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Lot 209
A GOOD LARGE JAPANESE MEIJI PERIOD MIXED METAL BRONZE VASE, with a detachable English bronze lamp fitting, the sides of the hexagonal-section body decorated mainly in inlaid copper with a variety of figural scenes, the splayed and stepped foot with ruyi form supports and decorated in inlaid silver and gilt metals with formal scroll-stemmed flowerheads, 15.8in high overall & 14.4in high to the top of the vase itself.
Lot 211
A GOOD SIGNED JAPANESE MEIJI PERIOD BRONZE MIYAO EUSUKE PARCEL GILT BRONZE FIGURE OF A SAMURAI, mounted on a wood base, the loosely clad figure with long leg protectors, his robes picked out in gilt with flowerheads and leafage, the reverse with a signature in a rectangular reserve, 7.4in high overall.
Lot 241
A RARE & FINE QUALITY 17TH/18TH CENTURY CHINESE GOLD SPLASH BRONZE CENSER, of near fangding form, weighing 2.8Kg, raised on four cylindrical feet and with upright handles, the sides unusually cast beneath the rim with a formal raised border including animal heads, the exterior splashed in gold on golden-brown patina, the interior with good patination, the base with a Xuande seal mark, 8.6in to top of handles & 6.9in to rim & 7.5in wide including handles.
Lot 268
A GOOD JAPANESE MEIJI PERIOD MIYAO EISUKE PARCEL GILT BRONZE FIGURE OF A SAMURAI, mounted on a lacquered wood stand and with a fixed wood hat, unusually holding in one hand a dependent net, his robes with gilt floral decoration, the reverse with signature in a rectangular reserve, 7.3in high.
Lot 275
A PAIR OF FINE QUALITY SIGNED JAPANESE MEIJI PERIOD SEISAI BRONZE GROUPS OF MONKEYS, the bronze with good patinated and silvered effects, each group depicting a monkey and its young, the adult restraining its offspring from clambering along a branch which at its end bears numerous silvered buds, the few open buds incorporating candle prickets, the fur of each monkey with fine naturalistic engraving, each base cast with a Seisai signature in a rectangular reserve, 9.3in & 9.75in long.
Lot 276
A FINE QUALITY LARGE JAPANESE MEIJI PERIOD MIXED METAL INLAID BRONZE CENSER & COVER, unsigned, inlaid in gold, silver and copper, the cover finely modelled in the form of a winged cymbal-bearing samurai, his robes decorated with mon and phoenix, the globular inlaid censer supported by a pair of finely cast shi-shi in turn supported on an oval base, the base 10.75in wide x 7in at widest points, the censer with its cover 15in high overall.
Lot 32
A GOOD 18TH CENTURY CHINESE GILT BRONZE FIGURE OF AMITAYUS, seated in dhyanasana on an openwork rectangular plinth his hands in dyhana mudra, the reverse with traces of red lacquer, the front with an incised nine-character Qianlong mark incorporating the cyclical date Geng Yin corresponding to 1770, 7.4in high.
Lot 326
A GOOD CHINESE YONGZHENG/QIANLONG PERIOD SILVER-MOUNTED AND MOULDED FAMILLE ROSE PORCELAIN VASE, circa 1730/40, the wood cover and neck rim with silver-metal mounts, probably Dutch in origin, the side of the baluster-form body moulded in high relief with bronze-form vases and foliage, and with rats amidst fruiting vine, the base unglazed, 11in high overall.
Lot 409
A GOOD QUALITY SINO-TIBETAN GILT BRONZE FIGURE OF A LAMA, seated in dhyanasana on a rectangular plinth, hi hands in avakasha and vitarka mudra, the edges of the lamas robes with formal engraved decoration, the stepped front of the plinth engraved with a floral panel reserved on a trellis ground, 8.4in high, the base 5.8in x 4.2in.
Lot 421
A GOOD & UNUSUAL 17TH/18TH CENTURY CHINESE BRONZE VASE, the square-section body decorated on the flaring sides with scenes of Immortals and attendants, each scene with two three-character inscriptions, above a ruyi border to the foot & a lappet border to the neck, the base with an archaic seal mark, 8.3in high.
Lot 423
A GOOD 18TH CENTURY CHINESE QIANLONG PERIOD IVORY & CLOISONNE DAGGER, the handle of ivory and with engraved gilt bronze fittings, the cloisonne sheath with a panel of a lotus pond reserved on a ground of crackled ice strewn with heads of plum blossom, the sheath also with gilt bronze fittings, the knife in its sheath 10.1in long overall, the knife 9.8in long, the sheath 7.4in long.
Lot 428
A GOOD QUALITY CHINESE CLOISONNE & GILT BRONZE TRIPOD CENSER & COVER, circa 1900, the sides decorated with a formal design of scroll and leaf-stemmed lotus, the pierced cover with the ‘Three Friends’ beneath a ruyi decorated finial, the sides with double buddhistic lion-head handles, 5.7in high overall.
Lot 479
A GOOD CHINESE BRONZE MODEL OF AMITAYUS, possibly 18th Century, seated in dhyanasana on a rectangular pierced and flared plinth, his hands holding a vase attribute in dyhana mudra, the figure with a removable flaming mandorla behind him, the base with an impressed lotus mark, 7.5in high overall.
Lot 482
A 19TH/20TH CENTURY CHINESE COPPERED BRONZE CENSER & STAND, weighing 955gm in total, the censer itself weighing 850gm, the sides of the censer with double buddhistic lion handles, 4.6in high overall on stand, the censer 5.75in wide including handles & 4.4in diameter at rim & 3.5in high to rim.
Lot 247
Pair of Chinese blue and white vases decorated on the crackled ground with dragons between bronze effect borders, height 31cm; also a blue and white baluster vase and cover painted with a continuous lakeside scene, height 43cm in total (3). Condition report: no restoration, no chips, no cracks to any of the vases
Lot 265
Chinese gilt bronze and cloisonne censer applied with two modelled dragons and decorated with a band of flowers, archaic seal mark to base, diameter 14cm; a compressed globular bronze censer, cast to the base and interior with the seal mark of Xuande but later, diameter 9cm; a small bronze ding decorated with key pattern, height 6.5cm (3)
Lot 626
Pair of Austrian cold painted bronze figures of a flamingo and a stork, possibly signed Bergmann, both standing amongst reeds on oval bases, height 15cm and 16cm. Condition report: the flamingo has one fractured leg and one with the thigh missing; the stork's beak is bent; both birds have some loss of paint; the signatures under the tail feathers are almost illegible.
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