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Lot 1040
A collection of WWII German memorabilia, comprising; a group of German identification tags, two inert egg grenades; a1941 map of Liege; WWII German cutlery, including a serving spoon with Luftwaffe eagle, two Wehrmacht spoons; an SS spoon, a part set of mess tin cutlery; a German RDH bronze plaque; a model of an SS helmet on base; a copy of Mein Kampf, published 1939 by Hurst and Blackett ltd publishers London; and a German Navy rating for the Boatswain's Mate - third class.
Lot 1017
A collection of WWII German awards, comprising; a Hitler Youth Proficiency badge, in silver, with arrow enclosed by runic scrip, with needle pin, unmarked, 5 x 3cms; an SA Sports badge, in bronze, with needle pin, makers mark to the reverse and numbered 120785, 5.5 x 4.6cms; an SS Sports Proficiency badge, with black enamel runic S's, with needle pin, unmarked, 5cms diameter; and a reproduction Totenkopf collar tab. (4)
Lot 372
A large quantity of bronze and white metal commemorative medals and awards, predominantly 19th century, to include Geo IV white metal coronation medals, Victorian bronze and white metal jubilee medallions, Victorian school attendance awards, Wilts friendly Society, HRH Prince of Wales & Princess Alexandra commemorative wedding medal 1863, Richard II & Edward IV commemorative white metal medals, Edward VII & George V coronation commemoratives, many other commemorative medals and an African world war II service medal awarded to SR.597956 R.P.Wedd, various grades and datesQty: Approximately 80
Lot 149
WW2 Luftwaffe aces signed Adler Tag Cover Oberleutnant Gerhard Krems KC, Major Erich Rudorffer KC. Major Erich Rudorffer Knights Cross with Oak Leaves and Swords (born 1 November 1917) is a German former Luftwaffe fighter ace, one of a handful who served with the Luftwaffe through the whole of World War II. He is 7th most successful fighter pilot in the history of air warfare, and currently both the oldest jet fighter ace, and the most successful ace still living. Rudorffer claimed a total of 222 victories, fighting in all the major German theatres of war, including the European and Mediterranean Theatre of Operations During the war he flew more than 1000 combat missions, was engaged in aerial combat over 300 times, was shot down by flak and enemy fighters 16 times and had to take to his parachute 9 times. His 222 aerial victories include 58 heavily armoured Il-2 Sturmovik ground attack aircraft. He was also responsible for sinking a British submarine. Rudorffer got his first victory over a Curtiss Hawk 75, on 14 May 1940. He scored eight more times before the capitulation of France. He flew throughout the Battle of Britain, and legend has him being pursued down Croydon High Street below rooftop level by a Hurricane. He achieved his nineteenth victory on 1 May 1941; he was then awarded the Ritterkreuz and appointed Staffelkapitän of 6./JG 2 the following month. By the end of December 1941 he had claimed 40 kills. In July 1943 Hauptmann Rudorffer was appointed to command II./JG 54 on the Eastern Front. He claimed his first victory here on 7 August. Due to the experience gained by fighting the RAF he achieved incredible success. During his first sortie on 24 August 1943, 5 Soviet aircraft were downed in 4 minutes. On 11th October 1943 Erich Rudorffer wrote history when during 17 minutes he claimed 13 kills. He earned his nickname Fighter of Libau on 28 October 1944 near the Latvian city of Libau. While preparing to land he spotted a Soviet task force of about 60 close air support aircraft on its way to attack Libau airfields. He broke off the landing and engaged the enemy without any backup. He drove off the attackers, shooting down nine enemy aircraft within 10 minutes. n the winter of 1944, Major Rudorffer was trained on the Messerschmitt Me 262 Jet fighter. In February 1945 he was recalled to command I./ JG 7. Between December 1944 and beginning of April 1945 the I./JG 7 operated from the then newly-built Luftwaffe Airbase in Kaltenkirchen north of Hamburg. So he seems to have been Group Commander more or less for the one month of March 1945. Rudorffer claimed 12 victories with the Me 262, to bring his total to 222. His tally included 136 on the Eastern Front, 26 in North Africa and 60 on the Western Front including 10 heavy bombers. Oberleutnant Gerhard Krems Knights Cross of the Iron Cross Born 4th May 1920, Gerhard Krems joined the Luftwaffe on 9th November 1938 commencing pilot training on 15th March 1939 at LKS (2) Flight Training School, Gatow, Berlin. He graduated to multi-engine training at FFS (C) 3 School at Lonnewitz, 1st November 1939 followed by night and instrument flight training at Stargard, which he completed 15th April 1940. The next day he started operational training on the Do17 at the Reconnaissance Flying School, Grossenhain. Promoted to Leutnant 1st June 1940, Gerhard was sent to a holding unit at Weimer-Hohra to await a posting to operational Staffel. On 15th August 1940 he joined Stabsstaffel/KG 27 in France. During the Battle of Britain, Gerhard completed 39 operational sorties (most of these being in the Heinkel III IG+BA, the subject of this aerofile) and was awarded the Iron Cross Second Class (EK II) 21st October, 1940, First Class (EK I) on 18th November 1940. On 22nd April 1941 he was awarded the Bomber Aircrew Qualification Clasp in Bronze for completing 20 operations. The following day Gerhard completed his 39th and final operation over England, after which he along with KG27 was sent east to take part in the invasion of Russia. On 30th June 1941, Gerhard was awarded the Wound Badge, followed by the award of the Silver Aircrew Clasp on 25th July, for completing 60 operations. He was then awarded the Gold Clasp, 10th October 1941, for completing 110 operations, followed by the Honour Goblet on 26th October 1941. Transferring to 2 Staffel KG27 on 27th January 1942, Gerhard became the first in his unit to be awarded the Knights Cross (RK) 25th May 1942. This was followed by the Russian Front Medal on 25th November 1942, and on 20th December 1942 by the Gold Clasp with Pendant for completing 200+ operations. On 15th March 1943, Gerhard gained the Krimschild for the Crimean Campaign. Transferred to Ia/Stab Gen. Kdo. I Fliegerkorps on 21st May 1944 which he served with until the War in Europe ended on 8th May 1945 - 4 days after his 25th birthday - when he was interned by Russian forces. During his wartime service, Gerhard completed 250 operations, and was held in captivity until release on 20th October 1945. From 1946-1950 he studied at Berlin University and graduated as an engineer. During a long career in the water industry, he became internationally well known, especially for his scientific research work for well constructions. He finally retired in 1980. All the above eight covers have a distinctive red map of England and each cover is accompanied with an information guide and photographs of the pilots involved, the mine series of just eight covers was generated by the Aero Philatelic Historian Hans Rossbach. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 200
Ernest Tino Trova (American, 1927-2009). Mixed media bronze metal and plexiglass suspended relief sculpture depicting Trova's iconic "Falling Man" motif, 1965. Marked with Trova's monogram and numbered 32/175.Height: 12 3/8 in x width: 11 1/4 in x depth: 3 1/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 12 3/8 in x width: 11 1/4 in x depth: 3 1/8 in.
Lot 206
Auguste Nicholas Cain (French, 1821-1894). Pair of framed bronze plaques depicting dead birds hanging in preparation for cooking. One signed "A. Cain" along the lower right. One signed "Cain" along the lower left.(Each) Plaque; height: 10 1/4 in x width: 5 1/4 in x depth: 1 1/4 in. Framed; height: 12 in x width: 6 3/4 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.(Each) Plaque; height: 10 1/4 in x width: 5 1/4 in x depth: 1 1/4 in. Framed; height: 12 in x width: 6 3/4 in.
Lot 207
Humberto Peraza (Mexican, 1925-2016). Bronze sculpture titled "Media Corrida (Half Run)," 1973, depicting three bulls. Signed along the base of the bronze. Galeria Tasende label affixed along the underside of the wooden base.Height: 6 1/2 in x width: 11 3/4 in x depth: 8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 6 1/2 in x width: 11 3/4 in x depth: 8 in.
Lot 208
Tiefeng Jiang (Chinese, b. 1938). Bronze sculpture with a rich bluish-green patina depicting a herd of horses with a beautiful, emerald lady serenely riding one along the foreground. Gilt details throughout. With frosted acrylic base. Signed, dated 1986, editioned, and stamped Finger Hut Grp along the back along one of the horse's haunches.Height: 14 1/2 in x width: 27 1/2 in x depth: 9 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 14 1/2 in x width: 27 1/2 in x depth: 9 in.
Lot 209
Paul Granlund (American, 1925-2003). Bronze sculpture titled "Family," 1991, depicting a whimsical portrayal of a family - a mother, father, and three children - holding hands and swinging the smallest child up into the air. Signed, dated, and numbered 4/25 along the base.Lot Essay:Paul Granlund was born in 1923 in Minneapolis. His father was a Lutheran pastor, who instilled in him the background in religion which would provide a major inspiration for his work throughout his life. After high school, Granlund served in World War II, an experience which deeply affected him, strengthening his interest in understanding and conveying the human experience in all its facets.Following the war, Granlund went to Gustavus Adolphus College in St. Peter, Minnesota. He graduated with his BA in 1952, then, after some graduate work at the University of Minnesota, moved to Michigan to continue his education at Cranbrook Academy of Art, from which he graduated with his MFA in 1954. He received the Fulbright scholarship to study sculpture in Italy, and on this trip and a subsequent period of study as a Guggenheim Fellow in Rome, he was exposed to important works of traditional sculpture as well as new sculptural techniques.After studying in Italy, Granlund returned to Minnesota, and was a faculty member at the Minnesota College of Art and Design throughout the 1960s. He returned to Gustavus Adolphus as sculptor in residence in 1971, a title he kept until 1996, when he retired, although he kept a studio at Gustavus Adolphus until his death in 2003. His art adorns much of the campus there, often demonstrating his adeptness at using sculpture as a method of Biblical interpretation.During his long career, Granlund taught and exhibited throughout the United States, as well as creating many important pieces of public art, including the Vietnam War Memorial at the Minnesota Governor’s Mansion. His dedication to creating all parts of the sculpture himself, including casting his own bronze, made him unique among sculptors, as did his versatility, with his sculptures ranging from traditional-seeming figural works to mind-bending abstract pieces.Height: 14 1/8 in x width: 10 3/4 in x depth: 10 3/4 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 14 1/8 in x width: 10 3/4 in x depth: 10 3/4 in.
Lot 211
Nic Jonk (Dutch, 1928-1994) bronze sculpture of a woman leaning down and touching her toes. The figure's features are smooth and rounded in Jonk's signature style. Signed, dated 1985, and editioned 6-7 along base and on sticker on the bottom.Height: 5 in x width: 2 1/2 in x depth: 3 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 5 in x width: 2 1/2 in x depth: 3 in.
Lot 212
Paul Granlund (American, 1925-2003). Bronze sculpture titled "Dawn," 1985, depicting a standing female nude figure with her right hand on her hip and her left arm reaching towards the sky and her hand full of her hair. Signed, dated '85, and numbered 4/10 along the base.Lot Essay:Paul Granlund was born in 1923 in Minneapolis. His father was a Lutheran pastor, who instilled in him the background in religion which would provide a major inspiration for his work throughout his life. After high school, Granlund served in World War II, an experience which deeply affected him, strengthening his interest in understanding and conveying the human experience in all its facets.Following the war, Granlund went to Gustavus Adolphus College in St. Peter, Minnesota. He graduated with his BA in 1952, then, after some graduate work at the University of Minnesota, moved to Michigan to continue his education at Cranbrook Academy of Art, from which he graduated with his MFA in 1954. He received the Fulbright scholarship to study sculpture in Italy, and on this trip and a subsequent period of study as a Guggenheim Fellow in Rome, he was exposed to important works of traditional sculpture as well as new sculptural techniques.After studying in Italy, Granlund returned to Minnesota, and was a faculty member at the Minnesota College of Art and Design throughout the 1960s. He returned to Gustavus Adolphus as sculptor in residence in 1971, a title he kept until 1996, when he retired, although he kept a studio at Gustavus Adolphus until his death in 2003. His art adorns much of the campus there, often demonstrating his adeptness at using sculpture as a method of Biblical interpretation.During his long career, Granlund taught and exhibited throughout the United States, as well as creating many important pieces of public art, including the Vietnam War Memorial at the Minnesota Governor’s Mansion. His dedication to creating all parts of the sculpture himself, including casting his own bronze, made him unique among sculptors, as did his versatility, with his sculptures ranging from traditional-seeming figural works to mind-bending abstract pieces.Height: 41 3/4 in x width: 15 3/4 in x depth: 10 1/4 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 41 3/4 in x width: 15 3/4 in x depth: 10 1/4 in.
Lot 213
Paul Granlund (American, 1925-2003). Bronze sculpture titled "Half-Tryst," 1984, depicting a standing female nude figure with arm stretched upwards and bending slightly back. Signed, dated '84, and numbered 3/25 along the base. Label that reads "Paul Granlund Half Tryst 3/25 CGR26452" affixed along the underside.Lot Essay:Paul Granlund was born in 1923 in Minneapolis. His father was a Lutheran pastor, who instilled in him the background in religion which would provide a major inspiration for his work throughout his life. After high school, Granlund served in World War II, an experience which deeply affected him, strengthening his interest in understanding and conveying the human experience in all its facets.Following the war, Granlund went to Gustavus Adolphus College in St. Peter, Minnesota. He graduated with his BA in 1952, then, after some graduate work at the University of Minnesota, moved to Michigan to continue his education at Cranbrook Academy of Art, from which he graduated with his MFA in 1954. He received the Fulbright scholarship to study sculpture in Italy, and on this trip and a subsequent period of study as a Guggenheim Fellow in Rome, he was exposed to important works of traditional sculpture as well as new sculptural techniques.After studying in Italy, Granlund returned to Minnesota, and was a faculty member at the Minnesota College of Art and Design throughout the 1960s. He returned to Gustavus Adolphus as sculptor in residence in 1971, a title he kept until 1996, when he retired, although he kept a studio at Gustavus Adolphus until his death in 2003. His art adorns much of the campus there, often demonstrating his adeptness at using sculpture as a method of Biblical interpretation.During his long career, Granlund taught and exhibited throughout the United States, as well as creating many important pieces of public art, including the Vietnam War Memorial at the Minnesota Governor’s Mansion. His dedication to creating all parts of the sculpture himself, including casting his own bronze, made him unique among sculptors, as did his versatility, with his sculptures ranging from traditional-seeming figural works to mind-bending abstract pieces.Height: 11 1/2 in x width: 4 7/8 in x depth: 3 1/2 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 11 1/2 in x width: 4 7/8 in x depth: 3 1/2 in.
Lot 214
Paul Granlund (American, 1925-2003). Bronze sculpture titled "Mothers Model," depicting two female figures holding hands above three children below. Signed, dated 78, and numbered 7/10 along the base.Provenance: Private collection, Minnesota.Lot Essay:Paul Granlund was born in 1923 in Minneapolis. His father was a Lutheran pastor, who instilled in him the background in religion which would provide a major inspiration for his work throughout his life. After high school, Granlund served in World War II, an experience which deeply affected him, strengthening his interest in understanding and conveying the human experience in all its facets.Following the war, Granlund went to Gustavus Adolphus College in St. Peter, Minnesota. He graduated with his BA in 1952, then, after some graduate work at the University of Minnesota, moved to Michigan to continue his education at Cranbrook Academy of Art, from which he graduated with his MFA in 1954. He received the Fulbright scholarship to study sculpture in Italy, and on this trip and a subsequent period of study as a Guggenheim Fellow in Rome, he was exposed to important works of traditional sculpture as well as new sculptural techniques.After studying in Italy, Granlund returned to Minnesota, and was a faculty member at the Minnesota College of Art and Design throughout the 1960s. He returned to Gustavus Adolphus as sculptor in residence in 1971, a title he kept until 1996, when he retired, although he kept a studio at Gustavus Adolphus until his death in 2003. His art adorns much of the campus there, often demonstrating his adeptness at using sculpture as a method of Biblical interpretation.During his long career, Granlund taught and exhibited throughout the United States, as well as creating many important pieces of public art, including the Vietnam War Memorial at the Minnesota Governor’s Mansion. His dedication to creating all parts of the sculpture himself, including casting his own bronze, made him unique among sculptors, as did his versatility, with his sculptures ranging from traditional-seeming figural works to mind-bending abstract pieces.Height: 13 1/4 in x width: 8 3/8 in x depth: 8 3/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 13 1/4 in x width: 8 3/8 in x depth: 8 3/8 in.
Lot 216
Antonio Grediaga Kieff (Canadian/Spanish, b. 1936). Bronze sculpture of an abstract three-legged form, twisting upwards. Signed and editioned "E/A" along one of the legs. Set on a large black acrylic base.Antonio Grediaga Kieff was born in Madrid, and has been an educator and maker around the globe since the mid 20th century. Kieff is renown worldwide for his biomorphic, organic, and flowing sculpture made from wide arrays of materials. Outside from works like these, Kieff's work shows similar forms to this work in bronze through painting, illustration, and jewelry. Here, like in many of the works in the artist's oeuvre, we see Kieff's legendary abstract swirling form create several modes of optical excitement.Sculpture; height: 63 x 24 1/2 x 16 1/2 in. Pedestal; height: 22 3/4 in x width: 27 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sculpture; height: 63 x 24 1/2 x 16 1/2 in. Pedestal; height: 22 3/4 in x width: 27 in.
Lot 217
Antonio Grediaga Kieff (Canadian/Spanish, b. 1936). Abstract bronze sculpture of an amorphous form. Signed and numbered e/a 1 along the bronze.Antonio Grediaga Kieff was born in Madrid, and has been an educator and maker around the globe since the mid 20th century. Kieff is renown worldwide for his biomorphic, organic, and flowing sculpture made from wide arrays of materials. Outside from works like these, Kieff's work shows similar forms to this work in bronze through painting, illustration, and jewelry. Here, like in many of the works in the artist's oeuvre, we see Kieff's legendary abstract swirling form create several modes of optical excitement.Height: 24 1/2 in x width: 6 in x depth: 6 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 24 1/2 in x width: 6 in x depth: 6 in.
Lot 218
Antonio Grediaga Kieff (Canadian/Spanish, b. 1936). Bronze sculpture of an abstract form twisting inwards. Signed and numbered 4/6 along the bronze.Antonio Grediaga Kieff was born in Madrid, and has been an educator and maker around the globe since the mid 20th century. Kieff is renown worldwide for his biomorphic, organic, and flowing sculpture made from wide arrays of materials. Outside from works like these, Kieff's work shows similar forms to this work in bronze through painting, illustration, and jewelry. Here, like in many of the works in the artist's oeuvre, we see Kieff's legendary abstract swirling form create several modes of optical excitement.Height: 18 in x width: 15 in x depth: 6 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 18 in x width: 15 in x depth: 6 in.
Lot 219
Modernist abstract bronze sculpture of an amorphous form. Illegibly signed or marked "PW" and numbered "16" along the side. Attractive piece for collectors of Henry Moore, Kieff Antonio Grediaga, and Richard Erdman.Height: 3/4 in x diameter: 5 1/4 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 3/4 in x diameter: 5 1/4 in.
Lot 220
Bronze sculpture of a tall, slender figure with its right arm raised. Illegibly signed and marked 5/20 © along the right leg. The sculpture rests on a marble base.Height: 31 1/2 in x width: 5 1/8 in x depth: 8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 31 1/2 in x width: 5 1/8 in x depth: 8 in.
Lot 221
Bronze sculpture depicting an abstracted human figure, with many bulges and twists. The artwork has a smooth, dark patina throughout.Height: 11 5/8 in x width: 3 in x depth: 2 5/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Height: 11 5/8 in x width: 3 in x depth: 2 5/8 in.
Lot 57
Jean Joseph Weerts (French, 1847-1927)Portrait of Monsieur Dominique Jean-Baptiste Hugues in his studio signed and dated 'J. J. WEERTS. 1890' (lower right) oil on panel72.5 x 58.5cm (28 9/16 x 23 1/16in).Footnotes:ProvenancePrivate collection, UK.ExhibitedParis, Palais des Champs-Élysées, Salon, 1890, no. 2423, as Portrait de M. J. Hugues.LiteratureFirmin Javel, 'Salon de 1890', in L'Art français: revue illustrée hebdomadaire, 1890, p. 21.P. Kjellberg, Les Bronzes du XIXe Siecle, (Dictionnaire des sculpteurs) c.1980.Catalogue sommaire illustré des sculpteurs du Musée d'Orsay, Paris, RMN, 1986 (illustrated; no. 175, Jean-Baptiste Hugues: Oedipe Ó Colone).Dominique Lobstein, Défense et illustration de l'impressionisme: Ernest Hoschedé et son 'Brelan de salons', 1890, Dijon, 2008, p. 47 (illustrated).Jean Joseph Weerts, a native of Roubaix in northern France, made his Salon debut in 1872 and was a successful portrait and history painter. Noted for their verisimilitude, his portraits included leading political and society figures. Among Weerts' most famous works is his 1880 depiction of L'assassinat de Marat, now in the collection of the Musée d'Art et d'Industrie, Roubaix.The present lot, depicting the sculptor Hugues, was clearly painted in response to a bronze bust made by Hughes of Weerts, and exhibited at the Salon six years before. Dominique Jean-Baptiste Hugues (French 1849- 1930) was a pupil of Dumont and Bonassieux, and first exhibited his sculptural work at the Salon in Paris in 1878, and thereafter won numerous national awards.In the present work, Hugues leans against a marble sculpture entitled Oedipe à Colone which he completed in 1885 and was later exhibited at the Musées nationaux, 1888; Musée du Luxembourg, 1890; and Musée du Louvre in 1931. Today, this fine piece can be found at the Musée d'Orsay, Paris. (inv. no. RF 842, LUX 128).The work was praised by the critics at the Salon in 1890.For further information on this lot please visit Bonhams.com
Lot 460
An early 20th century French red marble-cased mantel clock, surmounted by gilt-bronze cherub, overall height 24cm, working order (original movement which is still present but has been replaced by modern quartz)Movement - currently working but is a modern replacement although original is still retained with a large chip around keyhole. Dial - clean.Glass - clean.Hands - good.Case - a few chips on corners and edges.
Lot 873
•BENNO SCHOTZ RSA (SCOTTISH/ESTONIAN 1891-1984) CHERNA (THE ARTIST'S DAUGHTER) Hollow- Cast bronze on wood plinth, signed, 14cm (5 1/2"), 24cm (9 1/2") (including plinth) Condition Report: On inspection the bronze which has a golden brown patina is in good condition with no significant issues.
Lot 283
AFTER JEAN-DIDIER DEBUT (FRENCH, 1824-1893) - CAST BRONZE FIGURE PORTEUR D'EAU TUNISIEN modelled carrying vessels, with Prix de Rome plaque to front and Garanti au Titre Paris foundry mark, 64cm high Condition Report: Both arms have been cast separately and have pins holding them in place in the shoulders, so some movement, otherwise in nice condition .
Lot 994
•BENNO SCHOTZ RSA (SCOTTISH 1891-1984) SIR JOHN STEWART LLD (LORD PROVOST OF GLASGOW 1935-1938) Hollow-Cast bronze on black metal plinth, signed and dated 1938, 61cm (24") high, 72cm (28") (including plinth) Condition Report: On inspection the bronze has good brown patina, some quite heavy dust in areas but is in good condition with no significant issues.
Lot 100
Arman (French, 1928-2005)Le violon de Crémone Multiple, 1997, bronze violin with patina, incised with the artist's signature and numbered 72/100, with a marble base, 637 x 220 x 180mm (25 1/8 x 8 5/8 x 4 3/4in)(overall)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 101
Arman (French, 1928-2005)Violon Spirale Multiple, 2001-02, bronze violin with gilt patina, incised with the artist's signature and numbered 'XX/XXX', a proof aside from the numbered edition of 100, with granite base, 730 x 200 x 200mm (28 3/4 x 7 7/8 x 7 7/8in)(overall)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 88
Egon Schiele (Austrian, 1890-1918)Selbstbildnis (Self-Portrait) (Kallir 4f) Bronze multiple with brown patina, circa 1917, stamped, dated and numbered 30/300 in the cast, with artist's stamp, 285 x 170 x 230mm (11 1/4 x 6 3/4 x 9in)(overall)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com
Lot 290
Antony Gormley R.A. (British, born 1950)Handstones The complete set of five bronze multiples cast from impressions of the artist's hands, 2019, signed in pencil on the accompanying certificate of authenticity and incised with the numbering 92/100 on the accompanying original wooden box, published by the Royal Academy of Arts, London, overall 282 x 85 x 80mm (11 1/8 x 3 1/4 x 3 1/8in)(Box)(5)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 8
LALAOUNIS: TORQUE, RING AND EARCLIP SUITE, CIRCA 1975The bevelled collar of hammered finish, hinged at the back on both sides via spherical spacers, the ring and earclips of matching design, torque and ring signed Lalaounis, maker's marks, torque inner diameter 10.6cm, earring length 3.0cm, ring size E (3)Footnotes:Lalaounis created a number of jewels inspired by prehistoric artefacts in a series of jewels and objets d'art called, 'The Dawn of Art', in which this suite of jewellery was conceived. The design derives from a copper tool dating to the Bronze Age. See Lalaounis, I. 'Metamorphoses', 1984, p. 28-9, ill.p.38, fig.18.For further information on this lot please visit Bonhams.com
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349674 item(s)/page