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Lot 249

A pair of early 20th century cut glass ceiling lights, each of circular shape, with hinged bronze mounts31cm diameter

Lot 30

A modern novelty bronze inkwell, in the form of a bulldog9cm high

Lot 345

A 1970's concrete and bronze garden lantern, with an opaque glass shade, on a slender column and cast base. Provenance: Originally installed at the American Embassy in London and removed during refurbishments201cm high

Lot 483

After Milo, Miguel Fernando Lopez, a bronze and gilt life size statue of a lady, with both arms raised holding a bowl aloft, on a marble pedestal base197cm high overallCondition report: Overall condition is ok. They are not wired for electricity. The bases come into three sections so can be easily moved. The bronze requires two strong people to lift as it is heavy and large.

Lot 484

After Milo, Miguel Fernando Lopez, a bronze and gilt life size statue of a lady, with both arms raised and holding a bowl, on a marble pedestal base197cm high overallCondition report: Same condition as lot 483

Lot 527

A modern Art Deco style bronze figure of a dancer, on a stepped marble base,49cm high overallCondition report: No visible damage or repairs

Lot 532

ASIAN BRONZE BUST OF A GODDESS, on fixed wooden plinth, 34cm high

Lot 3089

A micro-mosaic photograph frame, a stamped brass frame, a bronze miniature mouse, a silver bottle top, a cricket box, a wooden bowl etc

Lot 3093

A cold painted bronze hand seal as a Dutch boy standing smoking. Colours worn

Lot 3225

A cold painted bronze Golden cock pheasant, French late Art Deco, later displayed on an oak plinth with gilded bun feet. 44cm long. (Possibly from a clock garniture)

Lot 3241

Three cast brass/bronze flat back paperknives, the handles cast with a monkey, a hunting dog and a capercaille (3)

Lot 3249

A cold painted bronze letter-opener in the form of a bird's claw clutching a feather, with vacant seal pad to the end. Colours worn in places. A similar cast brass letter-opener (2)

Lot 3251

A late Victorian letter-opener, the cast bronze handle as a canary. A cast metal letter-opener, the handle cast as a Martin-Brothers' style grotesque bird. A wooden letter-opener with seated dog shaped handle (3) (a/f)

Lot 3252

Four various bronze and other metal promotional and souvenir letter-openers, one named "McDonald & Creswick Ltd., Bronze Founders, Edinburgh", and another "Leopard Shirtings, Horrockses, Crewdson & Co Ltd., Manchester". (4)

Lot 3254

A flat-backed letter-opener cast as a parrot with glass eye. A bronze letter-opener with double-sided animal mask handle (2)

Lot 3270

Six various Oriental brass, copper and bronze letter-openers and paperknives (some damage) (6)

Lot 3273

A cast bronze figural group of fox and hare on naturalistic base, 13cm wide

Lot 3301

A large resin bronze hare moon gazing, 27cm tall

Lot 3302

A resin bronze recumbant hare, 22cm long

Lot 3303

A bronze camel with rider on plinth, signed L.Carvin 22cm tall

Lot 3304

A bronze horse on marble plinth, signed L.Carvin, 20cm tall

Lot 78

A Chinese Wucai Porcelain Sleeve Vase, mid 17th century, painted in famille verte enamels with ducks and geese amongst rockwork and foliage, 38.5cm high, with matched carved and pierced hardwood stand See illustration. Typical minor surface wear. Small area of upper rim lacking bronze pigment and glaze, possibly firing fault. One vertical glaze crack in the body. No restoration.

Lot 97

A Chinese Bronze Figure Group, late 19th century, as a sage reading, seated on the back of a water buffalo, 25cm high. Some wear to patination, particularly to sage's forehead and on tail of buffalo.

Lot 99

A Pair of Chinese Bronze Figures of Temple Guardians, 19th century, modelled as roaring lion dogs on pierced table bases, 25.5cm high. Some typical surface wear, scratching and loss to patination.

Lot 100

A Chinese Lacquered and Gilt Bronze Figure of Putai, in Ming style, the corpulent figure seated with right hand open on a lotus base, 34cm high. Split through forehead, one eye and down through cheek. Extensive surface wear and losses to gilding.

Lot 106

A Japanese Bronze Figure of a Lion, Meiji period, standing on a rocky promontory with waves below, signed, 29cm long, on hardwood base See illustration. Some typical very minor scratching.

Lot 110

A Japanese Bronze Large Okimono, Meiji period, as an elephant being attacked by two tigers, the elephant with ivory tusks, all with glass eyes, 71cm high, on a rootwood base See illustration. Some typical surface wear and scratching throughout. Base with splits and minor losses. 100220. 94.5cm height including the base, the base is 59cm by 93cm.

Lot 111

A Japanese Inlaid Bronze Box and Cover, Meiji period, of cushioned octagonal form, decorated with insects amongst flowers on a pierced ground within panels of further animals, signed, 14cm wide See illustration. Typical minor surface wear. 100220 No splits, loss or repair.

Lot 211

After the Antique: A Bronze Figure of the Borghese Gladiator, on a rectangular marble plinth, 29cm high See illustration The Borghese Gladiator is a full-size marble figure of a swordsman made at Ephesus around 100BC. It was rediscovered early in the 17th century on the site of Nero's palace at Anzio. After its arrival the Villa Borghese in Rome it became one of the most admired images of classical sculpture. It became one of the most copied works of antiquity in the 18th and 19th centuries. Some typical wear to surface patination. Chip to one corner of plinth.

Lot 212

After the Antique: A Bronze Figure of a Dancing Faun, on a canted square base and marble plinth, 39cm high See illustration The Dancing Faun is a Hellenistic marble first recorded in 1665, when Albert Rubens listed it as in the collection of the Grand Duke of Tuscany, though having been restored in the 16th century it is likely to have been in their possession for some time. By 1688 the sculpture was in the Tribuna of the Uffizi and there gained the reputation as one of the finest ancient sculptures in existence. The model became popular with Grand Tourists and versions were produced by Massimiliano Soldani-Benzi (1656-1714) and Pietro Cipriani (circa 1680-before 1745) as well as porcelain examples made at the nearby Doccia factory. Its popularity continued throughout the 19th century and continues today. . Some typical minor wear and scratching.

Lot 214

After Giambologna (1529-1608): A Pair of Bronze Figures of Mercury and Fortuna, on Sienna marble and bronze columns cast with figures, 84cm and 845cm high See illustration. Some wear to patination, particularly to left foot of Fortuna. Minor flakes to marble. 100220

Lot 215

Etienne-Henri Dumaige (1830-1888): ''Avant de Combat Volontaire de 1792'' and ''Apres de Combat Grenaider de 1792'', a pair of bronze figures of French Revolutionary soldiers, on rectangular bases, signed H Dumaige, 67cm high See illustration Having studied under Jean Feuchere and Christophe Dumont, Dumaige exhibited at the Salon from 1863 to 1886, receiving two medals during that time. The current pair of figures, representing Before Combat and After Combat are amongst his most popular works.. Bayonet reattached to rifle. Some typical surface wear and scratching throughout. 100220

Lot 217

After Jean Didier Début (1824-1893): A Bronze Figure of Harlequin, standing playing the guitar, on a faux wooden plinth, signed DEBUT, 78cm high See illustration. Some typical minor surface wear and scratching. Small dent to front of upper edge of base. 100220

Lot 218

French School (late 19th century): A Bronze Figure of Cupid, standing holding his bow, on a circular base, 56cm high See illustration. Bow detached. Left arm slightly loose at joint. Some typical surface wear and scratching. 100220

Lot 219

René-Paul Marquet (French, 1875-1939): A Parcel Gilt Bronze Model of a Seated Alsatian, on a mound base, signed R Marquet, stamped Société des Bronzes de Paris foundry mark and 4704G, 45cm high See illustration . Some typical surface wear, scratching and minor staining.

Lot 220

Pierre Albert Laplanche (French, 1854-1935): A Bronze Figure of a Seated Alsatian, on a mound base, signed A Laplanche, 28cm high . Some typical surface wear and minor scratching.

Lot 221

Louis Kley (French, 1833-1911): A Pair of Gilt Bronze Figures of Cherubs Representing Theatre, both standing with arms crossed holding bearded masks, on mound bases and red marble socles, signed L Kley, 17.5cm high See illustration . Some surface wear and loss to gilding.

Lot 222

Louis Kley (French, 1833-1911): A Bronze Figure of a Young Boy, wearing a clown's costume standing rolling up his sleeves, signed L KLEY, on a rouge marble circular base, 16cm high; and A Bronze Figure of a Goat, in the manner of Jean Barye, on a green marble base, 8.5cm long (2). Typical minor surface wear and scratching.

Lot 223

Alfred Boucher (French, 1850-1934): A Pair of Bronze Figures of Putti, each loosely draped seated, one holding a bunch of grapes and a goblet, the other holding a goblet, on mound bases and rouge marble plinths, 19cm high. Some typical minor surface wear.

Lot 224

Jean Antoine Injalbert (French, 1845-1933): A Gilt Bronze Bust of a Smiling Child, on a green marble pedestal, signed to left shoulder A INJALBERT, the reverse stamped SIOT PARIS S464, the bronze plinth to base stamped Siot Decauville Fondeur Paris, 14cm high. Some minor surface scratching.

Lot 225

Antonin Larroux (French, 1859-1937): A Gilt Bronze Bust of a Maiden, with flowers in her hair, on a bronze mounted onyx square column and plinth, signed A LARROUX, 21cm high. Some typical minor surface scratching.

Lot 226

Giovanni de Martino (Italian, 1870-1935): A Bronze Bust of a Boy, wearing a hat with a feather, on a marble plinth, signed G MARTINO, stamped DIRITTI D'AUTORE and with foundry stamp, 14cm high; A White Alabaster Bust of a Young Boy, wearing a hat, inscribed PARIS, on a marble plinth, 14cm high; and A Bronze Bust of a Girl, on a marble plinth, indistinctly signed, 7cm high (3). Bronzes with some typical minor surface wear. Alabaster with typical scratching and minor flakes.

Lot 227

Charles Oufert (?): A Bronze Bacchanalian Group, with three putti and a goat, on a rectangular base, signed, 23cm long. No damage and free from superficial wear.

Lot 228

French School (19th century): A Gilt Bronze Bird, with its head under one raised wing, on a green marble plinth, 13cm high; A Silvered Metal Figure of a Fox, on a quartz baes, 13cm high; A Brass Figure of a Cockerel, after Jules Moigniez, 21cm high; and A Brass Model of a Lizard, 13cm long (4). The fox is loose from the base and with surface wear. The cockerel with surface wear and some of the tail feathers misshapen. The other two pieces in the lot in good condition.

Lot 229

French School (circa 1900): A Bronze Figure of a Bacchic Cherub, standing loosely draped, a bunch of grapes over his shoulder, on a circular base and stepped square onyx plinth, 24cm high. Some surface scratching. Figure partially loose on base. Some typical minor flakes to onyx. Feet missing.

Lot 230

Rudolf Kaesbach (1873-1955): A Bronze Figure of a Fallen Gladiator, on one knee, his sword in his raised right hand, on a mound base and black marble plinth, signed R KAESBACH, 30cm long. Metal in good condition with slight wear. Some minor chipping to the underside of the base. Height of the figure 28cm.

Lot 231

After Antoine Louis Barye (French, 1796-1875): A Bronze Model of the Lion and Serpent No.2, signed BARYE, 31cm high, on a rouge marble plinth See illustration. Typical minor surface wear and scratching.

Lot 232

A German WILHELM II Commemorative Parcel Gilt Bronze Plaque, circa 1900, of circular form, cast in relief with a profile bust, inscribed WILHELM II IMP REX within a reeded border with crown finial, the reverse with crowned WII, on a green marble column and shaped square base, 24cm high. Some typical surface wear and minor scratching.

Lot 240

A Bronze Pestle and Mortar, probably French, 17th century, the mortar cast with fleur de lys scrolls, busts and anchors, 15.5cm diameter. Typical surface wear, minor dents and abrasions.

Lot 269

~ A Gilt Metal William Pitt Memorial Medal, circa 1806, set with a pâte de verre cameo bust of Pitt within a motto NON SIBI SED PATRIAE VIXIT below a laurel wreath, the reverse with enamel panel inscribed PITT CLUB on a textured ground, further inscribed SIR JOHN HEATHCOTE within a blue enamel rim inscribed in gilt In Memory of the Rt Honourable Wm Pitt Died 23 January 1806 aged 47, 5cm, with suspension loop and blue ribbon, in red morocco case; and A Similar Gilt Metal Pitt Club Medal, inscribed SIR I E HEATHCOTE KNT (lacking cameo and enamel) (2) See illustration The original London Pitt Club was founded in 1793 by Nathaniel Atcheson of the Middle Temple to counteract the principles disseminated by the partisans of the French Revolution. Its meetings were held on the birthdays of the King and Queen, but after Mr Pitt's retirement from office and the celebrated meeting of 1802 at which upwards of 900 people attended the Hall of the Merchant Taylors, the members of this association met on the anniversaries of Mr Pitt's birthday until 1808 when it was thought a more extensive society might be formed to perpetuate the principles of this illustrious statesman. The first dinner held in 1808 cost £841-8-6. Subsequently, approximately 45 country clubs were established and many of these issued badges in bronze, silver gilt and silver, as well as in pewter. Rule 10 of the London club reads That each member shall wear at all meetings of the Club the Pitt medal, tied on his left breast with a garter blue ribbon and that the larger medal with the wider ribbon be worn by the chairman of the day.. As per description the 2nd medal lacking the cameo, this medal also has some wear and minor dents.

Lot 980

Wiener Bronze, Dackel unter Regenschirm, Austria, 3,5 cm, min. LM, Bronze Vienna, Dachshund under Umbrella, min. paint d.

Lot 180

A pair of bronze six sconce candelabra on tapered columns to shaped supports with leopard mask knees and paw feet, one with snuffer, apparently unmarked, height 62cm (2).Additional InformationBoth with some knocks and misshaping, one standing at a pronounced angle, further rubbing, nicks, knocks, etc, will need some attention. For postage of this lot we recommend Mailboxes Etc.

Lot 198

A collection of metalware to include a bronze pedestal bowl, height 18cm, a cast iron sign 'Tailor, Lang & Co Ltd, Stalybridge 1907', length 59cm, an Arts & Crafts tray in the manner of Keswick School of Industrial Arts, length 55cm, pair of six ring candlesticks, height 25cm, etc.

Lot 206

AFTER HENRI TRODOUX; a bronze model of a pheasant on integral oval base, length 28cm.Additional InformationVery slight misshaping to the tip of the tail feathers, retains an even colour throughout, just with light general surface wear.

Lot 207

A late 19th century bronze model of the Warwick vase, raised on socle base, height 14.5cm, width 19.5cm.Additional InformationHeavy wear to the interior, general exterior wear, there is no base to the vase, slightly crude casting.

Lot 208

A bronzed Marly horse figure group on rectangular black hardstone base, height 11cm, a bronzed lion holding shield with fleur-de-lis motif, height 10.3cm, and a brass grotesque dolphin doorstop, height 34cm (3).Additional InformationThe Marley horse group very loose and chips to the base, rubbing to bronze finish throughout to both figures. Further rubbing and pitting to the dolphin doorstop.

Lot 397

A Chinese polished bronze twin handled censer on three feet, with Xuande character mark to base, height 9.4cm, width 14cm.Additional InformationScratches, nicks, marks and some small knocks/indents, build up of corrosion, pitting and dirt to centre where this has been used. This is the same censer as featured in the images.

Lot 504

DOUG HYDE (born 1972); limited edition presentation box, 'The Box of Love', to include four framed paper on board prints (all signed within the print), a bronze sculpture numbered 319/495 and a book, set edition 319/495. (D)Additional InformationPresentation box scratched, bespoke box.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 707

A 19th century French mantel clock with bronze surmount of Napoleon on horseback, the circular dial set with Roman numerals above engine turned detail, height 44cm.Additional InformationGeneral wear, a couple of the bracket feet are slightly loose, missing the back panel, the bronze surmount is slightly loose and has dropped a little because of the weight, the circular glass front is missing part of the hinge but does still fix on to the main part of the clock - please see additional images.

Lot 710

A 19th century French mantel clock with gilt spelter surmount depicting a fruit seller beside circular enamelled dial, raised on alabaster stepped plinth base, the movement striking to a bell, stamped 'Medaille de Bronze Levasson Paris', raised on stepped wooden plinth base, overall height 36cm, width of base 36cm, width of clock 24cm, depth of clock 12cm.Additional InformationComplete with pendulum, lacking key. The fingers are both bent, cracks to the dial, chipping to the corners of the alabaster plinth base, missing the glass. We offer no guarantee of working order.

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