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Lot 102
Ferdinand Parpan (1902-2004), an Art Deco patinated bronze and ivory figure‘Notre Dame de Bon Secours’, c.1935, signed F. Parpan and titledModelled, cast and carved as the Madonna holding the infant Jesus, standing on a half globe and mounted on a stepped marble base29.5 cm high (ARR)Ivory: Hairline on the little finger of the hand supporting babies back. Some dirt in the crevices of the carving on the ivory. A few marks.Bronze: A few marks and abrasions, but surface colour overall in good and even condition.Marble: Some filled holes to the natural marble with some old/original repairs to fissures.Please note that this lot contains ivory. Ivory is an endangered material with very strict rules about export/import. If you plan to take this lot out of the UK please check with your shipper if you can before bidding. Some countries do not allow the importation or exportation of ivory. A Bill is due to become law in the UK in the near future that limits the buying and selling of ivory, but as this lot is pre-1947, and as we judge the ivory content as equal too or less than 10% of the whole, it will still be legal to sell it in the UK if the new rules go through as proposed. Please see National Press for updates.
Lot 103
Duvernet, an Art Deco bronze figure 'Oblivion' on a marble plinth c.1925, engraved signature 'Duvernet' on top of plinth Modelled and cast as the figure of a crouching woman holding an onyx cup (no cover), raised on a tapering marble plinth 48 cm high Bryan Catley, 'Art Deco and other Figures', Antique Collectors Club, Suffolk, 1978, p143 (similar figure illustrated on a different base with an openwork metal cover on the cup) Condition Report:Small split at the front of the arm (left hand side when you look at it) but not obvious from the top and another on the bottom of the back right foot that grows a little up the side. There are some losses to edges, most obviously on the front facing edges of vertical and horizontals elements, some scars and old marks and general wear in keeping with age and use. Some age separation to joins. There is a fine split across the pale wood inlay panel at the back but it isn't obvious. There is some white spotting on the underside.There is a single loss on one strand to rush on both back panels. There are some small chips to the wood of the seat on the corners. The seat rush looks to have been replaced at some point and there a few marks/stains on the rush but no splits or losses.
Lot 104
Claude Mirval (French), an Art Deco cold-painted bronze figural lamp with globular agate shadec.1930, signed C. MirvalModelled and cast as a seated and partially draped young woman, her scarf decorated with gilt floral motifs, she holds an agate ball, that conceals the light above her head, raised on a stepped oval marble base, with electrical fitments35 cm high, approximately 37 cm wideThe silvering to the figure is rubbed and streaked. The join for the front arm is beginning to show because of the wear to the cold painting - the join is how it is made and is not damage. Some wear and rubbing to the green on the scarf/drape. General wear in keeping with age and natural use. There is a 'hot-spot' on the agate shade. There are some small nicks and nibbles to the stepped marble base on the edges.It comes with some extra old bulbs.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed.
Lot 19
Charles Pierre Van Der Stappen (Belgian 1843-1910), a patinated bronze relief panel entitled ‘Auld Lang Syne’ Late 19th Century, signed Ch. Van Der Stappen, J. Petermann Fondeur, Bruxelles Depicting a woman in profile holding her finger to her lips, with foliage in the background, supported in a large oak frame visible panel 78 cm x 58 cm: frame 100 cm x 80.5 cm Property from a Private London Collection. There is a similar bronze 'Auld Lang Syne' panel by Van Der Stappen hanging above the fireplace in the 'Gallery East End' in the Glasgow Art Club at 185 Bath Street, Glasgow. In 1890 this arts club was extended under the aegis of John Keppie, from the architectural firm Honeyman & Keppie, the employers of Charles Rennie Mackintosh. Mackintosh is thought to have been involved with some elements of the decoration in this room. Purchased: Lyon & Turnbull Decorative Arts sale, 7th November, 2001, lot 337Some dust in crevices. A few small scrapes to the patina around edges where it sits in the frame. Oak frame substantial - a few marks/wear.
Lot 256
Hervé Van Der Straeten (French B. 1965), a bronze and Verde Marinace granite side table c.2010, with designers 'HV' monogram to underside The ovoid shaped green granite top on three patinated bronze and tapered supports 48cm high, 62cm wide, 48cm deep Please refer to department for condition report
Lot 257
Hervé Van Der Straeten (French B. 1965), a pair of bronze 'Volubile' Lampsc.2006, one with designers 'HV' monogramBrown patinated and polished bronze, with tricorn shade46.5 cm high including shade (2)One with designers monogram and one without. Some natural wear in keeping with use and some light rubbing to patina. The lamp with the HV monogram has a metal light fitment and the one without it has a brown plastic light fitment, the plastic wobbles a little and currently the shade does not sit quite straight and would some attention. The shades has some light wear to the tops, one small area fraying and some dirt collecting along the seams.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Lot 258
BDDW, a bronze and American Holly 'Lake Low' Credenza c.2010 With patinated bronze carcass above American holly drawers and doors with hand carved ebony handles, enclosing black walnut interior, on black powder coated steel legs with adjustable bronze feet 69cm high, 240cm wide, 46cm deepPlease refer to department for condition report
Lot 49
An Art Nouveau bronze table lamp with Loetz glass shade c.1900 The small domed frosted glass shade with orange/pink splash decoration fixed in a bronze hoop with weighted drop, supported by a half hoop and open foliate stem and base, with light fitments 26.5 cm high The shade is fixed in to the hoop with plaster so cannot be removed and appears to be in good order. The light fitment wobbles a bit. There are some old marks and wear to bronze elements and the metal has dulled with age. The lamp has lost the securing nuts for the hooped shade and the half hoop supports. Wear to base.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Lot 79
Tiffany Studios (American), a bronze and glass ‘Pine cone’ pattern box with hinged cover Early 20th Century, stamped Tiffany Studios, New York, 826The rectangular form with openwork metal pine-cone pattern top and sides and set with marbled glass panels, having a removeable wood liner, with splayed foot 8 cm high; 23.5 cm long, 16.5 cm deepThere is a star crack to the back panel which is concealed when the wood liner is in place. Glass with a few scratches. Metal surfaces rubbed in places, tarnished and dulled with age in places. Some age separation to the metal joins on the corners. Wood interior with a few marks and stains. Some polish residue.
Lot 83
An Art Nouveau brass table lamp with a Gallé cameo glass light shadec.1910, glass signed in cameo 'Gallé'The yellow glass shade with flared rim overlaid in red and acid-etched in relief with a branch of magnolia; held by a collar with screws and light fitments on a sinuous stem with scrolling leaves and a triangular shaped and lead weighted base44 cm highGallé glass shade: a few small nicks to the glass neck as supported by the mounts. Some bubbles in the glass. Some polish residue in the crevices. Bronze base: the collar and light fitment, although old, may not be original or may have had something done to it as it is not a neat fit and the shade is loose in the collar - the light bulb is required to make sure the shade stays in place. Tarnishing and wear to metal surfaces and joins showing. Some old marks and wear. The base is lead weighted for stability.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Lot 1071
Early to mid 20th Century E. Pollard & Co. Ltd. ' Kwikserving Counters ' haberdashery display cabinet, the rectangular bronze framed glass carcass housing twenty five oak drawers, the original handles with ivorine inlays above a moulded plinth and shaped supports (supports with slight damages, replacements and alterations), 72ins x 24.5ins x 35.75insPhoto shown is with the replacement feet, we do not have the original feet
Lot 128
Eugenie Imperatrice, Exposition Universelle 1855, bronze medal by Caque, 50mm, Victoria, visit to Belgium, Ostende 13 September 1843, bronze medal, 54mm, Eugenie Imperatrice & Louis Napoleon Bonaparte, bronze medal by Montagny, 53mm, another bronze medal titled in Greek, Commemorating the visits of Napoleon III to England and Victoria to France 1855, 41mm, other medals and medalets.
Lot 131
Victoria, visit to eht City of London 1837, "Victoria Dei Gratoa Regina, In Commemoration of Her Majesty's visit to the City of London Nov 9th 1837", white metal medal by Farrer, published by Griffin & Hyams, 61mm, another of the same medal in bronze, Cryslal Palace Opened, 1854, bronze medal by G G Adams, 63mm, Golrious Reign of Fifty Years Completed, 1887, bronze medal by Allan Wyon, 64mm, and a collection of other medals and medalets.
Lot 138
1862 Exhibition Winner's Medal, "1862 Londini | Honoris Causa", bronze medal by Leonard C Wyon, 76mm, awarded to Morris, Marshall, Faulkner & Co., Class XXXIV.Footnote: The firm Morris, Marshall, Faulkner & Co, was founded by the artist and designer William Morris in 1861. The works shown by the firm at the London International Exhibition in 1862 attracted much interest and the stained glass Exhibit 6734 in Class 34 was awarded a Winner's Medal. The William Morris Gallery notes that seven stained glass panels designed by Gabriel Dante Rossetti showing the Parable of the Vineyard, made for the Church of St Martin's, Scarborough were all shown at the Exhibition prior to being installed in the Church.
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