Mrs Walkeroil on canvasPortrait of Viscount Westport, when a boy aged 6inscribed and dated 'M… de Burgh/Viscount Westport/aged 6/1904/by Mrs Walker,50.75 x 38.75cmCONDITION: Oil on original canvas in honest untouched condition, glass very dirty particularly on the inside, paint is also thought to be a little dirty with a fine but stable craquelure running through most of the background paint, inscribed lower right, housed in the original gesso frame which has a dull bronze finish, framers label for Chapman Brothers of Chelsea verso.
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A pair of 19th century French ormolu candelabra, with scrolling lily branches and cherub stems on beaded laurel wreath bound fluted column plinths, height 47cmCONDITION: Both branches are oxidised and worn, particularly notably on the petals which are polished down to a dull bronze finish, branches are slightly bent out of shape, each one has three receivers for candles, two of the wax pans are now missing, it looks like each flower had four stamens, some of these are now missing reduced down to three, branches screw on to the top of the stems held by the angels, from the stems downwards the finish is a much brighter gilt but still with some scattered oxidisation marks and light rubbing from polishing, both have fine horizontal oxidisation marks running through the socles and minor spotting to the feet.
A late 18th century French marble and bronze mantel timepiece, with 5cm enamel dial and early 18th century verge watch movement signed Sam.Marshall, London, height 30cmCONDITION: Overall a rather dark dull bronze tone, the main body of the clock holding the dial rotates on the pillar to the right side but not to left, dial dirty with old repair at 6 o'clock, the two leaf motifs at the bottom of the column are loosely attached, main foot of the clock sits slightly out of alignment on the marble plinth, marble has small chips and losses around the edges, motifs to the front of the plinth are loosely mounted, movement looks complete but not going.
A Restauration gilt-bronze mounted mahogany dressing table, retailers' stamp Edwards & Roberts, with oval plate in moulded frame with berry cast mounts, rounded rectangular top and frieze drawer on 'X' shaped trestle supports with turned stretcher, fitted brass castors, W.81.5cm D.42cm H.140cmCONDITION: Of good rich dark brown mahogany tone, small losses around the edge of the mirror frame, some wear to gilding on the ormolu, the main top has some dark patches and stains and is slightly lighter than the rest of the piece, drawer has original lock and key which opens to reveal a sliding leather lined writing compartment, underframe slightly wobbly with a few small losses to the veneers.
After Frederick Pomeroy (1856-1924). A 19th century Italian bronze model of a satyr playing pan pipes, on mottled liver marble rectangular base, overall height 24.5cm.CONDITION: Even chocolate brown patination rather dirty, some rubbing on the marble plinth where the bronze has rotated against it, minor chipping to the corners of the plinth.
LARGE LATE 19TH CENTURY BLACK SLATE & BRONZE MOUNTED MANTEL CLOCK, architectural case with applied classical-style mounts, two part dial with visible brocot escapement, gilt bezel, S. Marti stamped movement, 48 x 47cms Condition Report: one hand missing, chips to enamel base loose, surface dirt.
A FRENCH BRONZE AND ORMOLU MANTLE CLOCK BY H. MARC OF PARIS, the white enamelled dial signed H. Marc, Paris, with Roman numerals and twin winding holes, with a two train movement striking on a bell and with silk suspension, stamped H Marc, the case topped by a figure of a hunter placing a bird in a basket, the base with elaborate cast scrolling decoration, 31cm high.
A small sculptured bronze model of a leaping fox, mid 20th century, monogrammed CC, 7cm, together with an oversized mahogany framed magnifying glass, 31cm (2). Bronze in good condition. Magnifying glass with minor wear and dents to the frame, glass itself with minor scuffs and surface scratches.
Graham Ibbeson MA (b.1951) Eric Morecambe Maquette Signed and inscribed A/P, bronze, 38.5cm high See illustration Sold together with a copy of ''Graham Ibbeson - The People's Sculptor - Bronze, Clay and Life'' and a certificate of authenticity Born in Barnsley, South Yorkshire Graham Ibbeson has been a professional sculptor since graduating from the Royal College of Art in 1978. He has developed an international reputation exhibiting in galleries throughout Europe, the USA, and Asia as well as his work being held in many private and public collections. Ibbeson's ability to capture the essence of a character with warmth and humanity sets him apart from many other sculptors. He brings an element of understanding to his portraiture that's deeper than just a likeness; his sculptures have soul, and he gives us a unique glimpse into the characters of our peers and idols through his remarkable work ... a lasting legacy as the People's Sculptor. This Maquette was produced in 1993 to secure the public sculpture commission of the 'Eric Morecambe Statue' for Morecambe, Lancashire. The Statue was unveiled in 1999 by Her Majesty The Queen. It proved that popular that in the first year after its unveiling, extra visitor numbers to the resort of Morecambe, generated more than £1million in car parking fees alone. The Statue is said to be the most photographed public sculpture in the North West of England, and has continued to generate many millions of pounds for the resort over the past 22 years. Gold plated bronze casts of the maquette were used has a 'Comic Heritage Award', recipients included: Norman Wisdom, Victoria Wood, Thora Hird, and Bruce Forsyth. Only 10 bronze cast were produced in total, before the mould was destroyed. This example is the Artist / Proof from Graham Ibbeson's personal collection, the very first bronze cast, and the very first image that was approved by the commission body, and the family, and estate, of The late Eric Morecambe. Some light surface dirt, otherwise good condition.
Doug Hyde (b.1972) ''Watching the World Go By'' Signed and numbered 184/250, bronze on a granite base, 19cm high Sold together with a certificate of authenticity from DeMontfort Fine Art Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business In an excellent state of preservation. Does not come with a box.
Doug Hyde (Contemporary) ''The Box of Love'' Numbered 45/495, bronze sculpture together with a book and a set of four limited edition prints encased in the original crate. Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business The odd chip and scratch to crate, otherwise in excellent condition book and prints encased in original cellophane.
COPPIA DI APPLIQUES Prima metà del XIX secolo Bronzo dorato e patinato, a tre luci, rette dalla Vittoria alata. 56 x 30 x 60 cm - Pair of appliques First half of 19th Century Gilt and patina bronze, with three lights held by winged Victory. 22 x 11.8 x 23.6 in. TAGS: - Lampade e appliques - lamps
DUE COMODINI XVIII secolo e successivi Entrambi da centro, in noce intarsiato, con applicazioni in bronzo dorato e ringhiera a giorno in ottone. Uno di epoca successiva. Il più grande 75 x 48,5 x 34,5 cm - Two side tables 18th Century and later Both in inlaid walnut, with gilt-bronze applications, marble top and brass à-jour edge. One from a later period. The largest 29.5 x 19.1 x 13.6 in. TAGS: -
CASSETTONE Probabilmente Francia, XVIII secolo Sagomato, in legno rosa intarsiato in essenze varie, con applicazioni in bronzo dorato, con piano in marmo. Recante etichetta cartacea "Pietro Accorsi Antichità, Via Po 55, Torino". Restauri, rifacimenti e lievi mancanze. 87,5 x 127 x 56 cm - Commode Probably France, 18th Century Tulipwood inlaid in various essences, shaped, with gilt-bronze applications, with marble top. With paper label "Pietro Accorsi Antichità, Via Po 55, Torino". Restorations, replacements and minor losses. 34.4 x 50 x 22 in. Provenienza/Provenance Pietro Accorsi Antichità, Torino. Collezione privata, Torino. TAGS: -
SÉCRETAIRE Probabilmente Francia, XVIII secolo e successivi Intarsiato con vasi fiori e motivi architettonici, con piano in marmo e applicazioni in bronzo dorato, il piano interno della ribalta rivestito in cuoio. Sostituzioni e rifacimenti. 135,5 x 70 x 40,5 cm - Sécretaire Probably France, 18th Century and later Inlaid with floral vases and architectural patterns, with marble top and gilt-bronze applications the fall-front top upholstered in leather. Replacements. 53.3 x 27.6 x 15.9 in. TAGS: - Arredi - furniture
CASSETTONE Francia, fine del XVIII secolo Intarsiato con vasi di fiori ed un trofeo musicale sul fronte, a due cassetti, con applicazioni in bronzo dorato e piano in marmo. Recante stampigliatura P. Garnier sotto il piano. 87,5 x 111 x 55,5 cm - Commode France, late 18th Century Inlaid with flower vases and a musical trophy on the front, with two drawers, gilt-bronze applications and marble top. Stamped P. Garnier under the top. 34.4 x 43.7 x 21.9 in. TAGS: -
ROBERTO TERRACINI 1900-1976 Nudo femminile 1941 Scultura in bronzo a patina bruna, su base in marmo nero. Firmato e datato alla base. Una rottura ad uno spigolo della base in marmo. 68 x 20 x 21 cm - Nude 1941 Dark patina bronze sculpture, on black marble base. Signed and dated at the base. A chip on one of the base's corners. 26.77 x 7.87 x 8.27 in. TAGS: - Sculture - Sculptures
GRUPPO DI QUATTRO CANDELIERI XIX secolo Bronzo dorato e dipinto, a colonna, con decoro a palmette e foglie d'acqua. 25 x 12,5 cm - Group of four candlesticks 19th Century Painted and gilt bronze, column shaped, with palmettes and water leaves decoration. 9.8 x 4.9 in. TAGS: - Bronzo - bronze
PAIO DI CANDELIERI XIX secolo Bronzo dorato e patinato, raffiguranti due figure femminili all'antica. Consunzioni alla doratura. 24,5 x 9,3 cm - Pair of candlesticks 19th Century Gilt and patina bronze, depicting two figures from the antique. Wear to the gilding. 9.6 x 3.7 in. TAGS: - Bronzo - bronze
Bronzo dorato e patinato, raffiguranti figure all'antica su base esagonale. Marchiati e firmati "E. Jeannest fecit" sotto la base. Elettrificati, sostituzioni, consunzioni alla doratura. 33,5 x 11,5 x 11,5 cm - Gilt and patina bronze, depicting figures from the antique on hexagonal base. Marked and signed "E. Jeannest fecit" under the base. Electrified, replacements, wear to the gilding. 13.2 x 4.5 x 4.5 in. TAGS: - Bronzo - bronze
SÉCRETAIRE Prima metà XIX secolo Noce con applicazioni in bronzo dorato, a tre cassetti inferiori ed uno sopra la ribalta. 155 x 94 x 49 cm - Sécretaire First half of 19th Century Walnut with bronze applications, with three drawers and one over the fallfront. 61 x 37 x 19.3 in. TAGS: - Arredi - furniture

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389650 item(s)/page