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A 19th Century French Champlevé Enamel and Gilt Bronze Cassolette of Ovoid Form having Grape Finial on Drome Cover decorated with Scrolls and Flowers on Blue Ground, The Body Supported on Tripod Legs with Goat Masks Terminating to Hooves on Circular Base Raised on Toupie Feet, 23cms High, Required Some Attention to Drop Chain Attachment
A gilt bronze figural table lamp in Art Deco style, circa 1930s; the electrical fitment in a broad drip pan held aloft by a standing maiden, nude but for a skirt; the pyramidal plinth with a switch to the back, on a square base with projecting lugs with screw holes at the corners; the spherical opaque glass shade possibly associated; 49cm high overall.
Kenneth Armitage, British 1916-2002 - Dancer, 1943; plaster, H73 x W27 x D18 cm including base (ARR) Provenance: private collection, acquired directly from the artist in 1943; Sotheby's, London, Modern & Post War British Art, 16th November 2011, lot 173; private collection, purchased from the above Note: 'Dancer' was made when Armitage was serving in the Royal Artillery between 1939 and 1946. He had enlisted immediately at the outbreak of war and taught aircraft and tank identification, which involved making models and silhouettes. His time in the Royal Artillery can be seen to have had a profound impact on his work throughout his career, building on his awareness of shape and ability to capture motion. 'Dancer' is a rare work from this significant period that formulated his vision as an artist. In 'Kenneth Armitage: Life and Work' by Tamsyn Woollcombe published in 1997, there is an image of Armitage and his future wife Joan Moore in their studio while at the Slade in the late 1930s. In this photo one can see a plaster for a stylistically similar standing nude, suggesting the form of his work during this period. Another similar work is 'Standing Woman, 1946-47', a rare cast bronze from the era. You can see similarities in the animated qualities and rounded female form of later works such as 'Single Figure with Drawing, 1972'. Kenneth Armitage would go on to become one of the most important British Sculptors of the 20th century. In 1952, Armitage’s career was launched by being included in Herbert Read’s ‘New Aspects of British Sculpture’ group exhibition for the British pavilion at Venice Biennale, alongside artists such as Lynn Chadwick, Reg Butler and Geoffrey Clarke. At the 29th Venice Biennale in 1958 he was awarded the prize for best British Sculptor under 45. He exhibited widely both in Britain and internationally and in 1994 he became a Royal Academician.
Brenda Naylor, British 1926-2016 - Dancer; bronze on base, signed with initials on foot and numbered to the skirt 'BN 2/12', H34 x W13.3 x D16 cm (including base) (ARR) Note: the work is illustrated in the copy of the pamphlet 'Brenda Naylor: Sculptures and Drawings of Dancers' for The Strand Gallery.
A pair of bronze 'stork' candlesticks, attributed to Thomas Abbott, 19th c, the fish in the bird's bill supporting the sconce, leafy drip pan and nozzle, on domed rocky base, even dark patina rubbed in places, 41cm h Good condition. Underside filled with plaster thereby obscuring any mark or signature, if present. No stress cracks or repairs. All elements secure
A large 19th century Chinese bronze tripod censer, compressed globular form with loop handles standing on three conical feet, the base cast with dragons around a six-character Xuande mark within circular cartouche, late Qing Dynasty, 22 cm wide x 14 cm highsmall body dents and bruises, one small hole under one of the handles, misshaped areas to the rim and handles, general surface wear, interior with incense residue commensurate with age/use
A stone carving of a Buddha head,24cm high, on a wood plinth, anda smaller example in bronze, a Chinese soapstone bookend, a Japanese porcelain dog, and other miscellaneous carvings,4 to 24cm (qty)Condition ReportAll with surface scratches and wear consistent with age. Large Buddha’s head - broken in two parts, (a/f).Small Buddha's head - losses.Japanese porcelain dog - tail broken and glued in various places. Hairline cracks. Dragon seal - chips and losses.Miscellaneous stones - a/f.
A Japanese bronze koro,c.1900, of rectangular form resting on four supports, each side cast with a continuous narrative of figures with a dragon, the cover decorated with a band of lotus scrolls and a dragon knop, 15cm high, with wood stand, and a jar,the baluster body rising from a tapering foot, with looped handles to the shoulder, covered in a light green crackled glaze draining from the rim revealing the stoneware body, 7cm high (4)Provenance: The Clive & Jane Wainwright CollectionCondition ReportAll with surface scratches.Green jar - with cracks.Bronze koro - with dents, verdigris. Cover- dragon knop loose.Wood stand - two legs restored. Chips.
A group of Chinese miscellaneous items, including: two silver napkin rings, each decorated with a dragon, 5cm diameter, and five wood stands, a bronze incense burner, an agate brush washer, and various hardstones, 2.5 to 14cm (qty) Condition ReportSilver napkin rings - surface scratches and minute dents. Small crack to rim of one. Wood stands - two large stands with cracks. Incense burner - small dents. Agate brush washer - small chip to rim. Nephrite pendant - small chips. All with surface scratches and wear consistent with age.
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350105 item(s)/page