Rose D Bonner (British exhib.1895-1916) - Full length portrait of a seated child in a white dress with coral necklace, watercolour and bodycolor on paper, signed with initials RDB, dated 1914, with Chelsea frame makers label verso, of circular form, 22cm diameter, together with a 19th century French school pencil and watercolour half length study of a baby in white dress with blue sash, indistinctly signed Foucance? dated 1863, of oval form, 17cm max, both in gilt frames (2)
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Late 19th century school, full length portrait of a fair haired blue eyed young boy in a sailor costume holding a fishing rod and seated on a rocky outcrop in a coastal landscape, watercolour on card? (not removed from frame), oval form, 20 cm max, in an ornate pierced and scrolling gilt frame
Attributed to William Powell Frith RA (British 1819-1909) - Bust length portrait of a lady in black hat and grey dress, oil on canvas, of oval form (edges obscured by mount and not removed from frame) no visible signature but with attribution verso WP Frith, together with old magazine cutting showing an illustration of Frith's painting The Salon D'Or which includes a similar female character to the centre, 42cm max approx, in gilt frame
Ealy 20th century school shoulder length portrait of a fair haired little girl with red bow in her hair, oil on canvas, no visible signature, 30 x 25 cm approximately, together with an early 20th century crystolean of a little girl in a landscape setting, 18.5 x 13 cm, two coloured nursery prints after B Midderigh Bokhorst, 60 x 55 cm approximate maximum size and a coloured print after Carl Larsson of an interior scene with children processing, various sizes all framed, (5)
Petakowski Ant, Sir Winston Churchill, head and shoulders portrait, pastel, signed and dated 1942, inscribed 'Presented to The Sergeants Mess Weeton by the Artist', 58x45cm. Generally good condition, no creases, holes or tears, some water staining ad browning to the mount, mounted under glass, original oak frame.
*William Lee Hankey RWS (1869-1952) 'The Goose Girl' (Hardy 126) etching and aquatint, 1916, from an edition of 50, signed in pencil 'William Lee Hankey' plate mark 27 x 20cm; and two others, 'Portrait of a Lady' signed in pencil plate mark 27.5 x 22.3cm, 'The Monk and the Crucifix', 1913 (Hardy 119) signed in pencil plate mark 10 x 15cm (3) *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frames. Goose Girl - appears to be in good condition. Portrait of a Lady - slight yellow discolouration to extreme edges by mount Monk - paper dicoloured, lines of discolouration from old mounts
*John Frederick Lloyd Strevens (1902-1990) Portrait of the artist's wife signed 'Strevens' u.r., oil on canvas 45 x 33cm *Artist's Resale Right may apply to this lot.Condition report: Canvas a little loose, may benefit from re-stretching. Some craquelure to right side, left side and lower part. Possible issues with bitumen. Face seems to be ok. Not examined under UV light, please contact the department for a full report.
*Lucy Harwood (1893-1972) Portrait of Frederica pastel 52 x 37cm Provenance: Colchester Art Society (sold with old label). *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Speckles of light foxing throughout and a few light stains near upper edge. Very light wave to the paper. A small horizontal smudge to the face and another one above the head.
15th C. Old Master Portrait of a Woman. With a partial family crest (upper right). Oil on board. Several old labels attached verso. Appears to be unsigned, has not been examined out of the frame. Provenance: Deceased Estate of Dr. John Schaeffer (Orlando Florida). Sight Size: 24.5 x 19 in. Overall Framed Size: 32 x 21 in.
Gilbert Stuart (1755 - 1828) Portrait of Mrs. Daniel Webster (Grace Fletcher). Oil on Canvas Painting. Housed in an impressive exhibition frame. Illustrated in the 1920 American Art Association catalog from the auction April 22-23, 1920) of the important collection of Frank Bulkeley Smith. According to the catalog, The portrait of Mrs. Daniel Webster was painted about 1816. Shortly before Daniel Webster married his second wife , in 1829, he gave the portrait to the first wife's sister Rebecca, from whom it passed to Webster's son Daniel Fletcher Webster, and was retained by his wife after his death. The portrait was later in the collection of Frank Bulkeley Smith. This painting comes with the illustrated catalog from the 1920 sale. Sight Size: 26.75 x 22.75 in. Overall Framed Size: 38.5 x 35 in.
Edward Bell (British Contemporary) Polaroid of David Bowie and Brian Duffy from Scary Monsters photoshoot session, together with a polaroid of David Bowie's feet and shoes as illustrated in the Unmade Up... publication, page 18. Also a polaroid of the artwork in progress for the Scary Monsters main album image of David Bowie- the original final portrait was purchased by David Bowie for his personal collection (3)
Edward Bell (British Contemporary) Polaroids from Tin Machine Photoshoot, to include two polaroid portraits of David Bowie, polaroid of the back tattoo of Hunt Sales and polaroid of Edward Bell in front of a portrait of David Bowie which was purchased by the singer, laid on card, signed bottom right, measurements 22.5 x 21 cm (SH), frame 31 x 29 cm Illustrated in Edward Bell's 2017 Unmade Up... publication, page 82
Edward Bell (British Contemporary) Bowie Portrait Colour Print, from the Tin Machine II photoshoot session, used on the back paper cover for the publication Unmade Up... as well as a central image in Bell's montages and icon painting series, signed in pencil right margin, inscribed label verso 'Bowie in Tin Machine prior my urging him to shave off beard for album concept image 43 x 31 cm (SH) Condition report: The item is a montage collage. There does not appear to be any rips, creasing or folds and the surface appears stable with no evidence for deterioration. The item is within a sealed plastic wallet

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