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283284 Los(e)/Seite
LATE 19TH CENTURY ENGLISH SCHOOL "Gentleman in black overcoat and white stock, seated, his hands folded upon his lap", a portrait study, half length, oil on board (possibly on a photographic print base), unsigned, 23.25 x 18.75 cm, together with a leather cased daguerreotype depicting the same gentleman
ATTRIBUTED TO SIR GODFREY KNELLER "A lady said to be The Duchess of Marlborough's sister" and "A gentleman said to be the husband of The Duchess of Marlborough's sister, Secretary to the Prince of Orange", portrait studies, three quarter length, a pair, oil on canvas, unsigned, housed in contemporary and probably original carved oak gilded and lacquered frames of oak leaf and acorn design with inner ribbon carved and foliate decoration, 120.5 x 100.25 cm, (ILLUSTRATED)
BROWNE (Sir Thomas) Pseudodoxia Epidemica, 6th edition 1672 4to, frontispiece portrait (head of title cropped) later calf binding with cracked joints; Christian Morals, CUP 1904 (250), untrimmed; Religio Medici, 1898, untrimmed; A Letter to a Friend, Haslewood Reprints no.1, 1924 (425), some foxing (4)
George E Moore (moral philosopher), and Nicholas Moore, a collection of poetry and other writings mainly related to the latter, including a Man Ray photograph reprint of Henry Miller, the reverse signed, inscribed and dated 1/18/44 by Miller to Nicholas Moore (worm damage to one edge); Richards (Ceri) Drawings to Poems by Dylan Thomas, Enitharmon Press 1980, paper wrappers; Moore (N) The Glass Tower, 1st edition 1944 illustrated by Lucian Freud; also a few items with G.E.Moore’s signature, and two old portrait photographs
[MAYNWARING (Arthur)] The Lives Of the Two Illustrious Generals, John Duke of Marlborough and Francis Eugene, Prince of Savoy; The Life of His Highness Francis Eugene, Prince of Savoy, London: 1713, 8vo, both with portrait frontispiece, bound together in full calf (upper board detached, lower loose), cracked spine and worn edges, occasional spotting
Dame Ethel Walker (British, 1861-1951) Portrait of a Girl in Green oil on canvas 59 x 49cm provenance: private collection, Norfolk ethel Walker was inspired to become an artist after seeing a collection of oriental art in Edinburgh. She studied initially at the Putney Art School in London in 1883 and then the Slade School of Fine Art from 1892-1894 under Frederick Brown. on a visit to Spain in 1884 she was greatly impressed by Velázquez’s blend of realism and myth, and in Paris she identified particularly with the work of Manet and with the Impressionists. In 1898 she settled in Cheyne Walk, Chelsea, London, and established her studio there for the rest of her life. in 1900 she was elected the first woman member of the New English Art Club. Some of her best work is her portraits of women, such as Vanessa (1937; the Tate) which often showed her use of brilliant colour. she was elected ARA in 1940 and appointed DBE in 1943.
A Small 19th Century Watercolour portrait of a seated lady, initialled AM 1848, 11cm x 9cm, a pair of black and white prints depicting young boy and girl "Little TItty" and "School Master's Very Ill-So Glad" in black and gilt frames, a Baxter small print depicting perched bird and 2 small limited edition prints "Goose" and "Flowers" (6)

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283284 Los(e)/Seite