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283284 Los(e)/Seite
MINIATURE PORTRAIT ON IVORY SCOTTISH SCHOOL, EARLY 19TH CENTURY depicting a young girl holding a dove, in an ebonised frame, a label on the back identifies the sitter as "Charlotte Coldstream at the age of 18 months in 1802. Presented to Joseph Johnstone on his marriage in 1820 by her father Robert Coldstream" 7cm high
Gino Hollander (American, b. 1924) Portrait of a Girl, Oil on canvas, signed and dated 80 to bottom left corner, Three Figures, oil on canvas, signed and dated 78 to bottom left, Veiled Ladies, oil on canvas, signed and dated 79 to bottom right corner, all framed (3) Portrait of a Girl: 101cm x 75cm, Three Figures: 75cm x 101cm, Veiled Ladies: 101cm x 75cm In good condition View on auctionatrium.com
An Edwardian oval miniature on ivory of a young lady and an early 19th century amateur portrait miniature of a young gentleman, the oval miniature mounted within a glazed brass locket frame, fitted within velvet lined folding leather presentation travelling box with easel stand, the other miniature mounted within a glazed ebonised frame Provenance: From the residual estate of the late Honor Frost (1917-2010) The oval miniature, 7.5cm high, the case, 11cm high, the other miniature 9.5cm x 7cm The oval miniature in good condition commensurate with age, the leather case with some wear, the other miniature later re-framed. View on auctionatrium.com
British or Scandinavian school, c. 1630 Portrait of Sir John Hepburn (c. 1598-1636), founder of the Royal Scots oil on canvas 227 x 128 cm (89 1/2 x 50 1/2 in) Note: Although an attribution to Gilbert Jackson (fl. 1621-1643) was proposed some years ago, it has recently been suggested that this portrait is stylistically more likely to be the work of a Swedish or Danish artist influenced by Sir Anthony van Dyck. This would, of course, be consistent with the subject`s campaigning (see biographical note below). Provenance: acquired in the early 19th century by Anna Maria and Edmund Meysey Wigley for the rebuilt Shakenhurst Hall, Worcestershire; John Hepburn, of Athelstaneford, East Lothian, was one of the most significant Scots soldiers recruited in 1620 to support the Elector Palatine of Bohemia, Frederick V, whose wife Elizabeth was the daughter of King James VI and I. In 1623 he entered the service of King Gustavus Adolphus of Sweden and in 1625 became colonel of his own infantry regiment, serving with distinction in Sweden`s successful Prussian campaign. His regiment subsequently became The Royal Scots, which until its merger into the Royal Regiment of Scotland in 2006 was the British army`s oldest regiment. Hepburn had a close relationship with the Swedish king, displaying diplomatic as well as military skills and fighting alongside a number of other Scots officers. Although it is not certain that he was formally ennobled in Britain, he is said to have been knighted by Gustavus Adolphus in 1629, when King Charles I invested the Swedish king with the Order of the Garter. In the summer of 1632 a disagreement between the two led to Hepburn`s resignation from Swedish service. It seems that Hepburn may have taken exception to the king`s jibes about either his flamboyant style of dress or his Catholicism. After 1632 France formed an alliance with Sweden and since Hepburn still wanted to support the Bohemian cause he joined the army of King Louis XIII. Commissioned as a marechal de camp in 1633, the successful campaigns of le Regiment Hebron led the king to promote him to marechal de France, but he was killed at the siege of Saverne in July 1636 before being formally appointed. He is buried in Toul Cathedral.
Follower of Sir Peter Lely (1618-1680) Portrait of Anne Hyde, Duchess of York oil on canvas 226 x 124 cm (89 x 48 1/2 in) Note: this painting derives from a three-quarter length portrait by Lely in the Royal Collection Provenance: acquired in the early 19th century by Anna Maria and Edmund Meysey Wigley for the rebuilt Shakenhurst Hall, Worcestershire
English school, 18th century Portrait of Mary Queen of Scots oil on canvas 226 x 128 cm (89 x 50 1/2 in) Note: this portrait is based on the original at Hardwick Hall, Derbyshire Provenance: acquired in the early 19th century by Anna Maria and Edmund Meysey Wigley for the rebuilt Shakenhurst Hall, Worcestershire
Voltaire, Francois Marie Arouet de, Collection Complette des Oeuvres de Mr. de Voltaire, 57 volumes, Lausanne and London 1770-1781, engraved portrait in Volume 1, uniformly bound in near-contemporary calf, bookplate of Oliver Farrer, together with 16 volumes of Balzac and seven of Edward Lytton Bulwer
`Lenare` (20th century) A studio portrait photograph of Clare Sheridan, inscribed `To dear "Portia" with all my admiration - Clare Sheridan, 1927`, 32 x 25 cm (12 1/2 x 10 in) together with a photograph of the Smetanovo Kvarteto and another of a group of European army officers by `Ronay`, 1938
Henry Macbeth-Raeburn RA RE (1860-1947), after Sir William Beechey The Oddie Children mezzotint printed in colours, published in a limited edition of 100 by Basil Dighton, signed in pencil by artist and publisher, numbered 66 49.5 x 48 cm (19 1/2 x 19 in) together with a portrait engraving of Sir Francis Freeling, Bart, and an aquatint by Basire after Agostino Carracci
English school, early 20th century Portrait of Second Lieutenant Charles Townsend Cobbold, Royal Field Artillery oil on canvas 75 x 62 cm (29 1/2 x 24 1/2 in) Second Lieutenant Cobbold was killed on the Somme on 3rd October 1916. His name is recorded on the Thiepval Monument. This portrait was probably painted posthumously.
19th Century oil on canvas - head and shoulders portrait of a cigar smoking gentleman (Provenance: purchased in 1981 at the house sale for Leeswood Hall, Mold, Clwyd - Lot 244 in the catalogue which accompanies the painting. The back of the painting has pencil written reference to the artist Richard Wilson, who for a time lived at Leeswood Hall), 29.5 x 24.5 (some repairs and damage)

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