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Lot 422
A BRONZE SALUTING CANNON, LONDON PROOF MARKS, LATE 18TH CENTURY with tapering barrel formed in five stages, flaring at the muzzle and formed with raised astragal mouldings, plain trunnions, and globose cascabel with moulded button, struck with London view and proof marks on the first reinforce, on a later stepped wooden carriage of naval type with four wooden trucks and brass fittings including cap-squares 34.0 cm; 13 3/8 in barrel 1.7 cm; 0.7 in bore
Lot 435
A GROUP OF SEVEN MINIATURE BRONZE ARTILLERY PIECES IN 18TH AND 19TH CENTURY STYLE, 20TH CENTURY the first a mortar, on its wooden bed; the second and third field guns with multi-stage barrels on their iron carriages with spoked wheels; the fourth of Armstrong type, on a stepped wooden fixed bed; and three further cannon the first: 6 cm; 2 1/in bed (7)
Lot 38
A COLLECTION OF OBJETS DE VERTU TO INCLUDE: two gold mounted cigar holders, one cased, an antique ivory cane handle in the form of a Georgian figure head, 5cm high, an ancient Greek bronze model of a lion, 6cm long (leg deficient), two pairs of Georgian buckles and a 19th Century Canton ivory box, 5cm square (9)
Lot 257
Assorted silver plate, African bronze figures, Parker 51 pen, malachite place name holders, and two glass photo plates with later paper inscribed 'Hannah Frampton's Wedding Day and her marriage to Robert Ralph Chalker in 1903, Cape Town, South Africa, on his arrival there by boat from England'
Lot 156
Jutland VC Jack Cornwell Interest - He was a young sailor who was previously with the Little Ilford Scouts and later served on the Chester, during the battle almost all the gun's crew were killed or mortally injured except Cornwell, who, although severely wounded, managed to stand up again and remain at his post for more than 15 minutes, until Chester retired from the action with only one main gun still working. A King George V School Attendance Medal named to John T. Cornwell, a small medallet, image of VC to Obverse with 'For Valour' and JTC engraved on cross, reverse named to Mrs Lily Cornwell 31 May 1917, from J.F. Avery, Little Ilford Troop, Boy Scouts, another in bronze to Mrs Alice Payne "In Gratitude" Little Ilford Troop, Boy Scouts. These awarded to Jack Cornwell VC's Mother and Sister by his Boy Scout troop leader for assistance to the troop after Jack's Death. The date 31. May 1917 is the first anniversary of his VC action. comes with an original newspaper clipping of his Mother reading his citation and working in a hospital to treat wounded sailors, with research. Excellent for both Military and Scout collectors.
Lot 345
*@Rosenkrantz (Arild, 1870-1964). Adoration, pastel, showing a standing male figure in a blue tunic with arms outstretched in worship before an elevated cross transfigured by light, with a lantern on the ground beside, signed lower right, 63.5 x 45.5cm (25 x 18ins), original architectural gilt frame (slight loss to upper right), with Horner Galleries, Sheffield, label on verso Baron Arild Rosenkrantz was a Danish painter, sculptor, stained glass artist and illustrator, who studied in Rome and Paris, and spent much of his working life in England. He was influenced by the Pre-Raphaelites, in particular Edward Burne-Jones, and also by William Blake, Turner and Monet. In 1894 and 1895 he travelled to New York where he started working with stained glass, carrying out work for The Decorative Stained Glass Company and Tiffany. In England he showed work in the final exhibitions of the New Gallery, the favoured gallery of Burne-Jones and his followers in the 1890s, which closed in 1909. He had many commissions, including twelve large panels for the ceiling in the dining room at Claridges Hotel in London. He made stained glass windows and bronze sculptures for a number of English churches, houses and castles, and also established himself as a portrait painter, as well as a book illustrator. Arild Rosenkrantz was a spiritual seeker throughout his life, meeting Rudolf Steiner in 1912, founder of the philosophy of anthroposophy, the connection of the human understanding with the spiritual world. This painting, in both technique and subject matter, is typical of the deeply emotive and otherworldly quality of his work. (1)
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