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Lot 312
JOHN BLAKELEY; a gilded bronze limited edition figure 'Yearling', numbered 6/6, with certificate, signed by the artist and dated 1974, the figure raised on an onyx plinth, height 34cm. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
Lot 313
KENART; an early 20th century bronze figure of a setter, indistinctly signed to underneath, length 17cm, on rectangular ebonised base with two sterling silver plaques, one inscribed 'Won by 1935. CH.Dawn of Daven, 1936. CH Dawn of Daven.' to one side and 'The 'Of Calbrie' bronze for the Best Gordon Setter, modelled from CH Dawn of Daven'.
Lot 104
Earyly to Mid 20th Century French Louis XVI Style Gilt Bronze Mounted Mahogany Marble Top Console Table. Signed Herraiz and numbered 111194 on obverse side. Features two drawers with gallery around the stretcher standing on tapered fluted legs. Missing key, minor rubbing wood or else good condition. Measures 35" H x 56" W x 14" Depth. Shipping: Third party. (estimate $500-$700)
Lot 113b
20th Century Louis XV Style Bronze Mounted Marquetry Inlaid Side Table with Drawer. Floral marquetry inlaid top with gallery, lower shelf stretcher also with gallery, and goat figural mountings along each leg. Some wear to inlay, scuffs, and wear to top gallery. Measures 35-3/4" H x 21-3/4" W x 18" depth. Shipping: Third party. (estimate $250-$400)
Lot 124
Large and Impressive Bronze Mounted Table Horn. Horn has a bronze mounted collar with deer heads. Lid with figural putti finial, pierced bronze mount at the waist with figural putti seated on a shield (has come loose) and bronze finial at the tip; the base has a winged sphinx holding a shield and the oval base stands on 4 figural boar’s head feet (three round pad feet missing). Unsigned. Hairline age split in horn, stain, wear, rubbing and losses as described. Shipping: Third party. (estimate $1000-$1200)
Lot 168
John Milne (1931-1978), early charcoal dated verso 1951, provenance acquired from a friend of the artist in St Ives, 39cm x 54cm. Milne moved to St.Ives in the 1950's and became the pupil of, and later assistant to, Barbara Hepworth, with whom he established a close friendship. Milne's early work was directly carved in stone, but from 1966 he started experimenting with metals and learned cold casting methods for bronze and aluminium.
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