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Lot 1029
Geoffrey Clarke RA, British 1924-2014 - Primitive, 2006; parcel polychrome painted bronze plaque mounted on slate, signed with initials and titled on the reverse 'GC PRIMITIVE', H36.5 x W18.5 x D2.5 cm (ARR) Provenance: Strand Gallery, Aldeburgh, Suffolk Please refer to department for condition report
Lot 195
Various items of vintage and antique mixed metalware to include wine cooler, height 24cm, plated teapot, a pair of pewter candlesticks with push rods, hammered effect candlestick-style lamp, vases, table centrepiece, height 30cm, top diameter 26cm, photograph frame, etc, also a bronze Chinese vase (af), a circular disc with a square Chinese seal and a modern brass carriage clock.
Lot 145
A Nepalese bronze Buddha, 18th century, cast sitting on a waisted lotus base in Bhumisparsha mudra, wearing long robes, hollow base, 21cm high 尼泊爾十八世紀 銅佛像品項報告 Condition report Some scratches to the surface. A dent to the back of the right leg and two dents to the back of the right ear. Surface ware commensurate with age.
Lot 151
A Japanese bronze censer, Meiji period, the cover with recumbent lion finial, the body decorated with phoenixes and lotus stems flanked by pair of elephant mask handles, 11.5cm high, and a 20th century Chinese bronze tripod censer, 19cm high (2)明治時期 銅爐兩件Please refer to department for condition report
Lot 153
A large Japanese gilt bronze mounted Imari bowl and cover, 18th/19th century, painted in underglaze and over glaze enamels with panels of butterflies and flowers on a blue ground with flowerheads, the later mounts with bronze dragon handles and scroll feet, 39cm diameter Provenance: T.G. &Co (London) label on cover.cf. The label belongs to Thomas Goode & Co Ltd, a luxury table ware maker and distributer established in London, 1827.十八世纪 镶铜伊万里烧大盖碗來源：T.G. &Co (倫敦）標籤。註：該標籤屬於 Thomas Goode & Co Ltd，是一家於 1827 年在倫敦成立的豪華餐具製造商和分銷商。品項報告 Condition report An obvious repair to the lid with a broken finial. Loss of gilt to the bronze mount and loss of enamel to the porcelain. Wares to the surface.
Lot 183
A group of five variously decorated bronze peacocks, a wooden painted peacock, a bronze covered box decorated with peacocks, two bronze fishes, a sculpture of Goddess Lakshmi on her Owl Vehicle (Vahana), metal-alloy, India, 19th-20th century, and three Burmese bronze opium weights, Burma, 19th century (14)14.7 cm; 10cm; 11.2 cm; 9 cm; 7.4 cm; 9.4 cm; 5.4 cm; 21 cm; 7.3 cm, 7.7 cm; 5 cm; 4 cm; 3cm.Please refer to department for condition report
Lot 225
A Napoleon III ebonised liqueur cabinet, probably by Paul Sormani, third quarter 19th century, the hinged cover and sides enclosing a lift-out calamander stand with gilt-bronze carrying handle, with four later glasses, the lockplate etched Rue Charlot, PARIS, 29cm high, 36cm wide, 28cm deep Provenance: The Geoffrey and Fay Elliot collection. Note: Born in the Kingdom of Lombardy, Venice, in 1817, Paul Sormani produced furniture and decorative objects, described by himself as "meubles de luxe". Operating from large premises at 114, rue du Temple and, from 1867, at 10, rue Charlot (the address on the current lot), he specialised in reproducing styles of the Louis XV and XVI eras. His creations were frequently exhibited and rewarded at the major international exhibitions of the 1860s and 70s. Please refer to department for condition report
Lot 244
A group of collectible currency, to include a Greek Byzantine bronze coin depicting Emperor Justinian I (527-565), helmeted, cuirassed bust facing holding the globus cruciger and shield with cross to right, large M between A/N/N/O and numerals representing the regnal year, cross above, officina letter beneath, 3.7cm diameter, weight 23.1g; a Polish 1/4 Thaler coin depicting Sigismund III Vasa (1587-1632) in profile holding a sword and the globus cruciger, regal crest between 16/22, 3cm diameter, weight 7g; and a group of five Russian paper bank notes each for the value of 500 Rubles, depicting Peter I the Great (1672-1725), each note approximately 13cm x 27cm (lot)Please refer to department for condition report
Lot 255
After Oscar Nemon, British, 1906-1985, a plaster bust of H.M. Queen Elizabeth The Queen Mother with regal smiling demeanour, 36cm; together with a bronze resin bust of Winston Churchill, by Oscar Nemon, with NEMON signature, 13.5cm high; and a bronze resin model of a baby, by Oscar Nemon, signed OM, 22cm high (ARR) (3)Note: Oscar Nemon was a Croatian Sculptor who settled in the UK, he is best known for the time he spent with Winston Churchill and the large number of bronzes and sculptures created of the man.Please refer to department for condition report
Lot 266
A pair of gilt-bronze twin-light light wall appliques, second half 20th century, each with ribbon-tied tassel backplate supporting scrolling branches, 64cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report
Lot 267
A pair of gilt-bronze twin-light wall appliques, second half 20th century, each backplate with central paterae issuing bell-flower terminal and anthemion finial, 40cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Minor mis-shaping to the branches and back-plates. The 5cm end of the bell-flower terminal to one applique is missing. Wires run inside the branches.
Lot 269
A set of four gilt bronze three-branch wall appliques, late 20th century, with ribbon-tied backplates and acanthus leaf branches and sconces, each 48cm high, together with a twin-branch wall applique with oval backplate (5)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
Lot 329
A French gilt-bronze mounted porcelain clock garniture, late 19th century, the case and garniture each in the form of a cobalt blue porcelain vase, the case housing a gilt brass clock dial with enamel Roman hours and enamel nameplate for Richmond, 77 Rue de Montmartre, the eight day movement stamped H & F Paris and numbered 377, striking on a bell, the clock and garniture each with zoomorphic handles and socle bases atop four feet, each garniture with five lights, 49cm high (3)Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale. The case with wear to include: loose gilt mounts to top and chips to porcelain below, the mounts with heavy wear and discolouration, the lion mask handles are loose and with marks, heavy loss of gilding, the bezel is loose and the ribbon rotates when moved, as does the whole dial, which needs re-attaching to case. The enamel numerals with wear and scratches, ten is very loose, three is loose, the door to reverse is almost detached from case, discolouration and scratches. The porcelain has a large repaired crack from front to back of the right side of the body, and chips to rim around the reverse door. The body sits slightly loose on the base, and the base with heavy discolouration and loss of gilt. The garniture with wear, tarnishing and loss to gilt on mounts, branches loose, handles slightly loose, some scratching to the porcelain bodies. Tarnishing and wear to backplate and bell.
Lot 331
A French bronze figural mantel clock, with two cherubs seated above the circular dial, with enamel numerals, the dial signed RIGLET A PARIS, with twin train movement, backplate stamped Japy freres MEDAILLE D'OR BREVETES, engraved RIGLET A PARIS and numbered 221, striking on a bell, lacking base, approx. 34cm high, 34.5cm wide, 12cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale. Please refer to department for condition report
Lot 336
A French gilt-bronze mounted mahogany veneered portico clock, second quarter 19th century, the architectural case with gilt-bronze floral swags to frieze above four columns with gilt-bronze capitals on plinth base with swan and scrolling floral mount, the silvered dial with Roman numerals, the twin train movement striking a bell on the hour and half hour, the backplate stamped with Pons MEDAILLE D'ARGENT 1823 pastille, having gridiron pendulum and winder, 49cm high, 25cm wide, 13.5cm deep Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece offered for sale. Case: With some wear and restoration to include warping, minor losses to veneer, including above cornice, frieze, and numerous cracks and chips to veneer at base and corners, and warping and splits to right side of base. The mounts with some wear and scratches, the columns do not sit straight. The mount to frieze slightly loose and with split underneath, possible restoration patches to centre of plinth and back right corner of cornice. Dial: With minor scratches. Movement: The backplate and bell with scratches and minor tarnishing. The pendulum suspension ring is missing, therefore the pendulum does not attach. The pendulum with mild general surface wear.
Lot 346
CLARE TUPMAN, British, Large sculpture of a crocodile, 250cm L. Notes: Clare Tupman, mother of 4, attended the Ruskin school of Fine Art in Oxford. Clare is a ranged artist who has worked with many forms of media though sculpting has always been her greatest passion. Originally Clare casted her statues from bronze, though she quickly felt constrained by the size and cost of the bronze casting process and looked for other paths to forge her creations. Clare learned to weld and has developed her own style of sculpting. She creates huge steel frameworks then cuts and welds small metal shards from sheets of stainless steel, binding them to form the contours and muscle structures of animals and figures. The final results are huge, beautiful structures of shimmering steel that seem to have a life of their own.
Lot 121
Oriental jewelry box from the beginning of the 20th century.Gilt bronze.Felt lined interior.Use marks. Interior lining detached and wrinkled.Measurements: 13 x 17 x 116 cm.Bronze jeweller's chest of oriental origin. Chiselled with striated mouldings and fretwork of ovals, it has a design inspired by ladies' leather handbags, with a top handle, in vogue at the beginning of the 20th century.
Lot 151
Chest. China, Qing Dynasty, 19th centuryCamphor wood.Bronze clasp and side handles.Export sealing wax seal and label remains.Use marks.Measurements: 53 x 87 x 54 cm.Chinese camphor wood boot. The quality of the wood and the beauty of its grain are enhanced by the sober elegance of the design. The bronze front clasp with a lobed tongue and groove on a circular medallion is aesthetically pleasing, not just functional. The flat lid, which is hinged on two simple hinges, is perfectly integrated into the rectangular structure, forming a compact volume but lightened by its slight angularity. Boots ('Yixiang') were an essential means of storage in a culture that folded clothes rather than hung them up. They were common throughout China, as they were used to store everything from clothing to food and documents. To save space they were often placed on top of wardrobes or stacked on top of each other, and were usually placed in a lady's bedroom or reception room. The boots were commonly made of elm and pine. In some areas, notably Beijing and Hebei, it was common to make them from camphor as the scent of its wood acted as a natural repellent against moths and insects.
Lot 152
Chest. China, Qing Dynasty, 19th century.Camphor wood.Bronze clasp and side handles.Export wax seal and label.Use marks.Measurements: 53 x 87 x 54 cm.Chinese camphor wood boot. The quality of the wood and the beauty of its grain are enhanced by the sober elegance of the design. The bronze front clasp with a lobed tongue and groove on a circular medallion is aesthetically pleasing, not just functional. The flat lid, which is hinged on two simple hinges, is perfectly integrated into the rectangular structure, forming a compact volume but lightened by its slight angularity.Boots ('Yixiang') were an essential means of storage in a culture that folded clothes rather than hung them up. They were common throughout China, as they were used to store everything from clothing to food and documents. To save space they were often placed on top of wardrobes or stacked on top of each other, and were usually placed in a lady's bedroom or reception room. The boots were commonly made of elm and pine. In some areas, notably Beijing and Hebei, it was common to make them from camphor as the scent of its wood acted as a natural repellent against moths and insects.
Lot 158
19th century Buddha figure.Gilded bronze.Measures: 14,5 x 10,5 x 9 cm.Round sculpture in bronze, from Thailand, dated 19th century. It represents Buddha seated in lotus flower position, with several "lakshana", iconographic symbols that identify the Buddhas and bodhisattvas. The first one we see is the headdress in a bun, a symbol of meditation, concentrated spiritual life and wisdom. Above the headdress, a flame symbolises the light of enlightenment. The eyelids are a symbol of spiritual concentration and also of purity, due to their similarity to the petals of the lotus, and complete a serene face with a sketched smile, symbolising the balance and serenity of a perfect being. The elongated earlobes allude to the large earrings worn by members of the upper classes in India at the time of Sakyamuni, and represent the concepts of greatness, nobility and wisdom.
Lot 34
Pair of Chinese vases, late 19th century.Enamelled porcelain and bronze.Stamps on the base.Measurements: 60 x 24 x 24 cm.Pair of Chinese vases with cylindrical tank, gently curved towards the foot and shoulders, with neck opening towards the mouth. Richly decorated with warriors in sumptuous attire and divinities interacting in animated scenes. The Immortals are set in landscape settings with peaked mountains rendered in beautiful blue tones. The palette is rich in contrasts: reds, pinks, whites, browns, ceruleans? The enamel painting is combined with bronze friezes worked in relief and serpentine dragons around the shoulders. The landscapes are dominated by the presence of trees with large canopies, a symbol widely used in Chinese art because of its symbolic character, related to longevity. The eroded rocks represent the passage of time.
Lot 4
Sculpture. Tibet, 19th century.Gilt bronze.Slight wear on the surface.It has a flower engraved on the base.Measurements: 19 x 13 x 12,5 cm.Round sculpture made in bronze representing a male figure seated on a pedestal, whose incised ornamentation invites us to remember the petals of the lotus flower in a schematic way. The work is notable for the roundness of the volume, which contrasts with the movement of the folds formed by the fabrics of the garment. The headdress and posture indicate that this is a representation of an important figure. Padmasambhava was probably the great Buddhist master of Uddiyana, in present-day Pakistan, who introduced Buddhism to Tibet in the 8th century AD. He is sometimes depicted flanked by his two wives, the Bengali princess Mandarava and the Tibetan Yeshe Tshogyal.
Lot 205
UNITED KINGDOM. Elizabeth II, 1952-2022. Bronze penny, 1953. Royal Mint. Proof. Laureate bust of Elizabeth II facing right, M.G. on truncation; ELIZABETH II DEI GRATIA BRITT: OMN: REGINA + Design by Mary Gillick. / Seated Britannia right, date below; ONE PENNY around above. Design by Leonard Charles Wyon. Edge plain.In secure plastic holder, graded NGC PF 64 RB, certification number 5878473-020. NGC Census in this grade: 42.NGC Census in higher grade: 142Total NGC Census: 207Mintage: 1,348,400.Diameter: 31 mm.Weight: 9.4 g.Composition: Bronze.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
Lot 210
UNITED KINGDOM. Lot of 2 various metals coins, in the original box as issued by the Mint and the certificate of authenticity (COA).Coin 1: George V, 1910-36, Medal 1935. 31.5 mm. 15.5 g. 925/1000 Silver.About uncirculated, lightly cleaned Coin 2: Victoria, 1837-1901, Medal 1897. Diamond Jubilee Historical Medal. 56 mm. 74.55 g. Bronze.Celebratory medal for the Diamond Jubilee of Queen Victoria. Virtually uncirculated Total gross weight: 90.05 g. Composition: 462.5/1000 Various Metals.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
Lot 217
UNITED KINGDOM. George VI, 1936-52. Silver and Bronze 15-coin specimen coronation proof set , 1937. Crown to Farthing. Weight: 45.70 g.Composition: 500.0/1000 Silver and Bronze.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
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