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Lot 252
After Guillaume Coustou The Elder (1677-1746) - Horse Tamer from Marly-le-Roi - A French antique large pair of bronze statues figurines in the form of the iconic Marley Horses. Each bronze statue depicting a wild horse being tamed raised on naturalistic bases. Signed Coustou to bases. Fantastic display pieces. Measures: 41cm tall.
Lot 328
DOUG HYDE (BRITISH 1972) 'WATCHING THE WORLD GO BY' a limited edition bronze sculpture of a boy and dog on a bridge, impressed signature and edition number 12/250, no certificate, approximate height 19cm x width 25cm including plinth (condition:- good condition, original inner packaging is missing from box) (A)
Lot 330
DOUG HYDE (BRITISH 1972) 'THE BOX OF LOVE' a limited edition box set containing a bronze sculpture 22/500, four limited edition prints 22/495 and a book, with certificate, bronze is approximately 13cm high, prints approximately 22cm x 22cm (condition:- small patination fault to top of the bronze, packing crate is damaged) (A)
Lot 499
A BOX OF SUNDRY ITEMS to include an early 20th Century cuckoo clock, a leather cased smokers pipe with silver rim, hallmarked 1909, vintage one pint Castrol oil can, a Chinese brass tipped opium pipe and storage box with impressed character marks, vintage domino set, aviator style sun glasses in a vintage Ray-ban case, snuff boxes, leather cased scissors, barometer, Chinese bronze medallions, script to obverse, cart to reverse
Lot 36
Ron Sloan (American, B. 1950) "U.S. Flag and Statue of Freedom" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This artwork originally appeared on the Fleetwood First Day Cover for the U.S. 22c Flag Over Capitol coil stamp issued March 29, 1985. As it has for nearly two hundred years, the American Flag flies high above the stone and marble building of the United States Capitol. Countless hearts have been filled with pride at the site of this revered structure, for no other building -- not even the White House -- is more closely linked to the great strength and glory of the United States of America. It stands at the heart of America's democratic government ... and is the focal point of the resounding deeds, ideals, and aspirations of the American people. High atop the majestic Dome, the Capitol is crowned with a great bronze goddess known as the "Statue of Freedom." The work of American sculptor Thomas Crawford, the Statue is shaped as a classically robed woman holding a wreath resting on a shield in one hand and a sword in the other. Crawford had originally designed her as "Armed Liberty" with the soft feathered cap worn by freed Roman slaves, but changed her headdress to a helmet of eagle feathers after objections by Jefferson Davis. Molded in Crawford's Rome studio and later cast in bronze in a Washington foundry, Freedom was finally raised on to the Capitol Dome on December 2, 1863. The United States Flag, bearing thirty-five stars representing all the states of the Union -- both North and South -- fluttered overhead as spectators cheered. Today, the majestic Statue of Freedom still ennobles the Capitol's Dome. Image Size: 17.5 x 15.25 in. Overall Size: 25.25 x 19.75 in. Unframed. (B09456)
Lot 61
Jean Baptiste Clesinger (France, 1814 - 1883) "Woman Bitten by Serpent" Original Bronze. Artist and 'F. BARBEDIENNE. FONDEUR' foundry mark near base of bronze. Sculpture of a nude woman laying on the ground after she has been bitten by a snake (Femme piquee par un serpent). Illegible inscription near base. Dimensions: 8.75 x 22 x 8.5 in.
Lot 100
C. 450 -100 BC. La Tene culture. Beatiful bronze stylised horse amulet with an integral suspension loop at the neck depicts a horse galloping. Horses were an important status symbol in La Tene societies as they can only be afforded by the wealthy elite, usually warriors. The owner of this amulet was probably a warrior intent on demonstrating his monetary worth and martial prowess by wearing a depiction of such a high status animal. Good condition. Wearable. Size: L:30mm / W:24mm ; 5g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
Lot 101
700-1100 AD. Viking Age. Bronze amulet in the form of a dragon with a circular suspension loop, which also stands for the beast’s wings, beaked head, corded scales, and legs and tails ending in loops which probably symbolise claws. Dragons were important figures in Norse mythology, and were known for their powerful, destructive nature, perhaps reflecting a claim to power by the individual who once owned this bracelet. Good condition. Size: L:34mm / W:42mm ; 9g; Provenance: From an old British collection formed in the 1980s.
Lot 102
1000-1500 AD, Crusader Period. Bronze Latin cross with rounded arms and large suspension loop. The obverse of the cross features a detailed biblical scene on each of the arms, and the central sector of the item depicts Christ on the Cross. The Crusades were military expeditions, beginning in the late 11th century, that were organized by western European Christians in response to centuries of Muslim wars of expansion in the Holy Lands. Crosses are the principal symbol of the Christian religion, recalling the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. The cross is thus a sign both of Christ himself and of the faith of Christians. The cross that the Crusaders wore on their robes was a symbol of martyrdom, and to die in combat was considered a great honour that assured a place in heaven. This ring, therefore, may have belonged to a knight during the Crusades, serving as a constant reminder of the faith driving his mission. Good, wearable condition. Size: L:80mm / W:55mm ; 27g; Provenance: Property of a North London professional; previously acquire on the UK/European art market before 2000.
Lot 104
C. 1100-1300 AD, Byzantine. Beautiful gold cross with intricate repeating circular openwork decoration outlined with applied granulations. The centre of the cross comprises a hemi-spherical red gem setting with four protruding arms forming a second cross. The medieval empire of Byzantium was justly famous for the elegance of its jewellery, whether in precious metals for the aristocracy, or in bronze for people further down the social ladder. Crosses are the principal symbol of the Christian religion, recalling the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. Superb, wearable condition. Size: L:32mm / W:23.5mm ; 5.5g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1970s.
Lot 110
c. 1-300 AD. Roman. A heavy bronze ring with a D-shaped hoop, a hexagonal bezel with incised curvilinear decoration probably representing a lituus, a Roman cult instrument. The shoulders are also incised with vertical lines. This simple yet elegant ring probably belonged to a Roman auger since the lituus was also the symbol of the office of augur and marked these individuals out as belonging to the priestly group. Good condition. Wearable. Size: D: 16.51mm / US: 6 / UK: M; 6g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
Lot 111
1000-1500 AD, Crusader Period. Bronze ring with circular hoop and bezel in the form of a Greek cross with scalloped arms. The Cross, the principal symbol of Christianity, recalling the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. The cross that the Crusaders wore on their robes was a symbol of martyrdom, and to die in combat was considered a great honour that assured a place in heaven. The Crusades were military expeditions, beginning in the late 11th century, that were organized by western European Christians in response to centuries of Muslim wars of expansion in the Holy Lands. People of all social classes took place in the Crusades, from heavily armed knights to humble peasants using improvised weapons, all in pursuit of salvation in the afterlife. This ring may have belonged to one such crusader, perhaps a knight, as a mark of his status. Good condition; wearable; Size: D: 19.1mm / US: 9 1/8 / UK: S; 3.5g; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market before 2000.
Lot 112
c. 1000-1500 AD, Crusader Period. Bronze ring with a thick circular hoop and a hexagonal bezel featuring an incised Star of BethIehem motif. In the Christian tradition, the Star of Bethlehem, also called the Christmas Star, revealed the birth of Jesus to the Biblical Magi, and later led them to Bethlehem. The star appears only in the nativity story of the Gospel of Matthew, where magi "from the east" are inspired by the star to travel to Jerusalem. There they meet King Herod of Judea, and ask where the king of the Jews has been born. Herod, following a verse from the book of Micah interpreted as a prophecy, directs them to Bethlehem, a nearby village. The star leads them to the stable where Jesus was born in Bethlehem, where they worship him, and give him gifts. It is a symbol often depicted on rings and jewellery during the Medieval period. Good, wearable condition. Size: D: 16.51mm / US: 6 / UK: M; 8g; Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Lot 113
1-200 AD. Roman period. Bronze ring comprising a circular hoop with stepped decoration on the shoulder and a raised hexagonal bezel which features an incised snake motif. Snakes were believed to possess healing powers in the ancient world, which may help to explain this choice of decoration; the ring may have belonged to Roman doctor (medicus). For more information on Roman rings, see: Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991. Good condition; wearable. Size: D: 16.92mm / US: 6 1/2 / UK: N; 8g; Provenance: From an old British collection, acquired on the UK art market in the 1970s.
Lot 116
1000 – 600 BC, Bronze Age. This thick and heavy cast Bronze Age bracelet features a rectangular section, punched dot decoration and tapering terminals. In the Bronze Age bracelets were used not only as jewellery but also as ritual objects of high value, which allowed their owners to store wealth before the invention of coinage. Such bracelets are discovered in burials as grave gifts or found in large hoards, and an important part of the Bronze Age cultures in both Europe and Asia. Good condition, beautiful patina.Size: L:50mm / W:75mm ; 54g; Provenance: Private London collection, formed in the 1980s on the UK and European art market.
Lot 118
1000 – 600 BC, Bronze Age. Large bronze cloak pin with double pomegranate-esque head atop a slim neck with three raised horizontal bands at the shoulders and a tapering pin shaft. Cloak pins were an important part of bronze age culture and were worn by both men and women in much the same fashion as a brooch. These items were multifunction with their most basic purpose being clothing fasteners while their more ostentatious role was to serve as a display of wealth. Cloak pins such as this one were status symbols and could serve as tradablegoods in lieu of currency. Good condition. Wearable. Size: L:265mm / W:25mm ; 50g; Provenance: Property of a North London professional; previously acquire on the UK/European art market before 2000.
Lot 119
300-400 AD. Late Roman. An excellent bronze crossbow brooch, with three onion-like knobs, an arched bow, ribbed lower end and surviving pin. Some signs of possible gilding are still on the knobs and on the arch. Crossbow brooches, used for fastening cloaks were an international late Roman type, and were often worn by men in positions of authority, in the military or civil bureaucracy. A famous ivory diptych, now Monza, Italy, depicts Stilicho, the head of the Western Roman military under the Emperor Honorius in the years around 400 AD, along with his wife, Serena, and son, Eucherios. Both Stilicho and Eucherios wear crossbow brooches to fasten the cloaks on their right shoulders, indicating the importance of this type of dress accessory for those in positions of authority. This beautiful item may have belonged to a Roman military officer or another important official. Excellent condition. Size: L:80mm / W:55mm ; 70g; Provenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market before 2000.
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389642 item(s)/page