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Lot 151
A PAIR OF EMPIRE STYLE BRONZE AND PATINATED METAL FIGURAL TABLE LAMPS 20TH CENTURY 30cm high Condition Report: As catalogued these appear to be fairly recent in manufacture, but with an antiqued appearance overall, they have been PAT tested and have a compliance sticker to the baseThey are drilled to one side of the base, there appears to be a plugged side hole to each base too possibly for an alternative wiring arrangementThe shades appear modern also Overall presentable order and appearancePlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 242
A PAIR OF BRONZE RHYTON BOAR FORM COLZA LAMPS IN THE REGENCY STYLE LATE 19TH/EARLY 20TH CENTURY After the design by Messenger & Sons, fitted as electrical lamps, red and clear glass shade bases 19cm high, 24.5cm high to top of glass shades Condition Report: Please note this lot requires rewiringCondition Report Disclaimer
Lot 246
A PAIR OF EMPIRE GILT BRONZE CANDELABRA ITALIAN, POSSIBLY LUIGI MANFREDINI, EARLY 19TH CENTURY Each with distinctive male mask design beneath the candle nozzles, reeded stem on Herculaneum style tripod paw feet 69.5cm high An attribution to the Milanese maker Luigi Manfredini has been suggested for these candelabra with the workmanship being compared with a surtout-de-table currently with Luca Burzio Antiques
Lot 250
A REGENCY GILT-BRONZE SIX LIGHT COLZA CHANDELIER BY JAMES SMETHURST, CIRCA 1820-1830 The whole of Gothic form, with acanthus corona and ornate hanging chains above richly decorated frame with octagonal lidded urn, mask decoration to the underside, the nozzles with labels for SMETHURST MANUFACTURER 138 NEW BOND STREET 85cm wide Saleroom Notice- please note this is a six light chandelier- not 4 as in the printed catalogue. James Smethurst is recorded as registering a patent (No.2654) in 1802 for "certain improvements applicable to lamps and reflectors". In 1814 he had moved to 138 New Bond Street in accordance with the labels on the present lot. The British Museum biography records various bill heads from Smethurst, one dating from 1825 states : "By his Majesty's Royal Letters Patent. Manufacturer. Bought of James Smethurst... Patent Lamp & Genuine Spermaceti Oil Warehouse, Oils paid for within a Month, 6d per Gallon allowed from the price charged. N.B. To prevent Mistakes it is particularly necessary to observe the Name & Number... Lamps of all descriptions let out on Hire for Balls, Routs, &c." Banks Collection 76.19 A very similar gilt bronze Argand oil hanging light is in the Victoria & Albert Museum (CIRC.522.1962). Condition Report: Saleroom Notice- please note this is a six light chandelier- not 4 as in the printed catalogue.Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Overall generally good but with surface dirt and rubbing to gilding- notably lower more exposed areas. The chains with glass insets which are probably later.Areas of discoloured gilding throughout, has not been cleaned and restored Shades are later as are electrical fittings- ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 257
A PAIR OF REGENCY GILT BRONZE TRIPLE LIGHT COLZA TABLE LAMPS IN THE MANNER OF THOMAS MESSENGER, EARLY 19TH CENTURY Each with stiff leaf decorated central reservoir above three lights on scrolling acanthus arms 37.5cm high, 46.5cm wide Provenance: Christie's London, Fine English Furniture, 22 April 2004, lot 151 Condition Report: Please note this lot requires rewiringCondition Report Disclaimer
Lot 71
A RED AND GILT PAINTED URN SHAPED TABLE LAMP MODERN 44cm high Together with a brass student lamp with a green shade, 56cm highAnd a bronze table lamp in the Chinese style, of angled baluster form on lotus base, base 34cm high 43cm high to top of fitment Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. First- modern decorative, some loss to gilding from use/handling and with some spotting to plinth Second- chips to shades and colour variance to body from cleaning Third- has a fitted electrical mount into top with composite/cement fixing. Some of this has dried and lamp 'rattles'. some edge wear and colour variance from handling and use ELECTRICAL GOODS. All sold with a portable appliance test (PAT) certificate January 2024 Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 115
A black cultured pearl ring with two diamond highlights, the 7.80mm pearl peg set between claw set round brilliant cut diamonds, to a tapered reeded shank of white gold, stamped '18k 750', 3.66g. Ring size NBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportThe pearl has a good lustre and smooth skin; it is a brownish, bronze grey. The shank is noticeably thinner at the back, but shows only light wear for age.
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