ATTRIBUTED TO ADRIAEN HANNEMAN (c.1603-1671) PORTRAIT OF MARY, PRINCESS ROYAL AND PRINCESS OF ORANGE (1631-1660), AS DIANA Half length, wearing a gauzy gown and feathered hat, holding a bow and arrow, a quiver of arrows behind her, oil on canvas 79.5 x 62cm. * Hendrick Danckerts's engraving of a detail of this subject dates from 1646 when Princess Mary was fifteen (British Museum). The plate, one of his earliest subjects, must have been engraved in the Netherlands as Danckerts did not visit England until 1650. Princess Mary, the eldest daughter of Charles I and Henrietta Maria, married Prince William in London in 1641, when she was aged just nine and he fifteen. Witnesses reported her being in tears throughout the ceremony, unwilling to wed a young prince whom she barely knew at such an age. Mary died of smallpox on Christmas Eve, 1660, aged 29. The whereabouts of Hanneman's original are not known. ++ Lined; replaced stretchers; scattered retouching; carved and gessoed oak frame
283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
FOLLOWER OF WILLEM WISSING (1656-1687) PORTRAIT OF A NOBLEWOMAN, POSSIBLY QUEEN ANNE WHEN PRINCESS OF DENMARK Seated three quarter length, wearing a pink and white dress, red mantle, holding a dog on her lap, before a swagged curtain, a landscape seen through a stone window beyond, oil on canvas 122.5 x 99.5cm. ++ Lined; retouching
ANDREW GEDDES, ARA (1783-1841) PORTRAIT OF MISS FRANCES COUTTS (d.1809) Seated, long half length, wearing a green dress and a russet coat, oil on canvas 74.5 x 61.5cm. * The sitter was the daughter of James Coutts, co-founder of the eponymous bank, and his wife, Polly (nee Peagrim). Reynolds painted Miss Coutts in 1771 (collection of Coutts Bank). In 1778, she married her cousin John Stuart, later 4th Baronet, of Allanbank (c.1752-1821). Playfair's Baronetage of 1811 praised the late Mrs Stuart for her `pious and exemplary life`. ++ Lined; some associated retouching
AFTER WILLIAM DOBSON (1611-1646) PORTRAIT OF JAMES GRAHAM, 1st MARQUESS OF MONTROSE (1612-1650) Half length, wearing armour, oil on canvas 74 x 61.5cm. * After the prime version, c.1643-1644, sold at Sothebys London, July 3rd 2013, lot 5 Provenance: Formerly by descent in the Graham family ++ Lined; some retouching; some stretcher bruises; a few small paint losses; needs a clean
CIRCLE OF SIR THOMAS LAWRENCE, PRA (1769-1830) PORTRAIT OF A YOUNG FAIR-HAIRED GIRL WITH RINGLETS Oil on canvas, mounted circular, period gilt frame Sight 37cm. * There is a similarity with Richard Westall's 1829 drawing (and 1830 oil painting) of Princess Victoria (Royal Collection Trust) ++ Lined; some associated retouching
CIRCLE OF MARCUS GHEERAERTS THE YOUNGER (c.1561-1636) PORTRAIT OF A LADY, FORMERLY IDENTIFIED AS QUEEN ELIZABETH 1, THOUGHT TO BE ELIZABETH `BESS` of HARDWICK, COUNTESS OF SHREWSBURY (c.1527-1608) Half length, wearing a black dress decorated with jewelled roundels, lace collar and cuffs and a triple rope of pearls, oil on canvas 96 x 73cm. * The traditional identification of the sitter is misleading but the suggestion of it being `Bess` of Hardwick is more plausible. Portraits of this distinguished sitter are scarce. Four marriages (to Robert Barlow, Sir William Cavendish, Sir William St Loe and George Talbot, 6th Earl of Shrewsbury) raised Bess from humble birth into the aristocracy. Bess oversaw the building of Chatsworth and Hardwick Hall and, within the latter, a portrait of the Queen (commissioned by Bess) may still be seen. The format of this portrait is a deliberate companion piece and the globe attests to her loyalty to the monarch. The `ropes of great perle` were recorded in the inventory of Bess's jewels in 1593 and may be seen in another portrait of her at Hardwick. Provenance: (?) Edward Hyde, 1st Earl of Clarendon; possibly by descent to his son, Henry Hyde, 2nd Earl of Clarendon (1638-1709), Cornbury Park, Oxfordshire; possibly by descent to his nephew, Henry Hyde, 2nd Earl of Rochester, later 4th Earl of Clarendon (1672-1753); possibly transferred to his son, Henry Hyde, 5th Baron Hyde and Viscount Cornbury (1710-1753), c.1749; by descent to his niece, Charlotte (d.1790), daughter of William Capel, 3rd Earl of Essex (1697-1743), who married Thomas Villiers (1709-1786), Ist Earl of Clarendon (2nd creation); thence by descent to a family member until sold, December 2010 Exhibited: Plymouth, City Museum and Art Gallery, Paintings in the Clarendon Collection, 1954, p.10, no.6; Plymouth, Buckland Abbey, on long loan until 2010 Literature: G. P. Harding, List of Portraits in Various Mansions in the United Kingdom (unpublished MS, 1804, vol.II, p.29); Lady T. Lewis, Lives of the Friends and Contemporaries of Lord Chancellor Clarendon, London 1852, vol.III, pp.271-272, no.6; P. Toynbee, Horace Walpole's Journal of Visits to Country Seats etc, Walpole Society, vol.XVI, 1927, p.38 (The Grove, Sept.1761); R. Gibson, Catalogue of Portraits in the Collection of the Earl of Clarendon, Wallop 1977, no.133, pp.119-120 ++ Lined; some retouching
SIR THOMAS LAWRENCE, PRA (1769-1830) PORTRAIT OF ROBERT BURNETT JONES (c.1750-1817) Quarter length, wearing a dark coat and white stock, oil on canvas, in a period Carlo Maratta-style frame 74.5 x 62cm. Provenance: By descent in the family of the sitter to R. S. A. Donnithorne; London, Christies, April 15th 1994, lot 113 (the sitter's great grand daughter, Aeddan Arundell, married Captain Arthur Bampton Donnithorne in 1874); Private collection, Seattle, USA; Private collection, England. The sitter was Attorney General of Barbados until 1798. His wife and four daughters were each painted or drawn by Lawrence. This recently discovered portrait is a variant of the prime version, probably datable to c.1810 (Garlick 446; Smith College Museum of Art, Northampton, Massachusetts, USA) ++ Lined; some retouching; some skinned or abraded areas
•JACOB KRAMER (1892-1962) PORTRAIT OF A LADY Half length, wearing a black dress with a green shawl, with illegible inscription on the stretcher (possibly Mrs Whatehead/ Hilda/ HM/ Whatehead Painting), oil on canvas, unframed 91.5 x 71cm.; with a pastel sketch of the same sitter, signed, identified on the mount as Hilda Mary Wilkinson, unframed, 47.5 x 40cm. (2) ++ Poor condition: the oil with flaked losses (substantial in the shawl), holes, wear, bloom etc; the pastel torn below the image and at edges
TURKISH & PERSIAN INTEREST A folio of diverse portrait engravings of Turks and Arab potentates, after du Chateau, E. Neffenthaler, Petrus de Jode, J B le Noir, Ferdinando Tionili, Jacob Toorenvliet, Theodorum Viero and many others (the majority not ascribed), principally 17th and 18th Centuries, none coloured, approx. 135 (folio) ++ Mixed condition; generally fair-good
CIRCLE OF JAMES LATHAM (1696-1747) PORTRAIT OF LEGH WATSON (1700-1759) , OF LYME HANDLEY, PRESTBURY, CHESHIRE Quarter length, wearing a blue coat, brocaded red waistcoat and wig, oil on canvas 72 x 59.5cm. Provenance: By descent in the family of the sitter ++ Lined; replaced stretchers; scattered retouching
George Montgomery signed 10 x 8 black and white portrait photo. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
John Lithgow signed 8x10 b/w portrait photo. American actor, musician, poet, author, and singer. He is the recipient of numerous accolades, including six Primetime Emmy Awards, two Tony Awards, two Golden Globe Awards, three Screen Actors Guild Awards, four Drama Desk Awards, and has been nominated for two Academy Awards and four Grammy Awards. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
James Purefoy. 8x10 inch portrait photo signed by actor James Purefoy. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Berlin Days 1946-47 paperback book by George Clare, author of Last Waltz in Vienna. This book is a vivid portrait of the city and its post war inhabitants, panoramic in scope, penetrating in insight and a powerful metaphor for the divided Germany. Book in good condition with 230 pages. Sold on behalf of the Michael Sobell Hospice Charity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Literature and Classics - Scottish Imprint, Scott (Sir Walter), The Vision of Don Roderick; A Poem, first edition, Edinburgh: James Ballantyne and Co, 1811, contemporary quarter-calf over marbled boards (worn, rubbed), 4to; Campbell (Thomas), Gertrude of Wyoming: A Pennsylvanian Tale, and Other Poems, first edition, London: Printed by T. Bensley [...], 1809, contemporary quarter-calf over marbled boards (worn, rubbed), 4to; Bloomfield (Robert), The Farmer's Boy [...], sixth edition, London: Vernor and Hood [...], 1802, engraved frontispiece, full-page plates and vignettes, contemporary mottled calf gilt, marbled endpapers, 12mo; Falconer (William), The Shipwreck [...], London: [...] Allman, 1821, contemporary quarter-calf over marbled boards, endpapers en suite, 12mo; Southey (Robert), Roderick, The Last of the Goths, fifth edition, two-volume set, London: Longman [...], 1818, contemporary calf, blind tooled covers, gilt spines, marbled edges and endpapers, 12mo, (2); Pollok (Robert), The Course of Time: A Poem, in Ten Books, fourth edition, Edinburgh: William Blackwood, 1828, contemporary calf gilt, marbled edges and endpapers, 8vo; Byron and other Romantic poets, various; Johnson's Works, various, full-page portrait engravings, contemporary calf, gilt Adamesque spines, 8vo, (12), (faults, disbound, rubbed, worn and fragmentary); Walker (John), A Critical Pronouncing Dictionary [...], tenth edition, London: J. Johnson, 1811, contemporary calf, marbled endpapers, contemporaneous ink MS ownership to flyleaf: Miss Ainsworth, Bishop Gale House, Wigan, Sept: 13th 1812, 8vo; Dickens (Charles), Household Words: Christmas Numbers, 1851-1858, contemporary half-calf over marbled boards, marbled endpapers, 8vo; Thomas Hood, (2); Tennyson; Longfellow; Tupper (Martin F.), Proverbial Philosophy, eighteenth edition, London: T. Hatchard, 1854, contemporary calf gilt, 12mo; Pope's Translation, Homer: The Iliad & The Odyssey, London: J. Walker, 1808 & 1811, publisher's boards, 16mo; Dyrden's Translation: Works of Virgil, London: J. Walker, 1811, pubisher's boards, 16mo; Phædri Fabulæ [...], Londini: In Ædibus Valpianis [...], 1816, contemporary sheep, 12mo; Ovid; Xenophon; etc
Crimea War - a 19th century sailor's folk art woolwork 'Valentine', centred by a sepia portrait photograph of a British Royal Navy rating, on a Union Flag roundel, flanked by further flags of France, Russia, the United States of America and the Ottoman Empire, the whole crested by a crown, roses to apron, 30.5cm x 43.5cm, maple frame
Photography - China and The East - a 19th century cabinet card photograph of a young Chinese lady, in Western dress, seated beside a table; a carte de visite, by Quan-Hing, Photographer, Ship & Portrait Painter, Hong-Que Road, No.147, of a young Indian boy; others, a group of children; view of a street in China; view of the ship Eldorado; a cabinet card, portrait of a mid-19th century soldier; another, HMS Victory, Portsmouth Harbour (8)
Bell's Edition, The Poets of Great Britain, Complete from Chaucer to Churchill, eighty volumes, comprising: Alex. Pope, volumes I-IV, 1776, (4); John Milton, volumes I-IV, 1776, (4); Edmund Waller, volumes I-II, 1777, (2); James Thomson, volume II, 1777; Dr. Edward Young, volumes I-IV, 1777, (4); John Dryden, volumes I-III, 1777, (3); John Gay, volumes I-III, 1777, (3); Abraham Cowley, volumes I-IV, 1777, (4); Matthew Prior, volumes I-III, 1777, (3); Samuel Butler, volumes I-III, 1777, (3); William Shenstone, volumes I-II, 1778, (2); Dr. Tho. Parnell, volumes I-II, 1778, (2); Dr. Jonath. Swift, volumes I-IV, 1778, (4); Edmund Spenser, volumes I-VIII, 1778, (8); Dr. John Donne, volumes II-III, 1779, (2); Joseph Addison, 1778; William Congreve, 1778; John Hughes, volumes I-II, 1779, (2); Cha. Churchill, volumes I-III, 1779, (3); John Pomfret, 1779; Geo. Granville, Lord Lansdowne, 1779; Elijah Fenton, 1779; John Dyer, 1779; Sir Sam. Garth, 1779; Went. Dillon, Earl of Roscommon, 1780; Richard Savage, volumes I-II, 1780, (2); Will. Somervile, volumes I-II, 1780, (2); David Mallet, 1780; Ambrose Philips, 1781; John Philips, 1781; James Hammond, 1781; Thomas Tickell, 1781; Jo. Cunningham, 1781; Dr. William King, volumes I-II, 1781, (2); J. Armstrong, M.D., 1781; Lord Lyttleton, 1781; Nicholas Rowe, 1781; Edward Moore, 1781; Mark Akenside, volumes I-II, 1781, (2); Geoff. Chaucer, volumes II-XIII, 1782, (12); Christopher Pitt, 1782; Isaac Watts, volumes II-VII, 1782, (6); Thomas Gray, 1788; harlequin London and Edinburgh imprints, additional engraved title-pages, the majority with engraved portrait frontispieces, uniformly bound en suite in contemporary mottled calf, gilt-lettered labels to spine, green-stained edges, marbled endpapers, 18mo, [80]
Architecture and Heraldry - Specimens of Mediæval Architecture Chiefly Selected from Examples of the 12th and 13th Centuries in France & Italy and Drawn by W. Eden Nesfield, Architect, London: Published by Day and Son [...], 1862, lacking title-page, full-page lithographs, rebacked in black morocco, gilt lettered, relaid pictorial cloth, ex lib stamps and blemishes, medium folio; Ruskin (John), The Stones of Venice, with Illustrations Drawn by the Author, volumes II & III only, London: Smith, Elder and Co., London, 1873, contemporary brown cloth pictorial gilt, Ex Libris: Robert Frederick Green, 1909, further library stamps and cards, 8vo, (2); Major Abbey's Copy, Sir Christopher Wren, 162-1723, London: The Architectural Press, 1923, Golden Age Armorial bookplate by Badeley and dated 1920: John Roland Abbey, later institutional library stamps and labels, small folio; Edmondson (Joseph, Efq., F.S.A., Mowbray Herald Extraordinary), A Complete Body of Heraldry [...], two-volume set, London: Printed for the Author, by T. Spilsbury, Snowhill [...], 1780, engraved portrait frontispiece to volume I by Francesco Bartolozzi RA (1727-1815), further copperplate engravings of coats of arms and armorial devices, rebacked and relaid contemporary calf boards, institutional ex lib stamps and blemishes, medium folios, (2); etc, [7]
History - Militaria, Southey (Robert), History of the Peninsular War, six-volume set, London: John Murray, 1828-1837, contemporary quarter-calf gilt over marbled boards, edges and endpapers marbled en suite, 8vo, (6); Smollett (T[obias]), The History of England, from the Revolution to the Death of George the Second, Designed as a Continuation of Mr Hume's History, five-volume set, London: T. Cadell [...], 1823, portrait frontispiece of the author in volume I, 20th century half-calf over marbled boards, 8vo, (5); Hume (David), The History of England, from the Invasion of Julius Cæsar to the Revolution in 1688, volumes III-VI & VIII only, London: T. Cadell, 1823, contemporary quarter-calf over marbled boards, endpapers en suite, 8vo, (5); McCarthy (Justin), A History of Our Own Times, New Illustrated Edition, London: Caxton, 1907-1908, green cloth, (7); Chambers's Biographical Dictionary, volumes 16, 17 & 28 only, London: J. Nichols and Son [...], 1814-1816, contemporary mottled calf, the covers gilt with a Greek meander key border (disbound), marbled endpapers, pastedowns with contemporary crest bookplates: Revd W Clive (?the Archdeacon of Montgomery, 1795-1825?), 8vo, (3); other bindings, various, [28]
![Miscellaneous - [Galt (John)], George the Third, His Court, and Family, two-volume set, London: Printed for Henry Colburn, 18](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/83e7de2c-5d4c-4e4d-9a06-ab2700fb881b/468x382.jpg)
Miscellaneous - [Galt (John)], George the Third, His Court, and Family, two-volume set, London: Printed for Henry Colburn, 1824, stipple-engraved portrait profile frontispieces and full-page plates, contemporary blue straight-grained morocco gilt and blind tooled, the spines further gilt tooled and lettered (rubbed, scuffed and chipped), all edges gilt, marbled endpapers, contemporary Plain Armorial bookplates to each recto pastedown: John White, later 20th century armorial bookplates opposite: Robert Innes-Smith, 8vo, (2); Robertson (William), The History of the Reign of Charles V [...], fourteenth edition, four-volume set, London: Printed for Cadell and Davies [...], 1817, contemporary publisher's boards, 20th century armorial bookplates to each recto pastedown: Robert Innes-Smith, 8vo, (4); National Portrait Gallery, an album of lithographic plates of 19th century statesmen and politicians, [London c. 1875], contemporary half-calf and cloth, marbled endpapers, 20th century armorial bookplate: Robert Innes-Smith, 4to; [Scott (Sir Walter)], The Fortunes of Nigel, first edition, three-volume set, Edinburgh: Printed for Archibald Constable [...], 1822, contemporary quarter-calf over marbled boards by J. Neilson of Glasgow, his ticket, (faults, worn and disbound), 12mo, (3); further 19th century literature and belles lettres, including Shakespeare, various contemporary leather and part-leather bindings, mixed sizes; Theology: [Allestree (Richard)], The Whole Duty of Man [...], London: Printed for W. Bent [...], [n.d. 1810], engraved frontispiece, contemporary mottled calf, 8vo; Perrin (John), Entertaining and Instructive Exercises, with the Rules of the French Syntax, twelfth edition, London: Printed for Law and Whittaker [...], 1815, contemporary calf, 12mo; Victorian prize binding; etc, [21]
The Portfolio: An Artistic Periodical, Edited by Philip Gilbert Hamerton, with Many Illustrations, 1885, 1888 & 1889, London: Seeley & Co., illustrated with full-page copperplate etchings, further b/w illustrations accompanying text, harlequin leather and three-quarter leather bindings, mixed folio sizes, (2); Our Conservative and Unionist Statesmen, two-volume set, London: Charles Newman and Company, [n.d. 1895], illustrated with b/w photographic portrait prints, mounted on card leaves, contemporary faux 'alligator' cloth, gilt-lettered upper-covers with royal crown, all edges gilt, folios, (2), [5]
A folio of 17th & 18th century Old Master and other engravings, French School (fourth-quarter 17th century), after Jean Lepautre (1618-1682), Baroque Auricular Ewer with Apples, the sides with Classical figures, [Paris, n.d., c. 1675], copperplate etching, 24cm x 17cm, connoisseur's mount; another, Urn Ornamented with Figures, Swags and a Medallion, Supported by Cherubs, [Paris: Jean II Le Blond (c. 1635-1709), n.d., c. 1675], copperplate etching, 28cm x 20cm, mounted en suite; James Gillray (1756-1815), by and after, caricature, Patriots amusing themselves;_or_ Swedes practising at a Post, [London]: Hannah Humphrey, April 19th 1792, monochrome etching, numbered 74 within the platemark, 26cm x 34.5cm; Edward Bell (late 18th century), by, [...] Portrait of Captain George Westcott, who fell on Board [...] the Majestic [...] in the ever memorable Victory of the Nile [...] 1798; [...] Inscribed to [...] Admiral Lord Nelson [...] London: Published by George Riley, May 12, 1790, mezzotint engraving, 27.2cm x 22.6cm, trimmed and mounted; Continental School (early 19th century), a regiment of Russian Cossacks in a Town Square, two-page aquatint, 51cm x 67cm, Provenance: Koenigl. Palais Bibliothek, stamped, Deutsche Heeresbücheret Berlin, stamped; Rinaldo in the Garden of Armida, fan design, printed in polychrome on silk, early 20th century, 25cm x 38.5cm; 19th century French portrait etchings, after Maurice Quentin de La Tour (1704-1788), (2); Portraits of the British and Their Allies, [London]: Published by R. Bowyer, June 1, 1816, copperplate engraving, 46cm x 32cm; Holbein; named-view and topographical engravings, various; (collection)
Americana - Provincial Imprint, Wansey (Henry), The Journal of an Excursion to the United States of North America, In the Summer of 1794 [...], first edition, Salisbury: Printed and Sold by J. Easton [...], 1796, pp: [3], vi-xiii, [3], 290 (page 41 erroneously numbered 14), index [12], errata [1], stipple engraving portrait silhouette frontispiece of George Washington, three-fold monochrome aquatint of the State House at Philadelphia, contemporary publisher's boards as issued, from the: Library of Hugh Edwin Strickland, printed red label on title-page dated 1853 within the plate, the half-title pasted down to recto pastedown and now acts as an endpaper with the earlier ownership stamp of Strickland below a later MS ownership inscription dated 1900, 8voProvenance: Hugh Edwin Strickland (1811-1853), well-regarded English geologist and natural historian who was killed near Retford in 1853 when he was hit by a train when examining visible geological strata in the cuttings. Strickland's date of death and the dated label on the title-page imply that this copy was sold in a dispersal sale or auction of his books after his death rather than being commissioned as a mark of ownership by the then 42 year-old gentleman before his demise that September.
![Picturesque America; or, The Land We Live In, A Delineation by Pen and Pencil [...], With Illustrations on Steel and Wood, by](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/19b56e51-09fb-46d9-9313-ab2700fbbd80/468x382.jpg)
Picturesque America; or, The Land We Live In, A Delineation by Pen and Pencil [...], With Illustrations on Steel and Wood, by Eminent American Artists, Edited by William Cullen Bryant, volumes I & II only, New York: D. Appleton and Company, 1872-1874, contemporary half-morocco gilt over purple cloth boards, upper-covers gilt-lettered over an artist's easel, all edges gilt, marbled endpapers, 4to, (2); Hübner (Alexander Freiherrn von), Ein Spaziergang Um Die Welt, Leipzig: Heinrich Schmidt & Carl Günther, 1882, illustrated with b/w wood engravings, including named-view American scenes, photogravure portrait frontispiece, 20th century black leather over black cloth boards, folio, [3]
Smith (The Reverend Samuel, D.D.), The Compleat (sic) History of the Old and New Testament: or, A Family Bible: with Large Annotations and Practical Observations [...], two-volume set, London: Printed for the Author, and Sold by C. Sympson (sic) [...], 1753-1754, portrait frontispiece of the Annotations author, further full-page and some fold-out Biblical engravings, title-pages printed in black and red, early 19th century diced calf, marbled endpapers, folios, (2); 19th century Familly Bible, illustrated with wood engravings, contemporary diced black leather (spine and upper-cover loose but connected), marbled endpapers, folio, [3]
![Rollin [Abbé Charles]: Histoire Romaine [...], sixteen-volume set, Amsterdam: Chez J. Wetstein, 1742-1749, title printed in r](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/606200e8-79a8-47df-9f4d-ab2700fb909a/468x382.jpg)
Rollin [Abbé Charles]: Histoire Romaine [...], sixteen-volume set, Amsterdam: Chez J. Wetstein, 1742-1749, title printed in red and black, engraved portrait frontispiece of the author to volume I only by Pieter Tanjé (1706-1761), after Charles-Antoine Coypel (1694-1752), title-page vignettes, contemporary speckled calf, 12mo, (16); Histoire Ancienne [...], thirteen-volume set, Amsterdam: Chez Z. Chatelain & Fils, 1754, title printed in red and black, engraved portrait frontispiece of the author to volume I only by Jakob van der Schley (1715-1779), title-page vignettes, bound en suite to the latter, 12mo, (13); De La Maniere d'Enseigner et d'Etudier Les Belles-Lettres [...], four-volume set, Leyde [Leiden]: Chez J. de Wetstein, 1759, title printed in red and black, engraved allegorical portrait frontispiece to volume I only, bound en suite to the latter sets, 12mo, (4); other French works, various dates and sizes, [43]
John Lucas (1807-1874) and Samuel Cousins RA (1801-1887), after George Sanders (1774-1846), a matrimonial pair, John Henry and Elizabeth Manners, 5th Duke and Duchess of Rutland, each portrait crested by a ducal coronet within the platemark, the Duchess: Private Plate, the Duke London: Published March 26, 1839 by Thomas Boys, Printseller to the Royal Family, XI Golden Square, Regent Street, mezzotint engravings, 71cm x 43cm, contemporary maple frames, (2); Frederick Christina Lewis (1779-1859), after Sir Thomas Lawrence PRA FRS (1769-1830), [Sir] Robert Peel, London: Published April 6, 1840, by Hodgson & Graves, Printsellers to Her Majesty & H.R.H. Prince Albert, 6 Pall Mall, stipple engraving, 60.5cm x 48cm, contemporary maple cushion frame, J.G. & T.C. Brown, Booksellers, Printsellers [...] [of] Leicester, label to verso, [3]
![[Jortin (John)], The Life of Erasmus, first edition, two-volume set, London: Printed for J. Whiston and B. White, 1758-1760,](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/eca99954-03eb-48ca-a354-ab2700fbb342/468x382.jpg)
[Jortin (John)], The Life of Erasmus, first edition, two-volume set, London: Printed for J. Whiston and B. White, 1758-1760, pp: [iii], iv-vi, [2], 630, [2]; [iv], 753, [1], lacking portrait frontispieces yet each volume illustrated with 2 full-page engraved manuscript facsimiles of Erasmus's and other humanists' handwriting, lacking portrait frontispieces, rebacked contemporary speckled calf boards, speckled red edges, contemporary Chippendale Armorial bookplates to each recto pastedown: Southouse, 4to, [2]
Theology & Philosophy - Locke (John), Essay Concerning Human Understanding, two-volume set, London: Printed for C. and J. Rivington [...], 1824, contemporary Regency diced calf, the spines gilt and blind tooled with anthemions, contemporary engraved monogrammed bookplates, 8vo, (2); Alley (The Rev. Jerome), [...], A Comparative Estimate of the Genius and Temper of The Greek, The Roman, The Hindu, The Mahometan, and the Christian Religions, London: T. Cadell, 1826, contemporary grey calf, 8vo; Southey (Robert), The Book of the Church, fourth edition, London: John Murray, 1837, contemporary diced calf gilt, 8vo; Butler (Charles), The Book of the Roman-Catholic Church [...], second edition, London: John Murray, 1825, half-calf, 8vo; Palmer (Rev. William), Origines Liturgicæ [...], fourth edition, two-volume set, London: Francis & John Rivington, 1845, contemporary calf, 8vo, (2); Butler (Rev. Alban), The Lives of the Fathers, Martyrs and Other Principal Saints [...], five-volume set, Virtue & Company Limited, [n.d., 1961], green buckram gilt, 4to, (5); Jenkin (Robert), The Reasonableness and Certainty of Chriftian (sic) Religion, second edition, volume II only, London: Printed by W.B. for Richard Sare [...], 1708, cotemporary panelled calf boards, rebacked spine, 8vo; Whichcote (Benjamin), Several Discourses [...], volume III only, London: 1703, disbound, 8vo; MacGown (The Rev. John), Infernal Conference; or Dialogue of Devils [...], London: Printed for Thomas Kelly, [n.d., 1816], engraved portrait frontispiece, contemporary marbled calf (faults), 8vo; Parker (Samuel), The Ecclefiaftical (sic) Hiftories (sic) of Socrates, Sozomen, & Theodorit [...], volume II only, London: Printed for George Sawbridge [...], 1712, engraved frontispiece, calf spine only, 12mo; Provincial Imprint, A New Family Bible [...], Selected from the Exposition of The Rev. Matthew Henry by the Rev. E. Blomfield, Embellished with Fifty Beautiful Engravings, volume II only, Bunay: Printed and Published by C. Brightly, 1808, contemporary mottled calf, raised bands to spine, 4to; Binding, Missale Romanum [...], [Mechelen]: P.J. Hanicq [...], 1846, printed in red and black, engraved frontispiece, woodcut vignettes, oxblood morocco gilt, all edges gilt, 12mo; Hutter (Leonhard), Compendium Locorum Theologicorum [...], Leiden: Caroli Ludovici Jacobi, 1747, engraved portrait frontispiece, 20th century red cloth, 12mo; Miraculum Miraculorum [...], Ingolsadt: Joan[nis] Andr[eae] de la Haye, 1726, one calf board only, 18mo; 19th century and later prayer books and devotionals; bindings; etc
![History - Smyth (William), Lectures on Modern History [...], two-volume set, London: William Pickering, 1848, contemporary ca](https://cdn.globalauctionplatform.com/19534e5a-af71-4c97-b3d3-ab21011c591b/6b040062-2285-4511-b1b7-ab2700fbb613/468x382.jpg)
History - Smyth (William), Lectures on Modern History [...], two-volume set, London: William Pickering, 1848, contemporary calf gilt, marbled edges and endpapers, 8vo, (2); Lord Macaulay's Essays, twelfth edition, three-volume set, London: Longman [...], 1865, Hatchard & Co conemporary calf gilt bindings, stamped, marbled edges and endpapers, 8vo, (3); Strickland (Agnes), Lives of the Queens of England [...], fourth edition, eight-volume set, London: Henry Colburn, 1854, additional engraved title-pages and frontispieces, contemporary cloth but volumes I to IV rebacked in 20th century black leather with gilt lettering, 20th century refreshed endpapers, 8vo, (8); Sanctissimi Domini Nostri Benedicti Papæ XIV, Constitutiones Selectæ, Nec Non Builæ, Decreta, Epistolæ, &c., [...], parts I & II only: bound as one, Romæ: Expensis Jo: Baptistæ Novelli [...], 1766, engraved portrait frontispiece of Pope Benedict XIV by Antonio Baratti (1724-1787), engraved vignettes to each title-page with papal insignia, woodcut architectural initials, sewn in contemporaneous boards, 4to; Guicciardini (Francesco), Istoria D'Italia [...], volumes I, II, III, V, VII, VIII, IX & X only, Pisa: Presso Niccolò Capurro, 1819-1820, contemporary black calf spines, blind tooled, over marbled boards, early 20th century presentation bookplates of Liverpool Public Libraries to each recto pastedown, neat stamps to title-pages, 8vo, (8), [22]
Loading...-
283284 Los(e)/Seite