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Lot 187
*Mantel Clock. A 19th century Belgian slate clock, of architectural form, the copper dial with black chapter ring and gilt engraved roman numerals, flanked by bronze classical figures within fluted columns, on block plinth with brass plaque inscribed "Presented to the Revd. A.O. Hardy MA, by the Parishioners of Ansley, Warwickshire, as a mark of Affectionate regard on the occasion of his leaving the Parish, J.T. Jenkinson [&] J. Alkins, Churchwardens, Jany. 19th, 1887", 32.5cm high x 42cm wide The Rev. Arthur Octavius Hardy (1838-1910) was Robert Hardy's grandfather. After teaching at Wellington College in England 1861-1865, he joined the Bengal Ecclesiastical Establishment for a long period from 1865-1886 and in his diaries, covering 1865-1872, he describes his travels and duties as chaplain to two Bishops of Calcutta. The clock is not working and lacks pendulum. It would benefit from restoration. See lot 152. (1)
Lot 203
*Arrow Heads. Collection of ancient arrow heads, bronze and flint, including a handwritten note relating to Chinese Ming dynasty arrow heads, together with a silver arrow head with slip of paper stamped 'Sandon Hall, October A.D. 2007, Presented to Robert Hardy for Merit, Sculptured by S. Stanley, Hallmarked Silver Bodkin Finsbury Archers, 5.5cm long (22)
Lot 527
*Rodin (Auguste, 1840-1917). Bust of The Age of Bronze, bronze with brown patination, from the edition of 11, executed in 2000 at the Guastini Foundry, Italy for Master Limited Edition, bearing signature A.Rodin and Reproduction and numbered 9/11, 28cm (11ins) high Provenance: Hay Hill Gallery; Sirin Fine Art Ltd; collection of Roy Davids. (1)
Lot 528
*Rodin (Auguste, 1840-1917). Bust of Balzac, bronze with green patination, from the edition of 11, executed in 2000 at the Guastini Foundry, Italy for Master Limited Edition, stamped Reproduction and numbered 9/11, on a labrador granite plinth, 25.5cm (10ins) high (including base) Provenance: Hay Hill Gallery; collection of Roy Davids. (1)
Lot 112
*Ancient Egypt. A bronze statuette representing the God Min (Amun-Kamutef, the bull of his mother), modelled standing with ceremonial headdress and flail, 21.5cm high, together with an ancient Assyrian style bronze horse bit The God Min (Amun-Kamutef) 26th Dynasty (664-525BC) symbolizes strength, virility and the ability to stay alive. (2)
Lot 115
*Statues. A pair of composite statues of a Woodman of Arden and an archer from the Royal Company of Archers, by Peter Hicks of Seend, Wiltshire, made of cold cast bronze 'Bresin', each mounted on a circular wooden stand, 29cm high, together with another composite figure by Ballantynes of Walkerburn modelled as a sailor from HMS Submariner on a circular wooden stand, 39cm high, plus a composite figure of a nude female, 29cm high (4)
Lot 124
*Mixed Collectables. Various items, including a leather duck with glass eyes, 37cm long, dimple glass ship in a bottle with a model ship "Loch Etive", 21cm long, large ostrich egg, Victorian bronze effect dog, modelled with one paw raised, 8cm high, pair of Turkish leather work slippers, and other items (5 cartons)
Lot 74
After: Jacob Desmalter (1799 - 1870) French Empire Style Gilt Bronze Mounted Mahogany Center Table with Verde Antico Marble Top. Professional restoration to marble top, wear to veneer and rubbing near feet. Measures 32" H x 49-1/2" W x 27-3/4" Depth. Shipping: Third party. (estimate $20,000-$30,000)
Lot 83
Maurice Constant Favre, French (1892–1970) "Le Preur" Bronze and Carved Ivory Sculpture. Signed and inscribed lower. Rubbing to patina, one cord near sword is loose or else good condition. Measures 23" H. We Will Not Ship This Item Out of State of Florida. Anyone Having This Item Shipped Must Have a Florida Address. Shipping: Third party. (estimate $2000-$3000)
Lot 85a
Ruth Bloch, Israeli (b. 1951) Bronze and verre glass sculpture "Figures Over Bowl". Signed R. Bloch. Good condition. Measures 24-1/2" H, bowl diameter 14". Original receipt from The Gallery At Kona Kai, Key Largo, FL $4200. Also included a hardcover book of the artist. Shipping: Third party. (estimate $600-$800)
Lot 111
SALVADOR DALI (SPANISH 1904-1989)La Noblesse du Temps, 1984bronze with a green, brown and gold patina59.5 cm x 38 cm x 29 cm (23 3/8 x 15 x 11 3/8 in.)signed lower right, inscribed with edition number 82/350, stamped Jemelton 1984 and Cera Persa Perseo SALITERATUREAlbert Field, Dali dans la troisieme dimension, (London, 1985), no. 18, illustration of another example;Robert & Nicholas Descharnes, Dali - le dur et le mou - sculptures et objets, (Paris, 2004), p. 247, no. 635, illustration of another cast
Lot 152
BOLESLAS BIEGAS (POLISH 1877-1954)Burza (Storm), 1903bronze on wooden base88 x 19.7 x 15 cm (34 5/8 in x 7 7/8 in x 5 7/8 in.)signed, titled and dated bottom rightPROVENANCECollection of Michael Legutko of the Lippert Gallery, New YorkPrivate collection, New York The Polish sculptor, painter and writer Boleslas Biegas settled in Paris in 1901. He developed close relations with the Polish artistic community and quickly became friends with Baron Henryk Trutschel and his wife Jadwiga who financed castings of most of his sculptures. In 1902 he successfully exhibited at the Salon National des Beaux-Arts in Paris and later that year his sculptures were published in Editions de la Plume, an important art publication of the period.BiegasÕ artistic techniques were very modern for the time and influenced many of the early 20th -century art movements, including Cubism and Orphism. Although, the artist utilized many different styles throughout his career, it is for the series of sculptures created in the period of 1902-1904, he is considered by many as a predecessor of avant-garde and abstract art. One of the most notable examples of the artistÕs abstractionism style in sculpture, bust Le Sphinx, is in the permanent collection of Musee dÕOrsay in Paris.The present lot Burza is executed in expressionistic style with elements of Art Nouveau and was most likely created in the spring or fall of 1903. This esoteric approach referring to Greek mythology was further exploit by the artist in his later sculptures dedicated to the composers Beethoven and Wagner.
Lot 182
FELIX CHOPIN FOUNDRYPortrait Bust of Grand Prince Yaroslav I of Kievan Rus, c. 1867bronze with light green patinaheight: 26 cm. (10 1/4 in.)Chopin foundry mark and circular Ministry of Finance stamp dated 1867 on inside of bust, numbered 8 This series depicting Russia`s Grand Dukes, Tsars and Emperors is dedicated to the Millennium of Russia. The celebration of the Millennium was held in Novgorod on September 8, 1862 and commemorated the legendary beginnings of the Russian state and its growth and success over the following century. The series of busts formally known as "A Gallery of Bronze Busts of All the Russian Grand Dukes, Tsars and Emperors" was sold by subscription; Emperor Alexander II was the first subscriber. The series was enormously popular and all of the approximately 200 of the original series were sold.
Lot 183
FELIX CHOPIN FOUNDRYPortrait Bust of Ioann II, c. 1867bronze with light brown patinaheight: 26.5 cm. (10 3/8 in.)Chopin foundry mark and circular Ministry of Finance stamp dated 1867 on inside of bust, numbered 37 This series depicting Russia`s Grand Dukes, Tsars and Emperors is dedicated to the Millennium of Russia. The celebration of the Millennium was held in Novgorod on September 8, 1862 and commemorated the legendary beginnings of the Russian state and its growth and success over the following century. The series of busts formally known as "A Gallery of Bronze Busts of All the Russian Grand Dukes, Tsars and Emperors" was sold by subscription; Emperor Alexander II was the first subscriber. The series was enormously popular and all of the approximately 200 of the original series were sold.
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