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283284 Los(e)/Seite
Los 591
AFTER DIEGO VELASQUEZ (1599-1660)Portrait of a Lady, said to be Isabella of Bourbon standing full length in an interior, wearing a striped court dress, and white ruffbears a German inscription on the canvas verso 'Konigin Maria in Hispania der Konigs Von Engellandt Henri a Octavi Tochter'oil on canvas33 1/2 x 25 1/2 in (85.2 x 64.7 In a fine carved and gilded frame The ( translated ) inscription on the canvas reverse suggesting the sitter to be ' Queen Mary of Spain, daughter of King Henry V111 of England ', appears to be an incorrect identificationThis portrait appears to be based (with minor variations ) on the Portrait by Velasquez depicting Isabella of Bourbon.(1602-1644) The prime version is in the Prado Museum, Madrid and other variants are known Provenance: According to a label attached to the stretcher this picture is said to have been brought back to England after the Peninsular War by Colonel Edward Howorth, KCB. KH. (Royal Horse Artillery). Howorth whilst serving in the Peninsula was Brigadier General commanding the Artillery at the battles of Talavera, Busaco and Fuentes D'Onor; The Greenly family, by descent
Los 507
A Book titled 'Bassirilievi del Museo Pio Clementino,....Tomo Quinto'...descritto da Ennio Quirino Visconti.', published by Da Luigi Mirri, dedicated to Pio Sesto. Con Privilegio Pontificio, Roma 1796, large folio, c. 645 x 445mm, with half-title, printed title with large engraved vignette, frontispiece papal portrait, leaf with publisher's dedication, preface and text, with bookplate of 'Bouchard' Libraire to inside front pasted down, 48 plates, numbered I-XLV plus A-C, in calf backed marbled boards, banded spine with gilt decorative tooling, the bindings worn, with considerable water-staining, and some discolouration of leaves, sold A/FEnnio Quirino Visconti (1751-1813) was conservator of the Capitoline Museums in Rome from 1787. He assisted his father in producing the first volume of Museo Pio-Clementino in 1782 and produced the six remaining volumes completing the last in 1807. This catalogue of the Roman Sculpture and Antiquities in the Vatican Collections, published over the course of many years "made an impact on archaeological studies second only to that of Winckelmann".The book sold in this auction is Volume V from the eight volume series.Together in this lot is offered an unrelated volume of prints by or after I Winkelmann relating to architectural orders, classical statues etc
Los 634
HENRY PICKERING (active c.1740-d.1771)Portrait of a Gentleman, standing three-quarter length, in a study, wearing an olive green coat , a long high necked waistcoat with silk embroidered buttons, and a lace jabotsigned and dated 'H. Pickering 1756' (lower left)oil on canvas, unframed50 x 40 in (127.1 x 101.6cm)A frontispiece portrait engraving from a book is visible behind the sitter, and is perhaps from a volume on The History of Medicine, published in Amsterdam in 1708. That suggests that the sitter may have been a member of the medical profession, who had studied in the Low CountriesPickering's earliest known portrait is dateable to 1740. His typical style of painting is a stiffer rendering from that of Thomas Hudson. Vertue states that in 1745 Pickering returned from a trip to Italy and that he on occasion worked with Joseph Van Aken the drapery painter. He was working in London circa 1746, but also appears to have had a good following in the North Midlands. He appears to have moved about between Yorkshire, Lancashire, Cheshire and North Wales, all of which districts provided him with sitters. In 1759 he was living in Manchester, possibly in Deansgate and appears to have been there at his death. His will (dated 1759) requested that his pictures 'may be finish'd by the Best Drapery Painter and then delivered to the Gentrey (sic) who have favoured me with their commands...'
Los 584
FOLLOWER OF SIR PETER LELY (1618-1680)Portrait of Sir John Perceval, 1st Bart.,quarter-length,bears inscription 'Sir John Perceval, b.1628 ob 1665'oil on canvas29 1/2 x 24 in (74.9 x 60.9cm)Sir John Perceval was a substantial landowner in Ireland. He was knighted by Henry Cromwell for his services to the Commonwealth Government of Ireland. After the Restoration he was granted a baronetcy and given a full pardon for his activities during The Interregnum. He was appointed Privy Councillor to King Charles II, a Knight of the Shire for County Cork and was a member of the Council of Trade.
Los 587
ATTRIBUTED TO GEORGE FRANCIS JOSEPH A.R.A. (1764-1846)Portrait of George James Perceval, later 6th Earl of Egmont (1794-1874), wearing midshipman's uniform, standing on a shore, with a warship, possibly H.M.S. Orion, at sea beyondoil on canvas34 x 25 in (86.4 x 63.5cm) This painting appears to be a smaller autograph version of the portrait, formerly at Cowdray Park, (sold at Christies South Kensington Ltd, 23 May 2012 lot 48). The sitter joined the Royal Navy in 1805, served in Egypt and commanded the Fleet at the Battle of Algiers. He became Rear-Admiral in 1851 and was promoted to Admiral in 1863.Medals awarded to the sitter are included as lot 384 in this auction
Los 537
ATTRIBUTED TO JAMES HOLMES (1777-1860)Portrait of a Dudley Montague Perceval (1800-1856),half-length, wearing a black coat, pencil and watercolour11 1/2 x 8 1/2 in (29.3 x 21.6cm) Dudley Montague Perceval was the son of the Rt. Hon Spencer Perceval Sold with two watercolours by other hands, depicting Harriet Mansell, seated in a chair, c. 1850; and a Portrait of a Boy standing on a Terrace; three (3)
Los 523
AN ALBUMcontaining Engravings and Prints trimmed and mounted on leaves, including landscape, historical and portrait engravings: subjects include Beverston Castle, Castle Acre Priory, Donnington Castle, John Pym and Sir Henry Vane, after T. Hearne, F. Houbraken and others, A/FSold together with a selection of mid nineteenth century pencil sketches mounted on loose album leaves; an album of sketches and wash drawings, principally landscape subjects c.1835; three pen and ink figure sketches ascribed to Pelegrino Tibaldi (mounted in single frame); a pen and wash sketch ascribed to Alessandro Marchesini; and a red crayon sketch of a head by another hand; (qty)
Los 511
JAMES HAMILTON HAY LG (1874-1916)Self-Portrait of the Artist (1915)original dry-point, pencil signed in margin (lower right)Pl. 9 x 9 1/4 in (22.8 x 23.4cm)James Hamilton Hay studied at the Liverpool School of Art and in the later 1890's, he studied painting under Talmage and Julius Olsson at St. Ives. Later he exhibited with the Camden Town School, and the London Group. He was made a member of the London Group in 1915.
Los 580
AFTER THOMAS HUDSON (1701-1779)Portrait of Sir John Perceval, 1st Viscount Perceval, and his wife Catherine, both standing, he wearing an embroidered coat, she a floral patterned dressoil on canvas19 1/2 x 26 1/2 in (49.6 x 67.4cm) The frame reverse bears an inscription on a label stating that Sir John Perceval ,5th Bart and 1st Viscount Perceval was First President of the trustees of Georgia (1732) and created Earl of Egmont in 1733. His wife Catherine was the elder daughter of Sir Philip Parker of Ewarton, Suffolk
Los 530
ENGLISH SCHOOL CIRCA 1830Portrait miniature of Sir Edward O'Brien, of Dromoland, Co. Clarequarter-length, wearing a dark jacket and white cravaton ivory4 1/4 x 3 1/4 in (10.7 x 8.4cm)Sir Edward O'Brien, 4th Baronet, (1773-1837) was an Irish Parliamentarian who sat in the House of Commons of the United Kingdom from 1802-1826. He was the son of Sir Lucius O'Brien. On his father's death he inherited Sir Lucius's baronetcy and his seat in the Parliament of Ireland representing Ennis from 1795 until the Union with Great Britain in 1801. At the 1802 election he was elected as one of the two Members of Parliament for Clare. He was re-elected 5 times, holding the seat until the 1826 General Election.Sold together with a miscellaneous selection of family miniatures, in varying media, the majority of sitters depicted being members of The Perceval Family (qty)
Los 383
Five: DISTINGUISHED SERVICE ORDER G.V.R., silver-gilt and enamel, with second award bar and complete with top suspension brooch, MILITARY CROSS G.V.R. (unamed as issued), 1914-15 Star (2 Lieut. A. Hacking Notts & Derby R), BRITISH WAR & VICTORY MEDALS (Lt Col A Hacking), D.S.O. & M.C. in official (damaged) cases of issue, complete with mounted group of miniature dress medals in J. R. Gaunt and Son (damaged) case of issue plus portrait photograph of Lt Col. Hacking in uniform.Six: 1939-45, AFRICA STAR, ITALY STAR, FRANCE & GERMANY STAR, DEFENCE & WAR MEDALS (all unnamed as issued), in original grease proof envelopes and box of issue addressed to : A/S/Ldr P.E. Percival (sic), Old Priory, Brightwell, Nr Walling Ford, Berks, and a BRITISH WAR MEDAL (1-9156 Pte. A. W. Jupp R Sussex R) Disc only , with edge bruising, part obliterating service number although still legible, relationship to WW2 medals unknown
Los 595
FREDERICK SAMUEL BEAUMONT (1861-1954)Portrait of Florence and Barbara Bradley signed 'Frederick Beaumont' (lower right), and further inscribed 'Florence and Barbara Bradley' (upper left)with inscription on the reverse 'Florence Marion Bradley nee Lousada and her daughter Barbara Joan, painted September 1921'oil on canvas31 1/2 x 26 in (80.1 x 66.1cm) Barbara Bradley later married Francis Douglas Stuart, 18th Earl of Moray (1892-1943)
Los 538
JAMES HOLMES (1777-1860)Portrait of Frederika Elizabeth Perceval (d. 1900), seated three-quarter length, wearing a blue striped dress, holding a book, signed and dated 1853, watercolour,12 1/2 x 9 in (31.8 x 22.8 cm); together with two other watercolour portraits by the same artist, the first said to be a Portrait of Mrs Dudley Montague Perceval, seated half-length; and a Portrait of Isabel Perceval and her Sister, 1839; three (3)
Los 510
A 19th Century Scrap Album containing a selection of drawings and watercolours depicting Portrait, Still-Life and Landscape subjects by various hands, including five watercolour vignettes of Girls wearing Swiss Costume; and pencil drawings of topographical interest including Ventnor, Exmouth, Saltburn Pier and Honiton, Devon; together with three other scrap albums containing drawings and prints (4)
Los 532
PIERRE EDWARD DAGOTY (1775-1871)Portrait miniature of Nathaniel Bartonquarter-length, wearing a dark blue coat and white cravatsigned 'Dagoty' (lower right), circular2 3/4 in diam; and a portrait miniature by Daniel Saint (1778-1847) depicting his wife, quarter length wearing a white dress and red wrap, oval, 3 1/4 x 2 3/4 in; both miniatures mounted within the same wood mountNathaniel Barton (1799-1867) of Straffan, County Kildare was a partner in the family firm of Barton and Guestier. The firm owned a vineyard at St. Julien, near the Gironde, and were producers of Chateau Leoville Barton and Chateau Langou BartonHis wife Mary Susanna Scott was the daughter of the British Consul at Bordeaux. She died in Nice in 1867.
Los 2242
A pair of diamond set earstuds, each in a pierced stylized wing design, mounted with circular cut diamonds, a Victorian gilt metal mounted oval shell cameo brooch, carved as a portrait of Ceres, a garnet and marcasite set brooch, a marcasite set brooch, a marcasite set double clip brooch and four further items of jewellery.
![[SHORTHAND] Gurney (T.) Brachygraphy: or Short-Writing, made easy to the meanest capacity . . . 6th edition. portrait fron](https://cdn.globalauctionplatform.com/cb3fcf89-3a62-4267-af31-a5bb00e7ae01/3063a27e-51b7-42bf-e1f2-a44c3148f052/468x382.jpg)
Los 1455
[SHORTHAND] Gurney (T.) Brachygraphy: or Short-Writing, made easy to the meanest capacity . . . 6th edition. portrait frontis., engraved title; contemp. calf, sm. 8vo. (ca. 1780); MASON (W.) La Plume Volante. Or, the art of short-hand improv'd. 5th edition. portrait frontis. old half calf & cloth, sm. 8vo. (ca. 1760?); sold with 2 related others. (4)
Los 1419
GOLDSMITH (O.) Poems and Plays . . . to which is prefixed the Life of the Author. First Edition. pictorial vignette title & medallion portrait; near contemp. (? Irish) gilt-decorated green calf with red label, marbled e/ps. Dublin: printed for Wm. Wilson, 1777. * the London edition followed in 1780; together with other Irish antiquarian books of a literary/theatrical nature. (14)
Los 1445
KHUNRATH (Heinrich) Amphitheatrum Sapientiae Aeternae Solius Verae, Christiano-Kabalistum, Divino Magicum, Physico Chymicum . . . engraved portrait & pictorial title, 9 double-page plates & 2 d-page tables, engraved head & tailpieces, (lacks the owl plate); later vellum, 4to. Hanover: Guilelmus Antonius, 1609. * extended version of the 1595 original printing.
![[HOUSEKEEPING] The Young Woman's Companion: or, Frugal Housewife . . . also the Art of Cookery . . . to which are added,](https://cdn.globalauctionplatform.com/cb3fcf89-3a62-4267-af31-a5bb00e7ae01/fd14f2d9-32a1-49b1-aeca-ce61326c9925/468x382.jpg)
Los 1440
[HOUSEKEEPING] The Young Woman's Companion: or, Frugal Housewife . . . also the Art of Cookery . . . to which are added, Directions for Letter Writing, Drawing, Painting . . . 6 plates; rebound quarter calf & marbled boards. Manchester, 1811. * not in Attar; FARLEY (J.) The London Art of Cookery, and Housekeeper's Complete Assistant . . . 9th edition (with many additions). portrait & 12 plates (lacks 2 text leaves); contemp. tree calf, rebacked with gilt-panelled spine. 1800; with 5 others related - some Dublin printed.
Los 2171
A gold ring, mounted with a cushion shaped garnet, between serpentine pierced shoulders, in a Georgian design, a 9ct gold ring, mounted with an oval carbuncle garnet, a gold and rectangular sardonyx cameo set ring, carved as the portrait of a lady, detailed 9 CT, an 18ct gold, sapphire and rose diamond set ring (one rose diamond lacking), Birmingham 1910 and two further rings.
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283284 Los(e)/Seite