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Lot 255
British Commemorative Medals, Horatio, Admiral Lord Nelson, Alexander Davisson’s Medal for the Battle of the Nile, copper, 1798, by C. H. Küchler, the edge indistinctly inscribed 'FROM ALEXR. DAVISON ESQ. ST JAMES ESQ...' , G, and Admiral Augustus Keppel (1725-1786), the Battle of Ushant, bronze medal 1778, signed IH, uniformed bust three-quarters right, rev within wreath, JUDICIOUS / BRAVE / AND / GALLANT, F (2)
Lot 252
British Commemorative and Awarded Medals, King Henry IV bronze medal, c.1730 by Jean Dassier, EF toned, a replica William II medal, F, Centenary of the birth-day of Roscoe Liverpool bronze medal March VIII MDCCCLIII, by Allen & Moore, EF toned, Wollaston Geological Society of London bronze medal, EF toned (4)
Lot 270
Royal Commemorative Medals, Britain & Romania, George, Prince of Wales and Caroline of Brunswick, Marriage, 1795, copper medal, dated 1797 in error, by C. H. Küchler, George III, Jubilee 1809. Obv. armoured and draped bust of George III. God Save The King. Rev. Grand National Jubilee Oct. 25. 1809, bronze, Engagement of Prince Ferdinand of Romania with Maria Princess of Great Britain 1892-1893, bronze, Edward VII & Queen Alexandra coronation bronze medal and similar George VI and Queen Elizabeth bronze medal, (5) all AEF
Lot 254
British Commemorative Medals, ADMIRAL SIR J. P. DUCKWORTH BART GCE bronze medal, 1818, DEDICATED BY HIS FOLLOWERS..., EF toned, a bronze medal ARTHUR MARQUIS OF WELLINGTON / PORTUGAL DELIVERED SPAIN RELIEVED MDCCCXII, VF and FOUDROYANT, LORD NELSON'S FLAGSHIP bronze medal, c.1897, struck from copper of vessel after breaking up, EF toned (3)
Lot 271
British commemorative medals, International Exhibitions, International Inventions Exhibition, London 1885, by L.C. Wyon, Eimer no. 1715, lightly toned EF with original case, Exhibition of Art, Manufacture and Science, Newcastle-upon-Tyne, 1840 copper medal, edge nicks otherwise EF, The Great Exhibition of the Works of Industry of All Nations 1851 (Crystal Palace) Exhibitors bronze medal, named UK CLASS 16 NO.206, edge knock otherwise EF, Colonial and Indian Exhibition bronze medal, London 1886, edge faults (4)
Lot 251
19th century Canadian Commemorative Medals, The Victoria Bridge bronze medal 1860, by A.Hoffnung, correction from 5 to 7 ($7,000,000), edge nicks otherwise EF toned, OPENED BY THE PRINCE OF WALES/ 1860/ VICTORIA BRIDGE/ MONTREAL bronze medal, EF toned, YMCA Montreal 1872 bronze medal, EF and Montreal McGill College, Shakespeare Tercentenary bronze medal 1864, edge knocks, (4)
Lot 650
* ANGUS MCEWAN RWS RGI RSW (SCOTTISH b 1963), IN WITH THE WOODWORK watercolour on paper, signed 42cm x 30cm Mounted, framed and under glass Label verso: Thompson's, Marylebone, 13 New Cavendish Street, London. Note: Angus McEwan was born in 1963 in Dundee, Scotland. Angus studied at the Duncan of Jordanstone College Art in Dundee, graduating in Fine Art and a Post Graduate Diploma in the same discipline. Angus was elected to the Royal Scottish Society of Painters in Watercolours (1995) and in 2012 the Royal Watercolour Society. In 2005 he was recognized as an Associate of the International Guild of Realism USA. He is also an associate member of the AWS and NWS in the USA. Angus has been Finalist three times of the ''International Artist Magazine'' and won first place in the John Blockley Prize in the RI open exhibition. Angus has also won second prize in the Sunday Times Watercolour Competition (2007) in London and the International Prize ''Marche d'Acqua'' Fabriano, Italy in 2012. In 2013 Angus won Bronze Award, at the Shenzhen International Watercolour Biennial, in China. He was recently awarded the May Marshall Brown award at the Royal Scottish Society of Painters in Watercolours (RSW), Edinburgh, 2015 and was elected RGI in May 2016. Many galleries display McEwan's works, including Ok Harris Gallery in New York and Quanhua Gallery, Shanghai. Recently highlighted in Shenzhen Biennale and the Qingdao Hall of Watercolor. He has exhibited in Fabriano, Italy in the ''Marche d'Acqua'' International Award, as special guest and Vicenza, Italy, where he had a solo show in the ''Artbox''. McEwan was one of the 23 finalists in Narbonne, France at the Concours Mondial de l'Aquarelle 2014 1st World Watercolour Competition. Angus also exhibited at the World Watermedia Exposition, Thailand and Myro Gallery, Greece. He also participated in the Second International Watercolour Exhibit in Thessaloniki, Greece. In the UK McEwan exhibits with Thompson's Gallery (London) and The Open Eye Gallery (Edinburgh). Notable collectors include: Dundee Art Galleries and Museums; The Qatar Royal Family; the Royal Scottish Academy Collection; Ernst & Young, Glasgow; Scottish Enterprise; Scottish Equitable; Historic Scotland; Perth Royal Infirmary.
Lot 105
Ca.300 AD. A Roman D-section bronze hoop with geometric detailing to the shoulders, drum-shaped bezel with incised undulating lines to the sidewall, depicting Caduceus- is the staff carried by Hermes in Greek mythology and consequently by Hermes Trismegistus in Greco-Egyptian mythology. Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991. Good Condition; wearable; D:18mm/L:23mm; UK P US 8;5.5g; Provenance: From an old British collection, acquired on the UK art market in the 1980s.
Lot 111
Ca. 1500-700 BC. An interesting bronze amulet in form of Demon's head; collar around the neck; suspension; loop. Good condition; original Report from Proffessor Lambert written in 1992/3. ; D:29mm; 14.5g; Provenance: From an old British collection, acquired on the UK art market in the 1980s.
Lot 114
Ca.700-900 AD. A rare Medieval bronze bracelet with balusters and snake-head finials representing Jormungand; also called the “Midgard Serpent,” is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. So enormous is he that his body forms a circle around the entirety of Midgard. He’s one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir.Good condition; Reference for Viking Jewellery: Cf. Arbman, H. Birka I: Die Gräber, Uppsala, 1940; Good condition wearable D:63mm; 26g; Provenance: From an old British collection, acquired on the UK art market in the 1980s.
Lot 126
Ca.400 AD. An Interesting bronze ring with a fishnet pattern; this decoration is often interpreted as a fisherman net, being associated with early Christianity; Good condition, wearable; Reference for Roman Rings: Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991 D:19mm/L:25mm; UK S US 9;9g; Provenance: From an old British collection, acquired on the UK art market in the 1980s.
Lot 128
Ca.1400 AD. A bronze Tudor Period finger ring with ellipsoid cell to the bezel and inset carnelian cabochon, rope detailing to the rim, flat-section hoop. Good condition; wearable; D:21mm/L:32mm; UK W US 11; 12.5g; Provenance: From an old British collection, acquired on the UK art market in the 1980s.
Lot 151
Ca.1300-1500 AD. Crusaders period bronze cross; applied suspension loop depicting God; front side depicting crucified Jesus Christ surrounded by saints; reverse part depicting John the Baptist; Good wearable condition; W:90mm/L:63mm; 38.5g; Provenance: Private London collection, formed in the 1990s on the UK and European art market.
Lot 158
Ca. 200 AD. Ancient cast Bronze Ring with oval hoop; applied round bezel with elaborate geometric decoration. Good Condition; wearable; Reference for Roman Rings: Cf. Ruseva-Slokoska, L. Roman Jewellery, Sofia, 1991 D:19mm/L:23mm; UK S US 9;3g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.
Lot 159
Ca.400 AD. An Interesting bronze ring with a fishnet pattern; this decoration is often interpreted as fisherman net, being associated with early Christianity; Good condition, wearable; D:16mm/L:22mm; UK K US 5;5g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.
Lot 162
Ca.1300-1500 AD. Crusaders period bronze cross; applied suspension loop depicting God; front side depicting crucified Jesus Christ surrounded by saints; reverse part depicting John the Baptist; Good wearable condition; D:80mm/L:53mm; 20g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.
Lot 169
Ca. 900 AD. Substantial Scandinavian bronze ring; oval hoop forming elliptical-shaped bezel; decorated as stylized Snake eye. Powerful mythological symbol, associated with Jormungand - also called the “Midgard Serpent,” is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. So enormous is he that his body forms a circle around the entirety of Midgard. He’s one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir.Good condition; wearable; D:19mm/L:22mm; UK S US 9;3.5g; Provenance: From an old British collection of Asian Art formed in the 1990 on the UK and European art market.
Lot 180
Ca.900-1100 AD. Amazing Viking Era cast bronze penannular brooch (fibulae) of the style known as Mordvinian, with granulated surfaces. This style incorporates the penannular style and enlarges the terminals, expanding them into long, isosceles triangle plates with their second-longest faces lying against each other. Both have a pin wrapped around their rings and raised dots decorating their faces. Good Condition; D:61mm/L:45mm; 21g; Provenance: Private collection of an Oxford professional, formed in the 1970s-1990s on the UK art market.
Lot 184
Ca. 900 AD. Rare Viking period, Scandinavian bronze seal ring depicting beast; possibly Fafnir - In Norse mythology, Fáfnir (Old Norse and Icelandic) or Frænir is a son of the dwarf king Hreidmar and brother of Regin, Ótr, Lyngheiðr, and Lofnheiðr. After being affected by the curse of Andvari's ring and gold, Fafnir became a dragon and was slain by the brave hero Sigurd. A powerful Mythological symbol. Good condition; wearable; D:18mm; UK P US 8;2g; Provenance: Private London collection, formed in the 1990s on the UK and European art market.
Lot 186
Ca. 200 AD. Ancient cast bronze ring with oval hoop; elliptical bezel with elaborate geometric decoration. Expertly cleaned and conserved wearable condition. D:17mm/L:21mm; UK N US 6/5;3.5g; Provenance: Private collection of an Oxford professional, formed in the 1970s-1990s on the UK art market.
Lot 199
Ca. 664 - 589 BC. Amazing Egyptian detailed bronze Osiris, circa 26th Dynasty, wearing the plumed Atef crown, fronted with an ureas and wearing the characteristic beard and broad collar and hands grasping the crook and flail. Tang at the bottom of the platform. Great green patina. 195 x 130 mm; 7.67715x5.1181 in; 285g; Provenance: Important London collection of Ancient art; formed in 1970s then passed by descent.
Lot 200
Ca.100 AD. A rare Roman bronze bell holder formed by a half-sphere sheet bronze cup holding three sets of chains which are interlinked by bronze discs finalizing in terminal hooks to hold the bells; Good condition; on the custom stand; Possibly from a home shrine; 525 x 470 mm; 20.66925x18.5039 in; 225g; Provenance: Private collection of an Oxford professional, formed in the 1970s-1990s on the UK art market.
Lot 218
Ca.100 AD. A substantial Roman cast bronze phalera formed as a lion mask within a circular frame; the mask stern with prominent brow and eyes, detailed mane framing the face; with the gaping mouth; the frame with raised annular border and four attachment holes.Good condition; on a custom stand; 148 x 155 mm; 5.82676x6.10235 in; 570g; Provenance: From an old British collection, acquired on the UK art market in the 1980s.
Lot 221
Ca. 1200 - 800 BC. A large Greek Archaic Period bronze leaf-shaped round-shouldered short sword with a broad median rib extending to a short tang. Good condition; on a custom stand; From west Asia to Mainland Greece, bronze weaponry production flourished from the 2nd millennium BC to about 700BC when it was gradually replaced by iron. Swords, spears, and arrows were exchanged via trade and war and are discovered in both civic and ritual contexts. 480 x 65 mm; 18.8976x2.55905 in; 422g; Provenance: Important estate collection from Oxfordshire; formed in the 1970s-2000.
Lot 232
Ca. 1200- 800 BC. Superb Bronze Age axe combined in ax-adze with circular shaft hole; the transverse blade trapezoid with expanding cutting edge; the axial blade expanded with a slightly curved cutting edge, effective weapon. shaft decorated with sun symbols; Superb Condition, on custom stand 190 x 60 mm; 7.4803x2.3622 in; 861g; Provenance: Important estate collection from Oxfordshire; formed in the 1970s-2000.
Lot 234
Ca. 2000 BC.A lovely example of European Bronze Age weaponry. A cast sickle-blade with raised rear border to the upper surface, plain reverse; twisted terminal for hanging; Good condition, on a custom stand; 215 x 65 mm; 8.46455x2.55905 in; 255g; Provenance: Important estate collection from Oxfordshire; formed in the 1970s-2000.
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