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Lot 69
ARR Ifor Freeman (20th Century Cumbrian) - Brown patinated plaster sculpture - Portrait bust, thought to be Pan, 53cm high, unsigned, Patination wear Provenance: Sold under instruction of the artist's widow, removed from the artist's studio in Askham, CumbriaNote: Ifor Freeman trained at the Liverpool College of Art where he studied sculpture under Ernest Gardner and Karl Vogal. He was awarded a scholarship to the Royal Academy of Arts School of Sculpture where he won the Bronze medal for Scultpture and the Lanseer Prize for Design. During this period his tutors were Siegfried Charoux A.R.A and Maurice Lambert R.A. On returning to Liverpool, he joined the staff at the College of Art teaching students before being appointed Senior Lecturer in Sculpture and Ceramics at the Liverpool Institution of Higher Education. He has exhibited widely at the Royal Academy, Imperial Institute, Senate House, University of Liverpool, Bluecoat Gallery, Liverpool, Walker Art Gallery and many more. Commissions large work have principally come from three architectural practices - Bradshaw, Rouse and Harker, Liverpool and London; Jones, Andrews and Associates, Haverfordwest; and TRIAD Group of Architects, London. Commissions for smaller works include the University of Liverpool and the National Library of Wales.
Lot 70
ARR Ifor Freeman (20th Century Cumbrian) - Green patinated plaster sculpture - Portrait bust of a young woman, on figured veneered plinth, 44cm high, unsigned, Chip to hairline Provenance: Sold under instruction of the artist's widow, removed from the artist's studio in Askham, CumbriaNote: Ifor Freeman trained at the Liverpool College of Art where he studied sculpture under Ernest Gardner and Karl Vogal. He was awarded a scholarship to the Royal Academy of Arts School of Sculpture where he won the Bronze medal for Scultpture and the Lanseer Prize for Design. During this period his tutors were Siegfried Charoux A.R.A and Maurice Lambert R.A. On returning to Liverpool, he joined the staff at the College of Art teaching students before being appointed Senior Lecturer in Sculpture and Ceramics at the Liverpool Institution of Higher Education. He has exhibited widely at the Royal Academy, Imperial Institute, Senate House, University of Liverpool, Bluecoat Gallery, Liverpool, Walker Art Gallery and many more. Commissions large work have principally come from three architectural practices - Bradshaw, Rouse and Harker, Liverpool and London; Jones, Andrews and Associates, Haverfordwest; and TRIAD Group of Architects, London. Commissions for smaller works include the University of Liverpool and the National Library of Wales.
Lot 81
An early 18th Century Northern English bronze sundial by I. S?mpton, with scrolled gnomon, rose ornament to centre, engraved coat of arms of three greyhounds and moto CITO PEDE likely to relate to the Whelpdale family, the engraved latitude 54 degree 54 minutes placing the location on a line between Newcastle to Carlisle, 25.5cm square x 15cm high, Slight loss and damage, ornament rubbed Note: Inspected and authenticated by Dr John Davis of the British Sundial Society
Lot 1017
An Art Deco figured walnut pedestal desk in the manner of Jules Leleu, the rectangular top with brushing slide and three drawers, the pedestals each fitted a cupboard, all with original ivory handles and escutcheon plates, with original bronze sledge feet, 160.5cm x 79.5cm/Note: Lot contains antique ivory, which may be subject to export restrictions
Lot 361
A 19th Century Japanese bronze figure of an eagle, modelled with outstretched wings on a naturalistic base, wing span 110cm x 77cm high Condition Report: Areas of repair to tail feathers and to tip of wings. Tip of one wing feather missing. The casting looks a little rough in areas. The decorative wave to front of the stand is loose at the top.
Lot 1044
Two pairs Regency bronze candlesticks with stag and doe mounts and naturalistic branch supports, on rectangular bases, 20cm high, smaller pair of stag bases (missing fittings) and pair Regency bronze candlestick lustres with branch supports and prismatic drops, 24cm high (8) CONDITION REPORT Pair of candlesticks - sconces slightly misshapen, some loss to plaster weighting to bases, otherwise generally ok
Lot 1585
Good quality mid-19th century French marble mantel clock with bronze figure mount of a reclining classical female with musical instruments, in white marble case with cartouche beading, white enamel dial with cylinder movement striking on a bell, with outside countwheel, 43cm high x 42cm wide (key and pendulum present)
Lot 1587
Good quality late 19th century French bronze and black slate mantel clock with bronze figure mount depicting classical female embracing Cupid, signed - Moreau Mathurin, on breakfronted slate case with black and gilt slate dial, flanked by bronze classical figure plaques, cylinder movement striking on a bell, 54cm high x 44cm wide (pendulum present)
Lot 962
Impressive pair of 19th century Gothic revival patinated bronze oil lamps, each with cut glass reservoir, raised on cluster column and square architectural stepped base with niche and tracery ornament, each 100cm high CONDITION REPORT Height of column 59cm. Minor surface corrosion to metal, otherwise these appear to be in good order. The base is bronze
Lot 144
A 19th century Grand Tour bronze inkwellSurmounted with a dancing figure above four lidded wells flanked with scroll cast twin handles, standing on a spreading foot. 23 cm high. CONDITION REPORTS: Generally good condition, expected wear, one lid loose, liners lacking, some slight dints, some surface wear.
Lot 273
A pair of Chinese bronze mounted porcelain bookendsModelled as twin handled baluster vases decorated with cockerel vignettes within lotus strapwork, the mounts engraved. 17 cm high. (2) CONDITION REPORTS: Generally good condition, expected wear, some surface rubbing, uninspected under mounts, some minor lifting to mounts, mounts slightly misshapen.
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