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Lot 504
Eines Obergefreiten aus Freiburg i. Br.: Eisernes Kreuz 1. Klasse 1939, auf der Nadel Hersteller 107. Eisernes Kreuz 2. Klasse 1939, am Bande, am Ring unleserl. Hersteller. Allgemeines Sturmabzeichen, wohl Buntmetall, versilbert, glatte Ausführung (Nadel u. Gegenhaken fehlen). Allgemeines Sturmabzeichen, an Nadel, glatte Ausführung (wohl spätere Anfertigung). Nadelminiatur zum allg. Sturmabzeichen. Kriegsverdienstkreuz 1939 2. Klasse mit gekreuzten Schwertern, am Bande. Zwei Verwundetenabzeichen 1939, hohl geprägt (einmal ohne Nadel). Kraftfahrbewährungsabzeichen in Bronze (Stifte/Stoff fehlen rücks.). Zwei Frackspangen für Kriegsverdienstkreuz 1939 und für Ostmedaille. Erkennungsmarke Infanterie Panzerabwehr Ersatzkompanie 25. Granatsplitter, den der Soldat im Körper trug. Zwei Alben mit insges. knapp 300 Privatfotografien des Nachlassträgers von den jeweiligen Stationen an der Ostfront (Polen, Ukraine, Russland) von 1941-1943. Oft werden rücks. Städte und Mitkämpfer/Offiziere erwähnt.
Lot 503
Bestehend aus: Flak-Kampfabzeichen der Luftwaffe, Buntmetall versilbert, rücks. Hersteller Juncker, im goldgeprägten Etui. Eisernes Kreuz 2. Klasse 1939, am Bandring, mit Verleihungstüte (beschädigt) von Paul Küst, Berlin. SA Sportabzeichen in Bronze mit originalem (besch.) Packpapier. Verwundetenabzeichen 1939, Messing geschwärzt, hohl geprägt.
Lot 1142
1902 Karlsruhe - 1984 ebd. Studium an der Kunstakademie Karlsruhe bei Prof. Haueisen. Ausbildung in New York und Philadelphia; 1977 Silberne Medaille der Stadt Bad Dürrheim, 1977 Ehrendiplom Arts Guild Monte Carlo. Sitzender, weiblicher Akt. Bronze, braun patiniert. Unter dem Schenkel monogrammiert und 50(19) datiert. H. 18,5 cm, B. 20 cm.
Lot 1147
1824 Paris - 1910 ebd. Studium in Paris, Professur, schuf für Kaiser Napoleon III. mehrere Reiterstandbilder. Zwei sitzende Jagdhunde, davon ein Hund eine am Boden kriechende Schnecke beobachtend. Stilisierter, ovaler Sockel. Bronze, braun patiniert. (Ein Schwanz rest.). Auf dem Sockel sign. H. 15 cm.
Lot 41
Adam Henein (Egypt, 1929-2020)Om Kalthoum bronzesigned 'A HENEIN' and numbered 'A.P. I.IX', executed in 2003154 x 50cm (60 5/8 x 19 11/16in).Footnotes:Provenance:Property from a private collection, CairoPublished:Mona Khazindar (ed.), Adam Henein, Turin, 2005 (another from the edition illustrated, pp.182-183)Exhibited:Adam Henein: Lasting Impressions, Sharjah Art Foundation, 2019 (another from the edition)Peripheral Vision, Barjeel Art Foundation, Sharjah, 2010 (another from the edition)'No one can describe the extent of my pride when I went to Paris, stood in the middle of Europe, and raised my voice in the name of Egypt.' – Umm Kulthum Mona Khazindar (ed.), Adam Henein, Turin, 2005 (another from the edition illustrated, pp.182-183)The present work is an important and monumental tribute by one of the greatest Egyptian sculptors of the century, Adam Henein, to the greatest female singer in Arab music history, Um Kulthum. Born in at the turn of the century, Kulthum was known as the Star of the East (kawkab el-sharq). She is recognized as one of the Arab world's most famous and distinguished performers. Abstract forms, pure volumes and dynamic movement characterise Henein's mature works. 'Um Kulthum' is elegantly striking by its expressive and asymmetrical rendition and the dynamism and movement of its planes. This artwork embodies a sense of simple monumentality and timelessness that is characterised by an allusive simplification of form that is both modern and archaic. The sculpture is elegant, coherent and a characteristic style of its own that is undeniably inspired by both ancient Egyptian Pharaonic art and European Modernism while reflecting the sophistication of the artist.Adam Henein was born in Cairo in 1929 into a family of metalworkers. In 1953, he graduated from School of Fine Arts, Cairo, he went on to receive a two-year grant to study at the Luxor Atelier. The atelier was established a decade earlier by the notable Egyptian artist and scholar Mohamed Nagi to promote Egyptian art education in school circular. In 1954 and 1956 Henein received the Luxor price for his artistic achievements. Two years later, he received a diploma in advanced practices from the Munich Academy in Germany.In 1971, Adam Henein was invited to participate in an Egyptian contemporary art exhibition in Paris at the Musée Galliera. He spent the next two and half decades, from 1971 to 1996 in Paris pushing his practice through sculpture and painting and continued focusing on ancient Egyptian themes and traditional materials. The early 1970s marked an important evolution in Henein's artistic practice, whilst in Paris he was given the opportunity to be exposed to the work of great western modern sculptors and artists whose freedom of interpretation he found to be deeply inspiring.In the late 1990s Henein returned to his homeland. He contributed greatly to his Egypt's cultural landscape, particularly in Aswan where he established the city's annual International Sculpture Symposium. Upon his return to Egypt he was also appointed by the Minister of Culture to head the design team involved in the restoration of the Great Sphinx in Giza. Henein was awarded Egypt's State Medal, the State Merit Award, as well as the Mubarak Award in the arts. His works have been exhibited at the Institu du Monde Arabe in Paris, the Metropolitan Museum of Art in New York, The MATHAF in Doha, The ASB Gallery in Munich as well as in London and Rome.Throughout his vast career Henein produced a significant number of large and small-scale sculptures handling a variety of different mediums such as bronze, granite, plaster, limestone and terracotta. In 2014, the Adam Henein Museum opened its door in Cairo's Al-Harraniya district, which is a priceless gift from the artist himself to his native country. The museum is dedicated to the largest collection of Henein's sculptures as well as featuring some of his paintings.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 50
Dia Azzawi (Iraq, born 1939)Guarding his Mysterious Gift No.2 bronzesigned 'AZ', numbered and dated, number 4 from an edition of 7, executed in 200746 x 26cm (18 1/8 x 10 1/4in).Footnotes:Provenance:Property from a private collection, LondonAcquired directly from the Artist by the aboveThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
![Charles II, Restoration, 1660 (?), a cast and chased uniface bronze-gilt Royalist badge, unsigned [by T. Rawlins or T. Simon]](https://cdn.globalauctionplatform.com/299f2892-81e3-41fd-9e85-aeb000b01359/68dce3d0-201d-45aa-a66f-af3a01706d3a/468x382.jpg)
Lot 106
Charles II, Restoration, 1660 (?), a cast and chased uniface bronze-gilt Royalist badge, unsigned [by T. Rawlins or T. Simon], obv. similar to last, 36 x 30mm, 5.87g (Platt II, p.354; MI I, 444/21; cf. E 204). Some surface marks, about very fine with integral loop and ring for suspension £150-£200
Lot 122
Admiral Blake, Naval Reward, 1653, an oval gilt-bronze medal by A. Simon, bust three-quarters right in stiff ruff, armour and scarf across the breast, without legend, rev. naval engagement, in foreground, a sinking ship, signed a simon on stern, wreath border both sides, 50 x 43mm (Platt II, p.342, type B [B1, this item]; cf. MI I, 401/31). With integral loop for suspension, good very fine, extremely rare £1,500-£2,000 --- Medallic work by Abraham Simon is infrequently met with.
Lot 142
General George Monck, c. 1660, an electrotype copy of an oval cast and chased silver-gilt medal, unsigned (by T. or A. Simon), bust right, rev. armorial shield surmounted by ducal coronet, stippled background and wreathed border both sides, 38 x 34mm (Platt II, p.222, type D [D2, this item]; cf. MI I, 466/64). With integral suspension loop, good very fine £80-£100 --- An example of this medal in bronze, but without the loop, is held by the National Army Museum (Acquisition no. NAM 1984-08-62-1).
Lot 159
Capture of Cartagena, 1741, a bronze medal, unsigned, standing figure of Admiral Vernon, fort and a small boat either side, admiral vernon the preserver of his country, rev. took cartagena 1741, plan of Cartagena with ships, 37mm (Adams CAv 2-B; Betts 332; MI II, 548/156). Some light scratches, otherwise very fine £100-£120
![Charles I, an oval cast bronze plaque, unsigned [after F. Fanelli], King on horseback right, decorative border, 245 x 230mm.](https://cdn.globalauctionplatform.com/299f2892-81e3-41fd-9e85-aeb000b01359/7d698423-d5c8-42de-b397-af3a016e2fa6/468x382.jpg)
Lot 168
George Fullard (British, 1923-1974)Head signed with initials and dated 'F 60' (to base of sculpture)bronze with a dark brown patina25cm (9 13/16in) high excluding base; 30cm (11 13/16in) including baseThe work was executed in an edition of 2Footnotes:ExhibitedLondon, Gallery One, George Fullard, October-November 1961 (another cast)London, Serpentine Gallery, George Fullard, July-August 1974 (another cast)Wakefield, Yorkshire Sculpture Park, George Fullard - A Fastidious Primitive, August-November 1997 (another cast)Sheffield, Mappin Art Gallery, George Fullard: Playing with Paradox, May-July 1998 (another cast)LiteratureG. Whiteley, Assembling the Absurd: The Sculpture of George Fullard, The Henry Moore Foundation, London, 1998, p. 45 & 63, no. 46, pl. 40 and 60, illustrated (another cast)'Art is an implement of realisation in a universal sense and of self-discovery in the personal sense. Sculpture, for me, is compelling in the way it requires, paradoxically, that the complex quality of being, which is intangible and elusive, be given tangible form...Instead of dreaming a dream it is like making a dream piece by piece...like putting together a jigsaw puzzle whilst simultaneously inventing the picture...' (George Fullard, quoted in G. Whiteley, Assembling the Absurd: The Sculpture of George Fullard, The Henry Moore Foundation, London, 1998, p. 9)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 189
Sir Jacob Epstein (British, 1880-1959)Chaim Weizmann signed 'Epstein' (to lower back)bronze with a green and dark brown patina45.5cm (17 15/16in) highConceived in 1933Footnotes:ProvenanceWith Charles A. Jackson, Manchester, 1951, from whom acquired by Mr L. Rose, 24 November 1951, and thence by descent to the present ownerPrivate Collection, U.K.Exhibited London, The Leicester Galleries, Carvings and Bronzes by Jacob Epstein, March-April 1935, exhibition no. 600, no. 3 (another cast)LiteratureR. Black, The Art of Jacob Epstein, New York and Cleveland, 1942, p. 240, no. 199R. Buckle, Jacob Epstein Sculptor, The World Publishing Company, Cleveland, 1963, p. 206, pl. 319, illustrated (another cast)E.P. Schinman and B.A. Schinman, Jacob Epstein, A Catalogue of the Collection of Edward P. Schinman, Farleight Dickinson University Press, 1970, p. 63, illustrated (another cast)E. Silber, The Sculpture of Epstein with a Complete Catalogue, Phaidon, Oxford, 1986, p. 176, no. 243, illustrated (another cast)Please note that this lot is accompanied by correspondence from the Artist to Charles Jackson, dated 12 November 1951, and correspondence from the Artist's wife Kathleen Epstein to Mr Franks, dated 15 December 1963.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 200
John Rattenbury Skeaping R.A. (British, 1901-1980)A Group of Five Racehorses signed, dated, numbered and inscribed with foundry mark 'JOHN SKEAPING 77 4/7' (to base)bronze with a dark brown patina90cm (35 7/16in) longFootnotes:ProvenanceSale; Christie's, London, 7 July 2016, lot 325, where acquired by the family of the present owner, and thence by descent Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 215
Georg Ehrlich (Austrian, 1897-1966)Standing Child signed and numbered 'EHRLICH 2/VI' (to base)bronze with a green patina39cm (15 3/8in.) highThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 218
Sir Eduardo Paolozzi (British, 1924-2005)Untitled Relief signed and dated '74 E PAOLOZZI' (lower centre); further signed and dated 'E Paolozzi 1974' (on left side)bronze with a dark brown patina on a wooden base42 x 22.5 x 7.5cm (16 9/16 x 8 7/8 x 2 15/16in) (excluding wooden base)Footnotes:ProvenanceThe Artist, by whom gifted to the present owner circa the mid-1970sPrivate Collection, U.K.ExhibitedLondon, Whitechapel Gallery, Eduardo Paolozzi, 16 February–14 May 2017, illustratedThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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389642 item(s)/page