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A Chinese famille verte baluster vase, circa 1890, originally retailed by Liberty & Co, (label on base), carved in low relief with a dragon, 34.5cm high, and a porcelain double gourd vase, circa 1890, painted with prunus and cracked ice, 26cm high, and a Chinese bronze slender vase, in 18th Century style, craved with a sea dragon, twin mask and ring handles, 16.5cm, engraved four character mark (3)
Paterne Berrichon (French, early 20th Century), a bronze bust of the French Poet Rimbaud, on an integral tapered socle, signed and dated 1902, height 25cmProvenance: auction of Oger & Dumont, Hotel Drouot, 1985.Note: bust of Rimbaud by his brother-in-law Paterne Berrichon. Pierre-Eugène Dufour made the acquaintance of Paul Verlaine, Rimbaud's lover and adopted the pseudonym ""Paterne Berrichon"" He was a fervent admirer of Arthur Rimbaud. He started a correspondence with Isabelle Rimbaud, the younger sister of the poet, which concluded in 1897 by marriage. Berrichon was also closely acquainted with Paul Claudel, younger brother of the sculptress Camille Claudel and maintained a prolific correspondence with her from 1912 until 1919. He created paintings, for which his wife often modelled, and sculpted this bust for the Rimbaud monument in the poet's birthplace, Charleville-Mézières. This cast, a reduction of the Charleville bust is possibly a unique work by a seldom seen artist with fascinating associations with the sitter and the French artistic world of the time.
***MAILBOXES***TOO HEAVY***FOR POSTAGE*NOTIFIED BUYER***A large 19th Century Chinese bronze censer, the pierced domed cover with a foo dog clutching a ball finial, foo dog side handles, the frieze with birds amongst branches in high relief below a lappet border, zoomorphic triple feet, script to underside, height 70cm
A RARE PAIR OF "RENAISSANCE" WALNUT BELLOWS, circa 1550 or later, with a faceted bronze nozzle issuing from a lion's mask, the carved body with a stylised face to both sides. one face flanked by carved mythical creatures, 28.5" Literature: For a comparable pair of bellows see "At Home in Renaissance Italy", edited by Marta Ajmar-Wollheim and Flora Dennis, The V&A 2006, page 149 and cat no.125
AN IMPORTANT EARLY GEORGE III MAHOGANY SERPENTINE COMMODE in the manner of Thomas Chippendale, with four graduated drawers fitted with gilt-bronze handles with lion's mask back plates, the uppermost drawer with a fitted interior including a writing slope, numerous covered compartments and drawers, the canted angles carved with scale-work, corbels hung with husks, acanthus foliage, oval paterae with beaded borders and ribbon-tied bows suspended with pendant bell-flowers, on shaped bracket feet, 43.25" wide
Victorian bronze presentation Cheselden medal awarded to 4th year students in practical surgery at St Thomas's Hospital, London. The medal was founded by George Vaughan in 1829 and is named after William Cheselden, the famous 18thC surgeon and lithotomist at St Thomas's who was influential in establishing surgery as a scientific medical profession. The medal was designed by William Wyon, RA, and depicts the bust of Cheselden, and verso a cadaver with skull, bones and medicine with Latin inscription 'mors vivis salvs, D78mm
Victorian bronze medal for Carolus Linnaeus (Carl Liinnaest, 1707-1778) Swiss botanist, zoologist and physican. Possibly of Uppsala University interest. The obverse with figures and Latin script 'Ob Solertiam In Studiis Botonicis Laudatus Soc: Pharm: Lond: Voluit: A.D. 1830'. Designed by William Wyon, D46.8mm
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