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Los 1498

LEICESTER CITY Collection of twelve press photos relating to Leicester City, some action, some portrait , various sizes but include Leicester scoring v Barnsley 61 Cup, the toss up at Highbury Cup Semi-Final 49, the Duke of Edinburgh shaking hands with Leicester players and manager Johnny Duncan at Wembley 49 Cup Final, autographed photo of Ken Keyworth heading the ball goalwards v Fulham 62/3 plus portraits including Adam and King both 1946, Secretary Charles Maley (1947/8), team group 68/9, Dai Jones 1935, Don Revie, Keyworth and Leek. Generally good

Los 1556

FERENC PUSKAS AUTOGRAPH A black & white magazine portrait picture and an autographed separate sheet. Good

Los 2

Anthropology.- Thoms (William J.) The Longevity of Man, its Facts and its Fictions, with a Prefatory Letter to Prof. Owen on the Limits and Frequency of Exceptional Cases, first edition, half-title, newspaper cutting mounted on verso of final blank preface f. offsetting onto frist f. of contents, occasional spotting, original blind-stamped cloth, 1873 § Klaatsch (Hermann) The Evolution and Progress of Mankind, first edition in English, half-title, portrait frontispiece, illustrations, some full-page, original cloth, spine and upper part of covers faded, [1923] § Jones (F. Wood) Arboreal man, half-title, illustrations, original pictorial cloth, gilt, some creasing, 1916; and 11 others, similar, 8vo (14)

Los 79

Naval.- Lediard (Thomas) The Naval History of England, 2 vol., first edition, lacking engraved portrait, with engraved head-piece and initial, a little browned at beginnings and ends, occasional soiling to upper margins, a few minor marginal tears, contemporary mottled calf, spines gilt with red and black labels, rubbed and scuffed, joints split, spine ends and corners worn, folio, for John Wilcox...and Olive Payne, 1735.

Los 131

Vellekoop (Jacques).- Breslauer (Martin) Martin Breslauer. Erinnerungen, Aufsätze, Widmungen, signed presentation copy from Bernard Breslauer to Jacques Vellekoop ('To my colleague and friend Jacques Vellekoop, from Bernard Breslauer (Martini filius), 7.II.67'), tipped in portrait frontispiece, original cloth, spine slightly faded, slightly bowed, Frankfurt, 1966 § Rostenberg (Leona) and Madelein B. Stern, Old & Rare. Thirty Years in the Book Business, signed presentation copy from the authors, plates, original cloth, dust-jacket, New York & London, 1974; and c.20 others, rare book memoirs & miscellaneous from the library of Jacques Vellekoop, the odd one with an inscription, v.s. (c.22)

Los 53

NO RESERVE Balfour (Arthur James, first Earl of Balfour, Prime Minister and philosopher, 1848-1930) Letter signed to Walter Sydney Sichel, 2pp., 8vo, 10 Downing Street headed paper, 21st March 1904, thanking him for sending a copy of his book on Disraeli, folds, slightly browned, framed and glazed alongside a portrait of Balfour.

Los 139

NO RESERVE Beauharnais (Hortense) Romances Mises en Musique, vignette title, engraved portrait, 12 aquatint plates, manuscript facsimile, occasional spotting, marginal damp-staining, original half vellum, a little rubbed, oblong 4to, Dobbs, [?1832].

Los 175

Cookery.- Raffald (Elizabeth) The Experienced Housekeeper, for the use and ease of Ladies, Housekeepers, Cooks, &c., engraved portrait and 3 folding plates (one of a stove and 2 table plans), with final blank, some foxing, modern calf, spine gilt preserving old roan label, for A. Millar, 1789 § Evelyn (John) Acetaria. A Discourse of Sallets, "second edition" (actually reissue of first edition of 1699 with cancel title), folding table, errata leaf at end, all but B & C signatures very browned, table torn and frayed (laid down), modern half calf, for B.Tooke, 1706 , 8vo (2)

Los 112

Dunton (John) The Life and Errors of John Dunton, Citizen of London... to which are added, Dunton's Conversation in Ireland; Selections from his other Genuine Works; and a Faithful Portrait of the Author, 2 vol., engraved portrait after Vandergucht, occasional light spotting, browning to title, nineteenth-century calf, gilt, spines gilt in compartments, spines a little rubbed and faded, g.e., 8vo, 1818.⁂ Provenance: William Beckford (1760-1844, neat autograph note to vol.1 front free endpaper); Archibald Philip Primrose, 5th Earl of Rosebery (1847-1929, his ink stamps "Rosebery Durdans and his morocco bookplates).

Los 6

Emblemata.- Wither (George) A collection of emblemes, ancient and moderne: quickened vvith metricall illustrations, both morall and divine: and disposed into lotteries, 4 parts in 1, initial 'Preposition to this frontispiece' f., engraved additional pictorial title, portrait of the author and 200 circular emblems after Crispijn van de Passe the elder, lacking final f. with 2 woodcut dials, supplied in facsimile, initial f. with large tear and laid down, a few tears and margins repaired, the odd repaired tear within text, some ff. closely trimmed at head or foot, affecting the odd signature or running title, some spotting or staining, attractive panelled olive crushed morocco, gilt, covers with arabesque centre-pieces, spine in compartments, g.e., [STC 25900d; Freeman pp.140-147], small folio, Printed by A.M. for Henry Taunton, 1635-1634.

Los 72

[Rawlinson (Richard, editor)] Miscellanies on Several Curious Subjects..., first edition, title with engraved portrait of Anthony à Wood, Contents leaf misbound at end, lightly browned, some leaves trimmed, later calf, gilt, rubbed, for E. Curll, 1714 § Addison (Joseph) Miscellanies in Verse and Prose, 4 parts in 1 (each with separate title and pagination), engraved portrait, general title and preliminaries bound after first part, lacking 2 final advertisement leaves, rather soiled and stained, D1 of 'Poems' (first leaf of 'The Bowling Green') torn with slight loss, old ink inscription to front free endpaper, contemporary sheep, a little worn, rebacked, new endpapers, E.Curll, 1725, 8vo (2)

Los 61

Brown (Sir Thomas) Pseudodoxia Epidemica: or, Enquiries into very many received Tenents and commonly presumed Truths, 2 parts in 1, sixth edition, engraved portrait frontispiece, woodcut head-pieces and decorative initials, without supplementary title after general title (as often, according to Keynes), 12pp. table bound in at end, 19th century polished calf, gilt, spine in compartments and with black and green leather labels, upper joint split, but holding firm, rubbed, Lord Aylesford's copy with his crest to covers, [Wing B1565 & B5176; Keynes 10& 79], small 4to, printed by J.R. for Nath. Ekins [and for Andrew Crook], 1672.⁂ Includes minerals, vegetables, mythical monsters, and superstitions.

Los 127

NO RESERVE Hope (Alexander) Lammermoor Rhymes: by Sandy Hope: A Tribute to his Memory, first edition, frontispiece portrait, ink inscription on front free endpaper, hinges splitting, original cloth, gilt, spine slightly faded, [not in BL], [Galashiels], [?1911]; and 7 others, 8vo & 4to (8).

Los 91

Congreve (William) The Works, 3 vol., engraved portrait frontispiece and 5 plates, light offsetting and occasional scattered spotting, contemporary calf, gilt, spines richly gilt with red and green morocco labels, spines a little rubbed, chipping to spine ends, joints starting but covers holding firm, g.e., 8vo, Birmingham, by John Baskerville, 1761

Los 137

Nonesuch Press.- [Burton (Robert)], "Democritus Junior". The Anatomy of Melancholy, 2 vol., number 373 of 750 copies, portrait, decorative titles and illustrations by E.McKnight Kauffer, original vellum-backed patterned-paper boards, vol.2 spine marked and creased at foot, uncut, small folio, 1925.

Los 69

Erasmus (Desiderius) Twenty Two Select Colloquies out of Erasmus Roterodamus, pleasantly representing several superstitious levities that were crept into the Church of Rome in his days. By Sir Roger L'Estrange, engraved portrait frontispiece, early ink ownership inscription to front free endpaper, engraved folding plate from another work loosely inserted, occasional very light browning, contemporary calf, rebacked, 8vo, for Daniel Brown, 1711.

Los 132

After Irving Penn (British, 1917-2009) Exhibition poster, National Portrait Gallery, 2010 framed and glazed, 81cm x 62cm

Los 151

Abstract portrait Batique print on fabric indistinct signature to lower right 71cm x 55cm

Los 171

After Rabindranath Tagore (1861-1941) Portrait of a woman, c1960 collotype print published by Ganymed Press 63cm x 50cm

Los 766

A framed watercolour portrait of "Doris Dean". Apparently unsigned. Approx. 19 cms x 25 cms. Est. £20 - £30.

Los 131

Dame Laura Knight, drawing, portrait of Judy Bell aged six, signed and dated 1956, 18.5ins x 11.5ins, this portrait was executed in 1956 and was a present to the sitter's parents from Harold and Laura Knight; it is believed as a thank you present, it has been in the family ever since (D)Condition Report: Good condition

Los 312

Late 18th Century English School - Oil on canvas - Portrait of a young woman, perhaps an actress, grieving over her lost love, unsigned, 75cm x 62cm This half length portrait shows a young woman 'in character', that is the painting has a literary theme. She holds a bundle of letters, presumably love letters, her brow is furrowed and she is shown crying. Her costume is simple and she is probably a country girl. She is outside, her hair blowing in the wind, and the ivy on the rock or wall beside her denotes fidelity. She still loves him, but the artist has not told us whether her lover has died or has abandoned her. The literary theme is at present unidentified. The pose is not theatrical and the painting most likely illustrates a novel or poem, Artists could earn money from painting subject pictures for publishers who would employ an engraver to reproduce them. There is an intimacy in the portrait which suggests the artist was painting a close family member rather than a model. He might also have been demonstrating to potential clients that not only could he capture a good likeness but he could also convey emotion. Although the sitter bears a resemblance to the young Sarah Siddons, the celebrated tragic actress, it is well-documented that Siddons had dark brown eyes and eyebrows. This young woman has blue eyes and light brows Condition: Old relining, large dried-out 'damp' patch to verso, see image, this is clearly been through a workshop at some point in its history probably many years ago so there are some areas that clearly inpainted, craquelure across the whole picture - **General condition consistent with age

Los 318

Sylvain Vigny (Austrian 1903-1970) - Oil on canvas - A family portrait, signed, 44.5cm x 53.5cm, Artist Resale Right may apply Condition: **General condition consistent with age

Los 339

19th Century English School - Oil on canvas - Three quarter length portrait of a young cleric, indistinctly signed and dated 1883, 116cm x 86cm Condition: Relined, some obvious areas of inpainting, a badly repaired tear to the left of the man's arm - **General condition consistent with age

Los 360

Attributed to Jean Desire Muneret (French fl.1804-1814) - Oval miniature - Portrait of a young man wearing a high collared jacket and a black cravat, bears signature, 6.75cm x 5cm Condition: **General condition consistent with age

Los 361

J. Bailey - 19th Century oval miniature - Half length portrait of a lady playing a parlour guitar and wearing a wide brimmed hat with feathered plumes, signed and dated 1/30, 7.5cm x 6cm Condition: **General condition consistent with age

Los 363

19th Century French School - Circular miniature - Three quarter length portrait of a lady wearing a lace cap and holding a lyre, signed Perin, 7.5cm diameter Condition: **General condition consistent with age

Los 364

Sampson Towgood Roche (1759 -1847) - Oval miniature - Portrait of a young gentleman wearing a blue jacket, signed and dated 1788, 6.5cm x 5cm Condition: **General condition consistent with age

Los 369

Edwardian painted satinwood octagonal occasional table or stand, the moulded top with central circular portrait of a female figure within floral borders, upon ribbon frieze and tapering square section supports linked by cruciform stretcher, 31cm diameter x 72cm high Condition: Some crazing to central portrait, general light wear - Please see extra images and TELEPHONE department if you require further information

Los 236

An early 19th century framed portrait silhouette, by Wakins, of a woman wearing a bonnet, with gilt metl slip and black frame, 3ins x 2.5ins

Los 251

An oval framed portrait miniature, of a military gentleman, diameter 1.75ins, together with another framed portrait miniature of a praying woman, signed, 3.5ins x 2.5ins

Los 297

A 19th century gilt metal and porcelain clock garniture, the striking movement with stamp for Japy Freres, numbered 666, the porcelain dial decorated with a bird and flowers to a blue and gilt border with Roman numerals, the case inset with seven further porcelain panels decorated with cherubs, birds and flowers, the gilt metal decorated with an urn to the top, leaves, scrolls and a mask and raised on paw feet,height 17.75ins, the pair of candelabra having a central light and three scroll branches, the column with porcelain knop decorated with a portrait, the gilt metal base decorated with scrolls and flowers and inset with an oval porcelain plaque decorated with flowers, af, height 19.5ins 

Los 410

Eight circular metal framed portrait plaques, all with relief portraits in profile with script, one of Filippo Strozzi, another of Ranuccio II, diameters 4.25ins and down

Los 583

A Cantagalli style majolica vase, of baluster form, decorated with a portrait to the one side and a crest to the other with laurel wreath frame and scrolls, height 10ins, together with another Cantagalli style majolica covered vase, decorated with a landscape, height 11.25insCondition Report: Portrait vase has a very minor flea bite chips to the glaze on the base as would be expected. The covered vase is in good condition 

Los 137

BRITISH SCHOOL (19TH CENTURY) Portrait miniatures of two sisters, the first identified verso as Elizabeth Stacy (1822-1912) and the second as Mary Stacy (1824-1868), oil probably on ivory, unsigned, each approximately 7.5cm x 6cm, uniformly framed.

Los 272

POSTCARDS - ASSORTED Approximately thirty-eight cards, including real photographic views of the Corner of Broad Street, Ludlow; and a group portrait of coopers beside a barrel (by Abrahams of Burton-on-Trent); with views of the Lamport & Holt Line T.S.S. Voltaire; Red Star Line S.S. Minnewaska; and others, many post-1950, some oversize, (loose).

Los 294

PHOTOGRAPHS - ASSORTED Approximately 176 photographs, circa 1920s-40s, the subjects including Second World War training and field exercise scenes; portraits; aircraft (military & civil); motor vehicles; sheep-shearing; hop-picking; a Bournemouth Corporation tram; and others, variable quality, most approximately 5.75cm x 10cm, in a loose-fit album; together with a small quantity of photographic portrait postcards.

Los 297

MILTARIA - GERMAN THIRD REICH comprising a National Socialist League of the Reich for Physical Exercise stickpin; an associated Deutscher Reichsbund fur Leibesubungen identity card; and an Adolf Hitler ceramic commemorative portrait plaque, 1939, 8.75cm diameter, (3).

Los 337

MILITARIA - A GREAT WAR IMPERIAL GERMAN COMMEMORATIVE BRASS LETTER OPENER the grip cast with a bas-relief bust portrait of the Kaiser, dated 1914, 25.5cm long.

Los 370

POSTCARDS - ASSORTED Approximately 275 cards, including real photographic views of County Buildings, Forfar; Clifton Suspension Bridge; The Fighting Cocks, St. Albans; The Priory, Chilton Polden (by Whitby, Light & Lane, Bridgwater); Jephson Gardens, Leamington Spa; and a military football team portrait; with views of The Gorge, Hurst Hill; Tettenhall Road, Wolverhampton; Church Road, Tettenhall; Fountain Garden and Civic Centre, Southampton; Chapel Ash, Wolverhampton; and others, including greetings and comic, (album and loose).

Los 382

PHOTOGRAPHS - PORTRAIT Approximately forty-nine cabinet and forty-six carte-de-visite portraits, individual and group, many of West Country interest; together with approximately thirty-four assorted stereoscopic view cards; and a small quantity of other photographs, (box file).

Los 1

*Boitard (Louis Philippe, active 1734-1760). Caricature of a stout gentleman, pen, ink, and watercolour wash, on laid paper, full length seated portrait of a grinning bewigged gentleman wearing red waistcoat and breeches, buckled shoes, and a brown frock coat, and holding a foaming pewter tankard with hinged lid, 16.5 x 11cm (6.5 x 4.5ins), mounted, framed and glazed, with old attribution label on backboard 'Squire Gallery, Portman Square' (1)

Los 114

*Goya (Francisco de, 1746-1828). Self Portrait, (Plate 1 from Los Caprichos), 2nd edition of circa 1855, etching with aquatint on off-white wove paper, probably the 5th edition, published by the Calcografia de Real Academia, Madrid, between 1881 and 1886, some light marks and minor soiling, mainly to margins, plate size 21.5 x 15.4 cm (8.4 x 6 ins), sheet size 32.7 x 24.2 cm (12.8 x 9.5 ins), hinge-mounted Harris 36, III, 2. Delteil 38 iv/iv. (1)

Los 137

*Ray-Jones (Raymond, 1886-1942). Self-portrait wearing a hat, 1915-21, etching on laid paper, with watermark F.J. Head & Co. partially visible to extreme upper edge of the sheet, signed in pencil, and additionally titled in pencil by the artist 'Portrait of the Artist' to lower edge, plate size 33 x 24.7 cm (13 x 9.75 ins), sheet size 40.5 x 32.5 cm (16 x 12.75 ins) (1)

Los 15

*After Giovanni Ambrogio de Predis (circa 1455-1508). Portrait of Beatrice d'Este, 1490, 19th century oil on wood panel, a copy of the famous portrait in the Pinacotheca Ambrosiana, Milan (and previously believed to be by Leonardo da Vinci), some minor surface scratches to lower edge, and several old wormholes, 19th century (or early 20th century) Florentine wood frame with egg-and-dart (ovolo moulding) inner border, decorative Florentine-style painted outer border, with dentil carved outer border and stepped outer edge in gilt, with contemporary small printed label of Alfonso Dori, Corso, Borgo SS. Apostoli 14-16 Firenze to verso A good quality copy after the famous portrait of Beatrice d'Este often ascribed to Leonardo da Vinci, but now given to Ambrogio de Predis. Recent research by Martin Kemp and others has also suggested that the sitter is not Beatrice d'Este but Anna Maria Sforza (1476-1497), the first wife of Alfonso d'Este, Duke of Ferrara. Alfonso Dori is listed in a 1930 edition of the Annuario Toscano as a Florentine leather worker and bookbinder, founded in 1891. (1)

Los 160

*@Clarke (Graham, 1941-). Self portrait of the artist, pen and ink on paper, signed twice, 28 x 21cm (11 x 8.25ins), framed and glazed (1)

Los 202

*Dudley Short (Norman, 1882-1951). A collection of 23 original one-line drawings, circa 1920-1950, 23 pen & ink or black crayon drawings on paper, including 14 mounted on card, 6 initialled N.D.S., and 3 initialled S., various sizes, the largest sheet size 22 x 20 cm (8.8 x 8 ins), the smallest 11.5 x 9.4 cm (4.6 x 3.7 ins), together with a small archive of documents and paperwork relating to the artist, including a letter from C.G. Holmes of The Studio addressed to the artist, dated 18th July 1923, a pencil portrait of Dudley Short by Severin, entitled Samurai Short, various newscuttings from magazines, including Drawing & Design, New English Weekly, 3 printed broadsides by the artist, entitled A Gay Dog, A Dull Dog, and Oh Alfred! (including 2 duplicates of A Dull Dog), 4 pages of a handwritten manuscript account by the artist of his drawing technique, circa 1950, and a sequence of correspondence from the artist's daughter concerning an exhibition of Dudley Short's work to be held at The Cross-Keys Gallery, Beaconsfield, taking place in January 1969, 4 wood engravings by Molly Dudley Short, etc The 'one-line' drawings of Norman Dudley Short were frequently printed or reproduced in journals and magazines between the 1920s and 1940s, including The Studio, Apollo, New English Weekly, Drawing & Design, and elsewhere. A one-man exhibition of his work took place at the Little Art Rooms, Duke Street, London, in 1923, Brook Street Art Gallery in 1944, The Chelsea Gallery in 1949, and a posthumous retrospective at the Cross-Keys Gallery in Beaconsfield in 1969. (a folder)

Los 206

*@Gurschner (Herbert, 1901-1975). Mrs Eileen Herlie, 1947, oil on canvas, signed and dated 1947 lower right, heavily marked to surface, especially to outer edges with some scratches and minor paint loss, 112 x 86.5 cm (44 x 34 ins) Provenance: The artist's estate, thence by descent to the present owner. Illustrated: Portrait of Eileen Herlie by Herbert Gurschner, in World Review, August 1948. Eileen Herlie (1918-2008), theatre and film actress, had a distinguished stage career, including the Queen in Jean Cocteau's The Eagle Has Two Heads, in which she delivered the longest speech in the history of the stage (2,982 words lasting 21 minutes) at the Lyric Theatre, Hammersmith in 1946, and as Gertrude in the 1948 film of Hamlet starring Laurence Olivier. The present portrait shows her therefore at the height of her early fame. (1)

Los 217

*@Kennington (Eric, 1888-1960). False Quiet, 1922, watercolour on paper, signed and dated E.H. Kennington 1922 lower left, 14.5 x 33.5 cm (5.75 x 13.25 ins), period frame, glazed, with handwritten description of the work (probably by the artist's son Christopher Kennington) '"False Quiet" by Eric Kennington. This is the original of the first illustration to the 'Seven Pillars of Wisdom' subscribers' edition, 1926', original framer's label of Rowley, 160-2 Church St., Kensington W8, older printed label dated December 1960 giving details of the work with an inventory number 197, and more recent printed labels for the National Portrait Gallery exhibition 'Lawrence of Arabia', and a further handwritten label referring to the Gillian Jason Gallery dated January 1985 to verso Provenance: Family of the artist (Christopher Kennington); thence by descent. Exhibited: Leicester Galleries Sculpture and Other Works by Eric Kennington, October 1924, probably as Storm Cloud. Gillian Jason Gallery, Drawings and Sculpture by Eric Kennington, January-February 1985. National Portrait Gallery, Lawrence of Arabia, 9 December 1988-12 March 1989, 225. The original watercolour used as the tail-piece at the end of page xviii of T.E. Lawrence's Seven Pillars of Wisdom (the last leaf of the preliminary pages). Kennington's crucial role in the preparation and production of T.E. Lawrence's masterpiece Seven Pillars of Wisdom is recognised. Over a five year period the artist became Lawrence's guide in all matters of design and illustration for the work and they remained life-long friends. In a letter from Lawrence to Kennington of 27 October 1922, the author described the effect Kennington's drawings had on him: 'Your drawings are wonderful... there's a hypnotic suggestiveness about your work, which makes me give into it, when I stare at it.' See A.J. Plotke, Eric Kennington and 'Seven Pillars of Wisdom': A Reassessment, in Biography, Volume 7, No. 2, Spring 1984, pages 169-181. (1)

Los 23

*After Matthew William Peters (1742-1814). A 19th century unfinished copy of a portrait of a young girl, oil on canvas, 72 x 59cm (28.25 x 23.25ins), framed (1)

Los 240

*Speicher (Eugene Edward, 1883-1962). Autumn Landscape with Farmstead, oil on canvas, signed, lower right, 45 x 57cm (17.75 x 22.5ins), framed, The Milch America American Art gallery label to verso American realist painter Eugene Speicher studied under William Merritt Chase at the Art Student's League in 1907-08, where he won the Kelley Prize with his portrait of Georgia O'Keefe, and with Robert Henri at the New York School of Art in 1909, through whom he met George Bellows, Rockwell Kent, Edward Hopper and other realist artists. Once hailed by Esquire magazine (1936) as America's most important living artist, his landscapes tend to centre around Woodstock and Kingston, near New York. A retrospective of his work was held at the Samuel Dorsky Museum, New Paltz from February 5th to July 13th 2014. (1)

Los 244

*@Todd (Arthur Ralph Middleton, 1891-1966). Portrait of a lady, oil on wood panel, half-length portrait of a dark-haired lady seated, with left elbow resting on a ledge and cheek cradled by her left hand, 51 x 36cm (20 x 14ins), with label on verso 'From the Innes family archive. An original work by: Arthur Ralph Middleton Todd 1891 - 1966, from the sale at Barbara Kirk Auctions, Penzance, 21/10/2014', framed Mr. John Innes was the artist's great nephew; he presented an archive of ephemera, drawings, prints and photographs relating to Todd to the Royal Academy in 2004. (1)

Los 31

*Canziani (Louise Starr, 1845-1909). Portrait of a Young Lady, oil on canvas, artist's monogram lower left, 30 x 23cm (12 x 9ins), gilt moulded frame (1)

Los 44

*Maclise (Daniel, 1806-1870). Self portrait, watercolour, unsigned, period bird's-eye maple wood veneer frame, glazed The artist Daniel Maclise is shown wearing very similar clothing, and in a similar position, in the well-known portrait of him by Edward Matthew Ward of 1846, in the National Portrait Gallery, London. (1)

Los 452

*Walker (Agatha, 1888-1980). Lucie Zelie Durnford, 1935, plaster maquette, full-length portrait of a lady standing, half-profile to right, wearing a loose flowing gown and bead necklace, and clasping a purse with both hands, on square plinth, monogrammed and dated on reverse '19W35', height 35cm (13.75ins), together with a black and white photograph of the finished figurine for which this maquette was produced, mounted on card, pencil inscription on front of mount 'Mrs. Durnford', and on verso 'Portrait statuette of Lucie Zelie Durnford by Agatha Walker' Lucie Zelie Durnford n‚e de Marmery Villin (1863-1955) married William Arthur Durnford in 1885. The Durnfords moved in artistic circles, and Lucie Zelie was a painter herself as well as an accomplished needlewoman (see lots 416 and 417 in this sale). At least two pastel portraits of Lucie by Agatha Walker exist, both of which show her sewing. (2)

Los 46

*Attributed to William Dudman (-1803). An early nineteenth century portrait miniature of a gentleman, circa 1801, watercolour, gouache, and bodycolour on ivory, oval head and shoulders portrait, half-profile to right, of a bewigged gentleman wearing a black coat and waistcoat, and a white stock with short bands, 6 x 5cm (2.25 x 1.75ins), oval white metal frame with hanging loop, verso with indistinct manuscript label, and later manuscript label transcribing the former: 'W. Dudman pinxit? Ex Academic Regale Artium Londini 1801' (1)

Los 9

*Bolognese School. Portrait of a bearded old man, late 17th or early 18th century, oil on canvas, signed lower right, indistinctly 'Giovanni Ciappa' (?), relined and restored, and inscribed in black paint to verso '22 CEU '97 C. Lambr Palzine 21::', 63.5 x 50 cm (25 x 19.5 ins), unframed Similar to the work of the Venetian rococo painter Giuseppe Nogari, particularly known for his portraits of old men and women. (1)

Los 1302

Follower of Rembrandt Van Rijn (1606 - 1669) - a 19th Century oil painting on canvas after Rembrandt's 1634 ' Portrait of an Eighty Three Year Old Woman '  depicting an elderly woman dressed in a bonnet and ruff using Rembrandt's characteristic chiaroscuro dramatically lit style, being painted with a very accomplished professional hand. The painting has been removed from stretcher and is unsigned. Measures: 67cm high x 53cm wide.

Los 1304

After Thomas Gainsborough (1727-1788) - A late 18th Century / early 19th Century oil painting on canvas depicting a portrait of a young woman wearing a blue satin dress with a lace neck line. Unsigned and unstretched. Measures: 44cm high x 35cm wide.

Los 148

After Paul Gauguin (1848-1903). A 20th Century studio pottery "self portrait" head / jar modelled on the Artist Paul Gauguin having detailed features including sloped nose and locks of hair. Measures 16cm high by 14cm width.

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