four legs, with curved saddle, harness and hinged neck, the head with openwork eyes, nose, mouth and ears, the body and neck with openwork areas, pierced and engraved with scrollwork and geometric motifs 21 cm. highFootnotes:Zoomorphic incense burners were popular in 11th and 12th Century Persia, but extant complete incense burners in the form of horses are rare. One complete example is in the David Collection, Copenhagen (inv.no.33/2002). In many cases, only the cover survives. An incense burner cover in the form of a horse's head is in the Nasser D. Khalili collection (see M. Spink, Brasses, Bronze and Silver of the Islamic Lands, Part I, Volume XI, London, 2022, p. 277, cat. 187). Another horse-head cover was sold at Christie's, Art of the Islamic and Indian Worlds, 17 April 2007, lot 73.Important Notice to BuyersSome countries e.g., the US, prohibit or restrict the purchase by its citizens (wherever located) and/or the import of certain types of Iranian-origin works. As a convenience to buyers, Bonhams has marked with the symbol R all lots of Iranian (Persian) origin. It is each buyer's responsibility to ensure that they do not bid or import a lot in contravention of the sanctions or trade embargoes that apply to them.This lot is subject to the following lot symbols: RR This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Lot 25
A Khorasan silver-inlaid bronze ewer Persia, 12th Centurywith cylindrical body, flat shoulder and truncated conical neck rising to a tapering spout, with simple handle, engraved and decorated in silver-inlay to the body with a band of inscriptions, below roundels and medallions containing interwoven geometric patterns, the shoulder with inscription filled cartouches interspersed by floral motifs, the neck with inscriptions and floral motifs, the spout with vegetal scrollwork 29.5 cm. highFootnotes:Inscriptions: to the neck, in Kufic, repeat of wa al-salamah wa al-tammah wa bi'l-yumn wa, 'and well-being and plenitude and with good-fortune and'; around the shoulder, in cursive, al-'izz wa al-iqbal wa al-dawlah/ wa al-sa'adah wa al-sala/mah wa al-shifa'ah li-sahibihi, 'Glory and prosperity and wealth and happiness and well-being and (Prophet's) intercession to its owner'; around the body, in Kufic, al-'izz wa al-iqbal wa al-dawlah wa al-sa'adah wa al-salamah wa al-baqa'... 'Glory and prosperity and wealth and happiness and well-being and long-life ...' and li-sahibihi al-'izz wa al-iqbal wa al-dawlah wa al-sa'adah, 'To its owner glory and prosperity and wealth and happiness.'Important Notice to BuyersSome countries e.g., the US, prohibit or restrict the purchase by its citizens (wherever located) and/or the import of certain types of Iranian-origin works. As a convenience to buyers, Bonhams has marked with the symbol R all lots of Iranian (Persian) origin. It is each buyer's responsibility to ensure that they do not bid or import a lot in contravention of the sanctions or trade embargoes that apply to them.This lot is subject to the following lot symbols: RR This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Lot 33
A Fatimid bronze vessel Egypt or Syria, 10th/ 11th Centuryof cylindrical form with raised band and flaring rim, engraved to the lower part of the body with a band of inscriptions in kufic on a ground of circle motifs, the rim with vegetal motifs to one side, the foot with a roundel containing a bird surrounded by a band of inscriptions in kufic, all on a ground of circle motifs 8.5 cm. diam.Footnotes:Inscriptions: undeciphered.For further information on this lot please visit Bonhams.com
Lot 34
An Ayyubid tinned-bronze magic bowl or 'poison cup' Egypt or Syria, 13th/ 14th Centuryof shallow rounded form engraved to the interior with talismanic diagrams and inscriptions, stars and images of a dog, scorpion, snake and two-headed dragon, the exterior with a band of inscriptions to the rim, traces of possibly silver inlay 12 cm. diam.Footnotes:Inscriptions: the outer band contains the names of various ailments that would be cured if drunk from this bowl as well as al-khazanah al-sharifah, 'The noble Treasury', and 'Muzaffar (?) al-Dunya wa al-Din',, to the inner bowl quotes from the Qur'an, talismanic, magic texts and numbers.The present lot is typical of the group of talismanic bowls known as 'poison cups'. Poison cups are never dated and are all attributed to Syria or Egypt. They are characterised by representations of a scorpion, serpent, a dog-like animal and two intertwined dragons along with magical symbols, squares and words. For further reading see Francis Maddison and Emilie Savage-Smith, Science, Tools & Magic, London, 1997, pp. 73-74. For a very similar example sold in these rooms, see Bonhams, Islamic & Indian Art, 4 October 2011, lot 137. Another similar brass bowl was sold at Sotheby's, Arts of the Islamic World, 1 April 2009, lot 60.For further information on this lot please visit Bonhams.com
Lot 69
Three Qajar gold damascened steel fruits presented by Reza Shah Pahlavi (reg. 1925-1941) Persia, dated AH 1325/ AD 1907-1908comprising a pomegranate, a quince and a pear, each of naturalistic form, with leaves sprouting from the stalks, variously decorated in gold overlay with inscriptions and lobed cartouches containing foliate interlace, the leaves with damascened veins the tallest 16.5 cm. high(3)Footnotes:ProvenanceGifted to Consulate Jan Karszo-Siedlewski by Reza Shah Pahlavi (reg. 1925-1941) between 1938-1942, and thence by descent.Inscriptions: to one piece a repetition of, farmayesh-e aqa-ye shaykh al-'iraqayn sanah 1325, 'The order of Mr Shaykh al-'Iraqayn, the year 1325 (1907-08).' To the other two pieces, the same text, separated.Jan Karszo-Siedlewski (1891-1955) was a Polish diplomat and consular officer. The present lot was gifted to Jan Karszo-Siedlewski between 1938 and 1942, when he served as 'envoy extraordinary and minister plenipotentiary in Iran and Iraq, based in Tehran.' After this time, he headed the General Consulate of the Republic of Poland in Beirut until 1943, before leaving for the headquarters of the Ministry of Foreign Affairs in London (the Polish government in exile). After World War II he remained in exile, living in the United States and working at the Free Europe Committee and the Library of Congress. His decorations included the Knight's Cross of the Order of Polonia Restituta (2nd May 1923) and the Commander's Cross with the Star of the Order of the Crown (Romania, 1937).A similar example of a damascened pomegranate dated to the 19th Century is in the Nasser D. Khalili Collection (see M. Spink, Brasses, Bronze and Silver of the Islamic Lands, Volume XI, Part Four, London, 2022, p. 1324. cat. 845). These steel replicas of fruit may have derived from the tradition established from the Safavid period onwards of positioning fruit on carpets during social gatherings (ibid. p. 1318).Important Notice to BuyersSome countries e.g., the US, prohibit or restrict the purchase by its citizens (wherever located) and/or the import of certain types of Iranian-origin works. As a convenience to buyers, Bonhams has marked with the symbol R all lots of Iranian (Persian) origin. It is each buyer's responsibility to ensure that they do not bid or import a lot in contravention of the sanctions or trade embargoes that apply to them.This lot is subject to the following lot symbols: * R* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Lot 89
A Chola bronze figure of Shiva as Chandrashekhara South India, 12th/ 13th Centurystanding in sampada on a circular base, his principal right hand in abhayamudra and left hand resting below his waist, his upper hands holding the axe and antelope, wearing a short dhoti secured by a multi-stranded belt with festoons and sashes, adorned with elaborate jewellery, his face with serene expression and almond-shaped eyes, straight aquiline nose, the hair piled into a high headdress, backed by a halo, mounted on a stand 18.3 cm. high excluding standFootnotes:Provenance George Sheridan Collection, formed between the 1950s and 80s.Private US collection. George Sheridan (1923-2008) was one of the founding members of the artistic community of Deià in the Balearic island of Mallorca, among such illustrious residents as the poet Robert Graves. His painting style reflects the colour and rugged beauty of his adopted home in Spain, having spent many years working as an artist in London and Paris after leaving his native America. His influences included the art of India and the Himalayas, which he collected avidly and whose themes he incorporated into his work. He frequented Spink and Son whenever he was in London, becoming close friends with the legendary head of the Indian and Southeast Asian department, Anthony Gardiner, from whom he bought regularly. When in Paris he would buy from the leading dealers of the day, Jean-Claude Moreau-Gobard and Josette Schulmann. His eye for Asian art extended from the Buddhist sculpture of Gandhara, Nepal and Tibet, through classical Indian sculpture to the magical world of Indian miniatures.Having come to power in the mid-ninth century in the Tanjore District, Tamil Nadu, the Cholas built an empire that dominated the region and became the locus for great strides in bronze casting, resulting in elegant figures that balanced idealised forms with naturalistic modelling (see P. Pratapaditya, Indian Sculpture, Volume 2, Los Angeles, 1998, p. 230). The present lot demonstrates these elegant forms, depicting Shiva as Chandrashekhara, 'Lord of the crescent moon', a connection forged by their shared symbolism of fertility and healing. A sculpture of Shiva Chandrashekhara dated to the 10th Century is in the Brooklyn Museum, New York, acc. no. 2007.2. Another example also featuring Parvati and dated to the 13th Century can be seen in P. Pratapaditya, Indian Sculpture, Volume 2, Los Angeles, 1998, pp. 284-5, cat. 152.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 90
A bronze figure of Vishnu South India, 17th Centurystanding on a lotus base supported by a tall waisted square pedestal, bedecked with jewellery and dressed in a dhoti, holding in his hands the discus, conch and lotus flower, one hand resting on the mace, wearing a high crown and backed by a Shirashchakra 38 cm. highFootnotes:ProvenanceChristie's, Islamic & Indian Works of Art & Textiles, 27 April 2012, lot 524.Private US collection.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 93
A bronze sculpture of a five-headed horse, probably Uchchaihshravas, the vehicle of Indra India, circa 1800cast, prancing, with foliate carparison and harness with ornaments in the form of lotus buds, on wood stand 25 cm. highFootnotes:Provenance Christie's, Arts of India, 10 Jun 2013, lot 168.Private US collection. The present lot may depict Uchchaihshravas, the vehicle of the god Indra. Uchchaihshravas is most commonly depicted with seven heads, however this number is subject to change, as evidenced by the changing heads of the horse/horses who guide Surya's chariot (the number is most commonly seven, however images of him with a nine-headed horse also occur, such as in the lot sold in these rooms, Bonhams, Islamic and Indian Art Online Sale, 18 May 2022, lot 226). The discrepancy in the number of heads featured within the present lot may be due to the difficulty of producing such a complicated scheme via the medium of sculpture.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 349
GROSSER BRONZE-KORO / KORO AUF HOHEM STAND mit Phönix- und Drachendekor im Relief; Bronze, dunkelbraun patiniert. Weihrauchgefäß auf drei Füßen und gekehltem Rundstand mit gebauchter Wandung, Elefantenmaskaronen als seitliche Handhaben, eingezogener Schulter, konischem Hals und Mündungsring mit Mäanderfries; die Wandung dekoriert mit Phönixmotiven. Unter dem Stand mitgegossene Marke. Reich balustrierter hoher Schaft auf Rundstand und vier Volutenfüßen mit Maskaronen; die Wandung umlaufend dekoriert mit Drachen und Phönixen im Relief und grafischen Motiven. Gesamthöhe 152 cm. Koro: H. 20,5 cm, D. mit Handhaben 24 cm. Aus einer westfälischen Privatsammlung.
Lot 2760
WUNDERLICH, PAUL (Eberswalde 1927-2010 Saint-Pierre-de-Vassols), Skulptur / Objekt: Leuchter / Tischleuchter "Kanton Mormoiro Kerzenleuchter", Bronze hellbraun patiniert, vertieft signiert "Wunderlich", limitiert 785 / 900 und datiert 1979. Auf ovalem, profiliertem und konische aufgewölbtem Stand zweiteiliger Schaft mit konischer Tülle. Der Maler, Grafiker und Bildhauer Wunderlich studierte an der Kunsthochschule Hamburg; er gilt als bedeutendster Vertreter des "Phantastischen Realismus". H. 45,5 cm.
Lot 2775
ALTENSTEIN, BERND (geb. 1943 in Schlossberg / Ostpreußen), Skulptur: "Mann und Landschaft", 1989, Bronze, braun patiniert mit grünlichen und hellen Akzentuierungen, monogrammiert BA in Ligatur. Halbfigur eines Mannes mit Sakko und Krawatte und leicht erhobenem Kopf, umgeben von stilisierter Vegetation. Unter dem Stand auf Klebeetikett bezeichnet "Prof. B. Altenstein", betitelt, datiert, limitiert 2/4 und mit dem Galeriepreis 3500 € bezeichnet. Der figürliche Bildhauer Altenstein studierte an der Akademie in Stuttgart, war wissenschaftlicher Assistent an der TU Braunschweig und von 1975 bis 2009 Professor an der Hochschule für Künste Bremen; er führt eine Atelier in Worpswede. H. 20,5 x L. 22 x B. 12 cm.
Lot 311
SKULPTUR: BUDDHAKOPF mit vier Gesichtern, Bronze, hellbraun patiniert mit goldfarbenen Akzentuierungen, China, wohl späte Qing-Dynastie, unter dem Stand mit Schriftkartuschen gemarkt. Vollplastisch gearbeiteter Kopf des Buddha mit vier Gemütsbewegungen / Gesichtsausdrücken: Freude, Zufriedenheit, Trauer und Zorn. H. 8 cm; D. ca. 8 cm.
Lot 2732
DROUOT, ÉDOUARD (Sommevoire 1859-1945 Paris): "Ochsengespann mit Pflug", Bronze, hellbraun und dunkelbraun patiniert, vertieft signiert "E. Drouot". Auf oblonger, profilierter Terrainplinthe vollplastische und naturalistische Darstellung eines Ochsengespanns vor einem Pflug mit teils beweglichen Elementen. Drouot studierte in Paris bei den Bildhauern Émile Thomas und Mathurin Moreau. H. 21 x L. 37 x B. 12 cm (Patina partiell gering berieben).
Lot 2700
ZEHLE, ERNST (Hamburg 1876-1940 Berlin), Skulptur: "Ente", Bronze, dunkelbraun patiniert, revers signiert "E. Zehle", Entwurf 1924. Auf aufgewölbter runder Terrainplinthe stehende, vollplastisch und naturalistisch gearbeitete Ente; weiß geädertes schwarzes Marmorpostament. Der Maler, Bildhauer und Medailleur studierte an der Berliner Kunstakademie; sein Vater Otto August Emil Zehle und sein älterer Bruder Walter Zehle (1865–1940) waren ebenfalls Bildhauer. H. 13,2 cm (Schnabel leicht verbogen, Marmorpostament an einer Ecke bestoßen).
Lot 2747
nach BOTERO, FERNANDO (geb. 1932 Medellin, Kolumbien. Tätig in New York und Paris)., Skulptur "Pferd", Bronze, hellbraun patiniert, vertieft signiert "Botero"; auf schwarzem Marmorpostament. Neuzeitlicher Guss / Reduktionskopie der Skulptur auf dem Botero-Platz in Medellin. Botero gehört mit seiner charakteristischen Formensprache zu den bekanntesten bildenden Künstlern Lateinamerikas. H. 30 x L. 32 x B. 17 cm.
Lot 2787
STILLING, GUNTHER (geb. 1943 in Srpski Miletic/Jugoslawien), Relief: "Dante", Bronze, dunkelbraun bis hellbraun patiniert, unten links vertieft signiert "Stilling" und datiert "76" (1976), unten rechts limitiert 19/20 und oben links betitelt "Dante". Dante Alighieri in abstrahierter Darstellung im Profil nach links, gearbeitet als Hochrelief. Der Bildhauer studierte an der Akademie in Stuttgart. H. 17,5 x B. 14,5 x T. 1,5 cm.
Lot 2701
ANIMALIER / TIERBILDHAUER DES 20. JH., Skulptur: "Bulldogge", Bronze, hellbraun patiniert mit grünen Akzentuierungen durch Aufstellung im Freien. Naturalistisch und annähernd lebensgroß gearbeiteter sitzender Hund mit leicht seitlich gewandtem Kopf und erhobenem Blick. H. 53 x L. 60 x B. 36 cm.
Lot 2740
TER BRAAK, ANTON (geb. 1960; niederländischer Bildhauer, lebt und arbeitet in Neede, NL), Skulptur: "Tänzerin", Bronze auf Marmorpostament, monogrammiert "AtB"; Postament mit vertiefter Widmung des Künstlers: "Für Georg v. Almsick '95, Anton" (die Dedikation galt dem Galeristen Georg van Almsick, Gronau-Epe). Dunkelbraun und grün patinierte Bronze mit hellbraunen Akzentuierungen. Torsierter und aufstrebender weiblicher Akt mit seitlich gewandtem Oberkörper. H. 53,5 cm.
Lot 2703
LANGE, RICHARD, W., (1879-1944), Skulptur: "Fasane", Bronze, braun patiniert mit grünen Akzentuierungen; Marmorpostament. Vertiefte Signatur "Rich. W. Lange". Auf Terrainplinthe eng aufeinander bezogenes Goldfasanenpaar in naturalistischer Darstellung mit detailreicher Gefiederzeichnung. Lange studierte in Nürnberg, Berlin und Rom und war besonders für seine Arbeiten des Art déco bekannt, oft als Chryselephantin-Skulpturen in Kombination aus Bronze und Elfenbein ausgeführt. H. 20 x L.53 x B. 14 cm (Marmorpostament gering und unauffällig bestoßen).
Lot 302
GROSSER FIGÜRLICHER STEMPEL mit vollplastischem Fo-Hund / Drachenhund, Bronze, hellbraun bis goldfarben patiniert, China; mit vertieftem Yin Yang - Motiv als Siegelmotiv. Oktagonale Form mit erhabenen Schriftkartuschen; darauf sitzender Fo-Hund. H. 13 x L. 12 x B. 12 cm (Patina partiell mit Oxidationsspuren).
Lot 2790
KOWALCZEWSKI, PAUL LUDWIG Paul Ludwig Kowalczewski (Mietschin 1865-1910 Berlin), Skulptur: "Knabe beim Weintrinken", Bronze, hellbraun patiniert mit dunkelbraunen Akzentuierungen, vertieft signiert "Kowalczewski". Auf Terrainplinthe leicht vorgebeugt stehender Knabe, eine Flasche haltend und ein Glas zum Mund führend. Kowalczewski studierte an der Akademie in Berlin und war 1899-1906 in den dortigen Großen Kunst-Ausstellungen mit Kleinbronzen vertreten. H. ca. 28 cm.
Lot 2707
ALT, OTMAR (geb. 1940 in Wernigerode), Skulptur: "Königin" (Katze), 1992, Bronze - Gelbguss, unter dem Stand gravierte Signatur "O. Alt". Büste einer Katze in der charakteristischen, heiter stilisierten Manier des Künstlers, der u. a. ein Studium an der Berliner Meisterschule für Kunsthandwerk absolvierte. H. 10 x B. 5 x T. 4,5 cm.
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