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Niderviller , Vase de forme ovoïde avec godrons en porcelaine, muni d`anses à tête de bouc retenant une guirlande de raisins et feuillages en relief. Décor polychrome. Monture en bronze doré pour le pied formant un piédouche carré et le couvercle ajouré., XVIIIe siècle et monture de style, Louis XVI du XIXe siècle, Hauteur : 23 cm, (Réparation à l`épaulement et une oreille recollée)
TWO CHINESE IMPERIAL YELLOW GLAZED COVERS FOR A CEREMONIAL VESSEL, FU of archaic bronze form and rectangular shape, the flared sides moulded with animal headed motifs and applied with loop handles, the top with a flared, undulating flange with repeating wave-lappet design, 20cm w, impressed Daoguang seal mark and of the period One with chip on corner of rim, flat chip on one the sides, and small chip on right angle of one of the feet - no restoration The other with chip to the centre of end of the undulating flange, no restoration
TWO CHINESE IMPERIAL YELLOW GLAZED COVERS FOR A CEREMONIAL VESSEL, FU of archaic bronze form and rectangular shape with flared sides moulded with animal headed motifs and applied with loop handles, the top with flared, undulating flange with repeating wave-lappet design, 20cm w, impressed Qianlong or Daoguang seal mark and of the periods The Qianlong example damaged on one side of the flange. Dauguang example broken into several pieces and restuck with small losses
A CHINESE IMPERIAL YELLOW GLAZED CEREMONIAL VESSEL, FU of archaic bronze form and rectangular shape with flared sides and moulded with archaistic motifs, the sides with loop handles issuing from animal heads, the waist with band of key fret and flared apron on bracket feet, 29cm w overall, impressed Qianlong seal mark and of the period In fine condition
A CHINESE IMPERIAL YELLOW GLAZED CEREMONIAL VESSEL, FU of archaic bronze form and rectangular shape with flared sides and moulded with archaistic motifs, the sides with loop handles issuing from animal heads, the waist with band of key fret and flared apron on bracket feet, 29cm w overall, impressed Qianlong seal mark and of the period Rim chipped on two corners and one foot damaged
A CHINESE BRONZE AND CHAMPLÊVÉ ENAMEL MODEL OF A HARE resting on its forepaws, its ears and head erect, a coat of flowers and tendrils on a turquoise ground on its back and with black patina, 15cm h, Qing dynasty, 18th c On the underside some casting flaws, a copper colour showing through where the black patina is rubbed
A CHINESE ARCHAISTIC BRONZE RITUAL WINE VESSEL, HU of bulbous form and oblong section with sinuous chilong handles, the neck encircled by a finely cast band of taotie on a leiwen ground, on flared foot, mottled patina, the base of the interior case with paulownia, 40cm h, Qing dynasty, 18/19th c In fine condition with much accretion of dust over time, complete and undamaged, the patina attractively rubbed from handling over a long period (nor artificially aged) but not repatinated, cleaned or restored; the interior with much casting residue in contrast to the finely finished exterior, very attractive
A FINE AND RARE GERMAN BRONZE SCULPTURE OF AN OSTRICH after Joseph Franz Pallenberg, even rich brown patina on green marble plinth, 49cm h, signed and dated in the cast 1906, inscribed Dusseldf. BRONCIBILD GIESSEREI Gmbh, early 20th c A particularly attractive and scarce animalier bronze in fine, entirely original condition
AN ARTS AND CRAFTS BRONZE COMMEMORATIVE PORTRAIT PLAQUE OF JOHN BROWN PATON (1834-1911) after Herbert Hampton, signed and dated 1914 in the cast, dark brown/black patina rubbed in places and paint splashes, 45 x 40cm, early 20th c In good condition with natural accretion of dust and polish over time. Not repatinated
A French gilt bronze miniature mantel clock c.1800, the watch movement with verge escapement, fusee and chain, the Breguet style enamel dial with sweep centre seconds and subsidiary hour and minute and date dials, dial wind, pierced gold hands, within a gilt bronze case with archer figure and quiver surmount, on a plinth base with turned toupie feet, 6¾in. (17cm.) high, a/f, movement loose, lacks glass, in a later glass dome with ebonised stand. .
A famille rose decorated pink ground altar candlestick Daoguang seal mark in a line in iron red and possibly of the period (1821-1850), with bell-shaped base and broad drip pan, decorated overall in famille rose enamels with a leafy lotus scroll and the bajixiang on a pink ground between gilt-line and linked ruyi head and key-fret borders, the upper detachable drip pan in bronze engraved with a band of lotus flowers on a matted ground, the interior with an engraved floral emblem, 14¼in. (36cm.) high.
Médaillon en bronze patiné médaille avec son attache fixe représentant Louis de Lavergne de Tressan, évêque du Mans 1638-1712. Il est représenté en bas-relief de profil, vers la droite, avec l’inscription autour : LUD.DE.LAVERGNE.MONTENARD.DE.TRESSAN.ESPUS.CENOMAN. Epoque Louis XIV. 14,2 x 10,3 cm.
Nicolas DELAUNAY (1646 - 1727) Cadre en bronze fondu ciselé et doré, à décor d’une frise d’oves, accosté de figures d’anges ailés, en ronde bosse. aux angles, quatre écoinçons à motif de quatre feuilles sur fond de treillage. Travail d’époque Louis XIV. H. : 220 cm, L; : 17,5 cm Miroir rapporté. Ce cadre reprend avec quelques variantes le modèle du bénitier dit de l’Adoration des Bergers créé par Nicolas DELAUNAY et conservé au Louvres.(anciennes Collection David-Weill). Delaunay travailla sous l’influence de Claude I Balin, on reconnait dans le style de notre miroir l’influence des réalisation de ce dernier pour le mobilier d’argent de Versailles.
Médaillon en bronze fondu ciselé et doré d’après Clodion du sacrifice de l’Amour, représentant un couple vêtu à l’antique sacrifiant l’anneau dans les flammes d’un trépied, deux amours de part et d’autre dont l’un sur une colonne retenant la main de l’homme, l’autre poussant la femme. Moulure mouvementée alternée de perles. Epoque Louis XVI. Dans un cadre médaillon en bois mouluré noirci du XIXe siècle. Diam du médaillon : 13 cm, diamètre du cadre : 16,8cm.
Napoléon Ier. Médaillon en cire corail sur fond noir de l’empereur de profil vers la gauche. Dans un remarquable cadre rond en bronze ciselé et doré à décor ajouré de feuilles de laurier encadré de moulures perles et de feuilles de chêne, surmonté d’un nœud et de fleurs. (Petit manque). Epoque Empire. Diamètre de la cire : 7cm. Cadre : 12,8 x 11,5 cm.
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349674 item(s)/page