ENGLISH SCHOOL (EARLY 19TH CENTURY) PORTRAIT OF A GENTLEMAN, IN A MILIATERY UNIFORM; PORTRAIT OF A LADY, WEARING A RED WRAP a pair of portrait miniatures Watercolour on ivory10 x 12cm (4 x 4 3/4in.) (2) Please note: Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: A7DF9AQ6)Condition Report: Unexamined out of glazed frames. Inspection under UV reveals no obvious evidence of restoration or repair. Minor losses to framesCondition Report Disclaimer
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FOUR CHINESE PAINTINGS PROBABLY FIRST HALF 20TH CENTURY Comprising a pair of portraits of high ranking officials wearing traditional robes painted on silk 120cm high, 85cm wide; a group portrait of five figures painted on paper 146cm high, 96cm wide; a group portrait of three figurepainted on paper 158cm high, 89cm wide
FRENCH SCHOOL (LATE 18TH CENTURY)MONSIEUR DE MARSILLY, PORTRAIT OF A SOLDIER Inscribed and dated 1797 to label attached (verso)Oil on panel 21 x 17cm (8 ¼ x 61/2in.) Condition Report: Surface dirt throughout. Inspection under UV reveals scattered retouching across the image. Old woodworm holes visible mostly on the reverse, although some visible to the front. Discolouration throughout caused by yellowing varnish. Scattered abrasions and scuffs to the surfaceCondition Report Disclaimer
A COLLECTION OF CUT GLASS TO INCLUDE A PAIR OF COMMEMORATIVE MALLET SHAPE DECANTERS WITH ENGRAVED PORTRAITS OF GEORGE V AND QUEEN MARYVARIOUS DATES 19TH AND 20TH CENTURIESComprising: a pair of mallet-shaped decanters and stoppers engraved with portrait busts of King George V and Queen Mary, 29cm high; a pair of covered circular dishes, 16.5cm high and a pair of small decanters 19.5cm high Condition Report: Small chips to the facets generally, chips to bases of the commemorative decanter stoppers. See supporting images.IF YOU REQUIRE MORE DETAILED INFORMATION YOU WILL NEED TO VIEW IN PERSON.Condition Report Disclaimer
A pair of pottery 'saucy' plates, each transfer decorated with a bawdy female portrait, one showing her bare buttocks beneath the caption 'My', the companion bare breasted clasping the tail of a 'cat' between her legs, with the caption 'My word I'll cut your tail off', indistinct impressed marks verso, late 19th/early 20th century, 19cm diameter.
A silkwork collage portrait of Lady Mary Dudley, early 19th century, using the circa 1799 engraved portrait after Edward Harding, with silkwork bodice and dress with applied pearls, paste stones, portrayed seated and holding a prayer book in one hand and gloves in the other, a basket of fruit beside her on the table, the collage 26 x 20cm, 35 x 30cm overall including ebonised frame
Follower of Peter Paul Rubens (Flemish, 1577-1640 )Head of Christoil on canvas laid to panel46 x 33cmThis portrait of Christ, shown in profile and with serene features, likely relates to an engraving published by Paulus Pontius in 1633, an impression of which is in the collection of the Rijksmuseum, Amsterdam, RP-P-OB-33.222. The accompanying text below the engraving credits Rubens with the design.
Attributed to George Barrett Jr (Irish, 1767-1842)View of Westminster Abbey from across the Thames, probably at Lambethwatercolour and pencil on paper31 x 43cmProvenance:Private collectionFormerly Agnew's, LondonPreviously recorded at Sotheby's London, Important British Drawings, Watercolours and Portrait Miniatures, 5 June 2008, lot 226Note : The attribution to George Barrett Junior was endorsed by Andrew Wyld at the time of purchase by the present owner
Attributed to John M. Field (British, 1781-1841)Portrait of Miss Beatrix Shedden, 1840inscribed versowatercolour on card, heightened with gilding8 x 6cm (oval);together with three further silhouettes, various dates 19th century, one of two women, facing, one of a young girl, and another of a lady facing leftThe inscription on the reverse of the first silhouette reads:Duplicate Jan'ry 1840 Miss Beatrix Shedden by J. Field 2 Strand
Six various 19th-century portraits on paper, comprising; an early 19th century pencil and wash portrait of a young girl, 11.5 x 9cm (oval); a watercolour portrait of a lady seated, circa 1840, 17.5 x 14cm; a Regency gilt-heightened silhouette of a gentleman facing right; a watercolour of a young girl gathering flowers in a meadow; and two prints, one after a military silhouette (6)
Attributed to Francis Wheatley (British, 1747-1801)Portrait of a young girlStanding, three-quarter lengthpencil on paper29 x 23cm (oval);together with three prints after Francis Wheatley, comprising a coloured engraving of Mrs Wheatley as 'Winter', a portrait of Mrs Wheatley and another of an older woman; and two books on Wheatley, W. Roberts, F. Wheatley R.A. (London: Otto, 1910) and M. Webster, Francis Wheatley (London: Paul Mellon, 1970) Provenance:By repute, given to the present owner's ancestors by Thomas Clark Brettingham Jnr (1822-1882) of Essex, grandson of Clara Maria Pope.
Manner of Jean Marc Nattier (French, 1685-1766)Portrait of a Lady, half-length, wearing a brocaded gown and fur stoleoil on canvas74 x 59cm.Provenance:Frame bearing a 20th century art gallery or restorer's label for Dr. Ir. A. M. de Wild, the Hague, inscribed for previous owner Mevr. Van Staveren Velhake, Leist
A group of twelve plaster casts of Neoclassical reliefs and architectural ornament, mostly early 20th century, including a relief of an Adam-style urn, a portrait relief of the Duke of Wellington, a cast of an architectural relief with shells, a small scrolled cast with the head of a sphinx, a seated griffin, foliate mouldings, and others, assorted sizesProvenance:A private collection of works by John Shapland, including contents of the artist's studio
A large quantity of plaster casts of Medieval and Gothic style architectural ornament, mostly early 20th century, including a partial portrait relief of a veiled woman, two reliefs of angels, an oval plaque with two hands holding, two casts of sprays of lilies, and various fragments of foliate mouldings, assorted sizesProvenance:A private collection of works by John Shapland, including contents of the artist's studio
English School, early 19th century, group of ten portrait miniatures on paper depicting members of the family tree of Dr Buck of Coventry, presented in glazed gilt frame 54 x 50cm, with key to reverseProvenance: Removed from Sun Court, Hadleigh: From the Estate of David Tron, King’s Road Antiques Dealer.Some general deterioration to the glazed frame and mount, the miniatures are generally in good order with some browning to paper and slight fading
Samuel Finney (1719-1798) watercolour miniature on ivory, Admiral Sir Charles Hardy, wearing a powdered wig and the first undress uniform of a Captain, signed with initials, engraved as titled verso, in gilt glazed frame, 4.3 x 3.8cm, presented in glazed box frame with easel support. Provenance: Sotheby's, Portrait Miniatures, 5/7/84. N.B. By chance a previously unrecorded portrait of Sir Charles Hardy was sold in these rooms earlier this year. Born Charles Le Hardy (1716-1780) in Portsmouth into a notable Jersey family with a strong naval tradition. He unsurprisingly dropped the 'Le' during this period of mostly hostile relations with France, He entered the Royal Navy aged 16 and was made Lieutenant in 1737 and Captain in 1741. In 1755 he was knighted and appointed Governor of New York, this during a period of heightened tensions and rebellion in the colony and Charles didn't relish the task of quelling the spirit of independence, he entreated the government to find him another position at sea. In 1757 he was promoted Rear Admiral of the Blue, promotions continued and he was made Governor of Greenwich Hospital in 1771 and was M.P. for Portsmouth from 1774, after which he returned to Naval command and in 1779 was made Commander-in-Chief of the Channel Fleet, a year later he died. APHA Ref: 31222111431Not examined out of the glazed frame, some deterioration towards lower periphery of the miniature, otherwise appears to be ok, scratches to glass
Ann Mee (1770/75-1851) watercolour miniature portrait on ivory, Hon. Louisa Verney (1769-1835), apparently unsigned, oval, 7 x 5.1cm, glazed gilt frame with woven hair to rear, housed in rectangular papier mâché frame. Provenance: Sotheby's, 5th October 1995, lot 61. APHA Ref: 31222111431Not examined out of the glazed frame, but not discernible warping or splits to ivory, just minor wear, scratches to paint surface, chips to edges of papier mache frame
Christian Friedrich Zincke (c.1685-1767) enamel portrait miniature, portrait of Lady Anne Furness, apparently unsigned, oval, 5 x 4cm, glazed frame with scroll cresting. Provenance: Phillips London, 6th July 1987, lot 191. NB: There is three-quarter length portrait of Lady Anne Furness by Joseph Highmore in the Lydiard House collection.
William P Sherlock (1775/1780-c.1850) watercolour portrait miniature on ivory, a lady, with blue and gold dress, signed and dated 1785, oval, 5.5 x 4.5cm, reeded gold glazed frame with plaited hair panel to reverse. Provenance: Sotheby's, New Bond Street, 24th November 1983, lot 446. APHA Ref: DS7AHC24Not examined out of frame, condition appears to be good. Some debris under glass
English School, early 18th century, watercolour miniature portrait on ivory, a gentleman with powdered wig and blue jacket, engraved to reverse 'Aet 32: 1705' sitters initials in cypher, oval 4.2 x 3.4cm, glazed gold frame with scroll cresting and loop suspension. APHA Ref: 31222111431Dirt and debris under glass, colours appear to be faded and discoloured. Some scratches and dents to gold frame
Continental School, circa 1740, watercolour miniature portrait on ivory, a young gentleman with powdered wig and blue coat, apparently unsigned, 3.5 x 3.2cm, in ornate pierced silver and jewel studded frame. APHA Ref: 31222111431Not examined out of glazed frame but miniature is in basically good order, frame also good
Samuel Cotes (1734-1818) miniature watercolour portrait on ivory, depicting a gentleman in powdered wig and red coat, signed with initials and dated 1765, oval, 3.4 x 2.8cm, glazed gilt metal frame with loop suspension. APHA Ref: 31222111431Condition is mostly good, some tarnishing and degrading to metal to rear, dust and debris under glass otherwise ok
Samuel Cotes (1734-1818) watercolour portrait miniature on ivory, portrait of a lady wearing pearls and cream dress with gold flowers, signed with initials and dated 1776, oval, 8.5 x 7cm, glazed ebonised wooden frame. Provenance: Sotheby's, 8 Jun 1995. APHA Ref: 31222111431Not examined out of the frame, possibly a slight subtle concave warp to ivory, slight deterioration to paint surface at periphery, but otherwise condition appears to be ok
English School, early 19th century, watercolour portrait on ivory, a gentleman named verso as 'John Alexander Ireland, late of 22 Half Moon St. Piccadilly who died 1823, aged 42' depicted seated, inscribing a music manuscript, 10 x 7.5cm, in folding leather frame. APHA Ref: 31222111431Not examined out of the glazed mount, ivory panel appears to be bowed vertically towards sides, no discernible splits, otherwise ok, general wear to folding frame
Of Flat Racing Interest: a group of letters, the first from George Fordham, dated Oct. 1887, written just a few days before his death. In it he discusses sending his hunting saddle to the recipient after a member of the Rothschild family had heard about it. The second letter from Mathew Dawson, dated Newmarket July 21st 1888 regarding a reference for the jockey Robert Brooke. The third letter, dated Feb 9th '93, from the Duke of Beaufort, on Badminton headed paper, regarding the Jockey Club Stewards giving licenses to jockeys who had been suspended. The fourth letter, dated July 29th '93, from George Lambton at Derby House, regarding a reference for the jockey Robert Brook. The fifth, dated December 2nd 1900 from Lord Rosebury, on headed paper from The Durdans, Epsom. In it he writes about the return of his horse 'Sailors Lad' from the trainer Charles Wood and speaks of the sorrow that their 'connection has come to an end' and that 'it has been unlucky from the beginning and has ended in the worst years I have ever had...'. He goes on to say he hopes Wood 'will accept the clothing and saddlery as a parting gift'. Also included is a printed portrait of the famous jockey, Fred Archer. (6 items)

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