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Preisdatenbank abonnierenChristopher Wood, British 1901-1930 - Portrait of the Artist's Mother; pencil on paper, 30.5 x 23.6 cm Provenance: Mrs E Dalziel Smith, the artist's sister (according to the artist's grandnephew); with Redfern Gallery, London (according to the inscription on the label attached to the reverse of the frame); private collection Note: according to the artist's grandnephew the work was previously shown alongside a portrait of his sister done in a similar style.
Robert Duckworth Greenham RBA ROI, British 1906-1976 - Portrait of a woman in a hat, 1966; oil on board, signed and dated upper right 'RDG 66' and further inscribed on the reverse, 25.5 x 20.3 cm (ARR) Provenance: JAN, gifted by the artist in 1966 (according to the inscription on the reverse); Bonhams, London, Modern Pictures, 18th February 2003, lot 31; private collection
Mervyn Peake, British 1911-1968 - Portrait of Ithell Colquhoun, 1939; ink on paper, inscribed by Ithell Colquhoun 'By Mervyn Peake 1939', 30.3 x 19 cm (ARR) Provenance: Ithell Colquhoun (1906-1988); private collection Note: Dr. Richard Shillitoe, author of 'Ithell Colquhoun: Magician Born of Nature, 2010', has confirmed that the writing is by Ithell Colquhoun. There is another portrait of Ithell Colquhoun from 1939 that was sold at Christie's on the 27th March 2003, which can be seen here and was reproduced in Peake Studies Volume 4 (published 1994-6). One of the most singular and visionary artists of the 20th century, Peake is known as the creator of the Gormenghast trilogy.
Erna Hoppe Kinross, German/British 1875-1964 - Portrait of the Artist, 1908; oil on panel, signed lower left 'E. Hoppe Kinross', also signed upper left 'E. Hoppe', 21.5 x 27 cm: together with a pastel on board by the same artist of baby Rupert and an etching of the same subject, 28.5 x 24.2 cm and smaller (3) (ARR) Provenance: the Family of the Artists Grace English and Erna Hoppe-Kinross
Sir Lawrence Gowing CBE RA, British 1918-1991 - Landscape, c.1940s; oil on canvas laid down on board, 40 x 50.4 cm (unframed) (ARR) Provenance: the Studio of the Artist; private collection Note: an accomplished portrait and landscape painter, Gowing was a pupil of William Coldstream and protege of Bloomsbury art critic Clive Bell. His sitters include Lord Attlee and Lord Halifax. He went on to become an acclaimed art historian and curator, writing books and exhibition catalogues on Vermeer, Hogarth, Cezanne, Turner, Matisse and Lucien Freud. In 1985 he was appointed honourary curator of the Royal Academy of Arts collection.
Eugen Spiro, Polish/American 1874-1972 - Portrait of a draped female nude, quarter length, 1907; oil on canvas laid down on board, signed and dated lower right 'Eugen Spiro 07', 55 x 42.5 cm (ARR) Provenance: Ketterer Kunst, Munich, 25th May 1998, lot 219; Roseberys, London, 24th June 2014, lot 605; private collection, purchased from the above
Anna Katrina Zinkeisen, British 1901-1976 - The Spinning Wheel; oil on canvas, signed lower left (partially covered by frame), 64 x 77 cm (ARR) Provenance: Phillips, London, Modern British Paintings, Drawings and Sculpture including Modern Australian Paintings, 13th June 1989, lot 131 (unsold); Christie’s, London, Twentieth Century British Art, 13th June 2002, lot 21 (unsold); private collection Note: this early work by Anna Zinkeisen captures the glamour of theatreland in a painting which has it's foundation in her classical training and portraiture. The work displays hints of Art Deco sensibilities, with stylised forms and clean lines producing a sophisticated, modern appearance whilst retaining its classical realism. Anna worked closely alongside her older sister, Doris Zinkeisen, for the best part of both their careers. They both were commissioned to paint murals for RMS Queen Mary and RMS Queen Elizabeth. Whilst both renowned young artists, rubbing shoulders with Laurence Olivier, Noel Coward and John Gielgud, they volunteered in both great wars as VADs. Anna’s self-portrait (1944) is now exhibiting in the National Portrait Gallery.
Britains - Set 1474 - Coronation Chair [Pre War version], comprising: Gilt Throne with Purple Arms, Detachable Seas & Stone of Scone, Set 1472 - H.M. King George VI [Gilt version - 1937] - King George VI in Coronation Robes & Set 1505 - H.M. Queen Elizabeth [Gilt Version, 1937] - Queen Elizabeth in Coronation Robes. Some minor age wear otherwise generally Excellent overall. Also, 12 x [recast] Britains Footmen & Beefeaters, Mint. Together with: Timpo - HM The Queen [1953 Coronation only Issue] - Portrait figure of Queen Elizabeth II [as usual beret hackle missing], Mounted Side Saddle on her Brown Horse - "Winston". Near Excellent overall, contained in a Good [some storage wear] Special Coronation Issue Hinged Box with a Foil Coronation Cypher label to underside of lid & Pink Insert Card. [16]
A gentlemen's 18ct gold Buren mechanical bracelet watch, the circular case, 33mm in diameter, with a silvered dial bearing the portrait of King Saud bin Abdul Aziz, applied batons, pencil hands, date aperture at three, a textured bezel. Snap-off back signed Buren, Swiss hallmark. A tapered textured bracelet to a folding clasp, marked 750. 75.78g, no box or papers Buying this watch at auction could save up to 0.80 tonnes of CO2e compared to buying new. Condition ReportWinds and ticking but no guarantee as to time keeping or continued running. With a protective sticker to case back. A few scratches to glass.
A chalcedony and diamond pendant, with a central relief of a lady in profile, her hair adorned with a garland millegrain set with eight cut diamonds, upon an oval chalcedony plaque spectacle set to a scalloped mount, to a tapered floral bale, bale hallmarked 9.375, tested on portrait surface as approximately 9ct gold. 67mm x 39mm, 30.90gCondition ReportMinor marks and scratches to surfaces.Very small fracture lines visible to back of chalcedony around one rivet.The portrait section has been tested on surface only, as approximately 9ct gold.
A Swiss key wound hunter style fob watch, with a 30mm case. A white enamelled dial with blued spade hands and a polychrome enamelled portrait of a lady to each cover, both set with graduated rose cut diamonds, with a black champleve enamel scrolling border. A hand engraved case with a plain gold bow. Case number 65346. Maker PM&F. Marked 18K. 23.01g. Condition ReportNo key but ticks when gently shaken. Bow worn Losses to the black enamel border. x1 rose cut diamond deficient. Bezel and glass deficient. Scratches and marks consistent with its age.Dust cover unmarked, tested as approximately 18ct gold.
A Victorian shell cameo pendant, composite, with the realistic portrait of a man facing left, possibly Roman or Grecian, in a rope twist border to a tapered bale. Unmarked and tested as approximately 14ct gold. 50 x 68mm, 21.93gCondition ReportThere is a visible surface-reaching crack to one side, near the setting.The central carving is integral, with minor wear.
Two hardstone cameo rings, a sardonyx cameo ring, depicting the tree-quarter portrait of a lady, bezel set to a closed back mount, tested as approximately 14ct gold, size R½,and an agate cameo ring,with the portrait of an elderly lady, spectacle set to pierced shoulders and a plain band, stamped 18ct but tested as approximately 14ct, size P,11.86g (2)Condition ReportEvidence of resizing to sardonyx ring.Surface scratches and marks to mounts.
King Edward VII, a full length photographic portrait by W&D Downey, signed and dated 1907 in the margin, glazed and housed within velvet lined Moroccan red leather case/frame, 25cm x 32cm (closed). Condition - wear to frame including scuffs, two cracks/creased to front, ribbons missing to stand, photo with slight foxing and general discolouration to mount.
Queen Mary, a full length autographed portrait, moroccan red leather and velvet line frame/case, marked 'J MacMichael' verso, 31cm x 40cm. Condition - photo in good condition, frame with wear including rear stand pull out ribbon missing, ribbon that supports the stand broken, scuffs to corner, front latch missing, push buttons for opening frame working fine.
A Preston presentation panel inscribed PRESTON POOR CHILDREN AND CONVALESCENT HOME FUND. THIS TABLET WAS ERECTED IN MEMORY OF THE LATE INSPECTOR WILLIAM DAWSON OF THE PRESTON BOROUGH POLICE, WHOSE DEVOTION TO THE CAUSE OF THE POOR CHILDREN OF HIS TOWN, RESULTED IN THE FOUNDATION OF THE ABOVE FUND IN THE YEAR 1882, oak frame with circular printed portrait, 81cm x 81cm.
A Preston presentation portrait with plaque MR ALDERMAN THOMAS PARKINSON. J.P. MAYOR OF PRESTON 1919-20, 1920-21, WJHO OPENED THESE, THE HEADQUARTERS OF THE PRESTON CORPS ST JOHN AMBULANCE BRIGADE 2nd NOVEMBER 1921 HE DIED 4th NOVEMBER . HIS TRUSTEES VOTED THE SUM OF £1000 FROM HIS ESTATE TO THE CORPS FUND, MAY 1930, photographic portrait, oak frame, 61cm x 102cm.
Jeanne du Maurier (British, 1911-1996) – Still life of flowers in a vase with other crockery, oil on canvas, with a portrait of a lady verso, possibly a self portrait or a portrait of the artist’s sister, the novelist Daphne du Maurier, signed lower left, stamped on a piece of canvas MISS J DU MAURIER 18 11 40 verso, 51 x 61cm, within a painted composition frame.
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