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A Regency Cut Glass Dish Light England circa 1810, in splendid original condition, 112cm high, An unusual Regency cut glass dish light having circular bronze rim, enriched with finely chased gilt-metal mounts with Celtic regal masks, enclosing an exceptional cut glass dish, dressed with faceted glass drops, supporting eight candle nozzles. The four original bronze chains suspended from a top cut glass canopy, similarly dressed with period cut glass drops having a rare and unusual center piece of three tiers of fronds with graduating chains of cut glass drops, surmounted by a cut glass faceted finial at the top.
A Charles X Mahogany Bergere With Swan Arms France circa 1830, with neo-classical enrichments decorated in imitation of patinated bronze à l'antique, with swan monopodia and stylised neo-classical low relief carving on the crest and on the seat rail, now upholstered in gauffrage silk velvet, 50cm wide, 94.5cm high, 58cm deep
A Pair of Bronze Dancing Figures France circa 1700, depicting musicians and dancers in the Antique manner. One wears a feathered headdress and is playing castanets. The other is playing the tambourine. Both figures are positioned contraposto and retain a majority of their original lacquer. Mounted on late 18th century blocks of rouge griotte marble, 10cm wide, 25cm high
A Pair of Empire Gilt Bronze Candelabra France circa 1810, the central stem is decorated in low relief with stylised arrows, each raised upon a domed base decorated with enclosed anthemion and further arrow ornament, the scroll arms are enriched with machined neo-classical ornament and finely chased acanthus leaf, the fourth socle is disguised as a reeded attenuated vase with a domed cover, which reverses to form a castellated candle holder, 46cm high
A Pair of Sevres Biscuit Figure Groups France circa 1765, on gilt-brass bases, known as La Curosite and La Loterie, bases late 18th or early 19th century, 21.5cm wide, 22cm high, 15cm deep A pair of Sevres biscuit figure groups on gilt-brass bases, known as La Curosite and La Loterie, based on engravings by Cochin of Boucher drawings, one incised B for the period in which Bachelier was head of the modeller's studio, the other F for the period in which Falconet was the head. This famous pair of biscuit groups were modelled at Sevres in 1757 based on engravings by Cochin of Boucher drawings which the latter had supplied to the Beauvais tapestry manufactory. Louis XV was the first purchaser of groups of this model which were included in his gift to Empress Maria Theresa of Austria. Madame de Pompadour's inventory shows that she owned a pair and their enduring popularity is demonstrated by the fact that the First Consul (later the Emperor Napoleon) purchased a pair in Year XI (1800). Sevres biscuit groups are rarely found on original or later 18th century bronze bases such as these. However, we can see from the inventory of Louis XVI's apartments at Versailles that they were frequently displayed like this when new. Please note: lacking ormolu bases
A Louis XVI Mahogany Console Desserte France circa 1790, with concave sides and a single drawer in the frieze, the top is framed with a pierced gilt bronze gallery, the drawer and side panels are of finely figured mahogany and bordered with ebony stringing and a gilt bronze mount, the upper section is supported on brass fluted column legs, the lower tier is supported on turned tapering topie feet, retaining its original marble top, 98cm wide, 85.5cm high, 37cm deep
An Empire Gueridon Attributed To JJ Werner France circa 1820, attributed to JJ Werner, profusely mounted with gilt bronze, the frieze has a brass stringing line along the bottom edge, 73cm high Jean-Jacques Werner (b. 1791 d. 1849) was born into a wealthy family in the Canton de Vaud region of Switzerland, later assuming French nationality in 1826 he became one of the most illustrious cabinet-makers of the Restauration period. He was established as an ébéniste in 1812 and won great acclaim at the Paris Expositions of 1819 and 1823 for his innovative use of combining rare woods with intricate marquetry. He also frequently embellished his pieces with beautifully executed gilt bronze mounts, particularly anthemion motif which typified the period. Werner enjoyed considerable success, earning the patronage of the Bonaparte family, the Duchesse de Berry and the King of Bavaria among other notable patrons; examples of his work can be seen at the Musée des Arts Décoratifs in Paris and the Grand Trianon at Versailles.
A Pair of Ormolu Wedgwood Vases England circa 1850, decorated in the traditional manner with white neo-classical decoration against a pale blue ground, each having an oval cameo in the centre of each vase depicting labours of Hercules mounted in gilt bronze in the Louis XVI manner, 18cm wide, 30cm high
A Bronze and Gilt Empire Chandelier France circa 1810, the canopy is enriched with gilt metal open anthemion and supports the body of the chandelier which is surmounted by a tazza issuing forth a gilt flambeau, each of the arms is of 'S' scroll form in bronze with a gilt socles enriched with neo-classical decoration, the base of the chandelier is fashioned as roundels of further neo-classical ornament terminating in an acorn finial, 76cm high
A Charles X Bronze and Ormolu Clock France circa 1820, the dial bordered with cut paste decoration, the gilt bronze enriched with scrolls and griffin surmounted by trumpet form cornucopia, the whole supported by claw feet on a stepped plinth, terminating in Belgian black marble, 16.6cm wide, 47cm high, 14cm deep A comparable clock signed Thomire et Cie is illustrated on p.g. 379, item H. in 'La Pendule Francais' by Kjellberg.
A 19th Century Bronze Lantern England circa 1850, a cylindrical bronze lantern with elaborately cast serpentine and foliate arched supports ending in turned urn finials above flat Ionic pilasters, with additional curling spandrail, the door opening with foliate cast handle and the base finished with central finial mounted paterae, now fitted for electricity, 42cm wide, 81.3cm high
A Pair of Tole and Gilt Bronze Lamps France circa 1830, the vase form columns are flanked by bowing swan's head handles and are supported on a machined gilt bronze waisted foot, the whole supported on a block plinth with gilt mounts, the later etched glass shades retain the original elaborate gilt bronze chimneys with machined classical ornament, 78cm high
A silver gilt and cold painted bronze and enamel Asp Egyptian style headdress, the oval circular band with blue and white enamel decoration, each end mounted with a pair of entwined Asps (snakes), (tail of one snake a/f). The Vendor claims a reputed association with the Actress Sarah Bernhardt who played the role of Cleopatra and a 1912 London Colosseum souvenir is included with the lot.
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350105 item(s)/page