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DEUTSCHES REICH,1933-45, Nachlass Verleihungs- bzw. Besitzurkunden: EK 2.Klasse; Verwundetenabzeichen Silber; Ostmedaille; Panzerkampfabzeichen Bronze; Sonderausweis Heim Alpenblick, dazu Verwundetenabzeichen i schwarz; Ripsband Ostmedaille; Spange EK 2.Klasse + Ostmedaille, 1 Feldpostbriefhülle
DDR, Ordens- und Abzeichenkonvolut,bestehend aus: Ehrengeschenk NVA Offizier 25 Jahre Treue Dienste (Befestigungsschlaufen lose); Banner der Arbeit Stufe III mit Spange; Ehrenzeichen der Volkspolizei mit Spange; Medaile für treue Dienste i d NVA mit Spange i Silber;Reservistenabzechen NVA Silberstufe; 3x Medaillen zum Kollektiv d soz. Arbeit; Abzeichen XXX. Jahre MfS; je in orig. Etui bzw. Kasten; Schießabzeichen der Kampfgruppen i Bronze; 2x Ehrenspangen Kollektiv d soz. Arbeit
DEUTSCHES REICH,1933-45, Ordens- und Abzeichenkonvolut, Panzerkampfabzeichen Bronze, Herst. Adolf Scholze/ Gablonz, mit Besitzzeugnis u Aufstellung der Kampftage; Mutterkreuz Gold, Ripsband, Brosche mit Miniaturkreuz in orig. Etui, Herst. A, Rettenmaier/ Schwäbisch-Gmünd, dazu Plakette ADAC 2. Rhein-Neckar-Odenwald Orientierungsfahrt 1951, in Verbandsdose, Blech, olivgrün gelackt
PENDULENGEHÄUSE, Frankreich, 1.Hälfte 19.Jh.,Bronze, Reste von Feuervergoldung, architektonischer Sockelaufbau auf 4 Füßchen, plastische Bekrönung - Allegorie der antiken Musik, in der Front Bacchantenrelief, Emaillezifferblatt, römische Indices, gebläute Zeiger sowie Quartzwerk (läuft) später erneuert, ca. 34,5 x 24 x 9 cm
Mackenzie Thorpe What Ever It Takes, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in the late 1950's into humble beginnings, that era's customary career path was in the shipyards and industry of the area and upon leaving school at 15, Mackenzie Thorpe followed this predetermined path. Unhappy and feeling like a fish out of water, he kept creating, until his passion for drawing compelled him to forge his own path. Against all the odds he gained a place at his local art college before completing a degree in fine art in London in 1982. In 1989 he opened a gallery in Richmond, North Yorkshire and eventually his work (and popularity) went from strength to strength, his work being championed by William Hague MP. In the mid 1990's, he was signed up by an American art publisher who helped launch him in the United States, Japan, Australia, and New Zealand. Since then, he has continued to create distinctive artwork and exhibits both in the UK and internationally. In recent years Mackenzie has devoted time to developing bronze sculpture, with these unique and distinctive pieces now enhancing private gardens and homes, with larger scale works being commissioned for international businesses and hospitals. He is currently developing new work for an exhibition in 2024, at the Umm El Fahem Gallery in Israel which is aimed at uniting the diverse cultural and social relationships in this area. Commenting he said, 'as a British man I'm honoured to have been invited to exhibit at this prestigious gallery which aims to build peace and tolerance through art. It feels like a huge responsibility but using art as a kind of third language, as I do, allows my art to connect to people irrespective of age, gender, nationality, race etc, so whilst it is a challenge, I am excited'. Education Byam Shaw School of Art, BA fine art, London, UK 1979 -1982 You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Mackenzie Thorpe There's Nana, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in the late 1950's into humble beginnings, that era's customary career path was in the shipyards and industry of the area and upon leaving school at 15, Mackenzie Thorpe followed this predetermined path. Unhappy and feeling like a fish out of water, he kept creating, until his passion for drawing compelled him to forge his own path. Against all the odds he gained a place at his local art college before completing a degree in fine art in London in 1982. In 1989 he opened a gallery in Richmond, North Yorkshire and eventually his work (and popularity) went from strength to strength, his work being championed by William Hague MP. In the mid 1990's, he was signed up by an American art publisher who helped launch him in the United States, Japan, Australia, and New Zealand. Since then, he has continued to create distinctive artwork and exhibits both in the UK and internationally. In recent years Mackenzie has devoted time to developing bronze sculpture, with these unique and distinctive pieces now enhancing private gardens and homes, with larger scale works being commissioned for international businesses and hospitals. He is currently developing new work for an exhibition in 2024, at the Umm El Fahem Gallery in Israel which is aimed at uniting the diverse cultural and social relationships in this area. Commenting he said, 'as a British man I'm honoured to have been invited to exhibit at this prestigious gallery which aims to build peace and tolerance through art. It feels like a huge responsibility but using art as a kind of third language, as I do, allows my art to connect to people irrespective of age, gender, nationality, race etc, so whilst it is a challenge, I am excited'. Education Byam Shaw School of Art, BA fine art, London, UK 1979 -1982 You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Bronze. Skulptur - Voltaire und Rousseau. Zwei kleine Büsten mit dunkler Patina. An der Unterseite markiert „E. Jadomy – C. S.[spiegelverkehrt] 1886. Arbeiten vom Ende des 19. Jhrdts. Länge 11 cm; Breit 7 cm und Höhe 15 cm. (46) * Zwei elegante kleine Büsten im Stile von Jean-Antonie Houdon (1741 – 1828). Voltaire und Rousseau revolutionäre Vorkämpfer für Freiheit, Gleichheit und Gerechtigkeit, beide sind Wegbreiter einer Gesellschaft in jeder Mensch als Individuum akzeptiert und respektiert wird, mit der Chance, sich eine eigene Meinung zu bilden. Zustand: Skulpturen mit leichten Alterungsspuren und altersbedingten kleineren Fehlstellen. Versandgewicht 6 kg. Schöne und dekorative Kleinplastiken.
Europa. Polen. Nowakowski, Jerzy. Bronzeschachspiel. “Kompozuyist Rzezbinarskia P.T. Szachy“ [Skulptur Assoziation Schach]. Schachfiguren mit Schachbrett aus Bronze. Die eine Partei ist hell die andere dunkel patiniert. Originales Klebeetikett auf der Unterseite des Schachbretts: Arbeit von Jerzy Nowakowski aus dem Jahr 1991. Höhe König 5 cm; Bauer 3 cm. Größe Brett 30 x 31 cm. (56) * Kompletter Figurensatz mit passendem Schachbrett. Nuancenreich. Im Stil des Künstlers gearbeitete Schachfiguren, die in die vertieften Spielfelder des Schachspiels passen. Zustand: Mit benutzungsbedingten Alterungsspuren und kleineren Defekten. Versandgewicht 18 Kg. Interessantes Schachspiel. / Europe. Poland. Nowakowski, Jerzy. Bronze chess set “Kompozuyist Rzezbinarskia P.T. Szachy" [sculpture association chess]. Chessmen with chess board made of bronze. One side has a light patina, the other has a dark patina. Original adhesive label on the underside of the chessboard: Work by Jerzy Nowakowski from 1991. King height 5 cm; pawn 3 cm. Board size 30 x 31 cm. Complete chess set with matching chess board. Nuanced chess pieces crafted in the artist's style to fit into the recessed playing fields of the chess set. With usage-related signs of aging and minor defects. Shipping weight 18 kg. Interesting chess game
CHINESE BRONZE MINIATURE BRONZE GOLD SPLASHED CENSER, QING DYNASTY with pierced cover and four character mark in oracle bone script to base4.5cm diameterWear to the bronze on several sections of the body. Light Wear to inside and rim and underside of lid, consistent with age. Additional images now available.
JAPANESE BRONZE OKIMONO OF A TIGER, MEIJI PERIOD (1868-1912) modelled on all fours, character mark signature to belly35cm wideSurface residue to rear left paw, this area looks like it has possibly suffered some damage, otherwise natural wear including some nicks and pitting, some pronounced areas of rubbing to patination including the ears and tip of tail but no other particular issues to note, images available
IKKODO MIYABE ATSUYOSHI, GOOD JAPANESE BRONZE AND MIXED METAL VASE, MEIJI PERIOD elongated ovoid form, with cranes amongst branches in silver, silver gilt and copper, fully signed to base22cm highOne noticeable dent to rim with some further knocks which are relatively minor but present and should be noted; some rubbing to the finish and exposure of bronze to this area; surface scuffs and marks to body visible against the matte finish; areas of apparent oxidisation or certainly some kind of surface effect and discolouration around the applied foliage; some minor knocks to edge of foot; additional images available
LARGE CHINESE BRONZE CENSER, 20TH CENTURY with cast Fo Dog finial and applied script, marked to underside, on stand35cm highBoth handles can be removed and are loosely fitting, one currently detached; some knocks and misshaping to rim, some further knocks to body, pitting throughout as well as patches of discolouration and oxidisation; cover similar with knocks and misshaping to rim but still fits; stand also knocked and slightly compressed with similar pitting and wear; additional images available
IKKODO MIYABE ATSUYOSHI, PAIR OF JAPANESE BRONZE AND MIXED METAL VASES, MEIJI PERIOD (1868-1912) each of tapered cylindrical form, decorated with cranes and smaller birds amidst water and willows, silver and silver gilt inlay with engraved detail, character marks to base23.5cm highOne dented to rim, both with small knocks and nicks around rims, the other with a small but noticeable deep scratch; some further minor surface nicks, scratches and patches of discolouration; also some surface pitting; that with dented rim also with dented foot, however it is the other that stands at a slightly offset angle when on a flat surface, this also has a slight compression to upper body that is difficult to capture in an image but can be felt; images available
An Unusual 18-Bore Flintlock Pistol With Bronze Barrel And LockBy Barber, London, Circa 1765With two-stage barrel slightly flared towards the muzzle and stamped with indistinct Irish registration number for Dublin City along the top, octagonal breech signed in capitals along the top flat and engraved with rocailles and foliage, plain tang, border engraved flat bevelled lock signed in capitals on a rococo scroll and decorated with foliage on the stepped tail, cock engraved en suite, figured full stock (some old splits and repairs along the fore-end, grip broken through and repaired), cast and chased silver mounts comprising pierced side-plate with a shell on a draped pedestal between foliage, later foliate escutcheon engraved 'York' in gothic letters, grotesque mask butt-cap, steel trigger-guard with acorn finial, turned ramrod-pipes, and horn-tipped ramrod (worm missing), possibly original (some wear and light pitting), London proof marks and unidentified barrelsmith's mark 25.5 cm. barrel Footnotes:The maker is possibly John 1 Barber apprenticed to his father Lewis in 1711For further information on this lot please visit Bonhams.com
Large Collection of Assorted Coins, including assorted Commemorative Crowns, including Royal, approx 40 in total, copper and old 50p and £2 coins, Mary Queen of Scots solid bronze boxed coin, French Franc notes and coins, Australian dollar notes and coins, Italian, Spanish, New Zealand, Portuguese coins, etc. Good collection for sorting.
A bronze mounted marble column pillar of variegated white marble, a circular mount (top missing), resting on a deep Corinthian bronze capital with a matching bronze base atop a stepped square marble plinth on four bronze corner feet, 41in. (104cm.) high. *Broken marble side panel to base and top missing.
Stephen Daniels, (English, b.1955) A patinated bronze stylised figure of an archer from the Dark Crusaders series, signed with symbols to lower leg, on a lacquered base, unique, 19¾in. (50.1cm.) high. *Provenance: Purchased from the Alwin Gallery, London, November 1984 where shown in the sculptor's one man Dark Crusaders exhibition.
A late 19th Century bronze and clear glass centrepiece the heavy pierced base, having floral, foliate and scroll decoration, showing some original gilt finish, clear glass trumpet vase with large bowl atop, and painted decoration, 19¾in. (50.4cm.) high. * Overall very good, the base with some original gilt finish showing, no chips or cracks.
A Chinese patinated bronze and hardwood covered censer probably early 20th century, of rectangular form, with two hooped handles and taotie mask decoration on a keywork ground, raised on four lion mask supports, impressed seal mark to underside, the reticulated hardwood cover with cloud scroll carving and fo dog finial, 10½in. (26.7cm.) high. *Old chip to one foot. Crack to one end of hardwood cover and chip to corner of the top plinth on the cover, below the finial. Some corrosion to interior of censer.
A 19th century French green onyx ormolu mounted three piece clock garniture with white enamel face signed 'Wilkinson Paris', surmounted by a wreath and flaming torches, on four turned bronze feet, medallion applied to movement "L Marta & C'e Medaille D'Argent 1889", "Made in France", 6¼ x 4¼in. (15.9 x 10.8cm.) x 11½in. (29.2cm.) high together with a pair of matching two branch candelabra on square green onyx bases 9¼ in. high. (3)
A pair of French 19th century style patinated bronze and ormolu candlesticks the urn sconces with lappet drip pan beneath on tapered columns with gilt acanthus urn mount to gilt triform bases with three paw feet, on concave triform plinths, 10¼in. (26cm.) high, later converted to lamps, 15in. (38cm.) high overall, complete with pale grey pleated silk shades. (2) * Very good condition overall with no faults. Shades VG. They are not wired.
* Ballooning Medals. The Siege of Paris, Balloon and Pigeon Postage Medal, bronze, 1870-1871, by C J M Degeorge, the obverse showing a figure of Lutetia seated on cannon, releasing a pigeon, a balloon in the sky beyond, the reverse with a pigeon flying to a basket on which a blank tablet, Communications Aeriennes, 53mm, together with a larger uniface Siege of Paris plaquette plus souvenir medals for the Universal Exposition of Paris in 1878 and other ballooning medals QTY: (20)
* Biplane Motor Car Mascot, circa 1912, a large rare radiator adornment, representing a pioneer aeroplane to a design similar to an Avro Float-plane, by J.G. Ogilvey, Sydney Australia, finely crafted nickel-plated bronze, with rotating propeller, striated wing detail, movable rudder and cowled engine-nacelle, stamped maker's named mark and regd. no. 2576 to tail-plane, display-mounted upon a turned walnut-wood socle, excellent patinated condition, wingspan 20 cm, length 24 cm QTY: (1)
* Schneider Trophy. Supermarine Racing Seaplane Car Mascot, circa 1931, an original example of the famous RAF S6B winner of the 1931 event thereby taking the coveted trophy outright, chrome-plated bronze with good detail, incised markings, and rotating propeller, shows minor age-wear from previous fitting to a motorcar, wingspan 15 cm QTY: (1)
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350105 item(s)/page