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Lot 153
A full sized 1910-vintage Pathe-Freres hand cranked 35mm�silent film projector.The Pathe company has been synonymous with the film industry for over 120 years. And in many ways Pathe, and the 4 brothers who founded it, could be considered the Edisons of Europe- starting life as a fledgling reseller of phonographs in 1896, and rounding out the 20th century as a major innovator of photographic, audio, and film technology, not to mention a global media distributor. Anyone lucky enough to catch a double feature during the golden age of cinema will remember Pathe as the name behind the eponymous newsreels of the 40�s and 50�s; and many timeless films, both European and American, were shot and projected on Pathe-engineered machines. The Pathe No. 1 Imperial- sometimes referred to as The English Model- began production around 1908, and continued well into the teens. It was originally offered as a hand-cranked unit but could be easily modified into an electric drive system and accepts a number of different lighting systems depending on the type of projection needed. Renowned in its era as one of the sturdiest, most flexible designs on the market, the No. 1 was used for both traveling and permanent exhibitions, and is replete with turned bronze gearing, optional Mallet system swing-open safety spool boxes, a fully adjustable and collapsing lens, automatic winder, and a rigid, intricate frame. This example, Serial no. 3063, is in its original orientation: hand operated, with a Geneva drive linkage and large, external 'pin-wheel' shutter. Two antique 12 inch 35mm reels are included. Decked in Pathe cocoa brown enamel, mounted to a sturdy iron and oak stand, it makes an extraordinary display piece, evoking the earliest days of motion picture history; the quiet whirring of the shutter and spinning of the gears are still a charm to behold, and the crank turns easily in the hand. A section of color film leader completes the look. Issued: c. 1910 Dimensions: 62"H x 32"L x 14"D Manufacturer: Pathe-Freres Provenance: Private Collection Country of Origin: France Condition: Wear and patina consistent with age, and use To view the video for this item, click the link below:Pathe-Freres hand-cranked 35mm film projector
Lot 162
1870 US-made precision instrument in box; papers, accessories.This�Heller & Brightly theodolite transit scope is an extraordinary example of mid-19th�century engineering and scientific exploration at the height of its fervor- befitted in brass, equipped with a huge and ornate nautically pointed compass, and housed in a dovetailed instrument box replete with hand numbered serial card and printed notes. The case includes 2 additional eyepieces, a glare shade, and large bronze tribrach mount. Bronze hardware and the original hand-riveted leather straps complete the look. Made in Philadelphia and serialized 7012, this scope is a historical landmark for analog precision and a true piece of art for any collector of instruments nautical or geographical- an undeniably handsome collaboration of spun brass knobs, vernier scales, and hand-ground lenses. Artist: Heller & Brightly Issued: 1870 Dimensions: 13.5"L x 9.5"W x 14"H, in case Country of Origin: United States Condition: Overall good, age related wear to the case and instrument
Lot 163
Heavy brass transit in original wood, leather box; table stand.Made sometime prior to 1940 when A.S. Aloe Company (St. Louis, MO) shifted to medical equipment manufacturing, this 1917 patent transit scope is a beautiful example of early 20th century design, featuring precisely graved vernier scales, large spun-brass controls, black lacquer and varnished bronze finishing; all fitted on a removable trivet, making it ideal for desk or table display.� The controls and locks spin- the rack focus is smooth - automated eyepiece cover swings freely and the view through the optics is clear- spirit level full and visible - an excellent addition to any collection of scientific or exploratory history. Includes brass front cap and original wood and leather field case. Serial no. 11908 Artist: A.S. Aloe Co Issued: Early 20th c. Dimensions: 13"L x 5.25"W x 9"H, in case Country of Origin: United States Condition: Use and age related wear
Lot 164
Heavy brass transit in original wood, leather box; table stand.Made sometime prior to 1940 when A.S. Aloe Company (St. Louis, MO) shifted to medical equipment manufacturing, this 1917 patent transit scope is a beautiful example of early 20th century design, featuring precisely graved vernier scales, large spun-brass controls, black lacquer and varnished bronze finishing; all fitted on a removable flat base plate, making it ideal for desk or table display. The controls and locks spin- the rack focus is smooth - spirit level is full and readable- an excellent addition to any collection of scientific or exploratory history. Includes brass sunshade and original wood and leather field case. Serial no. 10932 Artist: A.S. Aloe Co Issued: Early 20th c. Dimensions: 13"L x 5.25"W x 8.5"H, in case Country of Origin: United States Condition: Age and use related wear; weathered box
Lot 165
Bronze and steel scope with bubble level, numerous adjustments.A classic piece of scientific surveying equipment, this Buff & Buff Co. transit scope is built from brass, bronze, and steel casements and machined parts, befitting the quality of early 20th century precision instruments. Two toned, equipped with a large bubble level and stored in its original wood and leather field case, an excellent addition to any collection of engineering, scientific, navigational, or American industrial equipment, and certainly a handsome mantelpiece. Artist: Buff & Buff Issued: December 1st 1960 Dimensions: 20"L x 6"H x 10"H, in case Country of Origin: United States Condition: Use and age related wear
Lot 182
Officer-of-the-deck model black spotting scope in oak box.Produced by the Kollmorgen Optical Corporation under contract from the U.S.N. Bureau of Ships, this 10 power spotting scope was standard issue aboard line ships across the seas during World War Two. Heavily constructed from enameled spun bronze and coated in an early form of abrasion resistant rubber, this scope shows good condition with unchipped lenses and a straight body. The original coating and enamel is in good condition, and the felt lined oak presentation box- with its brass hardware and original naval badge- is a collectors item in its own right. Serial Number 2444. Issued: 1940s Dimensions: 25"L x 3.75"D x 3.75"H Edition Number: 2444 Manufacturer: Kollmorgen Country of Origin: United States Condition: Age related use and wear
Lot 183
U.S. Navy ordnance scope issued during WWII in oak case.This 16 power spotting scope was issued aboard line ships across the seas during World War Two. Produced by the Kollmorgen Optical Corporation under contract from the U.S.N. Bureau of Ships, and heavily constructed from enameled, spun bronze, and coated in an early form of abrasion resistant polymer, this scope shows good condition with unchipped lenses and strong enamel finish. The original coating is also in good condition, and the felt lined oak presentation box- with its brass hardware and finger jointed construction- holds the scope firmly. Issued: 1940s Dimensions: 32.5"L x 4.75"D x 5"H Manufacturer: Kollmorgen Country of Origin: United States Condition: Age related use and wear. Oak case shows sign of repair
Lot 97
Bold black bronze and chrome decor on this clever stereo icon.Long before the ubiquitous red plastic Viewmaster and their disks, the Viewmaster company made a number of 3D-viewing and stereo platforms, including producing their own stereo camera. The Personal, a well featured and splendidly styled camera, evokes not only the 40's and 50's obsession with travel, 3D popcorn drive-in films, and persona photography- it also evokes 'cool'. Issued: c. 1940's Dimensions: 6"L x 2.5"D x 3.25"H Manufacturer: Viewmaster Country of Origin: United States Condition: Age and use related wear, as-is
Lot 156f
West Africa, Nigeria, Mumuye peoples, ca. first half of the 20th century CE. A large forged-iron rain-making wand comprised of several serpentine rods accentuated with twisted grooves until just before the flattened, diamond-shaped heads. The lower ends of each rod are secured within a conical handle which could be placed in the end of a longer wooden pole if desired. Mumuye shamans utilize rain-making wands because they believe their slithering forms to mimic flashes of lightning or the serpentine movements of snakes. Shamans dig small holes and place the ends of the wands in the hole where they symbolically petition the gods for rain by channeling the life-force of the earth. Size: 6.65" W x 23.7" H (16.9 cm x 60.2 cm); 24.75" H (62.9 cm) on included custom stand. Provenance: Mark Clayton collection, Long Beach, California, USA; Mr. Clayton is a noted African expert and collector who recently had Nigerian bronze objects from his collection featured in an exhibition at the UCLA Fowler Museum entitled "Summoning the Ancestors" (September 2018 - March 2019). Condition: Nice condition with warm russet patina. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #146702
Lot 156g
West Africa, Nigeria, Mumuye peoples, ca. first half of the 20th century CE. A striking forged-iron rain-making wand comprised of several serpentine rods, half of which are accentuated with twisted grooves until just before the flattened, diamond-shaped heads. The lower ends of each rod are secured within a conical handle which could be placed in the end of a longer wooden pole if desired. Mumuye shamans utilize rain-making wands because they believe their slithering forms to mimic flashes of lightning or the serpentine movements of snakes. Shamans dig small holes and place the ends of the wands in the hole where they symbolically petition the gods for rain by channeling the life-force of the earth. Size: 5" W x 19.7" H (12.7 cm x 50 cm) Provenance: Mark Clayton collection, Long Beach, California, USA; Mr. Clayton is a noted African expert and collector who recently had Nigerian bronze objects from his collection featured in an exhibition at the UCLA Fowler Museum entitled "Summoning the Ancestors" (September 2018 - March 2019). Condition: Intact, and in good condition with a nice russet patina. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #146709
Lot 1315
English mahogany double fusee verge bracket clock, the 7" brass arched dial signed Thomas Hatton, London on the foliate engraved centre plate, enclosed by a silvered chapter ring and surmounted by a strike/silent dial, the movement with locking pendulum, within a rounded arched stepped case surmounted by a foliate bronze handle, 18" high (pendulum and keys) (alterations)
Lot 1512
French bronze and ormolu two train mantel clock, the movement with outside countwheel striking on a bell, within a stepped case, the base with a canted foliate ormolu cast frieze and upon scrolling foliate front feet, surmounted by a sleeping child protected by a startled dog, 15" high (pendulum)
Lot 1558
Good rare black marble three train French fusee mantel clock, the movement playing on a nest of eight bells and striking the hours on a large gong, the 6" black marble dial with raised gilt Arabic numerals and strike/silent and bell selection levers, within an impressive pillared case with two relief bronze panels depicting men working in the forging process and sailing boats by the shore with figures, surmounted by a stepped pediment, 21" high (pendulum)
Lot 288
RODIN AUGUSTE: (1840-1917) French Sculptor. An excellent signed 11 x 15.5 photograph `Aug Rodin´, the unusual large size paper photograph image showing his Arthur Jerome Eddy´s bronze bust work. Signed in bold dark ink to a clear area at the base of the image. Corner slightly damages with corner creases to the upper left corner. G £600-900 Arthur Jerome Eddy (1859-1920) American Lawyer, Author and art Collector. His work `Cubists and Post-Impressionism´ was the first American book promoting these new art vagues.
Lot 1553
A PAIR OF JAPANESE MEIJI PERIOD CELADON GROUND MOULDED PORCELAIN VASES / LAMPS, the bodys of the vased with moulded and painted decoration depicting birds sat amongst trees, later converted to lamps using French style bronze / metal mountings, with handles, overal 66cm high, the vase approx. 41.5cm high x 15cm wide,
Lot 1562
A GOOD JAPANESE MEIJI PERIOD BRONZE & MIXED METAL WOOD WORKER BY MIYAO EISUKE, the bronze okimono depicting a Japanese woodcutter / worker leaning over a tree stump whilst working it, the artist has signed this okimono to the tobacco pouch he is wearing on his waist, stood on its hardwood and lacquered base, 27.5cm high x 14.5cm wide ( on base ).
Lot 1563
A GOOD JAPANESE MEIJI PERIOD BRONZE & MIXED METAL BASKET WEAVER AFTER MIYAO EISUKE, the bronze okimono depicting a Japanese elder holding a weaved basket and tools,this okimono has not been artist signed but we can firmly attribute it to be after miyao eisuke, stood on its hardwood and lacquered base 26cm high x 15.5cm ( on base ).
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